Edition 2023

Early Music Day takes place every year on 21 March, at the initiative of REMA. This celebration of more than a thousand years of music, through concerts and events taking place simultaneously around the world, is an opportunity for Europeans to (re)discover our musical heritage!

ADD YOUR OWN EVENT TO THE MAP

21/03/2023 20:45 CET (21/03/2023 20:45 CET) <\/h3>\n\n \n Associazione Amici della Scuola Diocesana di Musica Santa Cecilia\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n

\n
The Antegnati-Meiarini organ of Brescia S. Maria del Carmine is a typical example of the Renaissance organ traditions transcending into the first half of the 17th century.
The concert will enhance the peculiar characteristics of the instrument, proposing seventeenth-century music in duo with the baroque violin.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Duo Seraphim: Gian Andrea Guerra (violin) - Stefano Molardi (organ).<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 18:30 UTC (21/03/2023 19:30 CET)\n <\/small>\n <\/p>\n\n
\n The Conservatori celebrates Early Music Day\n <\/h3>\n\n \n Conservatori Professional de Música de Menorca\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n
Students and teachers from the Conservatori Professional de Música de Menorca are preparing a very special concert for the Early Music Day, in the island of Menorca (Spain).<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Orquestra de cordes dels Ensenyaments Professionals
Martín Lopesino<\/strong>, solo oboe
Oliver Vinent<\/strong>, conductor

Chamber music groups<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 20:00 CET\n <\/small>\n <\/p>\n\n
\n Dafne, byAntonio Caldara\n <\/h3>\n\n \n Mars en baroque\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Dafne, by Antonio Caldara<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Concerto Soave<\/strong><\/div>\n <\/div>\n\n \n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 11/03/2023 11:00 UTC (11/03/2023 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Lully : Te Deum\n <\/h3>\n\n \n Les Epopées\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Les Epopées complete the complete Grands Motets by Jean-Baptiste Lully in Versailles with the Te Deum and the Exaudiat. Under the direction of Stéphane Fuget, 60 singers and instrumentalists from Les Epopées are joined by the Pages and Chantres of the CMBV for this concert. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Les Epopées / Stéphane Fuget<\/strong>, direction<\/div>\n <\/div>\n\n \n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2023 20:30 UTC (18/03/2023 21:30 CET)\n <\/small>\n <\/p>\n\n
\n The Vermeil Book of Montserrat\n <\/h3>\n\n \n Association RIMAT\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
The origin of this participatory concert is the Livre Vermeil of the Montserrat monastery, a collection of popular songs, rhythms and dances for the arrival of pilgrims. They are performed here in \"a bouquet as sumptuous as it is unexpected\".<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
La Camera delle Lacrime
La Maîtrise des Petits Chanteurs de Lannion<\/strong><\/div>\n <\/div>\n\n \n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2023 18:00 UTC (18/03/2023 19:00 CET)\n <\/small>\n <\/p>\n\n
\n The Office of Saint Sigfrid\n <\/h3>\n\n \n Sensus, Svenska kyrkan, Linnéuniversitetet, Föreningen för tidig musik\n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n
Concert with plainchant from medieval Sweden.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Gemma<\/strong><\/div>\n <\/div>\n\n \n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Journées$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 02/04/2023 15:30 CEST\n <\/small>\n <\/p>\n\n
\n Journées du Luth de l’Abbaye de Graville\n <\/h3>\n\n \n Abbaye de Graville\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Lumineuses$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 20:30 CET\n <\/small>\n <\/p>\n\n
\n Lumineuses ténèbres. De Venise à Dresde\n <\/h3>\n\n \n FESTIVAL BAROQUE DE PONTOISE\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Flutes$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 18:00 UTC (21/03/2023 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Flutes in dialogue\n <\/h3>\n\n \n LES PASSIONS - Orchestre Baroque de Montauban\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n
3 free events for this day:
- 2 school sessions during the day, morning and afternoon, with registration.
- 1 educational concert for the general public at 6 pm
This programme honours the recorder, one of the emblematic instruments of the Baroque period, and offers a short didactic tour of entertainment music in Europe in the 17th and 18th centuries.
Triosonates by Purcell, Telemann, Vivaldi, Sammartini, Frescobaldi, Sammartini, Uccelini or Merula performed by soloists Jean-Marc Andrieu and Stéphanie Cettolo will make you discover the expressiveness and virtuosity of the recorder. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Stéphanie Cettolo<\/strong>, flute<\/div>
Jean-Marc Andrieu<\/strong>, flute<\/div>
Sophie Castellat<\/strong>, cello
Anne-Lise Labusquière<\/strong>, harpsichord <\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2023 17:00 CET\n <\/small>\n <\/p>\n\n
\n Concerto organo Margherita Dalla Vecchia \n <\/h3>\n\n \n Associazione Mousike Vicenza\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
BWV 548 e BWV 686<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Margherita Dalla Vecchia <\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2023 20:30 CET\n <\/small>\n <\/p>\n\n
\n Concert - The Sibylline Prophecy \n <\/h3>\n\n \n Communauté de Commune de Béthune Bruay\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Concert: Prophetiae Sibyllarum, Orlando di Lasso. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
La Main Harmonique <\/strong><\/div>\n <\/div>\n\n \n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2023 18:00 CET (21/03/2023 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Early Music Day Copenhagen \n <\/h3>\n\n \n COPENHAGEN RENAISSANCE MUSIC FESTIVAL\n <\/span>\n\n \n Denmark<\/strong>\n <\/span>\n\n \n
Ensemble Degli Affetti<\/strong><\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Tinne Albrectsen, violin, Adam Graumann, gambe, Søren Gleerup Hansen, orgel.<\/div>
Musik af Rosenmüller, Weckmann m.fl.<\/em><\/div>\n <\/div>\n\n \n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Journée$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2023 10:00 CET\n <\/small>\n <\/p>\n\n
\n Journée portes ouvertes - Musiques anciennes\n <\/h3>\n\n \n Conservatoire de Versailles Grand Parc\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Guided$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2023 16:30 CET\n <\/small>\n <\/p>\n\n
\n Guided tour of the workshop\n <\/h3>\n\n \n Atelier Martine Argelliès\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Martine Argellies has been making harpsichords since 1981. Her workshop, located in Montpellier, is one of the last specialized harpsichord makers in France.

Her interest in the baroque musical repertoire, of which the harpsichord, without pedals and with plucked strings, is one of the emblems, as well as her attraction to craftsmanship have guided her professional choices. When she left her teens, she joined a friend who owned a piano shop. Then she was taught by a cabinetmaker, before training on her own for a decade. With the two people who now surround her, she makes a dozen instruments a year, a quarter of which are destined for export.

Go to the website of the \"Clavecins Martine Argellies\" workshop (www.clavecins-argellies.com)

https://www.youtube.com/watch?v=70ImSxbsdYg<\/a>

Free admission, on registration by e-mail argellies@free.fr - Tramway: line 3 stop Saint-Denis, line 4 stop Saint-Guilhem<\/div>\n <\/div>\n\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 16:00 UTC (21/03/2023 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Accade anche qui\n <\/h3>\n\n \n Diapason Consortium\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
An Early Music Concert-tribute in Vigevano, a beautiful town next to Milan, both geographically and historically: during the Renaissance, the Court of Sforza was moved from Milan to Vigevano and prominent personalities such Ludovido il Moro, Leonardo da Vinci, Donato Bramante stood here. The Concert venue is the amazing \"Auditorium San Dionigi\" - baroque church suspended for worship and currently the \"temple\" of music in Vigevano - located a few meters away from the wonderful Piazza Ducale.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Bottega dei Suoni <\/strong><\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 19:30 GMT (21/03/2023 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Ex Cathedra - Baroque Passion\n <\/h3>\n\n \n Leamington Music\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n
Concert: Music by Bach, Purcell, Lotti, Scarlatti, Kuhnau, Monteverdi, Carissimi, and Charpentier.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Ex Cathedra
Jeffrey Skidmore<\/strong>, director
Andrew Skidmore<\/strong>, cello<\/div>\n <\/div>\n\n \n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 10:00 CET\n <\/small>\n <\/p>\n\n
\n Découvrez le nouvel enregistrement du Banquet Céleste\n <\/h3>\n\n \n Le Banquet Céleste\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 20:30 CET\n <\/small>\n <\/p>\n\n
\n Opening of the 5th edition of La Reverdie festival \n <\/h3>\n\n \n Obsidienne et Compagnie - Ensemble Obsidienne\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n
Presentation of the Festival programme, the CD/DVD Guillaume de Machaut volume 1, on the occasion of its national release by Bayard Musique, with a video projection of the animated illuminations made from the BNF manuscripts.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Emmanuel Bonnardot<\/strong> vocals, fiddle, rebec, citole, crwth and artistic direction
Camille Bonnardot <\/strong>vocals, vihuela, cornet
François Demerliac <\/strong>video maker
Florence Jacquemart<\/strong> vocals, flutes, bagpipes
Hélène Moreau<\/strong> vocals, psaltery, percussion
Pierre Tessier<\/strong> vocals, narrator<\/div>\n <\/div>\n\n \n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 11:00 UTC (21/03/2023 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Online Medieval Women Singing Workshop\n <\/h3>\n\n \n The Telling\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n
The Telling soprano Clare Norburn presents a workshop live on Zoom to guide you through how to sing some medieval songs by and about women. All ages and abilities welcome and you do not need to be able to read music. All participants will be on mute so you can sing without fear.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Clare Norburn<\/strong>, soprano<\/div>\n <\/div>\n\n \n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 14:00 UTC (21/03/2023 15:00 CET)\n <\/small>\n <\/p>\n\n
\n (in)sight-reading enlightenment/the history of female composers\n <\/h3>\n\n \n (in)sight-reading enlightenment podcast\n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n
\n
In this episode of our early music podcast, we explore the connection of eras in the context of diversity. We will talk to traverso player Liane Sadler, who explores the legacy of the first published female composer, Magdalena Casulana, and with a composer of our time, Francesca Gaza, a young, talented and successful artist who made her debut with the improvisational album \"Kugelförmigkeit\" dedicated to jazz and early music.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Darina Ablogina<\/strong> traverso/speaker
Liane Sadler<\/strong> taverso/speaker
Francesca Gaza<\/strong> singer/speaker
Dakota Wayne<\/strong> speaker<\/div>\n <\/div>\n\n \n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 02/03/2023 20:00 UTC (02/03/2023 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Bembo - Jacquet de la Guerre\n <\/h3>\n\n \n Les Epopées \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n
A precious testimony to the all too rare pages written by female composers (Bembo and Jacquet de la Guerre) in France during the reign of Louis XIV. With Marie Perbost, Claire Lefilliâtre and Les Epopées under the direction of Stéphane Fuget. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Les Epopées<\/strong>
Marie Perbost<\/strong> soprano
Claire Lefilliâtre<\/strong> soprano
Stéphane Fuget<\/strong> direction <\/div>\n <\/div>\n\n \n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 18:00 UTC (21/03/2023 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Apple and Cherry, let us make merry - an afternoon of mouthwatering madrigals with the Sydney MADriGALS & GUYS.\n <\/h3>\n\n \n Nadia Piave\n <\/span>\n\n \n Australia<\/strong>\n <\/span>\n\n \n
The MADriGALS&GUYS is a community singing group made up of amateurs and professionals, musicians and non-musicians, formed to promote the singing of madrigals, chorales, roundelays and carols for joy and wellbeing.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
The MADriGALS&GUYS<\/strong><\/div>\n <\/div>\n\n \n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 15:00 CET\n <\/small>\n <\/p>\n\n
\n Händel jazzt! Peel me a grape\n <\/h3>\n\n \n Int. Händel Festspiele Göttingen\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n
The more than 100 female figures that George Frideric Handel depicts in his works are often self-confident, courageous and strong women. This concert examines them, and builds a musical bridge between Handel’s music and the world of jazz.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Anette von Eichel - Vocals
Marko Lackner - Saxophone
Sebastian Sternal - Piano
Henning Sieverts - Bass
Jonas Burgwinkel - Drums<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 13:10 GMT (21/03/2023 14:10 CET)\n <\/small>\n <\/p>\n\n
\n Organ recital - Bach & Böhm\n <\/h3>\n\n \n Mayfair Organ Concerts - Grosvenor Chapel\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n
Organ recital with music by Bach & Böhm. The programme contrasts the music of one of Bach’s earliest influences with two of his mature organ works.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Andrew Benson-Wilson<\/strong> organ<\/div>\n <\/div>\n\n \n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 20:00 CET\n <\/small>\n <\/p>\n\n
\n Concert Méditerranée Sacrée Les éléments\n <\/h3>\n\n \n Scène Nationale du Grand Narbonne\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
With the programme Méditerranée Sacrée, The Elements invites us to escape to the shores of the Mediterranean, the source of so many stories and faith. These compositions from the Renaissance, the Baroque and today, in which songs in Aramaic, Latin, Hebrew, Arabic and ancient Greek are interwoven, are an invitation to meditation. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Chœur de chambre Les éléments<\/strong><\/div>\n <\/div>\n\n \n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Un$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 25/09/2022 19:00 CEST\n <\/small>\n <\/p>\n\n
\n Un Paseo en Vihuela\n <\/h3>\n\n \n Xivert Històric\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n
A video selection of my concert at the above-mentioned venue last 25th September 2022.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Joaquim Bogunyà, vihuelist<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2023 21:00 CET (21/03/2023 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Early Music Day Copenhagen \n <\/h3>\n\n \n COPENHAGEN RENAISSANCE MUSIC FESTIVAL\n <\/span>\n\n \n Denmark<\/strong>\n <\/span>\n\n \n
Scandinavian Cornetts and Sackbuts<\/strong><\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Lene Langballe (DK), cornetto, Marit Bjørnsen (NO), alt basun, Daniel Stighäll (SE), tenor basun, Nils Carlsson (SE), tenor basun, Anne Kirstine Mathiesen (DK), orgel.<\/div>
Musik af Orologio, Borgrevinck, Pedersøn, Dowland, Gabrieli, Guami, Frescobaldi, Susato<\/em><\/div>\n <\/div>\n\n \n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2023 19:30 CET (21/03/2023 19:30 CET)\n <\/small>\n <\/p>\n\n
\n Early Music Day Copenhagen \n <\/h3>\n\n \n COPENHAGEN RENAISSANCE MUSIC FESTIVAL\n <\/span>\n\n \n Denmark<\/strong>\n <\/span>\n\n \n
Musica Ficta & Bo Holten<\/strong><\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Palestrina: Marcellus messen<\/div>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2023 16:30 CET (21/03/2023 16:30 CET)\n <\/small>\n <\/p>\n\n
\n Early Music Day Copenhagen \n <\/h3>\n\n \n COPENHAGEN RENAISSANCE MUSIC FESTIVAL\n <\/span>\n\n \n Denmark<\/strong>\n <\/span>\n\n \n
Hildegard von Bingen<\/strong><\/div>
<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Agnethe Christensen, sang, kantele, Elisabeth Gaver, fidel, rebec.<\/div>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bacho$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 19:00 CET (21/03/2023 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Bacho Continuo - The Power of Darkness\n <\/h3>\n\n \n Stockholm Early Music Festival / Early Music Sweden\n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n
3 cantatas for bas and continuo by J S Bach<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Staffan Liljas, bas & Baroque Ensemble<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 26/03/2023 14:00 IST (26/03/2023 15:00 CEST)\n <\/small>\n <\/p>\n\n
\n Meet the Composers\n <\/h3>\n\n \n Limerick Early Music Festival\n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n
Audience members are warmly invited to the Belltable foyer to meet composers Asako Hirabayashi, Fiona Linnane, Edwin McClean and members of LNME immediately following the concert DIALOGUES: Creative Conversations Between Old and New.

<\/div>
With Asako Hirabayashi, Fiona Linnane, and members of LNME.

<\/div>
This event will take place in the foyer of Belltable. Free event, booking essential.

<\/div>
This event is part of the Limerick Early Music Festival (24-26 March).<\/strong> <\/div>\n <\/div>\n\n\n \n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Giornata$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2023 10:00 CET (20/03/2023 10:00 CET)\n <\/small>\n <\/p>\n\n
\n Giornata della Musica Antica - Palazzo Mezzopreti \n <\/h3>\n\n \n Conservatorio di Musica "Luiza d'Annunzio" di Pescara\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Seminario, concerti, esposizione

Monday 20 March 2023: Seminar.
10 a.m.-12.30 p.m. and 1.30-3.30 p.m.
\"J. S. Bach: Clavier-Werke 2023: Le Suites Anglois BWV 806-811\".
Organised by Massimo Salcito (teacher of the Conservatory\'s Harpsichord and Historical Keyboard courses)

Tuesday 21 March 2023: Concerts.
10 a.m. - 4 p.m.
\"J. S. Bach: Clavier-Werke 2023: Le Suites Anglois BWV 806-811\".
Massimo Salcito, Harpsichord

6.00 p.m.
\"Beauty and Wonder: The Triumph of the German Baroque in the 18th Century\".
Pierluigi Mencattini, Baroque Violin
Roberto Torto, Recorder
Stefania Di Giuseppe, Harpsichord

Monday 20 and Tuesday 21 March: Exhibition tour
\"J. S. Bach, Clavier-Werke: Bach in Italy\".
Explanatory panels - Books - Records<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Massimo Salcito, Harpsichord, speaker, exhibition leader

Pierluigi Mencattini, Baroque Violin
Roberto Torto, Recorder
Stefania Di Giuseppe, Harpsichord<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 24/03/2023 20:30 CET\n <\/small>\n <\/p>\n\n
\n Concert - Love potion, enchantments and spells...\n <\/h3>\n\n \n Lili Aymonino & Léa Masson\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Friday 24 March at 8.30 pm - Concert - Lili Aymonino, Léa Masson - Amphitheatre of Pierresvives (Montpellier)

Title :
Philtre d\'amour, enchantements et sortilèges...
Arias from courts and lyrical tragedies
(Charpentier, Lambert, Rameau, Lully, Marais)

Programme
\"From a secret fire I feel consumed\", Michel Lambert (1610-1696)
\"Rocks, you are deaf\", aria from Ariane by Michel Lambert

\"Junon, dans un lieu solitaire\", aria from Dircée, Ariane et Bacchus by Marin Marais (1656-1728)

\"Vos mépris, chaque jour\", Michel Lambert
\"Désirs, transports\", aria from Eolie, Circé by Henri Desmarets (1661-1741)

\"Tristes apprêts\", aria from Télaïre, Castor et Pollux by Jean-Philippe Rameau (1683-1764)

\"Ombre de mon amant\", Michel Lambert
\"Ténébreuse nuit\", by Étienne Moulinié (1599-1676)

\"C\'est ainsi qu\'en regret sa douleur se déclare\", French cantata by Jean-Baptiste Morin (1677-1754)
\"Ah quelle rigueur extrême\", aria from Circé, Circé by Henri Desmarets

\"Tristes déserts\", Marc-Antoine Charpentier (1643-1704)
\"Quel prix de mon amour\", aria from Médée, Médée by Marc-Antoine Charpentier
\"I had thought that by loving you\", anonymous

\"Objet dont les charmes si doux\", Antoine Boësset (1587-1643)

\"Ah, c\'est trop retenir mes pleurs\", air d\'Astérie, Circé by Henri Desmarets

\"Si c\'est un bien que l\'espérance\", Joseph Chabanceau de La Barre (1633-1678)
\"Sans frayeur dans ces bois\", Marc-Antoine Charpentier

\" Les plaisirs ont choisi pour asile \", final chaconne of Armide by Jean-Baptiste Lully (1632-1987)

Biography:
Born into a family of traditional singers, Lili Aymonino practised acting and singing on stage at a very early age before joining the children\'s choir of the Bordeaux Opera. After a DEM in lyrical singing from the CRR in Paris, she trained as a concert performer with Elsa Maurus and explored the baroque repertoire with Stéphane Fuget. As a young lyric soprano, she regularly collaborates as a soloist with the Opéra de Versailles, and made her debut at the Opéra de Tours in 2022.

