Edition 2024

Early Music Day takes place every year on 21 March, at the initiative of REMA. This celebration of more than a thousand years of music, through concerts and events taking place simultaneously around the world, is an opportunity for Europeans to (re)discover our musical heritage!

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21/03/2024 19:30 CET text-muted\">\n N&B MARETERRA FESTIVAL\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n

\n
H.I.F. von BIBER
Passacaglia in sol minore

J.S. BACH
Sonata n. 1 in sol minore (BWV 1001)
Partita n. 2 in re minore (BWV 1004)

<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
BORIS BEGELMAN (solo violin)<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"La$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 20/03/2024 20:00 CET\n <\/small>\n <\/p>\n\n
\n La Serenata Ritrovata\n <\/h3>\n\n \n La Risonanza/ Associazione Hendel\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
After extensive research and collaboration among a musicologist, composer, musician, and poet-translator, Johann Sebastian Bach\'s Serenade BWV 66a, \"Der Himmel dacht auf Anhalts Ruhm und Glück,\" is revived! Unheard since December 10th, 1718.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Federica Napoletani - soprano<\/div>
Angela Hyun Jung Oh - alto<\/div>
Karol Kusz - tenore<\/div>
Valerio Zanolli - basso<\/div>
Andrea Mion, Elisabeth Passot - oboes<\/div>
Giovanni Battista Graziadio - bassoon<\/div>
Jorge Jimenez, Ulrike Slowik, Rossella Borsoni, Beatrice Scaldini, Joanna Dobrowolska, Davide Medas, Laura Cavazzuti - violins
Livia Baldi, Zeno Scattolin - violas<\/div>
Caterina Dell’Agnello, Agnieszka Oszanca - cellos<\/div>
Guisella Massa – violone<\/div>
Fabio Bonizzoni – harpsichord and conducting <\/div>\n <\/div>\n\n
\n\n
La Serenata Ritrovata<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Il$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 18:00 CET (21/03/2024 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Il Lautenwerk, un cembalo raro \n <\/h3>\n\n \n Academia Montis Regalis \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Harpsichord Recital by Franz Silvestri <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Franz Silvestri <\/div>\n <\/div>\n\n
\n\n
https://academiamontisregalis.it/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"La$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 21:00 CET\n <\/small>\n <\/p>\n\n
\n La Guitarre Royalle\n <\/h3>\n\n \n Associazione MusicaMente\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
The programme \'La Guitarre Royalle\' brings together music from the entire production of Francesco Corbetta (Pavia 1615 - Paris 1681). Starting with his first Bolognese print of 1639 up to the second Parisian edition of the Guitarre Rqyalle of 1674, the apex of his production, which combines in a refined manner the Italian style with its Spanish influences, with the French style, well assimilated by the Pavia composer during his stay in Versailles in the Lullian period.

A witness, with his printed collections, to the compositional evolution of guitar music from a simple chordal accompaniment to music as elaborate and complex as any other instrument, Corbetta reaches the apex of this instrumental wisdom with the pieces for two guitars. It is not a question of a solo guitar accompanied by the second, but rather of two guitars in dialogue, whose summed chords create real \'harmonic clusters\' rich in overtones, and whose melodic lines s1 move m1 counterpoint. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
I Bassifondi, Gabriele Miracle: percussion
Ror Zuljan: baroque guitar
Simone V allerotonda: baroque guitar and direction<\/div>\n <\/div>\n\n
\n\n
https://www.associazionemusicamente.com<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Airy$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 18:00 CET (21/03/2024 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Airy vagueness and sacred modulations\n <\/h3>\n\n \n Conservatorio di Musica "G. Rossini"\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
On Thursday 21 March, the Rossini Conservatoire celebrates the European Day of Early Music 2024 at the Rossini National Museum. Instituted by the European Community on the day of J. S. Bach\'s birth (1685) and the spring equinox, the celebration aims to ideally unite Europe in the sign of its millenary musical tradition (from the Middle Ages to the end of the 18th century), symbolised by the great Leipzig, and at a moment of rebirth to life marked by the shift of the Sun\'s hemisphere.

For the occasion, students and teachers of the CRoMA (Conservatorio Rossini Musica Antica) ensemble are proposing a concert entitled Ariose vaghezze e Sacre modulazioni, ovvero la monodia accompagnata del Seicento italiano per arciliuto e voci.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Prof. Pietro Prosser archlute
Giulia Silvestri, Laura Luciani, Jungmi Park sopranos<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Music$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 18:00 CET\n <\/small>\n <\/p>\n\n
\n Music for a while – Dilettanti eruditi e mecenati\n <\/h3>\n\n \n Conservatorio statale di Musica "G. B. Martini", Bologna\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
The concert celebrates the Early Music Day and the donation of a virginal and several recorders and traversos to the Conservatorio by a Bolognese music lover and amateur player. According to the quality of the instruments, the concert is entirely dedicated to the English music (J. Dowland, Th. Morley, H. Purcell, W. Lawes).<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble di Musica antica del Conservatorio “G. B. Martini”<\/div>
Cleonice Sabrina Bortolotti, Margherita Minardi, Amelia Rossi Fioravanti, Ufuk Aslan, Luca Fanteria, voices<\/div>
Stefano Gerard, So-Yeong Baik, violins<\/div>
Francesco Lussignoli, Daniele Salvatore, traverso and recorder<\/div>
Federica Bettelli, Luca Piccini, viol da gamba<\/div>
MIchele Barbieri, Michela De Pasquale, Laura di Cera, Yui Mochizuki, Giuditta Pizzilli, harpsichord<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Haydn’s$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 13/03/2024 20:45 CET (13/03/2024 20:45 CET)\n <\/small>\n <\/p>\n\n
\n Haydn’s Seven Last Words\n <\/h3>\n\n \n Associazione Filarmonica di Rovereto\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
The young international period instrumentalists of Theresia Orchestra<\/strong> embark on a poignant journey for their next orchestral residency in Lodi, exploring Haydn’s original orchestral version of his masterpiece “The Seven Last Words of our Saviour on the Cross”. Commissioned by a Spanish priest in 1786 for a Good Friday service in an underground church in Cádiz, Haydn was asked to compose a series of slow, meditative “sonatas,” each relating to one of the seven last words of Christ during the crucifixion, as outlined in the Gospels of Matthew, Luke, and John. Interwoven with reflective spoken word mediations, Alfredo Bernardini <\/strong>will lead Theresia Orchestra in this meaningful work.<\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Theresia Orchestra
Alfredo Bernardini - conductor<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
More info about Theresia Orchestra<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concerto$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2024 18:00 CET\n <\/small>\n <\/p>\n\n
\n Concerto Il sonar cantando: Girolamo Frescobaldi\n <\/h3>\n\n \n Conservatorio di musica "Giuseppe Verdi" di Milano\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Among the musicians who were active in the first half of the seventeenth century, Girolamo Frescobaldi (Ferrara, 1583 - Rome, 1643)stands out not only as an organist whose virtuosity and technical skill were superlative and incomparable, but also as a formidable musician who was able to interpret the artistic stirrings in the musical language of his time and to incorporate them, in an effective and significant way, into his vast production for keyboard instruments. <\/div>
Frescobaldi not only inaugurates a new manner of playing but also illustrates a new refined “modus componendi” through a language of astonishing modernity. <\/div>
The concert offers pages taken from his printed (Libro I Toccatas, Libro II Toccatas) and unpublished (Chigi Codex ) music collections.<\/div>
It is music that seduce by its spontaneity, by its freshness, by the naturalness of the lyric melodic gesture. <\/div>
In fact, the pages of the illustrious organist enjoy the luminous and fascinating sonorities of a magnificent example of Italian organ building art, belonging to one of the most famous dynasties of Brescian builders, active in the years between the sixteenth and seventeenth centuries: the Antegnati. In particular, it is an ancient organ built by Gian Giacomo Antegnati in 1554, located, in the mirifica Church of San Maurizio al Monastero Maggiore in Milan.<\/div>
These pages are so imbued with a great expressive intensity and a poignant grace that, even today, they amaze us with their relevance. They are compositions permeated by a magic of sounds and an emotional tension that seems to never end.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Ivana Valotti, Organ professor (at Conservatorio di musica \"Giusepe Verdi\" di Milano)<\/div>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Haydn’s$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 14/03/2024 21:00 CET (14/03/2024 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Haydn’s Seven Last Words\n <\/h3>\n\n \n Associazione Angelo Marini\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
The young international period instrumentalists of Theresia Orchestra<\/strong> embark on a poignant journey for their next orchestral residency in Lodi, exploring Haydn’s original orchestral version of his masterpiece “The Seven Last Words of our Saviour on the Cross”. Commissioned by a Spanish priest in 1786 for a Good Friday service in an underground church in Cádiz, Haydn was asked to compose a series of slow, meditative “sonatas,” each relating to one of the seven last words of Christ during the crucifixion, as outlined in the Gospels of Matthew, Luke, and John. Interwoven with reflective spoken word mediations, Alfredo Bernardini <\/strong>will lead Theresia Orchestra in this meaningful work.<\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Theresia Orchestra
Alfredo Bernardini - conductor
Archbishop of Ravenna - narrator<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
More info about Theresia Orchestra<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Haydn’s$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 12/03/2024 21:00 CET (12/03/2024 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Haydn’s Seven Last Words\n <\/h3>\n\n \n Teatro alle Vigne\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
The young international period instrumentalists of Theresia Orchestra embark on a poignant journey for their next orchestral residency in Lodi, exploring Haydn’s original orchestral version of his masterpiece “‘The Seven Last Words of our Saviour on the Cross”. <\/div>
Commissioned by a Spanish priest in 1786 for a Good Friday service in an underground church in Cádiz, Haydn was asked to compose a series of slow, meditative “sonatas,” each relating to one of the seven last words of Christ during the crucifixion, as outlined in the Gospels of Matthew, Luke, and John. Interwoven with reflective spoken word mediations, Alfredo Bernardini <\/a>will lead Theresia Orchestra in this meaningful work. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Theresia Orchestra
Alfredo Bernardini - conductor
Antonio Messina - narrator<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
More info about Theresia Orchestra<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"TODOS$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2024 18:00 CET\n <\/small>\n <\/p>\n\n
\n TODOS LOS MALES\n <\/h3>\n\n \n Centro di Musica Antica Ghislieri - Fondazione Teatro Fraschini\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Presentation with the artists and then film projection of the movie TODOS LOS MALES by Simone Derai based on the opera LES INCAS DU PEROU by J. P. Rameau that took place at Rimini for the Sagra Musicale Malatestiana on October 2022.