As a guitarist, theorbist and chamber musician, Léa Masson was convinced at an early age of the importance of cultural and stylistic diversity in the approach to musical interpretation. During her classical guitar studies at the CNSM in Paris (class of Olivier Chassain), she developed a passion for chamber music, which led her to specialise in this discipline, both as a performer (master\'s degree in chamber music, class of Michel Moraguès) and as a musicologist (master\'s degree in musicology). It is this same interest in ensemble music that led him to discover the theorbo, the instrument of choice for accompanying baroque music. After two years of optional study in the class of Éric Bellocq and a specialisation in basso continuo with Frédéric Michel, she performs regularly as a soloist and in ensembles with this instrument.

Lili Aymonino and Léa Masson are both soloists with the choir and orchestra of the Opéra royal de Versailles.

Free admission subject to availability of seats<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Distribution:
Lili Aymonino, soprano
Léa Masson, theorbo<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Théorie$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 21:00 CET\n <\/small>\n <\/p>\n\n
\n Théorie de mes cordes\n <\/h3>\n\n \n Théâtre de l’Ile saint Louis\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Après un parcours professionnel dans la recherche en sociologie et les langues orientales, Camille devient violoniste professionnelle, renouant avec ses amours adolescentes. Le violon fait partie intégrante de son corps. Il l\'inspire, la soulage, mais l\'épuise aussi quand il devient un travail, un lieu de lutte sociale ou de combat intérieur, et aussi un moyen de gagner sa vie. Camille raconte ici, une sorte de conquête de soi à travers le désir de devenir violoniste. Elle y mêle ses souvenirs notés dans ses carnets de l\'époque, des portraits-hommages à ses professeures. Elle va vers son violon rétif comme on dresse un cheval. Elle souffre, désespère, trouve l\'apaisement sur les terrasses ensoleillées de Palestine, puis découvre l\'équilibre dans le Trégor. Histoire de chutes, d\'espoirs, d\'encouragements pour qu\'enfin arrive la lumière et le \"son fluide longtemps désiré.<\/div>

<\/div>
Ce seule en scène, récit à la première personne, tisse des pièces pour violon ou alto tirées du répertoire baroque, mais aussi de la musique irlandaise traditionnelle et une partita pour violon seul de Philip Glass.

\"Octobre 2012. Je travaille dans un bureau qui s\'appelle l\'Office. La pierre en est grise et lisse et son atmosphère m\'oppresse. Heureusement, je me rends une fois par semaine au Conservatoire de la Courneuve dont le bois clair et chaud de l\'auditorium me permet de respirer. »<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Camille Aubret, violons et alto<\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2023 20:00 CET\n <\/small>\n <\/p>\n\n
\n Bach & Pergolesi\n <\/h3>\n\n \n B'Rock Orchestra\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Bach, Johann Sebastian (1685-1750) | Vergnuegte Ruh, beliebte Seelenlust - Cantata, BWV170 |
Bach, Johann Sebastian (1685-1750) | Mein Herze schwimmt im Blut- Cantate, BWV199
Pergolesi, Giovanni Battista (1710-1736) | Stabat Mater<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
René Jacobs | Direction
Kateryna Kasper | Soprano
Helena Rasker | Mezzo-soprano
B\'Rock Orchestra<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 26/03/2023 17:00 CEST\n <\/small>\n <\/p>\n\n
\n Fiori Barocchi, l’era di J. S. Bach\n <\/h3>\n\n \n Accademia “Pietro Bertani”\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Showcase of the best students of musical conservatoires and academies of high Lombardy performing the best pieces of the baroque era. (Conservatorio “G. Puccini”, Conservatorio “G. Cantelli”, Liceo Musicale “R. Malipiero”, Accademia “P. Bertani”, Scuola “N. Paganini”)<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Barbara Berlusconi, docente
Silvia Gatti, docente
Laura Gianantonio, docente
Gabriele Salemi, docente<\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Family$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2023 14:00 CET\n <\/small>\n <\/p>\n\n
\n Family workshop - "My viola da gamba is missing!"\n <\/h3>\n\n \n Les Ombres - Margaux Blanchard et Marie-Catherine Massé\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n
\"My viola da gamba has disappeared!

As part of the European Early Music Days, go in search of the missing viola da gamba, with the violist Margaux Blanchard and the violin maker Marie-Catherine Massé. Young and old alike, come and meet an instrument unlike any other in a fun and interactive way, and rediscover a magical sound that has been travelling for 400 years!

30-minute workshop - 20 people maximum

Departures at 2pm, 2.30pm, 3pm and 3.30pm

Free workshop, on registration by phone at 04.99.06.27.49 and directly on site at the music bank

Sought after for the generosity of her musical gesture, the violinist Margaux Blanchard is solicited by the musical directors Jordi Savall, Leonardo García Alarcón, François-Xavier Roth, and performs at the Garnier, Bastille, and Comique opera houses, as well as in Versailles, Amsterdam, Cologne, Geneva, Buenos Aires, Tokyo and New York. A complete artist, she has sung in opera from a very young age, and has an instinctive relationship with the stage. Singing guides her in her quest for the \"ideal phrasing\", dance inspires her rhythmic architecture, with the practice of keyboards, from piano to harpsichord, as a foundation. As a child, she discovered and was initiated into the playing of the treble and bass viol with Ariane Maurette at the CRR in Paris, and deepened her knowledge during her master\'s degree with Paolo Pandolfo at the Schola Cantorum in Basle, and outside with Jordi Savall, Marianne Muller and Jérôme Hantaï.
In demand as a soloist, chamber musician and continuo player, it was through her encounter with the Argentine harpsichordist and conductor Alarcón that she naturally turned to accompanying singers. He spotted her in 2005 at the Ambronay Academy, and in 2007 invited her to join the continuo of his ensemble Cappella Mediterranea. In 2008 she co-founded the ensemble Les Ombres, and in 2009 she was one of the youngest graduates. Since 2011 she has been teaching the harmonic and melodic duality of her instrument.
She is developing her network in Switzerland and France, and in Occitania she is setting up her ensemble with the flutist Sylvain Sartre, whom she met at the Schola. Together, they compose immersive performances that have made their group a collective in its own right, with a desire to reach out to all audiences for over ten years.

Marie-Catherine Massé discovered violin making as a teenager, when she went to a workshop to have her grandfather\'s violin serviced. After her baccalaureate, she joined the Bottega di Parma school in Italy, where she began her two-year apprenticeship. At the same time, she discovered baroque instruments, including the viola da gamba, which led her to West Dean College in England, where she studied violin making and historical research, as well as arching, carving, restoration and instrumental playing. After graduating, she joined London workshops to restore instruments, while maintaining a strong interest in making and working with violin makers.
On her return to France, encouraged by musician friends, she opened her workshop in late 2017 in the heart of Béziers. The workshop is dedicated to the making of violins, violas and cellos, and especially violas da gamba, while keeping a place for maintenance and repairs. The workshop expanded in February 2018, and then opened its doors in Ganges at the beginning of 2022, in a former hosiery factory specially fitted out to accommodate it. Marie-Catherine Massé is the winner of the Artinovart\'s competition in 2022 in the \"Métier d\'art\" category.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Margaux Blanchard, violiste<\/em><\/div>
Marie-Catherine Massé, luthière<\/em><\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2023 20:30 CET\n <\/small>\n <\/p>\n\n
\n Bach & Pergolesi\n <\/h3>\n\n \n B'Rock Orchestra\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Bach, Johann Sebastian (1685-1750) | Vergnuegte Ruh, beliebte Seelenlust - Cantata, BWV170 |
Bach, Johann Sebastian (1685-1750) | Mein Herze schwimmt im Blut- Cantate, BWV199
Pergolesi, Giovanni Battista (1710-1736) | Stabat Mater<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
René Jacobs | Direction
Kateryna Kasper | Soprano
Helena Rasker | Mezzo-soprano
B\'Rock Orchestra<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 20:00 CET\n <\/small>\n <\/p>\n\n
\n Bach & Pergolesi\n <\/h3>\n\n \n B'Rock Orchestra\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Bach, Johann Sebastian (1685-1750) | Vergnuegte Ruh, beliebte Seelenlust - Cantata, BWV170 |
Bach, Johann Sebastian (1685-1750) | Mein Herze schwimmt im Blut- Cantate, BWV199
Pergolesi, Giovanni Battista (1710-1736) | Stabat Mater<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
René Jacobs | Direction
Kateryna Kasper | Soprano
Helena Rasker | Mezzo-soprano
B\'Rock Orchestra<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 19:00 GMT (21/03/2023 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Bach Violin Sonatas\n <\/h3>\n\n \n Cambridge Early Music and Kellaway Concert Series at St Catharine’s College, Cambridge\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n
Full of imagination, intricate detail and sublime beauty, these works are also innovative in their exploration of texture and their placing of the harpsichord on an equal footing with the violin.

<\/div>
The concert includes the following sonatas: B minor BWV 1014<\/em>, E major BWV 1016<\/em>, E minor BWV 1023<\/em> and G major BWV 1019<\/em> (with the ‘Aria<\/em>’ as the third movement 3).<\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Violinist Adrian Butterfield and harpsichordist Silas Wollston<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Führung$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 16:00 CET\n <\/small>\n <\/p>\n\n
\n Führung zur Baugeschichte des Händel-Hauses\n <\/h3>\n\n \n Stiftung Händel-Haus Halle\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n
Führung durch das Händel-Haus – Ein Spezialrundgang mit Karl Altenburg (Museumsmitarbeiter der
Stiftung Händel-Haus) zur Baugeschichte des Geburtshauses von Georg Friedrich Händel – Tickets: Museums-
eintritt – Treffpunkt Museumskasse<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Karl Altenburg, Museumsmitarbeiter<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Musical$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2023 16:30 CET\n <\/small>\n <\/p>\n\n
\n Musical experience - The viola da gamba today!\n <\/h3>\n\n \n Les Ombres - Margaux Blanchard et Marie-Catherine Massé\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
The viola da gamba today!

From Tous les matins du monde to contemporary opera, the viola da gamba travels, questions and fascinates. As part of the European Early Music Days, Margaux Blanchard, violist and co-artistic director of the baroque music ensemble Les Ombres, and the violin maker Marie-Catherine Massé will enlighten you with music and images on the past, present and future history of a family of instruments unlike any other.

Duration: 45 minutes

Free admission subject to availability

Sought after for the generosity of her musical gesture, the violinist Margaux Blanchard is sought after by the musical directors Jordi Savall, Leonardo García Alarcón and François-Xavier Roth, and has performed at the Garnier, Bastille and Comique opera houses and in Versailles, Amsterdam, Cologne, Geneva, Buenos Aires, Tokyo and New York. A complete artist, she has sung in opera from a very young age, and has an instinctive relationship with the stage. Singing guides her in her quest for the \"ideal phrasing\", dance inspires her rhythmic architecture, with the practice of keyboards, from piano to harpsichord, as a foundation. As a child, she discovered and was initiated into the playing of the treble and bass viol with Ariane Maurette at the CRR in Paris, and deepened her knowledge during her master\'s degree with Paolo Pandolfo at the Schola Cantorum in Basle, and outside with Jordi Savall, Marianne Muller and Jérôme Hantaï.
In demand as a soloist, chamber musician and continuo player, it was through her encounter with the Argentine harpsichordist and conductor Alarcón that she naturally turned to accompanying singers. He spotted her in 2005 at the Ambronay Academy, and in 2007 invited her to join the continuo of his ensemble Cappella Mediterranea. In 2008 she co-founded the ensemble Les Ombres, and in 2009 she was one of the youngest graduates. Since 2011 she has been teaching the harmonic and melodic duality of her instrument.
She is developing her network in Switzerland and France, and in Occitania she is setting up her ensemble with the flutist Sylvain Sartre, whom she met at the Schola. Together, they compose immersive performances that have made their group a collective in its own right, with a desire to reach out to all audiences for over ten years.

Marie-Catherine Massé discovered violin making as a teenager, when she went to a workshop to have her grandfather\'s violin serviced. After her baccalaureate, she joined the Bottega di Parma school in Italy, where she began her two-year apprenticeship. At the same time, she discovered baroque instruments, including the viola da gamba, which led her to West Dean College in England, where she studied violin making and historical research, as well as arching, carving, restoration and instrumental playing. After graduating, she joined London workshops to restore instruments, while maintaining a strong interest in making and working with violin makers.
On her return to France, encouraged by musician friends, she opened her workshop in late 2017 in the heart of Béziers. The workshop is dedicated to the making of violins, violas and cellos, and especially violas da gamba, while keeping a place for maintenance and repairs. The workshop expanded in February 2018, and then opened its doors in Ganges at the beginning of 2022, in a former hosiery factory specially fitted out to accommodate it. Marie-Catherine Massé is the winner of the Artinovart\'s competition in 2022 in the \"Métier d\'art\" category.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Margaux Blanchard, violist
Marie-Catherine Massé, violin maker<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Hungarian$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 20:15 CET (21/03/2023 20:15 CET)\n <\/small>\n <\/p>\n\n
\n Hungarian chorals\n <\/h3>\n\n \n Amici della Musica di Padova\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
J.S. Bach<\/strong>: Drei Choralvorspiele<\/strong> (transcription for cello and piano by Zoltan Kodàly)<\/div>
- Ach, was ist doch unser Leben BWV 743<\/div>
- Vater unser im Himmelreich BWV 762<\/div>
- Christus, der uns selig macht BWV 747<\/div>
R. Strauss<\/strong>: Sonata<\/strong> op. 6
E. Grieg<\/strong>: Sonata<\/strong> op. 36

The Three Preludes-Chorals for organ by J.S.Bach transcribed in 1924 by Kodály for cello and piano, a work very rarely heard, is dedicated \"to Prof. Karl Straube\", the eminent German organist (1873-1950) who dedicated his life as a scholar, teacher and musician to the great Bach tradition in Leipzig, where he was organist and then Kantor in the famous Thomaskirche.<\/em>

photo ©Marco Borggreve<\/em><\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Maximilan Hornung <\/strong>cello
Herbert Schuch <\/strong>piano<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"A$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 20:30 CET\n <\/small>\n <\/p>\n\n
\n A la Noche\n <\/h3>\n\n \n PAOLA ERDAS - festival WUNDERKAMMER Trieste\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"338.$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2023 19:00 CET (21/03/2023 19:00 CET)\n <\/small>\n <\/p>\n\n
\n 338. Bach-Geburtstag\n <\/h3>\n\n \n Köthener BachGesellschaft mbH\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n
\n
On 21 March, the Köthen Bach Festival traditionally celebrates Johann Sebastian Bach\'s birthday, which is also the eleventh European Early Music Day.
This year, the duo \"Ombra e Luce\", consisting of Georg Kallweit (baroque violin) and Björn Colell (theorbo), is invited to Köthen (Anhalt). Both musicians have already performed solo and in chamber music ensembles at the Bach Festival in Köthen in recent years. Georg Kallweit is one of Germany\'s most experienced baroque violinists and an international concert and soloist, including with the Academy of Early Music. Together with Björn Colell, he has developed an impressive and dynamic musical dialogue that is only possible with this unique combination of instruments. On Bach\'s birthday, they will musically trace the path of the violin sonata from the 17th century to Bach. The duo will be complemented by the Iranian musician Mitra Behpoori who, together with Tar and Ud, brings the ancestors (or mothers) of the European lute to Köthen (Anhalt) and provides an insight into the classical Persian musical tradition from the 18th century to the present. Mitra Behpoori studied in Tehran and works at the Institute for Transcultural Music Studies at the FRANZ LISZT SCHOOL of Music in Weimar. As he does every year, the director of the Köthen Bach Festival, Folkert Uhde, will talk to the musicians and make the connection with the present.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Mitra Behpoori<\/strong> | Tar and Ud <\/div>
Björn Colell<\/strong> | Lute <\/div>
Georg Kallweit<\/strong> | Violin
Folkert Uhde<\/strong> | Moderation <\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Behold$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 26/03/2023 18:00 CEST (26/03/2023 18:00 CEST)\n <\/small>\n <\/p>\n\n
\n Behold and listen\n <\/h3>\n\n \n Associazione Antica Massa Cybea in collaborazione con Dickens Fellowship - filiale italiana\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
Arie e Cantate tra Seicento e Settecento<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Massa Cybea: Eleonora Di Dato (soprano); Claudia Poz (violoncello); Erminia Migliorini (clavicembalo)<\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Early$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2023 16:30 CET\n <\/small>\n <\/p>\n\n
\n Early Music Day Copenhagen\n <\/h3>\n\n \n Copenhagen Renaissance Music Festival\n <\/span>\n\n \n Denmark<\/strong>\n <\/span>\n\n
\n
EMD COPENHAGEN is organised by Copenhagen Renaissance Music Festival every year since the start in 2013. This year we present four very different concerts with medieval, renaissance and baroque music, including both vocal music and pure instrumental programmes. All concerts are streamed online. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
16.30: <\/strong>Agnethe Christensen - voice, kantele; Elisabeth Gaver - fidel, rebec. <\/div>
Candens Lilium - a Maria concert with medieval music<\/em><\/div>
<\/div>
18.00: Ensemble Degli Affetti<\/strong> <\/div>
Tinne Albrectsen - violin, Adam Graumann - viola da gamba, Søren Gleerup Hansen - organ. <\/div>
Music by Rosenmüller, Weckmann m.fl.<\/em> <\/div>
<\/div>
19.30: Musica Ficta & Bo Holten<\/strong> <\/div>
Palestrina: Marcellus mass<\/em> <\/div>
<\/div>
21.00: Scandinavian Cornetts and Sackbuts<\/strong> <\/div>
Lene Langballe (DK), cornetto, Marit Bjørnsen (NO), sackbut , Daniel Stighäll (SE), sackbut , Nils Carlsson (SE), sackbut, Anne Kirstine Mathiesen (DK), organ. <\/div>
Music by Orologio, Borgrevinck, Pedersøn, Dowland, Gabrieli, Guami, Frescobaldi, Susato <\/em><\/div>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Bach$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 22:00 CET\n <\/small>\n <\/p>\n\n
\n Bach to the Future - Cello Suites \n <\/h3>\n\n \n Institute Français \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Performance of the Bach Suites for Violoncello 1/2/3/4
BWV 1007-1008-1009-1010<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Giordano Antonelli, Violoncello <\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Jota$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 19:00 CET\n <\/small>\n <\/p>\n\n
\n Jota Martínez book presentation: "Instrumentos para trovar y danzar en la Llíria del Siglo XIII".\n <\/h3>\n\n \n CIMMedieval\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n
\n
In the municipality of Llíria is the church of Santa María, or \"of the Blood\", dating from the 13th century. It is a typical reconquest church of this area. Its possibly most valuable treasure is inside. It is a Gothic-Mudejar style roof, also from the 13th century, in a fairly optimal state of conservation. Observing the friezes of this coffered ceiling, we find various representations inspired by the courtly life of the time. Some of the characters represented are minstrels and troubadours who play musical instruments contemporary to the work of art and also dance or parade in procession.