<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Juana Myriam Chero Tarazona - Maria Elena Soto Chero (Phani) - Marco Ciccullo (Carlos) - Cristian Alexis Alarcon Jara (Huascar) - Ekaterina Protsenko (Soprano) Nicholas Scott (Tenore) - Renato Dolcini (Baritono)
Coro Universitario del Collegio Ghislieri - Luca Colombo | Choir leader
Filarmonica Arturo Toscanini
Giulio Prandi | Conductor

Production: Sagra Musicale Malatestiana, Anagoor, Kublai Film
Director: Simone Derai
Photography: Giulio Favotto <\/div>\n <\/div>\n\n
\n\n
Video<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Inaugural$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 11:11 CET (21/03/2024 11:11 CET)\n <\/small>\n <\/p>\n\n
\n Inaugural Concert of the 6th International Festival of Early Music 'Timeless Notes\n <\/h3>\n\n \n Note senza tempo festival internazionale di musica antica\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
On World Early Music Day, the festival opens its 6th edition with two extraordinary cantatas by J.S. Bach
Cantata No. 131
Aus der Tiefen rufe ich, Herr, zu dir

Cantata No. 106
Gottes Zeit ist die allerbeste Zeit - Actus Tragicus<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
La Calandria Ensemble
ALIDA OLIVA soprano
BIANCA SIMONE alto
JIANGCHEN HE tenor
DECIO BIAVATI bass

WILLELM PEERIK organ and direction<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Il$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 17:00 CET\n <\/small>\n <\/p>\n\n
\n Il Tessuto dei Sogni / The Fabric of Dreams\n <\/h3>\n\n \n ISIS CARDUCCI - DANTE\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
It\'s a transcription of \'A Midsummer Night\'s Dream\' by Shakespeare in three languages: English, Italian and Triestine dialect, written and played by the school\'s classical students. The play is accompanied by the music of The Fairy Queen <\/em>by Purcell, played by the school\'s early music students. <\/div>\n <\/div>\n\n \n Musicians<\/span>\n
50 students of Classical and Musical High School \'Carducci-Dante\' of Trieste (aged 16-19) <\/div>
Philosophy teacher Mrs Elsa Zibai, English teacher Mrs Anna Pettener, <\/div>
Early music MM Teodora Tommasi, Arstistic supervision MM Fanni Cannelles (Accademia Ars Nova) <\/div>

<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concerto$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 21:00 CET\n <\/small>\n <\/p>\n\n
\n Concerto di Pasqua\n <\/h3>\n\n \n Centro di Musica Antica Ghislieri \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Giulio Prandi will propose, together with Coro Ghislieri and the Basso Continuo of the ensemble, a new program around the music of N. Jommelli and D. Perez. A musical match between the father of Neapolitan opera music of the XVIII century who became famous all over Europe, and the most rappresentative composer of sacred music of the same period who ended the carrer in a far european state, Portugal.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Alessandro Nasello, Yoan Otano - FAGOTTI
Maria Cecilia Farina - ORGANO

CORO GHISLIERI
DIRETTORE - Giulio Prandi<\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Festa$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 18:00 CET\n <\/small>\n <\/p>\n\n
\n Festa della Musica Antica: Accade anche qui \n <\/h3>\n\n \n Diapason Consortium\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
A tribute concert to Early Music in Vigevano, a beautiful town close to Milan both geographically and historically. Here, during the Renaissance, the Sforza Court moved from Milan; moreover, important figures such as Ludovico il Moro, Leonardo da Vinci and Donato Bramante lived here. The venue for the concert is the splendid San Dionigi Auditorium - a deconsecrated Baroque church that represents the temple of music in Vigevano - located a few meters from the fabulous Piazza Ducale.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Maratona Musicale with \"Bottega dei Suoni\"<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach's$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 09:10 CET (21/03/2024 09:10 CET)\n <\/small>\n <\/p>\n\n
\n Bach's harpsichord concerts\n <\/h3>\n\n \n Amici della Musica di Padova\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
J.S. Bach: Brandenburg Concerto n. 5 BWV 1050, Concerto BWV 1053, Concerto BWV 1057
G.F. Händel: Trio Sonata op. 5 n. 4 HWV 399<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
AbChordis Ensemble, Baroque ensemble
Thomas Kügler, Traverso and Recorder
Cecilia Massenzana, Recorder
Rahel Wittling, Violin
Andrea Buccarella, Harpsichord and Conductor<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Early$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2024 11:15 CET (22/03/2024 11:15 CET)\n <\/small>\n <\/p>\n\n
\n Early Music Day - L'Aquila 2024 \n <\/h3>\n\n \n Associazione Musicale Aquila Altera\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
Presentation event of the early music festival \"I Concerti di Euterpe\" <\/em><\/strong>and concert by violinists Sara MELONI<\/strong> and Gabriele PRO<\/strong> entitled: \"Due violini sotto falso nome\"<\/em><\/strong>. On the program will be the \"Six Duo Concertans pour deux violons Composés par L.Boccherini, oeuvre 37ª\" published in Paris Chez Mr. Barbieri, which are actually six duets for two violins composed by sardinian violinist Giuseppe Agus. The rediscovery of this important 18th century composer is due to Maestro Enrico di Felice, who accidentally came across Agus\' music in the early 1990s.<\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Sara Meloni - Gabriele Pro, violins<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
http://www.aquilaaltera.it/<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Follie$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 11:30 CET (21/03/2024 11:30 CET)\n <\/small>\n <\/p>\n\n
\n Follie Barocche \n <\/h3>\n\n \n Liceo Musicale Statale "Margherita di Savoia" - Napoli \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
\"Follie barocche is a musical journey on an anciet theme \"la Follia\", beautifully though for the european early music day. The music by J.S.Bach, A. Corelli, G.F.Haendel, A. Scarlatti, performed with our voices and on our musical instruments, recalls to original sounds and particular music languages, where past and present harmonize like in a cream to the original sounds.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Nocerino Francesco, Amato Angela, Caiazza Ida, Greco Elisa, Borrelli Claudio<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"O$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 21:00 CET (21/03/2024 21:00 CET)\n <\/small>\n <\/p>\n\n
\n O ZELO D'AMORE - La Passione di Cristo nelle opere modenesi di Bernardo Pasquini\n <\/h3>\n\n \n I Madrigalisti Estensi APS - Arcidiocesi di Modena-Nonantola\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
The concert celebrates the Early Music Day and the Holy Week with the Cantata Hor ch\'il ciel fra densi orrori<\/em> and some arias from the Oratorio La Sete di Christo <\/em>by Bernardo Pasquini, whose manuscripts are preserved at the Estense Library in Modena.<\/div>\n <\/div>\n\n \n Musicians<\/span>\n
I Madrigalisti Estensi
Alice Fraccari, soprano
Giacomo Pieracci, bass
Michele Gaddi, organ and conductor<\/div>\n <\/div>\n\n
\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Prospettive$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2024 14:30 CET\n <\/small>\n <\/p>\n\n
\n Prospettive di ricerca per la musica antica / Research Perspectives on Early Music\n <\/h3>\n\n \n Dipartimento di Musicologia e Beni Culturali, Università di Pavia, Campus di Cremona\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Presentation of the research projects on Early Music developed in the Department of Musicology and Cultural Heritage (University of Pavia - Cremona Campus), from the Gregorian Chant and Renaissance Music to the Baroque Music.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Giovanni Varelli (associate Professor), Antonio Calvia (assistant professor), Michele Epifani (assistant professor), Luca Gatti (research fellow), Antonio Delfino (associate professor), Rodobaldo Tibaldi (associate professor), Francesco Saggio (research fellow), Angela Romagnoli (associate professor), Luca Benedetti (musicologist), Donatella Melini (research fellow), Massimiliano Guido (associate professor)<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 24/03/2024 17:00 CET (24/03/2024 17:00 CET)\n <\/small>\n <\/p>\n\n
\n The language of music: Dante, Petrarch, and the Italian lyrical tradition in the music of the Cinquecento\n <\/h3>\n\n \n Forlì Antiqua\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
Which language for the Renaissance? Petrarch and the charm of a euphonic language, or the passionate language of Dante Alighieri? Discover the singing tradition of Italian poetry in the Cinquecento between improvisation and print heritage, across Rome, Venice and San Gimignano.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Giovanni Cantarini, voice, lute, recitation
Giulia Ricci, harpsichord and organ<\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Follie$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2024 14:00 CET (21/03/2024 14:00 CET)\n <\/small>\n <\/p>\n\n
\n Follie Barocche\n <\/h3>\n\n \n Liceo Musicale Statale "Margherita di Savoia" - Napoli\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
\"Follie barocche<\/strong>\" is a musical journey on an anciet theme \"la Follia<\/em>\", beautifully though for the european early music day. The music by J.S.Bach, A. Corelli, G.F.Haendel, A. Scarlatti, performed with our voices and on our musical instruments, recalls to original sounds and particular music languages, where past and present harmonize like in a cream to the original sounds.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Allievi:<\/strong> Castiello Sofia, Teleno Silvana, Tesone Barbara, Chukhrovska Yana, Notaro Giovanni, De Vito Gaia, Balena Alessandra, Negri Alessia, Varriale Alfredo, Perrotta Annarita, Tramontana Emilianna, Musto Mattia, Carannante Mattia, Scicchitano Miriam, Pacilio Ilaria, Pollice Aurora, Giordano Viviana, Dini Ciacci Luna, Botosineanu Elisa, Botosineanu Luis, Avino Giacomo, Nastych Anna, Feola Enrika, Capocotta Valerio, Capuano Liliana, Succoia Maria Teresa, Rocco Alessandro, Durazzano Francesco.
Docenti: Angela Amato (Violino), Ida Caiazza (Canto), Elisa Greco (Arpa), Francesco Nocerino (Pianoforte)
Valentina Crimaldi (Flauto), Gianni Iaccarino (Flauto), Vittorio Migliaccio (Fagotto), Francesco Oricchio (Corno)<\/strong><\/div>\n <\/div>\n\n
\n\n
Find out more ><\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"La$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 20:30 CET\n <\/small>\n <\/p>\n\n
\n La Principessa triste - La musica segreta di Amalia \n <\/h3>\n\n \n festival Wunderkammer - CARPE DIEM\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
The programme focuses on the figure of Anna Amalia Hohenzollern, princess of Prussia, a cultured woman and fine musician whose 300th death anniversary falls last year. Sister of Frederick the Great, her life was crushed by an oppressive father and brother who always kept her in a marginal role. The story of a woman caged in a society that wanted her submissive and who finds her freedom through art. Music by Telemann, Friedrich der Grosse.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Flutes&Frets duo: Beth Stone, flute<\/strong> - Daniel Murphy, lute<\/strong> <\/div>
Paola Erdas, narrator<\/strong> <\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Quante$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 26/03/2024 11:00 CET (26/03/2024 11:00 CET)\n <\/small>\n <\/p>\n\n
\n Quante Follie in Europa!!!\n <\/h3>\n\n \n Liceo Musicale Statale "Margherita di Savoia" - Napoli\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
Workshop Musicale<\/strong>
Presentazione del tema musicale della Follia, <\/em><\/div>
a cura di <\/div>
Diana Facchini <\/strong>e Francesco Nocerino <\/strong><\/div>

Brani musicali di <\/div>
Haendel, Corelli, Scarlatti, Vivaldi e Bach <\/div>

<\/div>
<\/div>
<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Barocco<\/strong> <\/div>
preparato dai Docenti: <\/div>
Angela Amato<\/strong> (violino<\/em>), Ida Caiazza<\/strong> (canto<\/em>), Elisa Greco <\/strong>(arpa<\/em>), Francesco Nocerino<\/strong> (pianoforte<\/em>), <\/div>
Valentina Crimaldi <\/strong>(flauto<\/em>), Gianni Iaccarino<\/strong> (flauto<\/em>), Vittorio Migliaccio<\/strong> (fagotto<\/em>), Francesco Oricchio<\/strong> (corno<\/em>) <\/div>\n <\/div>\n\n
\n\n
Online link (google meet)<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 17:30 CET\n <\/small>\n <\/p>\n\n
\n Bach and friends\n <\/h3>\n\n \n Agamus ETS\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
The concert program includes the performance of the Concerto for Four Violins in G major (TWV 40:203) by G.P Telemann, the cello suite in D minor by J.S. Bach and the Concerto 4 in A major (TWV 40:204) by G.P. Telemann.<\/div>

<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Ottetto Telemann - 8 violins<\/strong><\/div>
Filippo Conrado, Giulia Gaietti, Giulia Elettra Genovese, Teresa Pironato, Giulia Salituro, Amanda Serra, Carla Adriana Tamietto ,Giada Zhou.

Baroque cello<\/strong>: Clara Ruberti<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"LA$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 16/03/2024 15:30 CET (16/03/2024 15:30 CET)\n <\/small>\n <\/p>\n\n
\n LA WUNDERKAMMER MUSICALE. Visita Guidata alla Stanza delle Meraviglie ducali\n <\/h3>\n\n \n Grandezze & Meraviglie\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Guided tour of the collection of Galleria Estense di Modena on the musical instruments, which were prominent at the Duke’s Cabinet of Wonders. For example the Arpa Estense from Concerto delle Dame di Ferrara at the end of the 16th century.<\/div>\n <\/div>\n\n\n
\n\n
YouTube<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Il$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 20:30 CET (21/03/2024 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Il Suono della Luce - il viaggio musicale nella Commedia\n <\/h3>\n\n \n almamusica433 and kalicantus ensemble\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
The vocal concert retraces the journey of Dante Alighieri told in the Comedy through the stories and musical pages of the composers he met and the sound suggestions recounted. Between words and music, a journey within a journey.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Kalicantus Ensemble<\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"G.Ph.$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2014 16:30 CET (21/03/2014 16:30 CET)\n <\/small>\n <\/p>\n\n
\n G.Ph. Telemann, concerto strumentale, Monteverdi e il Combattimento di Tancredi e Clorinda\n <\/h3>\n\n \n Conservatorio Alfredo Casella (L'Aquila)\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
PART I
Alfredo Casella\' Conservatory of Music - L\'Aquila
Ensemble music workshop for ancient instruments by Prof. Maria de Martini
Mandolin Ensemble by Prof. Fabio Giudice

Georg Philipp Telemann (1681-1767)
Sonata in C Major TWV 41:C2
Cantabile, Allegro, Grave, Vivace

Triosonata in A minor TWV 42:a4
Largo, Vivace, Affettuoso, Allegro

Concerto in D Major TWV 40:202
Adagio, Allegro, Grave, Allegro (transcription for four mandolins)

Quartet in D minor TWV 43:D3
Andante, Vivace, Largo, Allegro

PART II

Project 1624-2024: 4 CENTURIES OF COMBAT.
Claudio Monteverdi and the Combattimento di Tancredi e Clorinda on the 4th centenary of the first performance
Coordination Prof. Massimo Salcito

Claudio Monteverdi (1567-1643)
Aria for several voices \"Sì dolce \'l tormento\" by Claudio Monteverdi, SV 332
\"Combattimento di Tancredi e Clorinda\" by Claudio Monteverdi, SV 153
Canzonetta for several voices \"Fugge \'l verno dei dolori\" 232

Translated with DeepL.com (free version)<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Performers: (lab. Ancient Instruments Conservatorio A. Casella (Prof: De Martini-Giudice)
- Nina Taddei, Recorder
- Maria de Martini, Recorder
- Sayaka di Matteo, Baroque Violin
- Antonio Lattanzi, Transverse Flute
- Giordano D\'Alfonso, Harpsichord
- Alberto Lattanzi, Viola da Gamba
- Felice Zaccheo, Viola da Gamba
- Fabio Giudice, Mandolin
- Stefano Pogelli, Mandolin
- Fabio Refrigeri, Mandolin
-Marco Battistelli, Mandolin