Jota Martínez has carried out the organological study of all these musical representations, identifying a total of 19 instruments, some of them repeated, and as a result, the 10 different instruments that were captured in this interesting work of art have been reconstructed.

In this act the book that includes the studies and conclusions of him will be presented.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Mara Aranda: Director of CIMMedieval.
Vicent Sesé-Aloy: Technician at Turisme Llíria.
José María Nácher Escriche: Professor University of Valencia.
Jota Martínez: Specialist in medieval musical instruments and author of the book.<\/div>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2023 12:00 CET\n <\/small>\n <\/p>\n\n
\n A violino solo, senza basso\n <\/h3>\n\n \n Associazione Mousike Vicenza\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Classes di violino del M\' Enrico Balboni del Conservatorio di Vicenza<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Andrea Bett, Paola Volpi<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 12:00 CET\n <\/small>\n <\/p>\n\n
\n Buon Compleanno Bach\n <\/h3>\n\n \n Associazione Mousike Vicenza\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
\"Cantabile, dolce, vivace...per il flauto traverso in concerto con il clavicembalo \"<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Studenti della classe di flauto del M\' Antonio Vivian del Conservatorio di Vicenza <\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 15:00 CET\n <\/small>\n <\/p>\n\n
\n Buon Compleanno Bach\n <\/h3>\n\n \n Associazione Mousike Vicenza\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
\"Lo stile concertante, l\'affetto in dialettica: II e III tempo dal V concerto brandeburghese BWV 1050 di J.S. Bach<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Studenti e docenti della classe di musica da camera del liceo musicale \"A. Pigafetta\" di Vicenza <\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Così$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 16/03/2023 18:00 CET\n <\/small>\n <\/p>\n\n
\n Così parlò Monteverdi\n <\/h3>\n\n \n Musicaimmagine\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
2023 marks the 50th anniversary of the death of Gian Francesco Malipiero [Venice 1882-Treviso 1973], composer and scholar, «innovator» and «exhumer», a complex and controversial figure, a perfect \'Navigante del Tempo\' according our modern sensibility. Among the numerous initiatives undertaken, the Venetian-Asolan composer curates the Complete Works of Claudio Monteverdi [1567-1643], published in 16 volumes at the Vittoriale degli Italiani, d\'Annunzio\'s autarkic citadel on Lake Garda – then reprinted by Universal Edition (Vienna, 1967) including a Volume XVII \'Appendix\'.
The event presents the figure and work of Malipiero, also through the screening of Georg Brintrup\'s film Poemi asolani (WDR, 1985), and a concert by the Ensemble Seicentonovecento conducted by Flavio Colusso, with madrigals by Monteverdi.<\/div>

<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Seicentonovecento conducted by Flavio Colusso<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 17:00 CET\n <\/small>\n <\/p>\n\n
\n Buon Compleanno Bach\n <\/h3>\n\n \n Associazione Mousike Vicenza\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
\"Ti piace Bach? Dal clavicembalo ben temperato alla break dance\"<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Studenti delle classi di pianoforte e percussioni del liceo musicale A. Pigafetta di Vicenza, Break Dance con i BBoys di Verona \"Povia-Arena\"<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 26/03/2023 17:00 CEST\n <\/small>\n <\/p>\n\n
\n Concert - The Joy\n <\/h3>\n\n \n Maîtrise de l’IRVEM\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n
The Joy
<\/strong>Early medieval and baroque music

This programme lets us hear the joy and contemplation in the repertoires of the Middle Ages and the Baroque period through a capella vocal monodies and polyphonies.
The joy of Christmas, the joy of encounter, the joy of love!

1st medieval part
<\/strong>Hec es clara dies
Gaudens in Domino
Mater Virgo
Credo videre
Orientis partibus
Natus est emmanuel
Ecce tempus gaudi

2nd part baroque
<\/strong>Alma mia dove ten vai
Mio core
Ecco
Silentio notivo

The Institute of Vocal Research & Mediterranean Musical Education (IRVEM), a 1901 association created in 1988, is a research, training and dissemination organisation. It is composed of researchers, teachers and professional singers, dancers and actors. The work since 1990 with its president, Benoît Amy de la Bretèque, a phoniatric physician, attached practitioner of the public hospitals of Montpellier and Marseille, doctor in language sciences, allows to bring each person to the mastery of his or her voice, with requirement and dynamism.
The Maîtrise de l\'IRVEM welcomes children from 8 years old, teenagers and young adults. It performs in concerts and staged shows, alongside high-level professional artists. This allows her to consider the whole of an artistic adventure with all that it entails: work on vocal technique, discovery of repertoires, consideration of the meaning of words, musicality, history and the historical context of the work, then the meeting with professional musicians, joint musical work, stage work, rehearsals until the end of the concert or show.

Singer and singing teacher, Bertille de Swarte directs the IRVEM choir school, which she created in 1988 in Perpignan, in numerous concerts and staged shows. She has been a DRAC music expert for five consecutive years, and her teaching activities lead her to meet all kinds of audiences on a daily basis: schoolchildren, young children, adults, professional singers, choirmasters, etc. She has made several recordings for organ and baroque plainchant.

After a degree in literature and musicology, Lucie Jolivet continued her studies in the early music department of the Conservatoire national supérieur de musique de Lyon. She currently teaches singing at the Poissy and Châteauroux centres, and medieval music at the Centre de musique médiévale de Paris. She is a member of the Ensemble Discantus directed by Brigitte Lesne, with whom she has made numerous recordings.

Free admission subject to availability<\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Bertille de Swarte, conductor
Lucie Jolivet, conductor<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"CD$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 12:00 CET\n <\/small>\n <\/p>\n\n
\n CD Release - Bach's Instrumental Music Vol. 3 \n <\/h3>\n\n \n il Gusto Barocco\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n
\n
To celebrate J. S. Bach\'s birthday, il Gusto Barocco<\/strong> releases its 3rd CD dedicated to Bach\'s instrumental music with the label Berlin Classis. On this occasion, the flautist Claire Genewein<\/strong> will guide us through the album with her traverso playing the partita for solo flute, the orchestral suite no. 2 and together with Jörg Halubek <\/strong>on harpsichord and Anaïs Chen<\/strong> on violin, playing the triple concerto. Happy birthday Johann!<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Jörg Halubek <\/strong>| Cembalo certato and Direction
Claire Genewein<\/strong> | Flauto traverso
Anaïs Chen<\/strong> | Violino certato
Eva Saladin<\/strong> | Violine I
Felicia Graf<\/strong> | Violine II
Sonoko Asabuki<\/strong> | Viola
Jonathan Pešek<\/strong> | Violoncello
Fred-Walter Uhlig<\/strong> | Violone<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2023 18:00 CET\n <\/small>\n <\/p>\n\n
\n Concert J.S BACH\n <\/h3>\n\n \n Mairie d'Amilly\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Arnalta$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 16/03/2023 21:00 CET\n <\/small>\n <\/p>\n\n
\n Arnalta Cafè\n <\/h3>\n\n \n Fondazione Teatro Fraschini - Centro di Musica Antica Ghislieri\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Arnalta Café is a \'stand-up comedy\' featuring nurses from different 17th century operas, all intent on having their say. Lullabies, lullabies, arias of toilet, arias of complaint, irreverent mockery. Some of the best-loved Baroque composers of all time, such as Monteverdi and Cavalli, are juxtaposed with lesser-known authors with operatic scenes in their first modern performance, which come to light again after more than three hundred years. A series of amusing sketches, but at the same time of great musical merit, centred on what was one of the most̀ beloved recurring characters of seventeenth-century audiences: la nutrice en travesti.
It is a crowded stage: Desba, Dirce, Nerea, Nisbe, Pasquella, Plancina, Rodisbe, Delfa, Filandra, Lenia, Gilde... and of course Arnalta! These elderly girls are quivering with desire to return to the spotlight.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Luca Cervoni<\/strong>, voice

<\/div>
Concerto Romano

<\/div>
Alessandro Quarta<\/strong>, harpsichord

<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Printemps$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2023 16:00 CET (25/03/2023 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Printemps en musiques\n <\/h3>\n\n \n Les Passions de l'Âme (Les Amateurs des Passions)\n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n
\n
Les Amateurs des Passions is a project orchestra for amateur instrumentalists initiated by Les Passions de l\'Âme, which will form for the first time in spring 2023. Led by Meret Lüthi, the orchestra will play a baroque program around the 2nd orchestral suite by J. S. Bach.

Georg Philipp Telemann<\/strong> (1681-1767)
Ouvertüre in D-Dur, TWV 55:D14

Antonio Vivaldi <\/strong>(1678-1741)
Violinkonzert, «Der Frühling»

Johann Sebastian Bach <\/strong>(1685-1750)
Ouvertüre in h-Moll, BWV 1067<\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Meret Lüthi (soloviolin and conductor), Anne Parisot (soloflute), Fran Petrač (violone), Panagiotis Linakis (harpsichord)
Serafin Albin, Mireille Faist, Patrick Häfliger, Ursula Maurer, Dorothea Richner, Annette Sachs, Valerie Schnyder, Liselotte Staub, Christine Stettler, Ingrid Zürcher (violin)
Pascal Gisler, Gion Duno Simeon, Isabelle Weiss-Moret (viola)
Thomas Maurer, Marc Wirz (violoncello)<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 11:00 CET\n <\/small>\n <\/p>\n\n
\n Buon Compleanno Bach\n <\/h3>\n\n \n Associazione Mousike Vicenza\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Studenti della classe di organo del M\' Matteo Venturini, Conservatorio \"A. PEDROLLO\" di Vicenza <\/div>\n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 21:00 WET (21/03/2023 22:00 CET)\n <\/small>\n <\/p>\n\n
\n IBERIAN ENSEMBLE - CONCERTO EMD\n <\/h3>\n\n \n Alexandre Andrade\n <\/span>\n\n \n Portugal<\/strong>\n <\/span>\n\n \n
Atlantic Baroque - A. Califano, J. B. Boismortier and D. Scarlatti<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
IBERIAN ENSEMBLE
Alexandre Andrade - baroque flute
Nuno Soares - baroque violin
António Vidal - baroque oboe
David Cruz - baroque cello
João Ferreira - teorbe<\/div>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Présentation$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2023 20:00 CET\n <\/small>\n <\/p>\n\n
\n Présentation publique des ateliers\n <\/h3>\n\n \n Centre de musique médiévale de Paris\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2023 16:59 CET\n <\/small>\n <\/p>\n\n
\n Tower Seminar: Composing Between Worlds\n <\/h3>\n\n \n Limerick Early Music Festival\n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n
Presenters: Dr Matthew James Noone, Nick Roth, Asako Hirabayashi, and Edwin McLean<\/div>
Chair: Dr Yonit Kosovske

<\/div>
This seminar will explore unique artistic perspectives on composition from multiple genres. Drawing upon musical thinking from Western Classical music, contemporary music on historical instruments, Opera, maqam, free improvisation, Indian raga, Irish traditional and electroacoustic music, this discussion will explore the function of music as a translative epistemology. Each speaker will give a prepared presentation on their work followed by a chaired open discussion with the audience.<\/div>
Asako Hirabayashi is a harpsichordist and composer. Her recording ‘Music for Harpsichord’ (Albany Records) features her compositions and performances as a solo and collaborative keyboardist. The album was selected as one of the 5 best classical CDs of the year 2010 by Minneapolis Star Tribune, one of the top 10 albums of the year 2018, the Gold Medal Award by the Global Music Awards, and it received 7 favourable international reviews. She has won numerous grants and awards as both a soloist and composer, including two McKnight Fellowships, Jerome Fund for New Music by American Composers Forum, Schubert Club Composer Award, Opera America’s Discovery Grant, MNiatures – Tiny Operas, Big Ideas by MN Opera, and several first prizes in the Aliénor International Harpsichord Composition Competition. She has composed 30 chamber pieces and 4 operas, and her compositions have been performed in more than 14 different countries. She has appeared as a featured guest soloist in international festivals and concert series worldwide since her New York debut recital at Carnegie Hall. She holds a Doctoral degree from the Juilliard School.

<\/div>
Nick Roth is a saxophonist, composer, producer and educator. His work seeks the liberation of improvisation from composition, the poetic syntax of philosophical enquiry, and the function of music as translative epistemology.

<\/div>
Edwin McLean is a composer living in Chapel Hill, North Carolina in the United States. He is a graduate of the Yale School of Music, where he studied with Krzysztof Penderecki and Jacob Druckman. He also holds a master’s degree in music theory and a bachelor’s degree in piano performance from the University of Colorado. Mr. McLean has authored over 200 publications for The FJH Music Company, ranging from The FJH Classic Music Dictionary to original works for pianists from beginner to advanced. His highly-acclaimed works for harpsichord have been performed internationally and are available on the Miami Bach Society recording, Edwin McLean: ‘Sonatas for 1, 2, and 3 Harpsichords’. His 2011 solo jazz piano album ‘Don’t Say Goodbye’ includes many of his advanced works for piano published by FJH. Mr. McLean began his career as a professional arranger. Currently, he divides his time between editing, composing, and painting.

<\/div>
Admission is free and all are welcome.

This event is in collaboration with the Limerick Early Music Festival (24-26 March).<\/strong> <\/div>\n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Anima$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 20:00 CET\n <\/small>\n <\/p>\n\n
\n Anima e Corpo \n <\/h3>\n\n \n Conservatoire Béziers Méditerranée \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
\"ANIMA e CORPO\" by the Italian composer Emilio de\'Cavalieri, the oldest surviving opera, performed by the teachers and pre-professional students of the Bézie conservatories<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Béziers and Perpignan conservatories <\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"B'Rock$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 20:00 CET\n <\/small>\n <\/p>\n\n
\n B'Rock & René Jacobs: Bach & Pergolesi\n <\/h3>\n\n \n Opéra de Rouen\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
J.S. Bach, Vergnügte Ruh, BWV 170
J.S. Bach, Mein Herze schwimmt im Blut, BWV 199
G.-B. Pergolesi, Stabat Mater dolorosa (Bach instrumentation (1746)<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
B\'Rock Orchestra & René Jacobs, with Kateryna Kasper & Helena Rasker<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Reassurance:$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 19:30 CET (21/03/2023 19:30 CET)\n <\/small>\n <\/p>\n\n
\n Reassurance: A prologue to the festival on Bach’s birthday\n <\/h3>\n\n \n Thüringer Bachwochen\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n
Reassurance<\/strong> is the order of the day in these demanding times – and the theme of the Thuringia Bach Festival<\/a> to come.
On Bach’s birthday we look forwards with a prologue concert which presents a reflection on the theme alongside music matching the theme: thoughts of the president of the German Ethics Council, Professor Alena Buyx. With the ensemble Weimar Baroque you can experience a baroque orchestra which is still youthful, in that musicians from around Germany have come together to engage with detailed content and stylistic work which meets their aspirations.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Weimar Baroque<\/strong><\/div>

Dorothea Wagner<\/strong> – soprano
Jaro Kirchgeßner<\/strong> – alto
Tobias Hunger<\/strong> – tenor
Tobias Berndt<\/strong> – baritone<\/div>
Hans Christian Martin<\/strong> – leader<\/div>
Alena Buyx<\/strong> – reflexion<\/div>\n <\/div>\n\n \n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Das$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 19:00 EET (21/03/2023 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Das Musikalische Opfer\n <\/h3>\n\n \n Musicians of the King’s Road (Kuninkaantien muusikot)\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n
Johann Sebastian Bach\'s almost iconic Das Musikalische Opfer performed on period instruments, presumably for the first time in Turku. The work is performed in its complete version.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Musicians of the King’s Road<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 18:00 CET (21/03/2023 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Magnum et admirabile - an audio-visual document and dialogue on the project "Spatial Music. Polychoral music as an instrument of sound seduction" \n <\/h3>\n\n \n L'Homme Armé\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
A documentation and reflection meeting on the project \"Spatial Music\", promoted by L\'Homme Armé between November and December 2022 with the support of Autunno Fiorentino. A broad and articulated project aimed at cultural inclusion starting from early music, with a contemporary and interdisciplinary view.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Speakers: <\/div>
Giulia Nuti<\/li>
Renato Baldassini<\/li>
Ida Maria Tosto<\/li>
Fabio Lombardo<\/li>
Bettina Hoffmann<\/li>
Gustav Baldassini<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Happy$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 19:00 CET\n <\/small>\n <\/p>\n\n
\n Happy Byrd Day ! \n <\/h3>\n\n \n Yannick\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\""Le$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 06/04/2023 11:35 CEST\n <\/small>\n <\/p>\n\n
\n "Le jeune Amour"\n <\/h3>\n\n \n Christine Bayle\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n
It is a storytelling music show that tales in French two love stories (Contes) of Jean de La Fontaine under the guidance of Cupid interspersed of music from Demachy, Ste Colombe, Marais, Hume, Abel, Gener.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Christine Bayle, actress, Marianne Muller, viole de gambe<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"EQUINOTIUM\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2023 19:00 CET\n <\/small>\n <\/p>\n\n
\n EQUINOTIUM\n <\/h3>\n\n \n N&B MARETERRA FESTIVAL\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
ORGAN CONCERT
Celebration on the Spring Equinox
Works by J.S. Bach (on his birthday\'s eve)<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Gilberto Scordari, organ<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Quatre$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 26/03/2023 18:30 -04 (27/03/2023 00:30 CEST)\n <\/small>\n <\/p>\n\n
\n Quatre musiciens nés esclaves \n <\/h3>\n\n \n Office de la Culture du Lamentin\n <\/span>\n\n \n Martinique<\/strong>\n <\/span>\n\n \n
Théâtre miniature & musique ancienne.
Conviant le spectateur à un voyage musical, ce spectacle met en scène le parcours de musiciens noirs ayant vécu en Angleterre entre le milieu du XVIIIème et le début du XIXème siècle.
La musique et les aspects visuels (décors miniatures, figurines à l\'échelle 1/6) se combinent pour illustrer le parcours des personnages (nés esclaves ou réduits en esclavage durant leur enfance), avec empathie et émotion.
Il s\'agit également de rendre hommage au talent et à l\'extraordinaire résilience de ces personnes humaines. Aussi le programme musical combine-t-il des oeuvres de compositeurs européens (Purcell, Haendel, Pepusch, Beethoven) à des pages composées par l\'un des protagonistes.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
-Jean-Alexis, Johann (violon I)
-Lawrence, Nona (violon II)
-Poullet, Jean-Damien (alto)
-Slabiak, Lara (violoncelle)
-Martinel, Eric (clavecin & coordination musicale)

<\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concerti$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2023 16:00 CET (18/03/2023 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Concerti grossi a garganella\n <\/h3>\n\n \n Civica Scuola di Musica Claudio Abbado\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
Concerto dell\'Orchestra barocca della Civica Scuola di Musica Claudio Abbado presso la Sala della Balla del Castello Sforzesco<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Martín Moya Fernandez, Neyén Finot Copa, Stefano Trotta, Giorgia Gianna, Francesco Spiri, Lucrezia Dessì, Flavia Ubaldi, violins<\/div>
Maria Antonietta Losito, Matteo Giannone, viols<\/div>
Massimo Campagna, Chiara Cardelli, cellos<\/div>
Fabio Longo, doublebass<\/div>
Sebastiano Cristaldi, harpsichord<\/div>
Emanuele Gorla, theorbo
Carlo De Martini, conductor<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Guided$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2023 15:00 CET\n <\/small>\n <\/p>\n\n
\n Guided tour of the workshop\n <\/h3>\n\n \n Atelier Scordatura\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
The Atelier Scordatura is located in Montpellier in an exceptional setting: the Hôtel Faulquier, a 19th century mansion, a stone\'s throw from the Saint-Roch train station.