Ensemble \'Alceo Toni
- Azzurra Di Marco
- Arianna Giuliani
- Vincenzo Ciccarelli
- Wei Keke
- Massimo Salcito, Harpsichord<\/div>\n <\/div>\n\n
\n\n
Conservatorio A. Casella de L'Aquila<\/a><\/li>\n\n
Video<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"La$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 14:30 CET\n <\/small>\n <\/p>\n\n
\n La Bande de violons du Louis XIV\n <\/h3>\n\n \n Civica Scuola di Musica Claudio Abbado - Fondazione Milano\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Open rehearsals of the Baroque Orchestra of the Civica Scuola di Musica Claudio Abbado under the guidance of Susanne Scholz on an Erasmus exchange from the Instituts für Alte Musik und Aufführungspraxis of the Kunstuniversität of Graz (Austria). The concert related to Susanne Scholz\'s project will be held on Saturday 23 March at 4.00 pm at the Sala della Balla of the Castello Sforzesco in Milan.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Susanne Scholz, conductor and violin<\/em>
Angelo Basile, Neyén Finot Copa, Martín Moya Fernandez, Lucilla Tempella, violins<\/em><\/div>
Hagar Girsai, Alejandra Segovia Masià, Olesia Romaniv, violas<\/em><\/div>
Massimo Campagna, Chiara Cardelli, cellos<\/em>
Rita Perego, Rosario Scafili, Matteo Taverniti, recorders<\/em>
Eleonora Casolari, traverso<\/em>
Emanuele Gorla, theorbo
Ninon Dusollier, basson<\/em>
Sebastiano Cristaldi, Nicola Gandolfo, harpsichords<\/em><\/div>
Teodora Tommasi, harp<\/em>
Hyun Ji, soprano<\/em><\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Giovanni$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2024 20:30 CET (21/03/2024 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Giovanni Legrenzi (1626-1690), «Vespro di San Callisto», from «Salmi a cinque. Tre voci e due violini», opus V (Venezia, 1657)\n <\/h3>\n\n \n MUSICA MIRABILIS. International Musical Festival Giovanni Legrenzi - Municipality of Clusone (Bergamo)\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
The Salmi a cinque, tre voci e due violini<\/em>, fifth work, by Giovanni Legrenzi, are a collection of thirteen pieces: twelve psalms and the Magnificat<\/em>, published in Venice in 1657. From this collection a Vespers for the feast of St. Callisto<\/em> was created.. These psalms follow the model of the church cantata, with multiple sections, consisting of the succession of individual parts, contrasting with each other in style, metric signature and agogic prescription; each combined with a verse of the psalm following changing formal patterns.<\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Collegium vocale et instrumentale \'Nova Ars Cantandi\'. Alessandro Carmignani, singing; Enrico Torre, alto; Gianluca Ferrarini, tenor; Marcello Vargetto, bass; Luca Giardini, violin; Gian Andrea Guerra, violin; Marco Frezzato, cello; Mauro Pinciaroli, theorbo and guitar; Ivana Valotti, organ; Giovanni Acciai, conductor.<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Antonio$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 21:00 CET\n <\/small>\n <\/p>\n\n
\n Antonio Caldara (1670-1736), “Maddalena ai Piedi di Cristo”\n <\/h3>\n\n \n ACCADEMIA DEL RICERCARE\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
The period instruments orchestra \"Accademia del Ricercare\", lead by Luigi Pagliarini, will perform Antonio Caldara\'s Oratorio \"La Maddalena ai piedi di Cristo\" in the splendid setting of the church of Sant\'Agnese in Vercelli. \"Maddalena ai piedi di Cristo\" was written in Venice probably between 1697 and 1698. Lodovici Forni\'s tight, cohesive libretto (also used by Bononcini in 1690) is based on Luke 7:36-50, with the addition of Martha from John 11:1-2 and 12:1-4. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Arianna Stornello, Maddalena
Chiara Pontoriero, Marta
Sara Lacitignola, Amor Celeste
Rossella Giacchero, Amor Terreno
Stefano Gambarino, Christ
Mario Tahtouh, Pharisee
Yayoi Masuda, Efix Puleo, Francesco Bergamini, Artem Dzeganovskyi, violins
Elena Saccomandi, Alessandro Curtoni, violas
Daniele Bovo, cello
Gualtiero Marangoni, violone
Laura La Vecchia, theorbo
Claudia Ferrero, harpsichord

Luigi Pagliarini, conductor <\/div>\n <\/div>\n\n
\n\n
Youtube page<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"La$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 21:04 CET\n <\/small>\n <\/p>\n\n
\n La primavera di Bach\n <\/h3>\n\n \n Associazione Mousike Vicenza\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Concerts between 17 and 21 March 2024 in the beautiful venues of Vicenza\'s historic centre.
In memoriam of Michael Radulescu, with Teatro Armonico and many artists.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
With Margherita Dalla Vecchia, Pier Damiano Peretti, Stefano Molardi, Enrico Viccardi, Francesco Galligioni, young students from the Verona Conservatory and Vicenza schools<\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"I$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 16:00 CET (21/03/2024 16:00 CET)\n <\/small>\n <\/p>\n\n
\n I Colori del Barocco\n <\/h3>\n\n \n Be Ancient Be Cool\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
A selection of chamber music by J. B. Boismortier, K. H. Graun, A. Caldara, J. J. Quantz on period instruments. A programme which showcases the many colours and timbres of baroque music, perfectly matching the beautiful setting of the Teatro Olimpico.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Isobel Cordone, baroque violin<\/em>
Giuseppe Falciglia, baroque oboe, oboe d\'amore and recorder<\/em>
Silvia Dell\'Agnolo, chalumeau<\/em>
Dario Pisasale, theorbo<\/em><\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Telemann$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2024 16:30 GMT (21/03/2024 17:30 CET)\n <\/small>\n <\/p>\n\n
\n Telemann e Monteverdi\n <\/h3>\n\n \n Conservatorio Alfredo Casella\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
PART I
Alfredo Casella\' Conservatory of Music - L\'Aquila
Ensemble music workshop for ancient instruments by Prof. Maria de Martini
Mandolin Ensemble by Prof. Fabio Giudice

Georg Philipp Telemann (1681-1767)
Sonata in C Major TWV 41:C2
Cantabile, Allegro, Grave, Vivace

Triosonata in A minor TWV 42:a4
Largo, Vivace, Affettuoso, Allegro

Concerto in D Major TWV 40:202
Adagio, Allegro, Grave, Allegro (transcription for four mandolins)

Quartet in D minor TWV 43:D3
Andante, Vivace, Largo, Allegro

PART II

Project 1624-2024: 4 CENTURIES OF COMBAT.
Claudio Monteverdi and the Combattimento di Tancredi e Clorinda on the 4th centenary of the first performance
Coordination Prof. Massimo Salcito

Claudio Monteverdi (1567-1643)
Aria for several voices \"Sì dolce \'l tormento\" by Claudio Monteverdi, SV 332
\"Combattimento di Tancredi e Clorinda\" by Claudio Monteverdi, SV 153
Canzonetta for several voices \"Fugge \'l verno dei dolori\" 232

Ensemble \'Alceo Toni\':
- Azzurra Di Marco
- Arianna Giuliani
- Vincenzo Ciccarelli
- Wei Keke
- Massimo Salcito, Harpsichord<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Performers:
- Nina Taddei, Recorder
- Maria de Martini, Recorder
- Sayaka di Matteo, Baroque Violin
- Antonio Lattanzi, Transverse Flute
- Giordano D\'Alfonso, Harpsichord
- Alberto Lattanzi, Viola da Gamba
- Felice Zaccheo, Viola da Gamba
- Fabio Giudice, Mandolin
- Stefano Pogelli, Mandolin
- Fabio Refrigeri, Mandolin
-Marco Battistelli, Mandolin<\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 23/03/2024 15:30 CET (23/03/2024 15:30 CET)\n <\/small>\n <\/p>\n\n
\n DOMENICO SCARLATTI. 16 Sonate\n <\/h3>\n\n \n Grandezze & Meraviglie\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
The legendary harpsichordist Stefano Innocenti, a great Italian soloist, offers a selection of splendid sonatas by Domenico Scarlatti.

<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Stefano Innocenti, harpsichord. Riccardo Castagnetti, lecturer.

<\/div>\n <\/div>\n\n
\n\n
YouTube<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2024 19:00 CET (23/03/2024 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Caritas et Amor - La scuola della Carità tra Arte e Musica\n <\/h3>\n\n \n Concentus Musicus Patavinus - Università degli Studi di Padova - Coro da Camera\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
The oratorio \'La Morte di Sant\'Antonio\' by B. Aliotti fits into the context of 17th century sacred art, flanking masterpieces such as \"Jephte\" by G. Carissimi: both examples of how sacred music transcended the boundaries of the era, communicating emotions and spirituality through a masterful combination of music and word.
The concert is preceded by a guided tour by the Doctorate Course in History, Criticism and Conservation of Cultural Heritage at the University of Padua.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Francesca Toso, PhD student in History, Criticism and Conservation of Cultural Heritage

Alice Fraccari, soprano
Camilla Scappatura, soprano
Maria de Lourdes Carrillo Guerrero, soprano
Rosalba Cipriani, mezzo-soprano
Sara Tommasini, alto
Michele Fracasso, tenor
Alessio Bisetto, bass

Chamber Choir of the Concentus Musicus Patavinus - University of Padua -

Luca Ranzato, violin and viola
Alessandra Scatola, violin and viola
Carolina Putica, recorder
Francesco Galligioni, cello
Roberto Loreggian, organ
Ignacio Vazzoler, conductor <\/em><\/div>\n <\/div>\n\n \n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 15/03/2024 18:00 CET (15/03/2024 18:00 CET)\n <\/small>\n <\/p>\n\n
\n LA GALLERIA ESTENSE TRA ARTE E MUSICA. Genesi di una collezione\n <\/h3>\n\n \n Grandezze & Meraviglie\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
Presentation of the collection of Galleria Estense di Modena on the musical instruments, which were prominent at the Duke’s Cabinet of Wonders. For example the Arpa Estense from Concerto delle Dame di Ferrara at the end of the 16th century.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Paola Gigini, lecturer.<\/div>\n <\/div>\n\n
\n\n
YouTube<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Buon$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2024 17:45 CET\n <\/small>\n <\/p>\n\n
\n Buon Compleanno Bach\n <\/h3>\n\n \n Associazione Mousike Vicenza\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
MONDAY 18 March
ODEO OF THE OLYMPIC THEATRE
5.45 p.m. The Cello Suites BWV 1010, 1011, 1012 second part
Francesco Galligioni, baroque cello<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Francesco Galligioni
Associazione Mousikè <\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 17:30 CET (21/03/2024 17:30 CET)\n <\/small>\n <\/p>\n\n
\n Guillaume Du Fay: between hidden architecture and projection into the future\n <\/h3>\n\n \n Pontificio Istituto Ambrosiano di Musica Sacra di Milano (Pontifical Ambrosian Institute of Sacred Music in Milan)\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
2024 marks the 550th anniversary of Guillaume Du Fay\'s death, and Early Music Day is the perfect occasion to remember his long and important compositional career. \'Luna totius musicae\': this is how he is mentioned by Compère in the motet Omnium bonorum plena. And indeed, Du Fay was an important reference point for his own and subsequent generations of composers. Always open to all musical novelties, he was able to constantly update his own compositional paradigm. At the same time, however, he was able to combine this continuous drive towards the future with the preservation of that late-medieval symbolic conception that characterised the works of the masters who had preceded him. All this gave rise to an interesting mix of the ancient and the modern, which certainly, together with other elements, constitutes one of the ingredients of Du Fay\'s greatness.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Francesco Rocco Rossi, Professor of Musical Semiography at the Pontifical Ambrosian Institute of Sacred Music in Milan<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"L'incanto$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2024 16:30 CET (20/03/2024 16:30 CET)\n <\/small>\n <\/p>\n\n
\n L'incanto della Musica - Il mito di Orfeo\n <\/h3>\n\n \n Concentus Musicus Patavinus - Università degli Studi di Padova - Scuola di di Dottorato in Storia, Critica e Conservazione dei Beni Culturali\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
Orpheus, the legendary musician of Greek mythology, enchanted with the sound of his lyre, which tamed the beasts and moved the gods themselves. His music conveyed deep emotions and told stories that touched the soul, making him an iconic figure of the power of music to express feelings and overcome challenges.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Monica Salvadori, Vice-Chancellor for Artistic, Historical and Cultural Heritage
Mario La Rosa, PhD student in History, Criticism and Conservation of Cultural Heritage<\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Arde$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 13/04/2024 18:00 CEST\n <\/small>\n <\/p>\n\n
\n Arde d'Amore il cielo \n <\/h3>\n\n \n associazione antica massa cybea\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
Conference - Concert on the women of Jerusalem Delivered between poetry, music and painting<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Ilaria Zolesi, musicologist
Alessandro Maggiani, painter
Ensemble Massa Cybea: Eleonora Di Dato (soprano) Luciano Bonci (tenor) Claudia Paz (cello) Erminia Migliorini (harpsichord)<\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"NAPOLI$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2024 19:30 CET (21/03/2024 19:30 CET)\n <\/small>\n <\/p>\n\n
\n NAPOLI BAROCCA - SICUT ERAT / Sacro e Strumentale nel Settecento Napoletano / Convivio Armonico per Early Music Day\n <\/h3>\n\n \n Area Arte Associazione / Ensemble Le Musiche Da Camera\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
AREA ARTE Associazione -
<\/em><\/strong>“LE MUSICHE DA CAMERA”
<\/strong>Ensemble vocale - strumentale con strumenti d’epoca
<\/em>
<\/div>
NAPOLI BAROCCA - SICUT ERAT / Sacro e Strumentale nel Settecento Napoletano<\/em><\/strong><\/div>

<\/em>GIROLAMO ABOS * <\/strong><\/div>
SINFONIA a due violini e basso<\/em><\/strong><\/div>
Tempo I (Allegro), Andante, Allegro<\/em> <\/div>
<\/div>
GIOVANBATTISTA PERGOLESI<\/strong><\/div>
SALVE REGINA <\/em><\/strong>° <\/div>
in La min. a voce sola con violini e basso continuo<\/em><\/strong> <\/strong><\/div>
<\/strong><\/div>
NICCOLO’ PICCINNI<\/strong><\/div>
PATER NOSTER *<\/em><\/strong><\/div>
per alto solo con archi e basso continuo<\/em><\/strong><\/div>
Manoscritto dal Fondo Noseda, Milano<\/em><\/strong><\/div>
<\/em><\/strong><\/div>
A. SERVILLO § <\/strong><\/div>
“CONCERTO per flauto traverso, violini e basso” <\/em><\/strong><\/div>
Allegretto, Largo cantabile, Allegro <\/em><\/div>
<\/div>
G.F. HAENDEL <\/strong><\/div>
DOLCI CHIODI, AMATE SPINE<\/em><\/strong><\/div>
Duetto di Maddalena e Cleofe dall’Oratorio “La Resurrezione”<\/em><\/div>
<\/em><\/strong><\/div>
Trascrizione a cura di Egidio Mastrominico * <\/em><\/strong><\/div>
Trascrizione a cura di Renata Cataldi § <\/em><\/strong><\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
“LE MUSICHE DA CAMERA”<\/strong><\/div>
Ensemble vocale - strumentale con strumenti d’epoca<\/em><\/div>
1992/2024 Trentadue anni di musica barocca a Napoli

<\/em>Rosa Montano - <\/em><\/strong>mezzosoprano / <\/em>Francesco Divito - <\/em><\/strong>sopranista <\/em><\/div>
Mastrominico Egidio - <\/em><\/strong>violino di concerto <\/em><\/div>
Cataldi<\/em><\/strong> <\/em>Renata <\/em><\/strong>– flauto traversiere<\/em><\/div>
Grieco Giuseppe - <\/em><\/strong>violino / <\/em>Bottiglioni<\/em><\/strong> <\/em>Giorgio <\/em><\/strong>viola<\/em><\/div>
Massa Leonardo <\/em><\/strong>– violoncello<\/em> / Capitanio Debora - <\/em><\/strong>clavicembalo<\/em><\/div>
<\/em><\/strong><\/div>\n <\/div>\n\n
\n\n
Canale di AREA ARTE dove verrà trasmesso il video<\/a><\/li>\n\n
Pagina FB di AREA ARTE dove sarà trasmesso il video<\/a><\/li>\n\n
Pagina FB di Le Musiche Da Camera dove sarà trasmesso il video<\/a><\/li>\n\n
Instagram Ensemble Le Musiche Da Camera<\/a><\/li>\n\n
Instagram Area Arte<\/a><\/li>\n\n
Website AREA ARTE <\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Il$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 18:00 CET (21/03/2024 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Il Cinquecento in Villa - Musiche ai tempi di Don Quijote de La Mancha - \n <\/h3>\n\n \n Concentus Musicus Patavinus - Università degli Studi di Padova - Villa Bassi Rathgeb - Rassegna Ospiti in Villa\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
Il programma intende ricreare l’ambiente musicale del Quijote, della sua epoca, valorizzando i cancioneros musicales españoles (termine utilizzato per definire una collezione o antologia di poemi che potevano o no essere destinati al canto) e alcuni manoscritti tra i più significativi dell’arte musicale iberica. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Chœur de chambre du Concentus Musicus Patavinus - Université de Padoue
Rosalba Cipriani, direction <\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Membra$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 17/03/2024 11:00 CET\n <\/small>\n <\/p>\n\n
\n Membra Jesu Nostri\n <\/h3>\n\n \n Ensemble Locatelli\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
Opening concert of the 2024 Season of Ensemble Locatelli, Bergamo Baroque Orchestra, hosted this year in the theater of Bergamo.

<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
ENSEMBLE VOCALE LOCATELLI<\/strong><\/div>
Maddalena De Biasi: soprano I<\/div>
Valeria La Grotta: soprano II<\/div>
Ilariandrea Tomasoni: contralto<\/div>
Matteo Straffi: tenore<\/div>
Lorenzo Tosi: basso<\/div>
ENSEMBLE LOCATELLI<\/strong><\/div>
Jérémie Chigioni, Regina Yugovich: violini<\/div>
Alessandro Arnoldi: viola<\/div>
Leonardo Gatti: violoncello<\/div>
Alessia Travaglini: viola da gamba<\/div>
Carlo Sgarro: contrabbasso<\/div>
Andrea Antonel: tiorba<\/div>
Thomas Chigioni: clavicembalo, organo, direzione<\/strong><\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 24/03/2024 10:45 CET (24/03/2024 10:45 CET)\n <\/small>\n <\/p>\n\n
\n Fiori barocchi 2024\n <\/h3>\n\n \n Il Borgo musicale - Associazione Incontri con la musica APS\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Classical music concert held by students from \'Il Borgo musicale - Associazione Incontri con la musica APS\' with the participation of students from the \'Pietro Bertani\' aps Academy in Luino<\/div>\n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"In$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 17/03/2024 16:00 CET\n <\/small>\n <\/p>\n\n
\n In Memoriam Michael Radulescu\n <\/h3>\n\n \n Associazione Mousike Vicenza\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
In memoriam Michael Radulescu
Church of San Filippo Neri
4.00 p.m. - 5.30 p.m.
At the De Lorenzi - Zordan Organ (1835-95) Margherita Dalla Vecchia, Ruggero Livieri, Stefano Molardi, Enrico Viccardi and the very young Federico Rigoni and Giacomo Scremin<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Margherita Dalla Vecchia
Ruggero Livieri
Stefano Molardi
Enrico Viccardi
Federico Rigoni
Giacomo Scremin<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 17/03/2024 19:00 CET\n <\/small>\n <\/p>\n\n
\n Buon Compleanno Bach in memoria Michael Radulescu\n <\/h3>\n\n \n Associazione Mousike Vicenza\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Vicenza Cathedral 7 p.m.