The Atelier Scordatura was born out of a meeting between two luthiers: Frédéric Becker, a luthier and bow maker specialising in classical instruments, who worked at this address for almost forty years, and Olivier Calmeille, who has been the owner of the workshop for the past fifteen years and has specialised in historical instruments and period fittings.

The Atelier Scordatura (https://scordatura.fr/<\/a>) invites you to take a trip back in time to discover the richness of classical and historical violin making, from restoration to the making of bowed string instruments (from violins to double basses and violas da gamba).

Free admission, on registration by e-mail to atelier@scordatura.fr<\/div>\n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Journée$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 26/03/2023 10:30 CEST\n <\/small>\n <\/p>\n\n
\n Journée De la musique ancienne à Ploubezre\n <\/h3>\n\n \n Nathalie Le Gaouyat\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Tidiga$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 19:00 CET (21/03/2023 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Tidiga Musikens Dag\n <\/h3>\n\n \n Marianne Gottlander\n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n
\n
Concert with music by Bach, Byrd, Merula, O’Carolan, Schütz a.o.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Ad Fontes vocal ensemble, Bona Speranza viola da gamba ensemble, Campus Gotland’s chamber choir, Dan Eiderfors conductor, Jan Ekedahl guitar, Marianne Gottlander song, Elke Unt organ, Frey Franzén violin, Lasse Pettersson recorder, Sophie Malmros song, Peter Alrikson organ, Raphael Meulemans cello.<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 24/03/2023 20:30 CET\n <\/small>\n <\/p>\n\n
\n Philtre d'amour. Enchantements et sortilèges à la cour de Louis XIV et Louis XV\n <\/h3>\n\n \n Château de Versailles Spectacles - Conseil Départementale de l'Hérault\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n \n <\/div>\n\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Paradiso,$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 24/03/2023 20:30 CET\n <\/small>\n <\/p>\n\n
\n Paradiso, les Sphères du Paradis\n <\/h3>\n\n \n Itinéraire Baroque en Périgord\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n
Il y a 700 ans, Dante Alighieri (1265-1321) rédigeait la Divine Comédie, <\/em>voyage en Enfer, Purgatoire, <\/em>et Paradis<\/em>. La rédaction de cet ouvrage majeur de la littérature, probablement un des plus notables de la période médiévale, a été réalisée en toscan, langue qui est devenue, grâce au rayonnement de l\'œuvre, la langue de l\'Italie. <\/div>
Avec la Divine Comédie<\/em>, Dante crée deux Paradis : celui du paradis terrestre qu\'il rejoint après une purification par les flammes après l\'ascension de la montagne du Purgatoire, et celui des dix sphères célestes qui forment le théâtre du Paradis<\/em>. Voyager de l\'Enfer au Paradis, c\'est s\'élever vers la musique, vers l’abstraction, vers le savoir. Il en va ainsi pour les âmes que Dante rencontre. Elles étaient déjà réduites à des ombres dans les précédents volets, elles deviennent des étincelles chantantes à mesure qu\'il s\'élève vers l\'Empyrée. <\/div>
C\'est donc tout naturellement que l’ascension de Dante dans ce troisième volet est accompagnée de musique. L\'auteur mentionne les hymnes, les psaumes qu\'il entend, ainsi que les âmes qu\'il rencontre telle la figure du troubadour Foulque de Marseille (1150-1231).
Concert en partenariat avec l\'équipe pédagogique du collège Aliénor d\'Aquitaine, la ville de Brantôme-en-Périgord, le Conseil Départemental Dordogne-Périgord, la DRAC Nouvelle-Aquitaine, la Région Nouvelle-Aquitaine, <\/div>
l’Inspection Académique Départementale.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
L\'ensemble La Camera delle Lacrime<\/h1>
BRUNO BONHOURE, Direction musicale, chant soliste <\/div>
KHAÏ-DONG LUONG, Mise en scène, conception artistique
MARION NOONE, <\/strong>Comédienne lectrice<\/div>
CLÉMENCE MONTAGNE , <\/strong>Chant<\/div>
CRISTINA AL<\/strong>Í<\/strong><\/a>S RAURICH, <\/strong>Organetto<\/div>STÉPHANIE PETIBON, <\/strong>Viola d\'arco, luth

<\/div>Les élève de la classe de 5ème du Collège Aliénor d\'Aquitaine<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 17/03/2023 21:00 CET (17/03/2023 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Isole di suono - Corelli, Forqueray & Marais\n <\/h3>\n\n \n Civica Scuola di Musica Claudio Abbado\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
Arcangelo Corelli<\/strong> (1653-1713) <\/div>
Sonata VI in sol maggiore, da Sonatas for viol and basso continuo, Peer, 1989 / MS. VM 7 6308, Parigi.<\/em> <\/div>
Adagio - Allegro - Allegro - Adagio - Allegro<\/em><\/strong> <\/div>
<\/strong><\/div>
Antoine Forqueray<\/strong> (1672-1745) <\/div>
Suite II in sol maggiore, da Pièces de viole avec la basse continue, Paris, 1747.<\/em> <\/div>
La Dubreüil - La Leclair - Chaconne La Buisson<\/em><\/strong> <\/div>
<\/strong><\/div>
Marin Marais<\/strong> (1656-1728) <\/div>
Tombeau pour Monsieur de Lully, da Pièces de viole, Deuxième Livre, Parigi, 1701<\/em>. <\/div>
Suite in re minore, da Pièces de viole, Deuxième Livre, Parigi, 1701.<\/em> <\/div>
Prelude - Bourasque - Fantaisie - La folette - Allemande - Courante - Sarabande - Gigue la favorite - Caprice - Ballet en rondeau<\/em><\/strong> <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Anaïs Lauwaert, gamba <\/div>
Ninon Dusollier, baroque bassoon<\/div>
Margherita Burattini, double harp <\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Girolamo$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 20:30 CET\n <\/small>\n <\/p>\n\n
\n Girolamo Abos | Stabat Mater\n <\/h3>\n\n \n Festivals Malta\n <\/span>\n\n \n Malta<\/strong>\n <\/span>\n\n \n
The Valletta Baroque Ensemble will be performing the exquisite work by the Italo-Maltese composer Girolamo Abos, Stabat Mater, which was composed within the tradition of contemporary Neapolitan settings meant for the Roman Catholic Holy week liturgy. It is considered to be one of Abos\' most representative masterpieces.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Edited by Joseph Vella
Realised by Geoffrey Thomas

Valletta Baroque E<\/strong>nsemble:<\/strong>

Sarah Spiteri - violin/leader
Tatjana Chircop - violin
Jacob Portelli - cello
Joanne Camilleri - organ
Simone Vallerotonda - theorbo
Gillian Zammit - Soprano
Francesca Aquilina - Soprano
Raisa Marie Micallef - Alto<\/div>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2023 17:45 CET\n <\/small>\n <\/p>\n\n
\n Incontro con l'interprete ed esecuzione delle suites per violoncello\n <\/h3>\n\n \n Associazione Mousike Vicenza\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Francesco Galligioni suona e racconta le suites per violoncello<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Francesco Galligioni<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Philtre$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 24/03/2023 20:30 CET\n <\/small>\n <\/p>\n\n
\n Philtre d'amour. Enchantments and spells at the court of Louis XIV and Louis XV\n <\/h3>\n\n \n Château de Versailles Spectacles - Conseil Départementale de l'Hérault\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Court arias and lyrical tragedies: Charpentier, Lambert, Rameau, Lully, Marin Marais.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Lili Aymonino, dessus
Léa Masson, theorbo<\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 20:30 CET\n <\/small>\n <\/p>\n\n
\n Buon Compleanno Bach\n <\/h3>\n\n \n Associazione Mousike Vicenza\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
La spiritualità in J.S.Bach - i Mottetri BWV 227 e 229 e il Miserere di G. Allegri<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble vocale \"Il Teatro Armonico \"
Organo: Lisa Moroko
Direzione: Margherita Dalla Vecchia <\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 24/03/2023 20:00 GMT (24/03/2023 21:00 CET)\n <\/small>\n <\/p>\n\n
\n ROOTS & BRANCHES: Cantatas & Motets of the Bach Family Tree\n <\/h3>\n\n \n Limerick Early Music Festival\n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n
Finish off early music month and the days after early music day with Cantatas and Motets directed by Peter Barley and Cecilia Madden with three of Limerick’s finest vocal ensembles – Ancór, Sagittarius Hiberniensis, and St Mary’s Cathedral Choir.

Although we often place Johann Sebastian Bach at the pinnacle of the Bach musical family tree, he inherited a long line of musical tradition that spanned back to the early 17th century.

<\/div>
The three vocal ensembles will present cantatas by JS Bach intertwined with sonorous motets by several of his forebears, including Johann (the “Erfurt”) Bach, Johann Christoph, and Johann Michael Bach.

This event is part of the Limerick Early Music Festival (24-26 March). <\/div>

<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Directed by Peter Barley & Cecilia Madden
Roots & Branches Performers: Ancór, Sagittarius Hiberniensis, St Mary’s Cathedral Choir, LEMF Chamber Orchestra.<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"FANTANGLED\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2023 13:00 GMT (25/03/2023 14:00 CET)\n <\/small>\n <\/p>\n\n
\n FANTANGLED\n <\/h3>\n\n \n Limerick Early Music Festival\n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n
Finish off early music month and the days after early music day with Fandangos, Tangos, and more! Fantangled showcases multiple harpsichords, virtuoso violin, and dance through the music of Boccherini and contemporary composers Asako Hirabayashi, Edwin McLean, Sheli Nan, and Astor Piazzolla. This event is part of the Limerick Early Music Festival (24-26 March).<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Bogdan Sofei, violin
Yovanna Torres Blanco, dance
Rachel Factor, Asako Hirabayashi & Yonit Kosovske, harpsichords
Vlad Smishkewych, castanets<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Musica$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 18:00 CET\n <\/small>\n <\/p>\n\n
\n Musica Maestri! \n <\/h3>\n\n \n Conservatorio di musica "Giuseppe Verdi" di Milano\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
The Fantastic Organ: Girolamo Frescobaldi, Le Toccate del II libro<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Ivana Valotti, professor of organ at the \"Giuseppe Verdi\" Conservatory of Music in Milan, Italy.<\/div>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 26/03/2023 20:00 CEST\n <\/small>\n <\/p>\n\n
\n Ceol Ársa Cláirsí: Tunes of the Irish Harpers\n <\/h3>\n\n \n Limerick Early Music Festival\n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n
Ceol Ársa Cláirsí will be a very special concert of music and poetry featuring some of Ireland’s most respected musicians in Traditional Irish and Early Music styles.

<\/div>
The evening’s music will consist of beautiful and haunting tunes by Irish Harpers from the 17th and 18th centuries, taken from original sources and played on historical and modern instruments.

Renowned musicians will perform on early Irish harp, lute, bandora, guitars and Susato whistle, recreating the historic sound world of the Irish Baroque era and blending it sensitively with traditional instruments.

<\/em><\/strong>This event is part of the Limerick Early Music Festival (24-26 March).<\/strong> <\/div>\n <\/div>\n\n\n \n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Georg$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 12:00 CET (21/03/2023 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Georg Philipp Telemann - Ouverture & Concerti\n <\/h3>\n\n \n Accademia del Ricercare\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Ouverture in A minor TWV 55: a2
Ouverture, Les Plaisirs, Air à l\'Italien, Menuet I
Alternative II, Rejuissance, Passepied I/II, Polonaise

For recorder, strings and Basso Continuo

Concerto polonais TWV 43: G7

For strings and B.C.
Dolce, allegro, largo, allegro

Concerto in A minor TWV 52: A1
Grave, Allegro, Dolce, Allegro

Viola da gamba, Flute, Strings and Bass Continuo

Concerto in E minor TWV 52:e1
Largo, Allegro, Largo, Presto

For recorder, transverse flute, strings and basso continuo<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Luisa Busca, recorder
Lorenzo Cavasanti, recorder and transverse flute
Luca Taccardi, viola da Gamba
Elisa Imbalzano, Valeria Caponnetto
Yayoi Masuda, Gabriele Cervia, violins
Elena Saccomandi, Viola da braccio
Cecilia Medi - bassoon
Lorenzo Fantinuoli - cello
Federico Bagnasco, violone
Claudia Ferrero, harpsichord<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 26/03/2023 13:00 IST (26/03/2023 14:00 CEST)\n <\/small>\n <\/p>\n\n
\n Dialogues: Creative Conversations Between Old & New\n <\/h3>\n\n \n Limerick Early Music Festival\n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n
Limerick New Music Ensemble (formerly CoMA Limerick) presents a programme of new and existing works reflecting on early music and its relationship with the contemporary canon.

<\/div>
Audience members are warmly invited to the Belltable foyer to meet the composers Asako Hirabayashi, Edwin McLean, Fiona Linnane, and members of LNME immediately following the concert DIALOGUES: Creative Conversations Between Old and New.

Dialogues is directed by Fiona Linnane and featuring guest artist Yonit Kosovske on harpsichord, Edwin McClean and the ensemble will bring their usual blend of eclecticism, whimsy and musical diversity for their inaugural LEMF performance.

This event is part of the Limerick Early Music Festival (24-26 March).<\/strong> <\/div>\n <\/div>\n\n\n \n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"TOY$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2023 20:00 GMT (25/03/2023 21:00 CET)\n <\/small>\n <\/p>\n\n
\n TOY STORY: Medieval & Renaissance Keyboard Music\n <\/h3>\n\n \n Limerick Early Music Festival\n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n
Finish off early music month and the days after early music day with the Toy Story programme, where Corina Marti explores a wealth of early European keyboard music and provides a magical glimpse into a highly virtuosic world, playing upon a metal-strung medieval clavisimbalum<\/em> and an early Baroque Italian harpsichord inspired by the 17th century. This event is part of the Limerick Early Music Festival (24-26 March).<\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Corina Marti, harpsichord and clavisimbalum<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"POLONICA:$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2023 16:00 GMT (25/03/2023 17:00 CET)\n <\/small>\n <\/p>\n\n
\n POLONICA: Solo Lute Music from Poland\n <\/h3>\n\n \n Limerick Early Music Festival\n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n
Finish off early music month and the days after early music day with Musica Polonica – a style of music characterised by an irresistible melodic charm and a straightforward harmonic and rhythmic texture.
This event is part of the Limerick Early Music Festival (24-26 March).<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Michał Gondko, lute<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Venice$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2023 17:00 CET\n <\/small>\n <\/p>\n\n
\n Venice at the heart of 17th century music\n <\/h3>\n\n \n Kammerata Luxembourg (Marc Jacoby) & Kultur- an Integratiounskommissioun Gemeng Pëtschent (Unki Unkelhäuser)\n <\/span>\n\n \n Luxembourg<\/strong>\n <\/span>\n\n \n
Valentin Bakfark, Barbara Strozzi, Claudio Monteverdi, Francesco Cavalli, Dario Castello, Johann Rosenmüller, Tarquinio Merula, Biagio Marini , Antonio Brunelli.
Tickets: info@kammerata.lu<\/a><\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
KAMMERATA LUSSEMBURGHENSIS
VÉRONIQUE NOSBAUM chant
ISABEL VAN GRYSPERRE violon baroque
AURÉLIE WENZEL violon baroque
DANIEL SERAFINI sacqueboute
STÉPHANIE HOUILLON viole de gambe
FONS VAN DER LINDEN clavecin & orgue positif
PHILIPPE MALFEYT luth<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Primavera$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 15/04/2023 18:30 WEST (15/04/2023 19:30 CEST)\n <\/small>\n <\/p>\n\n
\n Primavera Barroca\n <\/h3>\n\n \n A.na Verde de Oliveira - Casa Verde de Oliveira - Rocaille Leiria\n <\/span>\n\n \n Portugal<\/strong>\n <\/span>\n\n \n
Visit to the noble room with the representation of Spring at 6.30pm followed by harpsichord concert.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Ana Leonor Borshchenko, Yan Hampshire, Joana Silva and Tito Rosado<\/div>\n <\/div>\n\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Ameyden$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 26/03/2023 19:30 CEST\n <\/small>\n <\/p>\n\n
\n Ameyden - Missa "Fontes et Omnia"\n <\/h3>\n\n \n Musicaimmagine-PISMA\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
The Cappella Musicale di Santa Maria dell\'Anima conducted by Flavio Colusso performs the very rare \"Missa Fontes et Omnia\" by Christiaan Ameyden [ca.1530-1605], \"Vicedecan\" and last Flemish origin singer (Oirschot, Brabant) of the papal Chapel, member of the Anima Bruderschaft and buried in the Teutonic Church. The execution takes place as part of the events for the anniversaries of the fifth centenary of the election to the papal throne (2022) and the fifth centenary of the death (2023) of Pope Adrian VI [Utrecht, 2 March 1459 - Rome, 14 September 1523] also buried in the Presbytery of the Church of S. Maria dell\'Anima.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Cappella Musicale di Santa Maria dell\'Anima, Flavio Colusso Maestro di cappella<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"I$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 18:30 CET\n <\/small>\n <\/p>\n\n
\n I Concerti del Conservatorio | Gianluca Luisi piano solo\n <\/h3>\n\n \n Conservatorio di Musica "G. Rossini"\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Conservatorio Rossini celebrates the European Early music day with a free entrance piano recital by prof. Gianluca Luisi. Program: Johann Sebastian Bach, Georg Friedrich Händel. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Gianluca Luisi<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"300$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 22:56 CET\n <\/small>\n <\/p>\n\n
\n 300 years - Bach’s 6th Suite\n <\/h3>\n\n \n Amarilis Dueñas Castán\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n
In order to celebrate the 300th anniversary of the 6th Bach Suite and also his arrival to Leipzig, I want to share with all of you a live recording of the Gigue… with Piccolo cello, of course! <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Amarilis Dueñas, violoncello Piccolo <\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Aspettando$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2023 18:00 CET (18/03/2023 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Aspettando "I Concerti di Euterpe"\n <\/h3>\n\n \n Associazione Musicale AQUILA ALTERA\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
During the event, a brief review of the XXVI years of musical activity will be given and the 2023 calendar will be presented.
Finally, a concert of medieval music \"TEMPUS TRANSIT - tempi sacri e profani del Medioevo\" will be performed by the ensemble Aquila Altera and Le Cantrici di Euterpe<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
AQUILA ALTERA ensemble<\/strong>
Maria Antonietta Cignitti, canto, arpa, percussioni
<\/em>Gabriele Pro viella
<\/em>Antonio Pro, oud, liuto
<\/em>Matteo Nardella, flauti dritti, flauto doppio, sordellina
<\/em>Lorenzo Lolli, canto, organo portativo, percussioni

<\/em>LE CANTRICI DI EUTERPE<\/strong> insieme vocale aquilano<\/em><\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 20:00 CET\n <\/small>\n <\/p>\n\n
\n Concert - Journey to Europe\n <\/h3>\n\n \n Cité des Arts\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Tuesday 21 March at 8 pm - Concert - Early music teachers of the Cité des Arts, with the participation of the Arianna Ensemble - Auditorium Cité des Arts (Montpellier)

Title :
Journey in Europe

Programme:
This concert offers an overview of early European music taught at the Cité des Arts. The teachers will come together to play pieces influenced by Italy, the cultural epicentre of the time. Sackbut, violins, snake, viola, cello, theorbo, keyboard and even natural horn will be the stars of the evening.