Epiphaniai (1988) by Michael Radulescu for organ and percussion

organist Pier Damiano Peretti, percussionist Alessandro Zucchi

with an intervention by Msgr. Roberto Tommasi<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Pier Damiano Peretti
Alessandro Zucchi <\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2024 19:15 CET\n <\/small>\n <\/p>\n\n
\n Suoni antichi: emozioni senza tempo. Concerto dell'Ensemble Lilia Campi\n <\/h3>\n\n \n Casa della Musica di Paternò - Parrocchia S.Maria dell'Alto\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Concert with music by J. Krebs, C. Ph. E. Bach, Playford, Caccini, Purcell<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Concert by the Lilia Campi Ensemble: Tiziana Coniglio (baroque violin),Simone Lo Castro (countertenor),Rosaria Politi (harpsichord), Salvatore Coniglio (harpsichord and viola da gamba)<\/div>\n <\/div>\n\n
\n\n
YouTube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Maratona$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 20/03/2024 09:00 CET\n <\/small>\n <\/p>\n\n
\n Maratona Bach\n <\/h3>\n\n \n Liceo delle Scienze Umane e Musicale "S. Rosa da Viterbo"\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
Concert 4 hours long with the students of Liceo Musicale \"S. Rosa da Viterbo\", live from our concert hall.
Each student or group will play a piece by J. S. Bach.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Students of Liceo Musicale \"S. Rosa da Viterbo\"<\/div>\n <\/div>\n\n
\n\n
YouTube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concerto$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2024 20:30 CET\n <\/small>\n <\/p>\n\n
\n Concerto di Quaresima \n <\/h3>\n\n \n Conservatorio di Musica Giuseppe Verdi di Milano\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
Johann Sebastian Bach, Mein Herze schwimmt in Blut BWV 199 <\/div>
Mein Gott, wie lang, ach lange BWV 155 <\/div>
Ich habe genug BWV 82 <\/div>

<\/div>
<\/div>

<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Rosalba Ducato soprano
Carmen Budau soprano
Giulietta Teani mezzo-soprano
Alessandro Vianelli tenor
Marco Pangallo baritone
Vocal and instrumental ensemble of the Milan Conservatory
Luca Oberti conductor<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Musiche$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2024 17:30 CET (23/03/2024 17:30 CET)\n <\/small>\n <\/p>\n\n
\n Musiche di varia sorte\n <\/h3>\n\n \n Museo internazionale e biblioteca della musica di Bologna - Ensemble La Misticanza\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
La Misticanza offers a misticanza of music from Italy and England: passing through different styles, symphonies, ballets and moments of improvisation you\'ll traverse from the late 16th century to the end of the 17th century. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble La Misticanza with Anna Fusek
Anna Fusek flauti dolci, violino <\/div>
Davide Gazzato arciliuto, flauto, percussioni <\/div>
Marco Casonato viola da gamba <\/div>
Gianluca Geremia tiorba, percussioni <\/div>\n <\/div>\n\n
\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Concert info<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"J.S.$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2024 16:34 CET\n <\/small>\n <\/p>\n\n
\n J.S. Bach - Johannes - Passion BWV 245\n <\/h3>\n\n \n Magnificat Choir & Consort\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
Johannes - Passion BWV 245 for Choir, Solos and Orchestra<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Magnificat Choir & Consort, DIR. Massimo Grechi<\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Suoni$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2024 16:30 CET (21/03/2024 16:30 CET)\n <\/small>\n <\/p>\n\n
\n Suoni nei Palazzi della Superba\n <\/h3>\n\n \n Liceo Musicale Sandro Pertini Genova\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
Concert by Liceo students with music by Bah, Rameau, Purcell.
Performance by maestros G.Cortese, S.Bagliano and P.Gaviglio with original period instruments.

<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Mo.Gianenrico Cortese
Mo. Stefano Bagliano

<\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Early$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2024 21:00 CET\n <\/small>\n <\/p>\n\n
\n Early Conversations: J. S. Bach\n <\/h3>\n\n \n C. S. Tania Birardi \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
J. S. Bach: from the process of assimilating the compositional language of important predecessors and contemporaries to the expression of a sophisticated, authentic and innovative language.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
C. S. Tania Birardi, speaker & harpsichordist<\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Il$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2024 20:00 CET (21/03/2024 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Il Cimento di Partenope\n <\/h3>\n\n \n Pietà de' Turchini Foundation\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
Virtuosity and experimentation between Naples and Europe<\/strong>
The program aims to bring attention back to the still little-known tradition of the violin concerto in Naples and to highlight the distinctive features of the Neapolitan instrumental tradition, somewhere between exalted virtuosity and daring experimentalism. The program not only has important historical salvage value, but also manages to excite and engage the audience\'s attention.

Angelo Ragazzi <\/strong>(Naples 1680 - Wien 1750)
Concerto a quattro con ripieni in G minor for strings
Adagio, Allegro, Adagio-Allegro-Adagio, Allegro<\/em>

Nicola Antonio Giacinto Porpora<\/strong> (Naples 1686 - Naples 1768)
Concerto for cello and strings in G major
Adagio, Allegro, Adagio, Allegro<\/em>

Nicola Matteis Jr<\/strong> (after 1670 - Wien 1737)
Sonata for two violins, cello and basso continuo in G minor
Grave-Prealudium, Presto, Adagio, Sarabande, Gavotte, Largo, Gigue<\/em>

Emanuele Barbella<\/strong> (Naples 1718 - Naples 1777)
Concertone for solo violin with violins, viola and bass in G minor
In tempo giusto, Largo e staccato di molto e fortissimo, Allegro andante alla polacca<\/em>

Francesco Scarlatti<\/strong> (Palermo 1666 - Dublin 1741)
Concerto No. 8 in F major for strings
Allegro, Largo-[Allegro], Larghetto, Allegro<\/em><\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Elisa Citterio <\/strong>violin<\/em>
Catherine Jones<\/strong> cello<\/em>

Stefano Demicheli<\/strong> harpsichord and conducting<\/em>

Talenti Vulcanici<\/strong>
Monika Toth violin<\/em>
Katarzyna Solecka violin<\/em>
Raffaele Nicoletti violin<\/em>
Andrea Beatriz Lizarraga violin<\/em>
Isabel Soteras Valenti violin<\/em>
Maria Bocelli viola<\/em>
Filippo Bergo viola<\/em>
Cristina Vidoni cello<\/em>
Federico Bagnasco double bass<\/em>
Juan Jose Francione theorbo<\/em>
Davor Krkljus organ

<\/em>Musicology consulting by Guido Olivieri<\/strong><\/div>\n <\/div>\n\n
\n\n
TurchiniLive<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });

SEI SOLO On-site
N&B MARETERRA FESTIVAL Italy
CHIESA SAN DOMENICO, Strada Palazzo dell'Intendenza, 22, 70122 BARI

H.I.F. von BIBER
Passacaglia in sol minore

J.S. BACH
Sonata n. 1 in sol minore (BWV 1001)
Partita n. 2 in re minore (BWV 1004)

Musicians
BORIS BEGELMAN (solo violin)

Website

20/03/2024 20:00 CET

La Serenata Ritrovata Online
La Risonanza/ Associazione Hendel Italy
Sala del Cenacolo of the Leonardo da Vinci National Science and Technology Museum in Milan, Via San Vittore, 21, , 20123 Milano

After extensive research and collaboration among a musicologist, composer, musician, and poet-translator, Johann Sebastian Bach's Serenade BWV 66a, "Der Himmel dacht auf Anhalts Ruhm und Glück," is revived! Unheard since December 10th, 1718.

Musicians
Federica Napoletani - soprano
Angela Hyun Jung Oh - alto
Karol Kusz - tenore
Valerio Zanolli - basso
Andrea Mion, Elisabeth Passot - oboes
Giovanni Battista Graziadio - bassoon
Jorge Jimenez, Ulrike Slowik, Rossella Borsoni, Beatrice Scaldini, Joanna Dobrowolska, Davide Medas, Laura Cavazzuti - violins
Livia Baldi, Zeno Scattolin - violas
Caterina Dell’Agnello, Agnieszka Oszanca - cellos
Guisella Massa – violone
Fabio Bonizzoni – harpsichord and conducting

La Serenata Ritrovata

21/03/2024 18:00 CET (21/03/2024 18:00 CET)

Il Lautenwerk, un cembalo raro On-site
Academia Montis Regalis Italy
Sala Ghislieri , Mondovì - Cuneo /Italy, Via Francesco Gallo 7, 12084 Mondovì

Harpsichord Recital by Franz Silvestri

Musicians
Franz Silvestri

https://academiamontisregalis.it/

21/03/2024 21:00 CET

La Guitarre Royalle On-site
Associazione MusicaMente Italy
Oratorio Santa Cita , Via Valverde 3 , Palermo , 90146 Palermo

The programme 'La Guitarre Royalle' brings together music from the entire production of Francesco Corbetta (Pavia 1615 - Paris 1681). Starting with his first Bolognese print of 1639 up to the second Parisian edition of the Guitarre Rqyalle of 1674, the apex of his production, which combines in a refined manner the Italian style with its Spanish influences, with the French style, well assimilated by the Pavia composer during his stay in Versailles in the Lullian period.