Part XVII
Prelude in D minor - Jacob VAN EYCK
Julien Miro, Marie-Paule Nounou (440hz mesotonic organ)

Sonata a 3, 2 violini, trombone and Bc in D minor - Antonio BERTALI
Sarah Labrousse, Julien Miro, Luc Gaugler, Marie-Paule Nounou (harpsichord and mesotonic organ)

Canzona decimasettima detta la Diodata - Girolamo FRECOBALDI
Arianne Lallemand, Luc Gaugler, Marie-Paule Nounou (harpsichord and mesotonic organ)

Chaconne - Antonio BERTALI
All, Marie-Paule Nounou (harpsichord and mesotonic organ)

2 Motetti A 2 : O Nomen Jesu, Da Pacem Domine - Alessandro GRANDI
Harumi Baba-Dath, Julien Miro

Duodecima Sonata a 3. Doi violini, & trombon overo violeta [LZ1] - Dario CASTELLO
Sarah Labrousse, Luc Gaugler, Marie-Paule Nounou (harpsichord and mesotonic organ)

Sonata quarta A 2, Sopran e Trombon - Dario CASTELLO
Sarah Labrousse, Julien Miro, Luc Gaugler, Marie-Paule Nounou (harpsichord and mesotonic organ)

Recercada sobre Doulce Mémoire de Pierre Sandrin - Diego ORTIZ
Harumi Baba-Dath, Sarah Labrousse, Luc Gaugler, Julien Miro, Marie-Paule Nounou (organ)

Part xviii
Harpsichord 415 Hz, 18th century temperament to be determined
Ricercar for solo cello - Domenico GABRIELLI
Arianne Lallemand

Sonata for cello and Bc in BbM - RV46 - Antonio VIVALDI
Arianne Lallemand, Luc Gaugler, Marie-Paule Nounou (harpsichord)

La Livri, from the 1st concert of Pièces de clavecin en concert - Jean-Philippe RAMEAU
La Marais, from the 5th concert of Pièces de clavecin en concert - Jean-Philippe RAMEAU
Sarah Labrousse, Luc Gaugler, Marie-Paule Nounou (harpsichord)

Concerto for 4 for violin, horn, cello and Bc - Georg Philipp TELEMANN
Olivier Brouard, Sarah Labrousse, Arianne Lallemand, Marie-Paule Nounou (harpsichord)

[LZ1]Programme ok<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Cast:
Sarah Labrousse, violin
Ségolène Saytour, violin
Arianne Lallemand, cello
Luc Gaugler, viola
Harumi Baba-Dath, snake
Olivier Brouard, natural horn
Alain Cahagne, keyboards
Julien Miro, sackbut

And

Marie-Paule Nounou, keyboard
Rodolphe Ronaldo Lopez, theorbo<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach's$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 19:30 CET\n <\/small>\n <\/p>\n\n
\n Bach's Prince\n <\/h3>\n\n \n Bachhaus Eisenach\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n
Three years of traveling through Europe by coach and ship, 200 pages of diary, 300 pages of accounts, astronomic expenses of 55.749 talers: 17-years-old Price Leopold of Anhalt-Koethen would hit the headlines these days. On his grand tour he treasured up political, sociocultural and other “experiences of life” in passing. He purchased antiques, art, curiosities but also printed music from England, Italy and France for his little court in Koethen. What among all this might have later inspired Johann Sebastian Bach?
Hamburger Ratsmusik has compiled original texts and musical impressions of this journey in an enjoyable program, thus celebrating Bach’s 338th birthday in his birthplace in Eisenach.

<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Peter Bieringer - recitation
Hamburger Ratsmusik:
Simone Eckert - viola da gamba & Anke Dennert – harpsichord <\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Ariadnet$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 16/03/2023 19:00 EET (16/03/2023 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Ariadnet otsides / In search for Arianna\n <\/h3>\n\n \n Eesti Kontsert\n <\/span>\n\n \n Estonia<\/strong>\n <\/span>\n\n \n
A concert performance of “Arianna a la recherche” by Rinuccini/Monteverdi/Lawrence-King.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Estonian Philharmonic Chamber Choir and soloists; Lodewijk van der Ree, choirmaster; Floridante baroque orchestra; Andrew Lawrence-King, artistic director and conductor <\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 20:00 CET\n <\/small>\n <\/p>\n\n
\n Concert Méditerranée Sacrée - Chamber choir Les éléments, dir: Joël Suhubiette\n <\/h3>\n\n \n Scène Nationale du Grand Narbonne\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Since 1997, the aura of the Toulouse chamber choir Les Elements has spread far beyond the borders of Occitania. The ensemble directed by Joël Suhubiette is at the Saint Paul-Serge Church to present Méditerranée sacrée, one of its flagship programmes.
The Renaissance masterpieces - Gesualdo\'s Répons des Ténèbres and Antonio Lotti\'s Crucifixus - are joined by works in Hebrew by Salomone Rossi, written to introduce polyphony to the synagogue, and contemporary pieces commissioned from the Greek composer Alexandros Markeas and the Lebanese Zad Moultaka.
A true odyssey through six centuries of vocal music, carried by the power of a capella voices, all in a heritage site that magnifies sacred music and in the heart of the aptly named \"daughter of Rome\", whose face has long been turned towards the Mediterranean.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Chamber choir Les éléments
Conductor: Joël Suhubiette<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Fantasia$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 24/03/2023 21:00 CET (24/03/2023 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Fantasia – The Art of Counterpoint during the reigns of James I and Charles I \n <\/h3>\n\n \n Grandezze & Meraviglie - Festival Musicale Estense\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Publication of the video of the concert \"Fantasia - The Art of Counterpoint during the reigns of James I and Charles I\" (Teatro San Carlo, Modena, 19/03/2023) on Grandezze & Meraviglie\'s YouTube and Facebook channels<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Il Concerto delle Viole:
Roberto Gini, soprano viols, tenor viols, basse viols<\/div>
Patxi Montero, soprano viols, tenor viols, basse viols<\/div>
Marco Angilella, basse viols<\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 20:00 CET\n <\/small>\n <\/p>\n\n
\n Concert - Anima e Corpo\n <\/h3>\n\n \n Département de musique ancienne du CRR de Perpignan\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Tuesday 21 March at 8pm - Concert - Early Music Department of the CRR of Perpignan in collaboration with the Réseau Occitanie Méditerranée - Réfectoire des Abbés (Béziers)

Title :
Anima e Corpo

Programme:
The top students of the early music departments of the ROM are coming together to work on a work that is a milestone in the history of music: La rappresentatione di anima e di corpo, a musical drama by Emilio de\' Cavalieri with an Italian libretto by Agostino Manni, premiered in Rome in February 1600.

Twenty or so singing students and as many instrumentalists from the conservatories of Perpignan, Béziers and Montpellier are involved in this project: violins, cellos, recorders, sackbut, serpent, lute, harpsichord, organ and harp.

Josep Cabré, baritone, was a student of Christopher Schmidt and Kurt Widmer in Basel, as well as of Lise Arseguet in Paris and Jordi Albareda in his native Barcelona. He has been a guest soloist with the most prestigious early music ensembles, and is also the founder of the vocal quartet La Colombina, with which he has developed a large part of his concert and recording activity, as well as the Compagnie Musicale, which performs small-scale repertoires from plainsong to polyphony, and recovers Renaissance and Baroque music in Catalonia. He was musical director of the Capilla Peñaflorida in San Sebastian and of the Pamplona Chamber Choir and its professional ensemble Nova Lux from 2009 to 2012. He also teaches at Musikene (the Higher School of Music of the Basque Country) and at the CRR of Perpignan, and is regularly invited to give master classes on ancient repertoires by various university and musical institutions. This activity is reflected in numerous recordings, which have often won awards from specialist critics.

A graduate of the Poitiers and Versailles Conservatories in recorder, Fanette Estrade continued her instrumental training at the Early Music Department in Toulouse, and then at the Higher Conservatory of Music in Barcelona. Since then, she has extended her instrumental practice to the ancient bassoon, the bagpipes and singing. She holds a certificate of aptitude in early music and currently teaches the recorder at the Conservatoire national de région de Perpignan.

Free admission subject to availability<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Cast:
Josep Cabré, conductor
Fanette Estrade, coordination
Early Music Department of the CRR of Perpignan in collaboration with the Réseau Occitanie Méditerranée (ROM)<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"PuraCorda$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 19:00 CET (21/03/2023 19:00 CET)\n <\/small>\n <\/p>\n\n
\n PuraCorda in Brno\n <\/h3>\n\n \n Early Music Concert Series "B. M. Willi presents..."\n <\/span>\n\n \n Czechia<\/strong>\n <\/span>\n\n \n
PuraCorda is an Amsterdam based string quartet exploring repertoire from 19th to 20th century on historical instruments, new and exciting territory that very few ensembles have explored on gut strings. The Czech debut of this exceptional quartet will take place in the beautiful concert hall of the Convent of the Merciful Brothers in Brno and will feature compositions by female composers Agnes Tyrrell, Elizabeth Maconchy and Rebecca Clarke.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
PuraCorda
Mayumi Sargent, Panagiotis Charlampidis / violins <\/div>
Eura Fortuny / viola<\/div>
Antigoni Seferli / cello
and Barbara Maria Willi, the dramaturg and patron of the concert series, in the audience\'s favourite role of evening guide.<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Hipp!$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2023 19:00 CET\n <\/small>\n <\/p>\n\n
\n Hipp! Göteborg Baroque 20 years! \n <\/h3>\n\n \n Göteborg Baroque \n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n
Göteborg Baroque turns 20 years during 2023 - We are celebrating the whole year and in this particular concert we will perform the motettos by Johann Sebastian Bach<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
GÖTEBORG BAROQUE
artistic director: Magnus Kjellson, claviorganum

Anna Jobrant, soprano
Ann Kjellson, soprano
Amanda Flodin, alto
Nana Bugge Rasmussen, alto
Leif Aruhn-Solén, tenor
Jorge Navarro Colorado, tenor
Karl Peter Eriksson, bass
Jakob Bloch Jespersen, bass
Christian Berg, violoncell

<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Fête$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2023 20:00 CET\n <\/small>\n <\/p>\n\n
\n Fête galante, autour de la danse baroque\n <\/h3>\n\n \n Conservatoire à Rayonnement Départemental de Pau-Béarn-Pyrénées\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Spring$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2023 11:00 GMT (22/03/2023 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Spring Lullabies\n <\/h3>\n\n \n Stoke Newington Early Music Festival\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n
\n
THE TELLING - Clare Norburn, singer, and Jean Kelly, harpist, perform medieval and traditional lullabies from a range of cultures. Designed as an \'early music for early years\' event, this morning concert is for babies, pre-school children, their parents, grandparents and carers.<\/strong> <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Clare Norburn, voice
Jean Kelly, harp<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Early$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 22:30 CET (21/03/2023 22:30 CET)\n <\/small>\n <\/p>\n\n
\n Early Music Day - "Was once all lascivious"\n <\/h3>\n\n \n The Kameleon Choir of the Mokotów District \n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n
The recording of the satirical song \"Fear of the bad things of human life\" to the words of one of the most important figures of the Polish Renaissance, Mikołaj Rej, made in the historic building of the former Institute of Morally Neglected Children.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
The Kameleon Choir of the Mokotów District conducted by Katarzyna Maria Boniecka<\/div>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach++$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 11/03/2023 20:30 CET\n <\/small>\n <\/p>\n\n
\n Bach++ entre amis\n <\/h3>\n\n \n Centre72\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Bach++ entre amis comporte un ensemble musical rempli de musiciens confirmés avec notamment Luis Rigou à la direction et aux flûtes. Bach, Haendel, Purcell, Quantz et Hahn seront les compositeurs à l\'honneur.
<\/div>
Mars étant un mois de fête pour la musique baroque et plus particulièrement la musique ancienne - sa journée mondiale étant le 21 mars -, c\'est dans la joie et la bonne humeur que nous nous retrouverons le samedi 11 mars au Centre 72 dans le but de la célébrer. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Luis Rigou, Helene Arntzen, Jeanne-Marie Ponty Fourel, Jerónimo López, Ben Schwarz et Manon Marmouset de la Taille.<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 18/03/2023 11:00 CET\n <\/small>\n <\/p>\n\n
\n Concert – Élèves du CRR de Perpignan - L’Italie en 1600\n <\/h3>\n\n \n Élèves du CRR de Perpignan\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Concert given from 11 am to 12.30 pm by the students of the Conservatoire à rayonnement régional (CRR) of Perpignan, as a preamble to the concert Anima e Corpo, proposed by the early music department of the CRR of Perpignan in collaboration with the Occitanie Méditerranée network, at the municipal theatre of Perpignan, on Saturday 18 March 2023, at 8.30 pm.

Free admission subject to availability of seats<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Students of the Conservatoire à rayonnement régional (CRR) of Perpignan<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 23:00 CET\n <\/small>\n <\/p>\n\n
\n The elegance of J. S. Bach's writing.\n <\/h3>\n\n \n Tania Birardi\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Conversation. Instagram live.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
C. S. (Tania) Birardi<\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2023 18:30 CET\n <\/small>\n <\/p>\n\n
\n Concert JS BACH\n <\/h3>\n\n \n Mairie d'Amilly\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n \n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Musical$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 24/03/2023 15:30 CET\n <\/small>\n <\/p>\n\n
\n Musical visit of the Fabre Museum collections - Les Ombres\n <\/h3>\n\n \n Les Ombres\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Music & painting: mirrors of our emotions
A musical journey through the permanent collections of the Fabre Museum for approximately 1 hour and 15 minutes

Programme :
As part of the European Early Music Days, the Fabre Museum opens its doors to the musicians of the ensemble Les Ombres. During a guided musical and pictorial tour, music and paintings will reveal their secrets. The flute and the viola da gamba will resonate in this majestic setting during an original guided tour, revealing each work through the prism of emotions.

Admission fee: 11 €, upon registration by email at a.belin@montpellier3m.fr, or directly online at https://musee-fabre.tickeasy.com/fr-FR/accueil

From the complicity of Margaux Blanchard and Sylvain Sartre at the Schola Cantorum in Basel, the Ombres project was born. Two voices, two personalities, the same curiosity for forgotten repertoires. The dual leadership of the ensemble reflects its quest for diversity, renewal and modernity. Intergenerational and committed, the Ombres project develops, from chamber music to opera to theatre for young audiences, in a quest for excellence and respect for the ethical values dear to its founders. Concerned about its relationship with the public, the ensemble places emotion at the heart of its proposals. The energy of the gesture, the breath of the dialogue, the work of the light, the choice of repertoires and rhythm: the poetry of the performance shapes a programme whose harmony and architecture must move the spectator. This human, sensory and multidisciplinary approach to the ancient repertoire reveals the echoes of our present with the past. By putting it on stage in music and images, Les Ombres inscribes the baroque into the contemporary world and makes the great issues of our time resonate in the light of past centuries. The colours, atmospheres, poetry and harmony that emerge from their creations accompany the spectator in the discovery of a little-known repertoire and invite him to contemplate this overwhelming concordance of times.
Their recordings have received critical acclaim: 4T TTTT Télérama, Diapason d\'or de l\'année, Choc de Classica, Quobuzissime, Coup de cœur du jardin des critiques de FranceMmusique, Supersonic Pizzicatto...

After studying piano and flute, Sylvain Sartre discovered the richness of the Renaissance and Baroque repertoires. In all that he undertakes, he gives a very special place to the voice. He works as a conductor with numerous choirs and choirmasters, and directs the baroque pole of the Institute for Vocal Research and Mediterranean Music Education (IRVEM). A keen researcher, he is also involved in the rediscovery of forgotten manuscripts of the 18th century French repertoire, work which has been rewarded by the Fondation de France. Regularly invited as a flutist by such renowned conductors as Hervé Niquet, Leonardo García Alarcón, Chiara Banchini, Jordi Savall and Joël Suhubiette, he places particular emphasis on chamber music, which he performs with the ensembles Pulcinella, Le Consort and Fratres.

Sought after for the generosity of her musical gesture, the violinist Margaux Blanchard is solicited by the musical directors Jordi Savall, Leonardo García Alarcón, François-Xavier Roth, and performs at the Garnier, Bastille, and Comique opera houses, as well as in Versailles, Amsterdam, Cologne, Geneva, Buenos Aires, Tokyo and New York. A complete artist, she has sung in opera from a very young age, and has an instinctive relationship with the stage. Singing guides her in her quest for the \"ideal phrasing\", dance inspires her rhythmic architecture, with the practice of keyboards, from piano to harpsichord, as a foundation. As a child, she discovered and was initiated into the playing of the treble and bass viol with Ariane Maurette at the CRR in Paris, and deepened her knowledge during her master\'s degree with Paolo Pandolfo at the Schola Cantorum in Basle, and outside with Jordi Savall, Marianne Muller and Jérôme Hantaï.
In demand as a soloist, chamber musician and continuo player, it was through her encounter with the Argentine harpsichordist and conductor Alarcón that she naturally turned to accompanying singers. He spotted her in 2005 at the Ambronay Academy, and in 2007 invited her to join the continuo of his ensemble Cappella Mediterranea. In 2008 she co-founded the ensemble Les Ombres, and in 2009 she was one of the youngest graduates. Since 2011 she has been teaching the harmonic and melodic duality of her instrument.
She is developing her network in Switzerland and France, and in Occitania she is setting up her ensemble with the flutist Sylvain Sartre, whom she met at the Schola. Together, they compose immersive performances that have made their group a collective in its own right, eager to reach out to all audiences for over ten years.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Cast:
Margaux Blanchard, viola da gamba
Sylvain Sartre, traverso<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2023 17:45 CET\n <\/small>\n <\/p>\n\n
\n Concert - Borrowing & Imprint\n <\/h3>\n\n \n Ensemble Vocal Claire Garrone\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Borrowing & Imprinting
From the Renaissance to the Baroque
(Tallis, Purcell, Pachelbel, Bach...)

Programme :
Concert given as part of the \"La voix dans tous ses états\" festival (https://sites.google.com/view/lavoixdanstoussesetats34980/accueil)

RENAISSANCE PERIOD
John Dowland, \"Flow my tears\" (soloist)
William Mundy, \"O Lord, the Maker of all Thing\" (soloist)
Thomas Tallis, \"Oh Lord, in Thee is all my trust
Thomas Tallis, \"If Ye love me
John Dowland, \"Can she excuse my wrongs\" (soloist)
Alfonso Ferrabosco, Pavane, lute
John Wilbye, \"As Matchless Beauty
John Dowland, \'Come again\' (soloist)
John Blox, \"Behold, O God our defender
Sackbut interlude
Henry Purcell, \"Funeral Music of Queen Mary

BAROQUE PERIOD IN GERMANY
August Kühnel, Suite for violin, theorbo and harpsichord (positive)
Johann-Christoph Bach, \"Der Mensch vom Weibe geboren
Johann Pachelbel, \"Der Herr ist König
Johann Pachelbel, \"Exsurgat Deus
J.S Bach, motet BWV 231 \"Sei Lob und Preis mit Ehren

The Ensemble Vocal Claire Garrone is a flexible and motivated group of about twenty amateur singers. Under the demanding and sensitive direction of Claire Garrone, it explores the great moments of vocal writing, both secular and sacred, from the Middle Ages to the present day. Thanks to the quality of his work and his concerts, he has been able to surround himself with the best professional musicians and instrumental ensembles. The collaboration with great conductors such as Rachid Safir, Alain Zaepfel, Hervé Niquet or Daïnouri Choque (vocal work on sound and its harmonics) has enabled the choir members to become autonomous, curious and attentive, making the EVCG an ensemble that has been noticed by the critics. The Ensemble Vocal Claire Garrone is a member of the Association des chœurs du Languedoc (ACL).

Claire Garrone studied German at the Paul-Valéry University in Montpellier before training as a choral conductor with some of Europe\'s greatest masters: Philippe Caillard, Michel Piquemal, Bernard Têtu, Éric Ericson, Pierre Cao... She is a choral conductor approved by the Ministry of Culture and has been a full professor of choral singing at the Conservatoire national de région de Montpellier. She was the choral conductor at Opéra Junior when it was created, where she provided vocal training for young choristers and soloists until 2001. She also teaches voice in music therapy at the Paul-Valéry University in Montpellier. She has also taught choral conducting. As a guest conductor, she has participated in festivals and summer academies (early music academy with the Concert Royal in Languedoc-Roussillon). Her taste for accuracy, dynamics, rhythmic rigour, vocal colour, musical finesse and the study of prosody has made her a demanding and noted choral conductor.

After completing his musical studies at the Schola Cantorum in Basel and at the CNSMD in Paris, Yvon Repérant turned to the study of the harpsichord, and very quickly specialised in the practice of basso continuo. He has been regularly called upon by the greatest baroque conductors as an assistant, vocal coach and continuo player. He has also played in renowned early music ensembles, as well as with classical ensembles. In addition to his concert activity, he has always been actively involved in teaching.

Passionate about early music, Sylvie Moquet began studying the viola da gamba first with Arianne Maurette, then with Jordi Savall, with whom she obtained a soloist\'s diploma at the Schola Cantorum in Basel in January 1983. She then continued her training with Wieland Kuijken. Her professional activities are divided between teaching at the conservatories of Aix-en-Provence and Toulon, concerts and recordings with various ensembles, her activity as a soloist, and the chamber music ensembles with which she regularly performs: Les Witches, Da Pacem and Concerto Soave.

Natacha Palance obtained her singing diploma from the CRR of Nantes in 2011, and in the same year, she came to Montpellier to follow a music therapy course. The mezzo-soprano tackles the baroque and romantic repertoire as well as the contemporary one, but she is particularly fond of the baroque, the melody and the lied.

A versatile musician, Julien Miro is a trombone and sackbut teacher at the Cité des Arts in Montpellier, where he is involved in numerous projects, mainly with early music. For him, the trombone is a real passport to travel through different eras and styles. Surrounded by the Sacqueboutiers de Toulouse with whom he plays, he supports early music with talented local instrumentalists.

Prices: 12 € / 8 € for students and jobseekers / free for children under 12 but accompanied by an adult

Access to the online ticketing service (https://sites.google.com/view/lavoixdanstoussesetats34980/billetterie)<\/em><\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Distribution :
Ensemble Vocal Claire Garrone
Claire Garrone, conductor
Yvon Repérant, keyboards
Sylvie Moquet, bass viol
Lucien Miro, saqueboutes ensemble conductor
Natacha Palance, soloist<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Nouvelle$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 18:00 CET\n <\/small>\n <\/p>\n\n
\n Nouvelle création - JANUA - Présentation\n <\/h3>\n\n \n Ensemble Irini\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n
\n\n
Facebook<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 01/04/2023 20:00 CEST\n <\/small>\n <\/p>\n\n
\n Adieu délices de mes jours\n <\/h3>\n\n \n Société Française de Luth\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Daniel$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2023 19:30 CET (21/03/2023 19:30 CET)\n <\/small>\n <\/p>\n\n
\n Daniel Zapico - "Au Monde"\n <\/h3>\n\n \n Música Antigua Xixón - Fundación Municipal de Cultura (Ayuntamiento de Gijón)\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n
Presentation of the album \"Au Monde\", by theorbo player Daniel Zapico, in which he presents new transcriptions of French baroque music for theorbo.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Daniel Zapico, theorbo<\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Öppen$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 18:30 CET (21/03/2023 18:30 CET)\n <\/small>\n <\/p>\n\n
\n Öppen scen i Höörs kyrka \n <\/h3>\n\n \n Höör Barock \n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n
Open scene for all early music enthusiasts. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
The performers are a mix of amateurs, professional musicians and young people. Among them are Höör Barock Ensemble and Frosta Kammarkör.<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Diverse$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 26/03/2023 17:30 EDT (26/03/2023 23:30 CEST)\n <\/small>\n <\/p>\n\n
\n Diverse Galant\n <\/h3>\n\n \n Patricia Garcia Gil\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n
This is a live fortepiano recital featuring CPE Bach, Scarlatti and Soler on a Ferrini replica, followed by the Spanish and Latin American Galant composers Montero\' s and Aldana\'s works, plus Haydn!, performed on a Walter replica. This project includes three lecture recitals that will be available online on the 29, 30 and 31 of March.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Patricia Garcia Gil, fortepiano<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bolonian$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 03/04/2023 12:00 CEST\n <\/small>\n <\/p>\n\n
\n Bolonian Baroque Masters\n <\/h3>\n\n \n Corde Spezzate Ensemble\n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n
Performance miniatures sonatas form sonatas collection with pieces of various Bolonian composers of the end of XVII century.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Daria Skrzypek - baroque violin
Paulina Garlińska - viola da gamba<\/div>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"X$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2023 18:00 CET\n <\/small>\n <\/p>\n\n
\n X Baroque Spring at Palace at Rybna: Duo Siostry Gajeckie - Concert untitled "Ba(rokoko) \n <\/h3>\n\n \n Pałac w Rybnej\n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n
X Baroque Spring at Rybna Palace, Early Music Day, Untitled concert \"Ba(rokoko), Gajeckie Sisters Duo: Hanna Balcerzak & Aleksandra Gajecka-Antosiewicz - harpsichords
Program :

Johann Sebastian Bach - Concerto in C major BWV 1061 No tempo indication / Adagio ovvero Largo / Fugue. Vivace

Johann Christian Bach - Sonata in G major, op. 15 no. 5, part I. Allegro

Johann Ludwig Krebs - Concerto in A - minor WV 840 Allegro / Affettuoso /Allegro

Wolfgang Amadeus Mozart - Sonata in D major KV 488/375a part I. Allegro con spirito<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Duo Siostry Gajeckie (The Gajeckie Sisters Duo):
Hanna Balcerzak - harpsichord & Aleksandra Gajecka-Antosiewicz - harpsichord

<\/div>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Iberia$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 29/03/2023 11:30 EDT (29/03/2023 17:30 CEST)\n <\/small>\n <\/p>\n\n
\n Iberia and Latin America Compilations\n <\/h3>\n\n \n Patricia Garcia Gil\n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n
This is the first of a series of three mini leture recitals, published during the Early Music Month with the aim of shedding light to the importance of women from varied social spheres who collected keyboard music and/or transcribed manuscripts in Iberia and Latin America in the 18th century, which serve nowadays as a source for understanding the cultural transfer that occurred between the two continents. I will present musical selections performed on historical keyboards from the following compilations: the library of the Portuguese-Spanish Queen Maria Barbara<\/strong>; the manuscript owned by a Chilean black woman slave known as “Libro Sesto de Maria Antonia Palacios”; and the compilation named “Quaderno Mayner” for the use of Sra. Maria Guadalupe Mayner from Mexico, of unknown origin.<\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Patricia Garcia Gil<\/div>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Cantilena$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 20/03/2023 18:30 CET (20/03/2023 18:30 CET)\n <\/small>\n <\/p>\n\n
\n Cantilena a 4 voci\n <\/h3>\n\n \n PassiSparsi\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
Preview of the videoclip \"Cantilena a 4 voci\" composed by Vincenzo Galilei with lyrics by Dante Alighieri<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
PassiSparsi
Martha Rook, soprano
Cora Mariani, mezzosoprano
Neri Landi, tenore
Lorenzo Tosi, basso<\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Early$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2023 18:00 CET\n <\/small>\n <\/p>\n\n
\n Early Music Day 2023 | Polish Radio Choir | Marcin Świątkiewicz\n <\/h3>\n\n \n All’Improvviso Festival\n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n
Just a couple of days after J.S. Bach\'s birthday anniversary, on March 25, the Polish Radio Choir and its guests will perform a special concert with passion music by Palestrina, Schütz, Schein, and Bach. The performance will take place in Gliwice, Poland, as a part of the All’improvviso Festival to celebrate Early Music Day 2023.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Polish Radio Choir
Maria Piotrowska-Bogalecka – conductor, artistic direction
Marcin Świątkiewicz – harpsichord, organ, artistic direction
Julia Karpeta – viola da gamba
Jan Čižmář – lute

<\/div>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Iberian$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 31/03/2023 11:30 EDT (31/03/2023 17:30 CEST)\n <\/small>\n <\/p>\n\n
\n Iberian and Latin American Keyboard Compilations\n <\/h3>\n\n \n Patricia Garcia Gil\n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n
This is the third of a series of three mini leture recitals, published during the Early Music Month with the aim of shedding light to the importance of women from varied social spheres who collected keyboard music and/or transcribed manuscripts in Iberia and Latin America in the 18th century, which serve nowadays as a source for understanding the cultural transfer that occurred between the two continents. I will present musical selections performed on historical keyboards from the following compilations: the library of the Portuguese-Spanish Queen Maria Barbara; the manuscript owned by a Chilean black woman slave known as “Libro Sesto de Maria Antonia Palacios”; and the compilation named “Quaderno Mayner” for the use of Sra. Maria Guadalupe Mayner from Mexico<\/strong>, of unknown origin.<\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Patricia Garcia Gil<\/div>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Iberian$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 30/03/2023 11:30 EDT (30/03/2023 17:30 CEST)\n <\/small>\n <\/p>\n\n
\n Iberian and Latin American Keyboard Compilations\n <\/h3>\n\n \n Patricia Garcia Gil\n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n
This is the second of a series of three mini leture recitals, published during the Early Music Month with the aim of shedding light to the importance of women from varied social spheres who collected keyboard music and/or transcribed manuscripts in Iberia and Latin America in the 18th century, which serve nowadays as a source for understanding the cultural transfer that occurred between the two continents. I will present musical selections performed on historical keyboards from the following compilations: the library of the Portuguese-Spanish Queen Maria Barbara; the manuscript owned by a Chilean black woman slave known as “Libro Sesto de Maria Antonia Palacios”<\/strong>; and the compilation named “Quaderno Mayner” for the use of Sra. Maria Guadalupe Mayner from Mexico, of unknown origin.<\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Patricia Garcia Gil<\/div>\n <\/div>\n\n
\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Lynx$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 11/03/2023 19:00 CET\n <\/small>\n <\/p>\n\n
\n Lynx Ensemble - through the Looking Glass\n <\/h3>\n\n \n Friedenauer Kammerkonzerte\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n
Since 2016, Lynx Ensemble<\/em> has been combining Swedish folk music with Baroque musical styles in unique ways. This concert is the Ensemble\'s German debut after many concerts in Sweden over the years. Following their debut album Baroque Tales<\/em> in 2020, they will now perform their new program, through the Looking Glass<\/em>.

Seit seiner Gründung 2016 beschäftigt sich das Ensemble intensiv mit der spannenden Kombination von schwedischer Volksmusik und Barockmusik auf einzigartige Weise. Dieses Konzert ist das deutsche Debüt des Ensembles nach vielen Auftritten in Schweden. Nach dem Debütalbum „Baroque Tales“ 2020 wird nun das neue Programm, „Through the Looking Glass“ erklingen.<\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Linnea Aall Campbell, violin
Netta Hübscher, recorder
Anna Freiman, nyckelharpa
Nora Matthies, baroque cello
Avinoam Shalev, harpsichord<\/div>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 26/03/2023 16:00 CEST\n <\/small>\n <\/p>\n\n
\n Gran Solo: Guitar Music from the 19th Century\n <\/h3>\n\n \n Limerick Early Music Festival\n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n
This Gran Solo recital for the 19th-century guitar presents musical works from the first half of the nineteenth century written by the most influential composers for the instrument.
<\/div>
Gran Solo is a journey through the mastery of Fernando Sor, the brilliant virtuosity of Mauro Giuliani, and the Romantic inspirations of Johann Kaspar Mertz.

<\/div>
Enrica Savigni will perform on an original Anton Stauffer Viennese guitar (1831) and an Hijos de Gonzalez Spanish guitar (1870).

This event is part of the Limerick Early Music Festival (24-26 March).<\/strong> <\/div>\n <\/div>\n\n\n \n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"La$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 08/03/2023 19:00 EET (08/03/2023 18:00 CET)\n <\/small>\n <\/p>\n\n
\n La Musica\n <\/h3>\n\n \n Tallinn Baroque Orchestra\n <\/span>\n\n \n Estonia<\/strong>\n <\/span>\n\n \n
The first concert of the new initiative of the Tallinn Baroque Orchestra, to create a permanent Baroque Orchestra for Estonia. Celebrating International Women\'s Day with a program of early 17th-century Italian music by, for and about women. Monteverdi, Francesca Caccini, Isabella Leonarda, Cavalieri.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Tallinn Baroque Orchestra
Andrew Lawrence-King, director<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Release$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 16:30 CET\n <\/small>\n <\/p>\n\n
\n Release of a new video clip\n <\/h3>\n\n \n La Camerata Chromatica\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
La Camerata presents you its new video clip : Laura che\'l verde lauro<\/em> by Nicola Vicentino, shot in the beautiful church of St-Paul in Lyon (France).
Video made by Blow_Prod.<\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Benjamin Delale - Artistic direction & organ
Gabrielle Varbetian - Soprano
Nicolas Kuntzelmann - Counter-tenor
Pauline Chiama - Viola da gamba
Victoire Fellonneau - Recorder
Bérénice Brejon – Recorder<\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Family$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 17/03/2023 19:00 CET (17/03/2023 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Family concert by the Murcia University Orchestra\n <\/h3>\n\n \n Murcia University Orchestra\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n
Family concert by the Murcia University Orchestra
<\/strong>
<\/div>
<\/div>
Suite \"Abdelazer\" <\/em>(Selección) - Henry Purcell (1659 - 1695)<\/div>
Rondeau<\/li>
Air<\/li>
Minuet<\/li>
Jig<\/li>
Hornpipe<\/li>
Air<\/li><\/ol>

<\/div>
Concierto para flauta o trompeta N.6 \"La Paix\" <\/em>(Selección) - Michel Pignolet de Montéclair (1667 - 1737)<\/div>
Rondeau<\/li>
Overture<\/li>
Air en Rondeau y Air par imitation<\/li>
Branle en Rondeau<\/li>
Sommeil<\/li>
Le Retour de Moutier<\/li>
Pastourelle le I & II<\/li>
Gavotte<\/li>
Contredanse<\/li><\/ol>

<\/div>
Música para los reales fuegos de artificio: Suite HWV 351 <\/em>- Georg Friedrich Händel (1685 - 1759)<\/div>
Ouverture<\/li>
Bourrée<\/li>
La Paix<\/li>
La Réjouissance<\/li>
Minuet I & II<\/li><\/ol>\n <\/div>\n\n\n
\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Into$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 27/02/2023 09:00 CET\n <\/small>\n <\/p>\n\n
\n Into the Melting Pot: stories of women, their plaintive songs and Spanish medieval music in Spain 1492\n <\/h3>\n\n \n The Telling\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n
★★★★ \"an inspiring, affirming and powerful piece of writing (and my favourite so far of The Telling’s work)\"<\/em>
LouReviews, Louise Penn October 2022

The film adaption of the concertplay (where music and theatre collide) written by Clare Norburn and directed by BAFTA-nominated Nicholas Renton.