A witness, with his printed collections, to the compositional evolution of guitar music from a simple chordal accompaniment to music as elaborate and complex as any other instrument, Corbetta reaches the apex of this instrumental wisdom with the pieces for two guitars. It is not a question of a solo guitar accompanied by the second, but rather of two guitars in dialogue, whose summed chords create real 'harmonic clusters' rich in overtones, and whose melodic lines s1 move m1 counterpoint.

Musicians
I Bassifondi, Gabriele Miracle: percussion
Ror Zuljan: baroque guitar
Simone V allerotonda: baroque guitar and direction

https://www.associazionemusicamente.com

21/03/2024 18:00 CET (21/03/2024 18:00 CET)

Airy vagueness and sacred modulations On-site
Conservatorio di Musica "G. Rossini" Italy
Museo Nazionale Rossini, Via Passeri, 72, 61121 Pesaro e Urbino

On Thursday 21 March, the Rossini Conservatoire celebrates the European Day of Early Music 2024 at the Rossini National Museum. Instituted by the European Community on the day of J. S. Bach's birth (1685) and the spring equinox, the celebration aims to ideally unite Europe in the sign of its millenary musical tradition (from the Middle Ages to the end of the 18th century), symbolised by the great Leipzig, and at a moment of rebirth to life marked by the shift of the Sun's hemisphere.

For the occasion, students and teachers of the CRoMA (Conservatorio Rossini Musica Antica) ensemble are proposing a concert entitled Ariose vaghezze e Sacre modulazioni, ovvero la monodia accompagnata del Seicento italiano per arciliuto e voci.

Musicians
Prof. Pietro Prosser archlute
Giulia Silvestri, Laura Luciani, Jungmi Park sopranos

Website

21/03/2024 18:00 CET

Music for a while – Dilettanti eruditi e mecenati On-site
Conservatorio statale di Musica "G. B. Martini", Bologna Italy
Sala Bossi del Conservatorio "G. B. Martini", Piazza Rossini 1, 40100 Bologna

The concert celebrates the Early Music Day and the donation of a virginal and several recorders and traversos to the Conservatorio by a Bolognese music lover and amateur player. According to the quality of the instruments, the concert is entirely dedicated to the English music (J. Dowland, Th. Morley, H. Purcell, W. Lawes).

Musicians
Ensemble di Musica antica del Conservatorio “G. B. Martini”
Cleonice Sabrina Bortolotti, Margherita Minardi, Amelia Rossi Fioravanti, Ufuk Aslan, Luca Fanteria, voices
Stefano Gerard, So-Yeong Baik, violins
Francesco Lussignoli, Daniele Salvatore, traverso and recorder
Federica Bettelli, Luca Piccini, viol da gamba
MIchele Barbieri, Michela De Pasquale, Laura di Cera, Yui Mochizuki, Giuditta Pizzilli, harpsichord

Website

13/03/2024 20:45 CET (13/03/2024 20:45 CET)

Haydn’s Seven Last Words On-site
Associazione Filarmonica di Rovereto Italy
Sala Filarmonica, Corso Antonio Rosmini 86, 38068 Rovereto

The young international period instrumentalists of Theresia Orchestra embark on a poignant journey for their next orchestral residency in Lodi, exploring Haydn’s original orchestral version of his masterpiece “The Seven Last Words of our Saviour on the Cross”. Commissioned by a Spanish priest in 1786 for a Good Friday service in an underground church in Cádiz, Haydn was asked to compose a series of slow, meditative “sonatas,” each relating to one of the seven last words of Christ during the crucifixion, as outlined in the Gospels of Matthew, Luke, and John. Interwoven with reflective spoken word mediations, Alfredo Bernardini will lead Theresia Orchestra in this meaningful work.

Musicians
Theresia Orchestra
Alfredo Bernardini - conductor

Website

More info about Theresia Orchestra

21/03/2024 18:00 CET

Concerto Il sonar cantando: Girolamo Frescobaldi Online
Conservatorio di musica "Giuseppe Verdi" di Milano Italy
Chiesa San Maurizio al Monastero Maggiore, Corso Magenta 15, 20122 Milano

Among the musicians who were active in the first half of the seventeenth century, Girolamo Frescobaldi (Ferrara, 1583 - Rome, 1643)stands out not only as an organist whose virtuosity and technical skill were superlative and incomparable, but also as a formidable musician who was able to interpret the artistic stirrings in the musical language of his time and to incorporate them, in an effective and significant way, into his vast production for keyboard instruments.
Frescobaldi not only inaugurates a new manner of playing but also illustrates a new refined “modus componendi” through a language of astonishing modernity.
The concert offers pages taken from his printed (Libro I Toccatas, Libro II Toccatas) and unpublished (Chigi Codex ) music collections.
It is music that seduce by its spontaneity, by its freshness, by the naturalness of the lyric melodic gesture.
In fact, the pages of the illustrious organist enjoy the luminous and fascinating sonorities of a magnificent example of Italian organ building art, belonging to one of the most famous dynasties of Brescian builders, active in the years between the sixteenth and seventeenth centuries: the Antegnati. In particular, it is an ancient organ built by Gian Giacomo Antegnati in 1554, located, in the mirifica Church of San Maurizio al Monastero Maggiore in Milan.
These pages are so imbued with a great expressive intensity and a poignant grace that, even today, they amaze us with their relevance. They are compositions permeated by a magic of sounds and an emotional tension that seems to never end.

Musicians
Ivana Valotti, Organ professor (at Conservatorio di musica "Giusepe Verdi" di Milano)

Facebook

14/03/2024 21:00 CET (14/03/2024 21:00 CET)

Haydn’s Seven Last Words On-site
Associazione Angelo Marini Italy
Basilica di San Giovanni Evangelista, Viale Farini, Ravenna

The young international period instrumentalists of Theresia Orchestra embark on a poignant journey for their next orchestral residency in Lodi, exploring Haydn’s original orchestral version of his masterpiece “The Seven Last Words of our Saviour on the Cross”. Commissioned by a Spanish priest in 1786 for a Good Friday service in an underground church in Cádiz, Haydn was asked to compose a series of slow, meditative “sonatas,” each relating to one of the seven last words of Christ during the crucifixion, as outlined in the Gospels of Matthew, Luke, and John. Interwoven with reflective spoken word mediations, Alfredo Bernardini will lead Theresia Orchestra in this meaningful work.

Musicians
Theresia Orchestra
Alfredo Bernardini - conductor
Archbishop of Ravenna - narrator

Website

More info about Theresia Orchestra

12/03/2024 21:00 CET (12/03/2024 21:00 CET)

Haydn’s Seven Last Words On-site
Teatro alle Vigne Italy
Chiesa di San Francesco, Piazza Ospitale, 26900 Lodi

The young international period instrumentalists of Theresia Orchestra embark on a poignant journey for their next orchestral residency in Lodi, exploring Haydn’s original orchestral version of his masterpiece “‘The Seven Last Words of our Saviour on the Cross”.
Commissioned by a Spanish priest in 1786 for a Good Friday service in an underground church in Cádiz, Haydn was asked to compose a series of slow, meditative “sonatas,” each relating to one of the seven last words of Christ during the crucifixion, as outlined in the Gospels of Matthew, Luke, and John. Interwoven with reflective spoken word mediations, Alfredo Bernardini will lead Theresia Orchestra in this meaningful work.

Musicians
Theresia Orchestra
Alfredo Bernardini - conductor
Antonio Messina - narrator

Website

More info about Theresia Orchestra

20/03/2024 18:00 CET

TODOS LOS MALES On-site
Centro di Musica Antica Ghislieri - Fondazione Teatro Fraschini Italy
Cinema Teatro Politeama, Corso Camillo Benso Cavour, 20, 27100 Pavia PV

Presentation with the artists and then film projection of the movie TODOS LOS MALES by Simone Derai based on the opera LES INCAS DU PEROU by J. P. Rameau that took place at Rimini for the Sagra Musicale Malatestiana on October 2022.