<\/div>Spain, 1492. At twilight on her final night in Seville, a Jewish woman, played by Suzanne Ahmet (@sohoplace, The King’s Head Theatre, Chester Storyhouse), lights the lamps. She is being forced to leave Spain and set sail for an uncertain future. Her story echoes down the ages to the personal stories of people affected by politics and war today. She tunes into voices of a community of Jewish, Christian and Muslim women from across the Spanish peninsula.<\/div>
<\/div>
Down the centuries, women’s stories of integration, love, the rich cultural heritage of the Spanish peninsula and racial intolerance are played out to a soundtrack of plaintive Sephardic songs and lively medieval music performed by The Telling. Be transported back to 15th-century Seville!<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Suzanne Ahmet, actor as Blanca the Jewish woman

The Telling:
Clare Norburn, voice
Maya Levy, voice
Emily Baines, recorders
Giles Lewin, oud
Joy Smith, harp & percussion

Nicholas Renton, director
Clare Norburn, writer& producer
Natalie Rowland, lighting designer
Ignacio Lusardi Monteverde, camera
Ethan Lieber, actor sound recording
Ignacio Lusardi Monteverde, music sound recording
Ignacio Lusardi Monteverde, audio & visual editor<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 20:00 CET\n <\/small>\n <\/p>\n\n
\n Concerto Barocco\n <\/h3>\n\n \n Associazione Musicale Serenade Ensemble ospitati dalla Comunita' degli Italiani di Albona\n <\/span>\n\n \n Croatia<\/strong>\n <\/span>\n\n \n
On the occasion of the European Baroque Music Day, the \'Musica gentil in corso\' ensemble of the Serenade Ensemble, with the help of copies of Baroque instruments, will present a \'mosaic\' of composers and titles ranging from the mid-sixteenth to the mid-eighteenth century in Italy and Europe, with some examples of dances composed in the Istrian region.
Opening the concert will be the debut of the \'Scherzi Armonici\' Choir. a Triestine vocal ensemble formed by amateurs of the Baroque repertoire who, thanks to past experience in choral music, wanted to resume concert activity under a new direction.
The concert will be held in the small theatre in the old town of Albona thanks to the hospitality and cooperation of the Albona Community of Italians.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble \"Musica Gentil in corso\":
Silvia Di Marino, Nicoletta Marzari, Paola Salvi: flutes
Giacomo Sfetez : bassoon, lute
Enrico Favento : guitar
Stefan Bak: cello
Laura Sfetez: trombone
Giulia Fonzari: harpsichord
Andrea Sfetez: cornet, flutes and orchestra preparator
\"La Corale - Scherzi Armonici\" choral ensemble formed by amateurs of the baroque repertoire:
Calandra Marina, Camerino Daniela, Costanzi Maria Cristina, Lettis Caterina, Mercuri Maria Duilia, Sain Simona, Sari Silvia, Signorini Paola, Calandra Claudio, Camerino Paolo, Castiglione Alessandro, Favento Enrico, Girotto Riccardo, Macoratti Gianfranco.<\/div>

<\/div>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"BBC$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 19/03/2023 14:00 GMT (19/03/2023 15:00 CET)\n <\/small>\n <\/p>\n\n
\n BBC Radio 2 Early Music Show\n <\/h3>\n\n \n National Centre for Early Music\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n
Lucie Skeaping presents highlights of a concert recorded at the NCEM last year, in which EEEmergin+ ensemble Cantoria perform music associated with Catherine of Aragon and Queen Mary I of England. <\/div>\n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Video$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 07:30 CET (21/03/2023 07:30 CET)\n <\/small>\n <\/p>\n\n
\n Video release - Telemann Canonic Sonata n.6 \n <\/h3>\n\n \n Celeritas Ensemble\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n
Follow the two voices of this rarely-performed canon with the guided score we have created!
We invite you to follow the changing affects of the melody as the canon develops.

<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Celeritas Ensemble
Eduardo Gaspar Polo Baader, traverso
Julia Hernández Sánchez, violin<\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Ancient$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 11:00 CET\n <\/small>\n <\/p>\n\n
\n Ancient Airs and Dances\n <\/h3>\n\n \n Cristina Marton\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n
Performances and different educational mini-lectures during all day for young students of the music school of the piano class of Cristina Marton
Program:
Ottorino Respighi<\/strong> - \"Antiche Danze ed Arie per Liuto\" (sec XVI. XVII) <\/em> for piano four-hands<\/div>Claude Debussy<\/strong> - \"Six Épigraphes Antiques\" <\/em> for piano four-hands<\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Cristina Marton & Antonia Miller, piano duo<\/div>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Diana$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 20:00 CET\n <\/small>\n <\/p>\n\n
\n Diana Baroni - MUJERES\n <\/h3>\n\n \n Cité musicale-Metz\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n
musiques et chants traditionnels d’Amérique du Sud <\/strong><\/div>
Ce concert rend hommage aux personnalités féminines marquantes du Nouveau Monde, à travers une sélection poétique de leur héritage musical depuis l’époque de la colonisation jusqu’à nos jours. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Diana Baroni <\/strong>chant, traverso
Ronald Martin Alonso <\/strong>viole de gambe
Rafael Guel <\/strong> guitare baroque, flûtes, percussions <\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"A$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 15:00 CET\n <\/small>\n <\/p>\n\n
\n A never-ending art: "Lemniscate" - The Art of Fugue\n <\/h3>\n\n \n New Collegium\n <\/span>\n\n \n Netherlands<\/strong>\n <\/span>\n\n \n
For the 2023 Early Music Day, New Collegium releases a new and final video of its latest CD, \"Lemniscate\".
Surrounded by a certain air of mystery and revered as a relic, The Art of Fugue<\/em> is roundly praised for its complex, mathematical nature. However, these works are also movingly lyrical, and deserve to be enjoyed for their pure beauty, just as one enjoys the rhythms and sounds in the words of a poem, regardless of form and sometimes even meaning. Following the last version of J.S. Bach\'s autograph manuscript, New Collegium champions in \"Lemniscate\" the reconciliation and celebration of all these aspects, bringing to the fore both the cerebral brilliance as well as the emotive intensity of this iconic masterpiece, allowing it to be both light and profound. The rich instrumentation of woodwinds, brass, strings and harpsichord allows for expressive characters to be exaggerated, hints at other musical styles, and paints diverse atmospheres, infusing fantasy and life into these twenty fugues and canons.

Release date → March 2023
Stream//Download → https://lnk.to/LemniscateID<\/a>
Buy → https://outhere-music.com/en/albums/lemniscate-bach-art-fugue<\/a><\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
NEW COLLEGIUM
Sara DeCorso - violin<\/div>
Tomoe Badiarova - viola<\/div>
Barbara Konrad - viola<\/div>
Rebecca Rosen - cello<\/div>
Anna Lachegyi - viola da gamba<\/div>
Inês d’Avena - recorder<\/div>
Tami Krausz - traverso<\/div>
Daniel Lanthier - oboe<\/div>
Jamie Savan - cornetto<\/div>
Matthijs van der Moolen - alto & tenor trombone<\/div>
Joost Swinkels - tenor & bass trombone<\/div>
Wouter Verschuren - bassoon<\/div>
Claudio Ribeiro - harpsichord & artistic direction

Inês d’Avena & Claudio Ribeiro - Artistic Concept
www.newcollegium.com<\/a><\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Lully's$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 00:00 EDT (21/03/2023 05:00 CET)\n <\/small>\n <\/p>\n\n
\n Lully's Idylle sur la Paix & Charpentier's La Fête de Rueil\n <\/h3>\n\n \n Boston Early Music Festival\n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n
\n
Enjoy a Virtual Encore of the GRAMMY-winning BEMF Chamber Opera Series\' November 2022 production of two French Baroque masterpieces depicting the people’s desire for peace. With period-inspired staging, lavish costumes, and an all-star cast, this is truly an entertainment fit for a King! <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Paul O’Dette & Stephen Stubbs, <\/strong>Musical Directors
<\/em><\/strong>Gilbert Blin, <\/strong>Stage Director
<\/em><\/strong>Robert Mealy, <\/strong>Concertmaster
<\/em><\/strong>Melinda Sullivan, <\/strong>Choreographer<\/em><\/strong><\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Fantasia$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2023 18:00 CET (19/03/2023 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Fantasia – The Art of Counterpoint during the reigns of James I and Charles I (1625 – 1649)\n <\/h3>\n\n \n Grandezze & Meraviglie - Festival Musicale Estense \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
Il Concerto delle Viole will play a selection of music for viols composed in England between 1625 and 1649, by John Coperario, Orlando Gibbons, Tobias Hume and Thomas Lupo. The concert will be recorded and broadcasted on Youtube in the following days.<\/strong><\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Roberto Gini, soprano viols, tenor viols, basse viols<\/strong><\/div>
Patxi Montero, soprano viols, tenor viols, basse viols<\/strong><\/div>
Marco Angilella, basse viols<\/strong><\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Family$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2023 12:30 CET (19/03/2023 12:30 CET)\n <\/small>\n <\/p>\n\n
\n Family concert by the Murcia University Orchestra\n <\/h3>\n\n \n Murcia University Orchestra\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n
Family concert by the Murcia University Orchestra<\/strong><\/div>
<\/div>

<\/div>
Suite \"Abdelazer\" (Selección) - Henry Purcell (1659 - 1695)<\/div>
Rondeau<\/li>
Air<\/li>
Minuet<\/li>
Jig<\/li>
Hornpipe<\/li>
Air<\/li><\/ol>

<\/div>
Concierto para flauta o trompeta N.6 \"La Paix\" (Selección) - Michel Pignolet de Montéclair (1667 - 1737)<\/div>
Rondeau<\/li>
Overture<\/li>
Air en Rondeau y Air par imitation<\/li>
Branle en Rondeau<\/li>
Sommeil<\/li>
Le Retour de Moutier<\/li>
Pastourelle le I & II<\/li>
Gavotte<\/li>
Contredanse<\/li><\/ol>

<\/div>
Música para los reales fuegos de artificio: Suite HWV 351 - Georg Friedrich Händel (1685 - 1759)<\/div>
Ouverture<\/li>
Bourrée<\/li>
La Paix<\/li>
La Réjouissance<\/li>
Minuet I & II<\/li><\/ol>\n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"SONATES$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2023 20:00 CET\n <\/small>\n <\/p>\n\n
\n SONATES DU ROSAIRE, BIBER AVEC ROSAS, LA COMPAGNIE DE DANSE D'ANNE TERESA DE KEERSMAEKER\n <\/h3>\n\n \n THÉÂTRE DE LA VILLE\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
De nombreux spectacles de De Keersmaeker trouvent leur élan à partir d’un compagnonnage avec une partition musicale ; c’est le cas ici, avec les Sonates des Mystères<\/em> de Biber. Exigeant une virtuosité de haut vol, elle sera défendue par la violoniste Amandine Beyer et son ensemble Gli Incogniti.<\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Anne Teresa De Keersmaeker, Chorégraphie<\/div>
Heinrich Ignaz Franz Biber, Musique (Mystery Sonatas) <\/div>
Amandine Beyer, Direction musicale <\/div>
Minna Tiikkainen, Scénographie et lumières <\/div>
Fauve Ryckebusch, Costumes<\/div>
Cintia Sebők , Laura Maria Poletti , Mariana Miranda , Sophia Dinkel , Frank Gizycki , Jacob Storer , José Paulo Dos Santos , Lav Crnčević , Mamadou Wagué , Rafa Galdino, Danseurs et danseuses (par alternance)<\/div>
Gli Incogniti, Ensemble<\/div>
Amandine Beyer, Violon<\/div>
Baldomero Barciela Varela, Viole de gambe <\/div>
Ignacio Laguna Navarro, Théorbe et guitare baroque<\/div>
Francesco Romano, Archiluth<\/div>
Anna Fontana, Clavecin et orgue<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Misteria$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2023 19:00 CET (21/03/2023 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Misteria Paschalia: Early Music Day\n <\/h3>\n\n \n Krakowskie Biuro Festiwalowe\n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n
Early Music Day was established to raise awareness of the music of the Middle Ages, Renaissance and Baroque times and to draw the attention of a wider audience to it. It is held annually on March 21, on the birthday of Johann Sebastian Bach. The repertoire of the concert was chosen in such a way as to provoke a new discussion about the limits of the music we call \"old\". Does the work of the two giants of Romanticism - Mendelssohn and Chopin - and Beethoven, the genius of the transitional era, still fall into this category? Their pieces will be performed by Matylda Adamus (cello) and Maciej Skrzeczkowski (piano) as the event of Misteria Paschalia Festival.

<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Matylda Adamus (cello)
Maciej Skrzeczkowski (piano) <\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"17th-Century$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 05/03/2023 18:00 GMT (05/03/2023 19:00 CET)\n <\/small>\n <\/p>\n\n
\n 17th-Century Splendour\n <\/h3>\n\n \n Laetare Vocal Ensemble\n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n
Laetare Vocal Ensemble and conductor Róisín Blunnie present a programme of 17th-century repertoire, with special guests Aisling Kenny (voice) and Siobhán Armstrong (harp).<\/div>
The programme includes choral and vocal music by Claudio Monteverdi, Francesca Caccini, Heinrich Schütz, Barbara Strozzi, Lucrezia Vizzana, and Henry Purcell.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Laetare Vocal Ensemble, conducted by Róisín Blunnie
Aisling Kenny (voice)
Siobhán Armstrong (harp)<\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Ensemble$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 13:00 GMT (21/03/2023 14:00 CET)\n <\/small>\n <\/p>\n\n
\n Ensemble Moliere\n <\/h3>\n\n \n National Centre for Early Music\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n
\n
<\/div>
Ensemble Molière feature in a new video following the progress of King Louis XIV’s day. The ensemble perform music to accompany the monarch from dawn to dusk in a number of beautiful venues in York. Filmed as part of their residency as BBC New Generation Baroque Ensemble. <\/div>\n <\/div>\n\n\n
\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Lunch$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2023 13:15 HKT (22/03/2023 06:15 CET)\n <\/small>\n <\/p>\n\n
\n Lunch Time Recital : Early Music Delights by Concerto da Camera\n <\/h3>\n\n \n Concerto da Camera\n <\/span>\n\n \n Hong Kong<\/strong>\n <\/span>\n\n \n
Live concert performing works by Frescobaldi, Geminiani, Telemann & More<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Karen Yeung- Baroque Bassoon<\/div>
Jamie Jim- Baroque Cello<\/div>
Kenneth Yeung- Harpsichord<\/div>

<\/div>

<\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Music$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 19:30 MSK (21/03/2023 17:30 CET)\n <\/small>\n <\/p>\n\n
\n Music of Caravaggio epoch\n <\/h3>\n\n \n Vladimir Shulyakovskiy\n <\/span>\n\n \n Russian Federation<\/strong>\n <\/span>\n\n \n
Music of late renaissance and early baroque (including J.Aracadelt intabulation of madrigal \"Voi Sapete ch\'io v\'amo\", depicted in Caravaggio masterpiece \"Lute player\") performed by Vladimir Shulyakovskiy (baroque violin), and Elena Chupakhina (harpsichord)<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Vladimir Shulyakovskiy (baroque violin), and Elena Chupakhina (harpsichord) <\/div>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2023 19:00 CET\n <\/small>\n <\/p>\n\n
\n La Ruche musicale\n <\/h3>\n\n \n Conservatoire à Rayonnement Départemental de Pau-Béarn-Pyrénées\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"L'homme$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 10:45 CET (21/03/2023 10:45 CET)\n <\/small>\n <\/p>\n\n
\n L'homme armé for the peace\n <\/h3>\n\n \n Liceo Musicale Margherita di Savoia Napoli\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
A flashmob musical performance for the peace. During the dialy break, a group of students will play and sing in an informal mode with percussion, wind and string instruments, the very ancient song L\'homme armé. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Students of musical instruments prepared by Claudio Borrelli (Percussions) Ida Caiazza (Singing) Valentina Crimaldi (Flute) Francesco Nocerino (Piano) Francesco Palumbo (Trumpet) Lorenzo Torelli (Tuba) <\/div>\n <\/div>\n\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Luminous$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 20:30 CET\n <\/small>\n <\/p>\n\n
\n Luminous darkness. From Venice to Dresden\n <\/h3>\n\n \n Festival Baroque de Pontoise\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n
Alongside the Leipzig Cantor, we will pay tribute to Jan Dismas Zelenka (1679-1745) and Antonio Lotti (1667-1740) in the company of the conductor Sébastien Daucé, students from the early music and vocal disciplines departments of the Paris Conservatory and the adult choir of the Notre-Dame de Paris choir school.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Sébastien Daucé, conductor
Students of the departments of early music and vocal disciplines
and vocal disciplines of the Paris Conservatory
Maîtrise Notre-Dame de Paris, adult choir
Henri Chalet, choirmaster

27 singers
18 instrumentalists<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Auditions$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 19:00 CET\n <\/small>\n <\/p>\n\n
\n Auditions of students of the Patio, School of artistic education of the Pays de Morlaix.\n <\/h3>\n\n \n Le Patio\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Auditions for students of the Patio, Pays de Morlaix School of Art. On the programme: singing, violin, traverso, harpsichord, organ, early music ensemble, 1st and 2nd cycle orchestras.<\/div>\n <\/div>\n\n\n
\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"MUSICA$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 03/03/2023 19:00 CET (03/03/2023 19:00 CET)\n <\/small>\n <\/p>\n\n
\n MUSICA ELEGENTIA DAY\n <\/h3>\n\n \n Comune di Lanciano (Ch)\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
LIVE Streaming su Facebook<\/em><\/a>
Presentazione del nuovo cd & libro di MATTEO CICCHITTI & MUSICA ELEGENTIA<\/strong><\/a><\/div>CHALLENGE CLASSICS: Leopold Hofmann (1738-1793) - <\/strong>Six Divertimenti Op. 1<\/em><\/a> <\/li>
EDIZIONI MOMENTI: G. Ch. Wagenseil (1715-1777) e l’uso del gran violone nel genere dei divertimenti nella scuola viennese del ‘700<\/a> <\/li><\/ul>\n <\/div>\n\n
\n Musicians<\/span>\n
Con:
MATTEO CICCHITTI, direttore musicale
PIERPAOLO FERULLI, Musica e Libri
VALENTINO GENTILEZZA, Le dirette delle sette

Ospiti: <\/div>
DAVIDE MORANTE, Sindaco di Salle (Pe)<\/div>
Prof. FRANCESCO ROCCO ROSSI, musicologo<\/div>
ANTONIO COLOCCIA, violoncellista<\/div>
PAOLA NERVI, violinista e violista
MAURIZIO PACIARIELLO, ingegnere del suono<\/div>
Avv. FILIPPO PAOLINI, Sindaco di Lanciano (Ch)<\/div>
Prof. GIANLUCA DEL MALVÒ, docente di lettere <\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Leggi$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 20:30 CET (21/03/2023 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Leggi "Napoli", suona "Mondo"\n <\/h3>\n\n \n Pietà de' Turchini Foundation\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
On stage is an original dramaturgy by Antonio Piccolo<\/strong>, who also signs the production\'s direction, with a cast featuring soprano Marie Lys<\/strong>, actors from the Compagnia Teatro in Fabul<\/strong>a, and the Talenti Vulcanici<\/strong> directed by Stefano Demicheli<\/strong>.
\"During the 18th century, the capital of southern Italy welcomed a large number of \'foreign\' composers,\" points out musicologist Paologiovanni Maione<\/strong>, \"who came here to perfect their \'craft\' but above all to learn the secrets of a superfine art that had enslaved the whole of Europe. Artists, such as Johann Adolf Hasse<\/strong>, Christoph Willibald Gluck<\/strong>, Johann Christian Bach<\/strong>, Josef Mysliveček<\/strong>, Joseph Schuster<\/strong>, Vicente Martín y Soler<\/strong> among many others, landed in the capital in search of a \'Neapolitan\' identity capable of guaranteeing access to the great international musical centres.
It is precisely selected works by these composers that make up the programme of Antonio Piccolo\'s performance in music, intended to show the \'many\' voices that fuelled the city\'s cultural and musical scene at the time. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Marie Lys<\/strong>, soprano<\/em>
Antonio Piccolo<\/strong>, dramaturgy and direction <\/em>
Talenti Vulcanici<\/strong>
Maria Grokhotova*<\/strong>, Ayako Watanabe<\/strong>, Azusa Onishi<\/strong>, Stefano Gerard<\/strong>, Isabel Soteras Valenti*<\/strong>, Valentina Russo<\/strong>, Andrea Beatriz Lizarraga<\/strong>, Veronica Berardi<\/strong> violins<\/em>
Elena Gelmi <\/strong>viola<\/em>
Marco Ceccato*<\/strong>, Marius Malanetchi<\/strong> cellos<\/em>
Giorgio Sanvito<\/strong> double bass<\/em>
Stefano Demicheli<\/strong> harpsichord and conducting<\/em>
*first parts<\/em>