Musicians
Juana Myriam Chero Tarazona - Maria Elena Soto Chero (Phani) - Marco Ciccullo (Carlos) - Cristian Alexis Alarcon Jara (Huascar) - Ekaterina Protsenko (Soprano) Nicholas Scott (Tenore) - Renato Dolcini (Baritono)
Coro Universitario del Collegio Ghislieri - Luca Colombo | Choir leader
Filarmonica Arturo Toscanini
Giulio Prandi | Conductor

Production: Sagra Musicale Malatestiana, Anagoor, Kublai Film
Director: Simone Derai
Photography: Giulio Favotto

Video

21/03/2024 11:11 CET (21/03/2024 11:11 CET)

Inaugural Concert of the 6th International Festival of Early Music 'Timeless Notes On-site
Note senza tempo festival internazionale di musica antica Italy
Sassari (Sardinia - Italy), Piazza Cappuccini, 1, , 07100 Sassari

On World Early Music Day, the festival opens its 6th edition with two extraordinary cantatas by J.S. Bach
Cantata No. 131
Aus der Tiefen rufe ich, Herr, zu dir

Cantata No. 106
Gottes Zeit ist die allerbeste Zeit - Actus Tragicus

Musicians
La Calandria Ensemble
ALIDA OLIVA soprano
BIANCA SIMONE alto
JIANGCHEN HE tenor
DECIO BIAVATI bass

WILLELM PEERIK organ and direction

Website

21/03/2024 17:00 CET

Il Tessuto dei Sogni / The Fabric of Dreams On-site
ISIS CARDUCCI - DANTE Italy
ISIS Carducci-Dante, Aula Magna, Via Giustiniano 3, 34133 Trieste

It's a transcription of 'A Midsummer Night's Dream' by Shakespeare in three languages: English, Italian and Triestine dialect, written and played by the school's classical students. The play is accompanied by the music of The Fairy Queen by Purcell, played by the school's early music students.

Musicians
50 students of Classical and Musical High School 'Carducci-Dante' of Trieste (aged 16-19)
Philosophy teacher Mrs Elsa Zibai, English teacher Mrs Anna Pettener,
Early music MM Teodora Tommasi, Arstistic supervision MM Fanni Cannelles (Accademia Ars Nova)

Website

21/03/2024 21:00 CET

Concerto di Pasqua On-site
Centro di Musica Antica Ghislieri Italy
Basilica di San Michele Maggiore, Piazza San Michele, 27100 Pavia PV

Giulio Prandi will propose, together with Coro Ghislieri and the Basso Continuo of the ensemble, a new program around the music of N. Jommelli and D. Perez. A musical match between the father of Neapolitan opera music of the XVIII century who became famous all over Europe, and the most rappresentative composer of sacred music of the same period who ended the carrer in a far european state, Portugal.

Musicians
Alessandro Nasello, Yoan Otano - FAGOTTI
Maria Cecilia Farina - ORGANO

CORO GHISLIERI
DIRETTORE - Giulio Prandi

21/03/2024 18:00 CET

Festa della Musica Antica: Accade anche qui On-site
Diapason Consortium Italy
Auditorium San Dionigi, Piazza Martiri della Liberazione n. 12, 27029 Vigevano

A tribute concert to Early Music in Vigevano, a beautiful town close to Milan both geographically and historically. Here, during the Renaissance, the Sforza Court moved from Milan; moreover, important figures such as Ludovico il Moro, Leonardo da Vinci and Donato Bramante lived here. The venue for the concert is the splendid San Dionigi Auditorium - a deconsecrated Baroque church that represents the temple of music in Vigevano - located a few meters from the fabulous Piazza Ducale.

Musicians
Maratona Musicale with "Bottega dei Suoni"

Website

Instagram

21/03/2024 09:10 CET (21/03/2024 09:10 CET)

Bach's harpsichord concerts On-site
Amici della Musica di Padova Italy
Auditorium Pollini, Via Carlo Cassan 17, 35121 Padova

J.S. Bach: Brandenburg Concerto n. 5 BWV 1050, Concerto BWV 1053, Concerto BWV 1057
G.F. Händel: Trio Sonata op. 5 n. 4 HWV 399

Musicians
AbChordis Ensemble, Baroque ensemble
Thomas Kügler, Traverso and Recorder
Cecilia Massenzana, Recorder
Rahel Wittling, Violin
Andrea Buccarella, Harpsichord and Conductor

Website

22/03/2024 11:15 CET (22/03/2024 11:15 CET)

Early Music Day - L'Aquila 2024 On-site
Associazione Musicale Aquila Altera Italy
Palazzetto dei Nobili, L'Aquila, Palazzetto dei Nobili, piazza Santa Margherita, 67100 L'Aquila

Presentation event of the early music festival "I Concerti di Euterpe" and concert by violinists Sara MELONI and Gabriele PRO entitled: "Due violini sotto falso nome". On the program will be the "Six Duo Concertans pour deux violons Composés par L.Boccherini, oeuvre 37ª" published in Paris Chez Mr. Barbieri, which are actually six duets for two violins composed by sardinian violinist Giuseppe Agus. The rediscovery of this important 18th century composer is due to Maestro Enrico di Felice, who accidentally came across Agus' music in the early 1990s.

Musicians
Sara Meloni - Gabriele Pro, violins

Website

http://www.aquilaaltera.it/

21/03/2024 11:30 CET (21/03/2024 11:30 CET)

Follie Barocche On-site
Liceo Musicale Statale "Margherita di Savoia" - Napoli Italy
Salita Pontecorvo n.72, 80 135 Napoli

"Follie barocche is a musical journey on an anciet theme "la Follia", beautifully though for the european early music day. The music by J.S.Bach, A. Corelli, G.F.Haendel, A. Scarlatti, performed with our voices and on our musical instruments, recalls to original sounds and particular music languages, where past and present harmonize like in a cream to the original sounds.

Musicians
Nocerino Francesco, Amato Angela, Caiazza Ida, Greco Elisa, Borrelli Claudio

Website

21/03/2024 21:00 CET (21/03/2024 21:00 CET)

O ZELO D'AMORE - La Passione di Cristo nelle opere modenesi di Bernardo Pasquini On-site
I Madrigalisti Estensi APS - Arcidiocesi di Modena-Nonantola Italy
Duomo di Modena, Corso Duomo, 41121 Modena MO, 41121 Modena

The concert celebrates the Early Music Day and the Holy Week with the Cantata Hor ch'il ciel fra densi orrori and some arias from the Oratorio La Sete di Christo by Bernardo Pasquini, whose manuscripts are preserved at the Estense Library in Modena.

Musicians
I Madrigalisti Estensi
Alice Fraccari, soprano
Giacomo Pieracci, bass
Michele Gaddi, organ and conductor

Instagram

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21/03/2024 14:30 CET

Prospettive di ricerca per la musica antica / Research Perspectives on Early Music Online and On-site
Dipartimento di Musicologia e Beni Culturali, Università di Pavia, Campus di Cremona Italy
Palazzo Raimondi, Cremona, Corso Garibaldi, 178 (https://maps.app.goo.gl/jmBRqYnXeEifRCkQ6), 26100 Cremona

Presentation of the research projects on Early Music developed in the Department of Musicology and Cultural Heritage (University of Pavia - Cremona Campus), from the Gregorian Chant and Renaissance Music to the Baroque Music.

Musicians
Giovanni Varelli (associate Professor), Antonio Calvia (assistant professor), Michele Epifani (assistant professor), Luca Gatti (research fellow), Antonio Delfino (associate professor), Rodobaldo Tibaldi (associate professor), Francesco Saggio (research fellow), Angela Romagnoli (associate professor), Luca Benedetti (musicologist), Donatella Melini (research fellow), Massimiliano Guido (associate professor)

Website

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Edition 2024

Search events

\n Bach's harpsichord concerts\n <\/h3>\n\n \n Amici della Musica di Padova\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n J.S. Bach: Brandenburg Concerto n. 5 BWV 1050, Concerto BWV 1053, Concerto BWV 1057G.F. Händel: Trio Sonata op. 5 n. 4 HWV 399<\/div>\n <\/div>\n\n

\n Buon Compleanno Bach\n <\/h3>\n\n \n Associazione Mousike Vicenza\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n MONDAY 18 MarchODEO OF THE OLYMPIC THEATRE5.45 p.m. The Cello Suites BWV 1010, 1011, 1012 second partFrancesco Galligioni, baroque cello<\/div>\n <\/div>\n\n

\n Concerto di Quaresima \n <\/h3>\n\n \n Conservatorio di Musica Giuseppe Verdi di Milano\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Johann Sebastian Bach, Mein Herze schwimmt in Blut BWV 199 <\/div>Mein Gott, wie lang, ach lange BWV 155 <\/div>Ich habe genug BWV 82 <\/div><\/div>

SEI SOLO On-site

La Serenata Ritrovata Online

Il Lautenwerk, un cembalo raro On-site

La Guitarre Royalle On-site

Airy vagueness and sacred modulations On-site

Music for a while – Dilettanti eruditi e mecenati On-site

Haydn’s Seven Last Words On-site

Concerto Il sonar cantando: Girolamo Frescobaldi Online

Haydn’s Seven Last Words On-site

Haydn’s Seven Last Words On-site

TODOS LOS MALES On-site

Inaugural Concert of the 6th International Festival of Early Music 'Timeless Notes On-site

Il Tessuto dei Sogni / The Fabric of Dreams On-site

Concerto di Pasqua On-site

Festa della Musica Antica: Accade anche qui On-site

Bach's harpsichord concerts On-site

Early Music Day - L'Aquila 2024 On-site

Follie Barocche On-site

O ZELO D'AMORE - La Passione di Cristo nelle opere modenesi di Bernardo Pasquini On-site

Prospettive di ricerca per la musica antica / Research Perspectives on Early Music Online and On-site