Paologiovanni Maione<\/strong> Musicological Consultancy<\/em>
Pier Carmine Garzillo<\/strong>, Valentina Cucinotta<\/strong> Transcriptions<\/em>

Melissa Di Genova<\/strong> and Antonio Piccolo<\/strong>, actors<\/em>
Federica Del Gaudio<\/strong> costumes<\/em>
Compagnia Teatro in Fabula<\/strong><\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Mostration$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 04/04/2023 14:00 CEST\n <\/small>\n <\/p>\n\n
\n Mostration du spectacle de l'Ensemble-école 2022-2023\n <\/h3>\n\n \n Centre International de Musiques Médiévales\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Speaking$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 26/03/2023 18:30 CEST\n <\/small>\n <\/p>\n\n
\n Speaking Baroque Flute, a panel conversation on articulation\n <\/h3>\n\n \n The Traverso Practice Net\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
The subject of articulation is without doubt one of the most distinctive features in baroque flute playing. Just like a verbal language, the ability to speak through the instrument and through the music is the key for an expressive musical performance. In this ZOOM session, baroque flute specialists Lisete Bull, Enrico Coden, and Teddie Hwang will touch on different aspects of this multi-faceted subject, from understanding Hotteterre and the meaning of articulation to how to approach tonguing in difficult keys. As you will see, there is a whole universe about articulation and we hope you\'ll walk away with much inspiration and curiosity after the session! <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Lisete Bull, presenter
Teddie Hwang, presenter
Enrico Coden, presenter
Francesco Belfiore, host<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 18:00 CET (21/03/2023 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Concert of the Schola Cantorum Basiliensis\n <\/h3>\n\n \n Schola Cantorum Basiliensis / Basel Academy of Music FHNW\n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n \n
A concert of the class of Prof. Jörg-Andreas Bötticher, harpsichord
Works of T. Merula, L. Couperin, J.S. Bach, G.F. Händel and J. Mattheson<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Jörg-Andreas Bötticher, professor of harpsichord
Students of the Schola Cantorum Basiliensis:
Maria van der Merwe
Filip Hrubý
Elizaveta Polianitskaia
Zuguang Xiao
Kamran Mercier<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2023 14:40 CET\n <\/small>\n <\/p>\n\n
\n Buon Compleanno Bach\n <\/h3>\n\n \n Associazione Mousike Vicenza \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
A violino solo, senza basso - Conservatorio “A. Pedrollo” di Vicenza

<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Studenti della classe di violino del maestro Enrico Balboni del conservatorio di Vicenza<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 17:00 CET (21/03/2023 17:00 CET)\n <\/small>\n <\/p>\n\n
\n International music festival Musica Mirabilis | A presentation\n <\/h3>\n\n \n Municipality of Clusone\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
The festival Musica Mirabilis was inaugurated on Saturday 8 October 2022, with the first contemporary performance of the Compiete, for five voices and continuous bass, seventh opera (Venice, 1662) by Giovanni Legrenzi. The concert took place in the Sanctuary of the Beata Vergine del Paradiso in Clusone.

During the live facebook the artistic directors of the festival will present the program of the new edition of Musica Mirabilis and you will be able to see last year\'s exciting concert.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Speakers:
Ivana Valotti
Giovanni Acciai
Artistic directors of Musica Mirabilis<\/em>

<\/div>\n <\/div>\n\n \n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Dark$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 19:00 GMT (21/03/2023 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Dark Sky and the Arts\n <\/h3>\n\n \n Mayo Dark Sky Park\n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n
Let early music be part of a greater cause! Teddie Hwang will share how she uses concepts from the night sky experience in her interdisciplinary work in music and photography, with artistic, pedagogical, spiritual, and environmental aims. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Teddie Hwang, historical flutes and photography<\/div>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"La$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 00:01 GMT (21/03/2023 01:01 CET)\n <\/small>\n <\/p>\n\n
\n La Liberazione di Ruggiero by Francesca Caccini\n <\/h3>\n\n \n Brighton Early Music Festival\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n
\n
As part of Early Music Day you\'ll be able to watch Brighton Early Music Festival\'s feature length film of the earliest known opera by a female composer, Francesca Caccini\'s La liberazione di Ruggiero<\/em><\/strong> <\/strong>for free for 24 hours.<\/div>

<\/div>
The opera tells the story of Ruggiero, imprisoned on an enchanted island by the sorceress Alcina and entertained by a trio of singing ladies and a chorus of enchanted plants. Made during lockdown in 2021, our film of this witty and engaging opera is shot in the style of early film pioneer Georges Méliès and features a stunning cast of young singers led by Angela Hicks (Alcina) and Kieran White (Ruggiero), directed by Thomas Guthrie.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
BREMF Early Opera<\/strong><\/div>

<\/div>
Deborah Roberts<\/strong> and Oliver Webber<\/strong> musical directors<\/em>
Thomas Guthrie<\/strong> director<\/em>
Claire Williams<\/strong> continuo lead
<\/em>
<\/div>
Angela Hicks<\/strong> soprano<\/em> Alcina
Kieran White<\/strong> tenor<\/em> Ruggiero
Anna Bachleitner<\/strong> soprano<\/em> Melissa / Nunzia
Elspeth Piggott<\/strong> soprano<\/em> Sirena / 1st Water Deity
Kat Carson<\/strong> soprano<\/em> 1st Damigella
Kristiina Watt<\/strong> soprano<\/em> 2nd Damigella
Luthien Brackett<\/strong> mezzo-soprano<\/em> 3rd Damigella / Female Monster
Marcella Di Garbo<\/strong> soprano<\/em> 2nd Water Deity / Female Plant / Formerly Enchanted Lady
Peter Martin<\/strong> tenor<\/em> Fiume Vistola / Pastore / Astolfo
Toshi Ogita<\/strong> tenor<\/em> Male Plant / 3rd Water Deity
Stuart O’Hara<\/strong> bass-baritone<\/em> Male Monster

<\/div>
Oliver Webber<\/strong> violin 1<\/em>
Marguerite Wassermann<\/strong> violin 2<\/em>
Olwen Foulkes<\/strong> violin 3, recorder<\/em>
Iain Hall<\/strong> cello, tenor viol, recorder<\/em>
Harry Buckoke<\/strong> bass viol, lirone<\/em>
Jacob Garside<\/strong> bass viol<\/em>
Isaline Leloup<\/strong> violone<\/em>
Aileen Henry<\/strong> harp<\/em>
Kristiina Watt<\/strong> chitarrone<\/em>
Eric Thomas<\/strong> chitarrone<\/em>
Claire Williams<\/strong> harpsichord, chamber organ
<\/em>
<\/div>
Members of The English Cornett & Sackbut Ensemble:<\/strong>
Emily White, Peter Thornton, Tom Lees, Adrian France<\/strong> sackbuts<\/em><\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n\n
\n \n On-site\n <\/span>\n\n
\n \n 26/03/2023 17:00 CEST\n <\/small>\n <\/p>\n\n
\n Rencontres d'orgue\n <\/h3>\n\n \n Conservatoire à Rayonnement Départemental de Pau-Béarn-Pyrénées\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2023 20:30 CET\n <\/small>\n <\/p>\n\n
\n Concert - Anima e corpo\n <\/h3>\n\n \n Département de musique ancienne du CRR de Perpignan, en collaboration avec le Réseau Occitanie Méditerranée\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n
The great students of the ROM\'s early music departments are getting together to work on a work that is a milestone in the history of music: La rappresentatione di anima e di corpo, a musical drama by Emilio de\' Cavalieri on an Italian libretto by Agostino Manni, created in Rome in February 1600.

Twenty singing students and as many instrumentalists from the conservatories of Perpignan, Béziers and Montpellier are involved in this project: violins, cellos, recorders, sackbut, serpent, lute, harpsichord, organ and harp.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Cast:
Josep Cabré, direction
Fanette Estrade, coordination
Early Music Department of the CRR of Perpignan, in collaboration with the Réseau Occitanie Méditerranée (ROM)<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 20:00 CET\n <\/small>\n <\/p>\n\n
\n Concert Méditerranée Sacrée - Chamber choir Les éléments, dir: Joël Suhubiette\n <\/h3>\n\n \n Scène Nationale du Grand Narbonne\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
Beyond cultures and religions, this programme proposes a journey to the shores of the Mediterranean basin, giving us the opportunity to hear five of its ancient languages (Latin, ancient Greek, Hebrew, Aramaic, Arabic). It covers several centuries of music, from Montserrat\'s Livre Vermeil (excerpt), Gesualdo\'s Répons des Ténèbres, to the creations of Zad Moultaka and Alexandros Markéas, not forgetting Lotti\'s sublime Crucifixus.
This programme has been acclaimed by the public and the critics since its creation in 2009, and has been recorded for radio (France Musique) and television (Mezzo). It has been performed in concert some fifty times in France, Spain, the USA, Canada, Tunisia and Lebanon.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Chamber choir Les éléments
Conductor: Joël Suhubiette<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Hipp!$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2023 19:00 CET\n <\/small>\n <\/p>\n\n
\n Hipp! Göteborg Baroque 20 years! \n <\/h3>\n\n \n Göteborg Baroque \n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n
Göteborg Baroque turns 20 years during 2023! We are celebrating the whole year and in this particular concert we will perform the motets by Johann Sebastian Bach! <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
GÖTEBORG BAROQUE
artistic director: Magnus Kjellson, claviorganum

Anna Jobrant, soprano
Ann Kjellson, soprano
Amanda Flodin, alto
Nana Bugge Rasmussen, alto
Leif Aruhn-Solén, tenor
Jorge Navarro Colorado, tenor
Karl Peter Eriksson, bass
Jakob Bloch Jespersen, bass
Christian Berg, violoncell<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Papa$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 26/03/2023 17:00 CEST\n <\/small>\n <\/p>\n\n
\n Papa Bach !\n <\/h3>\n\n \n Les Musicales du Val d'Europe\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
On his sixtieth birthday, three of Johann Sebastian Bach\'s children meet in secret to prepare a surprise for him. While rehearsing the pieces they will play for him with their brothers and sisters, they talk about their personal relationship with their father...This show makes us feel the beauty of music when it is shared with the family, in a playful and spontaneous way, with an original and lively appropriation of Bach\'s work by the three musicians. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Alice Julien-Laferrière, violin, in the role of Nina
Lise Viricel, sing, in the role of Lili
Mathieu Valfré, harpsichord, in the role of Carl-Phi<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"l'homme$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 13:11 CET (21/03/2023 13:11 CET)\n <\/small>\n <\/p>\n\n
\n l'homme armè - liceo musicale margherita di savoia \n <\/h3>\n\n \n liceo Margherita di savoia Napoli\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
il video è dedicato alle vittime della guerra<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
relatori: Nocerino Francesco, Caiazza Ida

<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Spring$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2023 21:00 CET (19/03/2023 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Spring concert by the Murcia University Orchestra\n <\/h3>\n\n \n Murcia University Orchestra\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n
Family concert by the Murcia University Orchestra <\/div>
<\/div>
Suite \"Abdelazer\" (Selección) - Henry Purcell (1659 - 1695) <\/div>
Rondeau<\/li>
Air<\/li>
Minuet<\/li>
Jig<\/li>
Hornpipe<\/li>
Air<\/li><\/ol>
Concierto para flauta o trompeta N.6 \"La Paix\" (Selección) - Michel Pignolet de Montéclair (1667 - 1737)
<\/div>
Rondeau<\/li>
Overture<\/li>
Air en Rondeau y Air par imitation<\/li>
Branle en Rondeau<\/li>
Sommeil<\/li>
Le Retour de Moutier<\/li>
Pastourelle le I & II<\/li>
Gavotte<\/li>
Contredanse<\/li><\/ol>
Música para los reales fuegos de artificio: Suite HWV 351 - Georg Friedrich Händel (1685 - 1759)
<\/div>
Ouverture<\/li>
Bourrée<\/li>
La Paix<\/li>
La Réjouissance<\/li>
Minuet I & II<\/li><\/ol>\n <\/div>\n\n\n
\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Launch$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 08:30 AEDT (20/03/2023 22:30 CET)\n <\/small>\n <\/p>\n\n
\n Launch of Australian Early Music YouTube and Spotify Playlists\n <\/h3>\n\n \n Philip Pogson (The Marais Project) \n <\/span>\n\n \n Australia<\/strong>\n <\/span>\n\n \n
We have developed playlists of a broad range of Australian early musicians to promote the whole sector!<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
various<\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n\n
\n \n On-site\n <\/span>\n\n
\n \n 27/02/2023 20:00 CET\n <\/small>\n <\/p>\n\n
\n Ensemble Overtone plays Serenade by Joseph Bodin de Boismortier\n <\/h3>\n\n \n Ensemble Overtone\n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n
\n
Joseph Bodin de Boismortier (1689 - 1755)
Sérénade en trois parties in G minor, Op. 39
Ouverture - Entrée rustique - Air gracieux - Gavotte en Rondeau - Choeur imaginaire - Rigaudon I, II - Rondeau - Menuet I, II - Gavotte - Sarabande - Air vif - Air modéré - Gigue - Villageoise I, II - Musette - Les Révérences nuptiales - Loure - Chaconne <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Overtone

Michaela Koudelková, recorders and traverso
Klaudia Matlak, baroque violin
Julia Karpeta, viola da gamba
Maurycy Raczyński, harpsichord<\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 19:00 CET\n <\/small>\n <\/p>\n\n
\n The pleasure of melancholy \n <\/h3>\n\n \n CEMA agency\n <\/span>\n\n \n Czechia<\/strong>\n <\/span>\n\n
\n
The Greek-Spanish string Quartet on guť string PuraCorda, Member of the EEMERGING+ program prezentaci a string Quartet by F. Bridge and Agnes Tyrell.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
PuraCorda<\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Early$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2023 17:00 CET\n <\/small>\n <\/p>\n\n
\n Early Music Days on FMU – 11th European Day of Early Music\n <\/h3>\n\n \n Faculty of Music\n <\/span>\n\n \n Serbia<\/strong>\n <\/span>\n\n
\n
The idea of celebration is in promoting early music in Serbia (ensembles, individuals and institutions). This year, Faculty of Music in Belgrade (FMU) will organize a festival-type celebration through four days events. The central event is The Celebration of 11th European Day of Early Music. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Dragicevic Vuk<\/strong>, editor, performer<\/div>
Milivojevic Slobodan<\/strong>, performer<\/div>
Markovic Ana<\/strong>, performer<\/div>
Stefanovic Tamara<\/strong>, performer<\/div>
Stevanovic Milos<\/strong>, performer<\/div>
Maric Lazar<\/strong>, performer<\/div>
Rajninger Stefan<\/strong>, performer<\/div>
Kazakov Alexander<\/strong>, performer<\/div>
Popovic Milan<\/strong>, FMU EMD Artistic Coordinator<\/em>, lecturer<\/div>
Solunac Ljubica<\/strong>, Head of Music Program<\/em>, The Cultural Centre of Belgrade<\/div>
Tatjana Mrdja<\/strong>, Director of Music School ‘’Josif Marinkovic’’ Vrsac<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 17:00 CET\n <\/small>\n <\/p>\n\n
\n Sweet Suites auf Händels Tastenkasten I\n <\/h3>\n\n \n Stiftung Händel-Haus Halle\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n
Die „Suites de Pièces pour le Clavecin“ erklingen auf zwei unterschiedlichen Cembali erklingen. Diese Form, Musik und Instrumentarium gemeinsam zu betrachten, wird von einer Projektförderung im Rahmen von „Neustart Kultur“ finanziert und findet ihre Fortsetzung im Laufe des Jahres 2023. Die Cembalosuiten Händels hören wir in der Interpretation von Sebastian Berakdar.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Cembalo: Sebastian Berakdar (Berlin); Moderation: Christiane Barth (Stiftung Händel-Haus)<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"DIALOGHI$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 19:30 CET (21/03/2023 19:30 CET)\n <\/small>\n <\/p>\n\n
\n DIALOGHI A TRE \n <\/h3>\n\n \n AREA ARTE ASSOCIAZIONE - Ensemble Barocco LE MUSICHE DA CAMERA di Napoli\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n
As usual this year we will participate in the Early Music Day with a program prepared for the occasion by the members of the Ensemble Le Musiche Da Chamber di Naples.<\/div>
Egidio MASTROMINIC baroque violin Giuseppe GRIECO baroque violin Renata CATALDI flute crosser music by L.Vinci, P.Cauciello e G. Demachi<\/div>\n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n\n
\n \n On-site\n <\/span>\n\n
\n \n 23/03/2023 18:30 CET\n <\/small>\n <\/p>\n\n
\n Voyage en Europe baroque\n <\/h3>\n\n \n Conservatoire à Rayonnement Départemental de Pau-Béarn-Pyrénées\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Musik$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 18:15 CET\n <\/small>\n <\/p>\n\n
\n Musik der Renaissance (Music of the Renaissance)\n <\/h3>\n\n \n Gabor Sarai\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n
\n
Konzert mit Werken Alter Meister, wie Dufay, Isaac, Josquin, Arbeau, Cabezon, Bassano, Dowland.
( a concert with works by old masters such as Dufay, Isaac, Josquin, Arbeau, Cabezon, Bassano, Dowland)<\/div>
<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Dozenten des Fachbereichs für Alte Musik der Dithmarscher Musikschule ( Lecturers in the early music department of the Dithmarscher music school):<\/div>
Gabor Sarai
Fumie Shikichi-Sarai
Martin Schmitt
sowie Schüler der Musikschule (and music school students) <\/div>

Alte Musik Dithmarscher Musikschule e.V. (dithmarscher-musikschule.de) <\/a>

<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Baroque$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 20:00 CET\n <\/small>\n <\/p>\n\n
\n Baroque sessions - Madrigali, Stravaganze & Villanelle\n <\/h3>\n\n \n Michela Amici\n <\/span>\n\n \n Netherlands<\/strong>\n <\/span>\n\n
\n
Join us online for an evening of Italian Baroque! <\/strong>From the \"Madrigali per cantare et sonare\" of the secret concerts that were held at the Ferrara court, to the sparkly \"Villanelle a due voci\" from Rome.
Music by Luzzasco Luzzaschi, Giovanni de Macque, Girolamo Frescobaldi, Sigismondo d\'India, Claudio Monteverdi and Girolamo Kapsberger. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Performers

Noëlle Drost<\/strong>, soprano<\/em>
Sophia Faltas<\/strong>, mezzo soprano<\/em>
Michela Amici<\/strong>, baroque harp<\/em>
Kateřina Maňáková<\/strong>, theorbo/spanish guitar<\/em>
Anna Lachegyi<\/strong>, viola da gamba <\/em><\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Flow$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 21:00 WET (21/03/2023 22:00 CET)\n <\/small>\n <\/p>\n\n
\n Flow or The Sound of Melancholy - Songs for lute and voice - Filipe Faria and Tiago Matias\n <\/h3>\n\n \n Arte das Musas\n <\/span>\n\n \n Portugal<\/strong>\n <\/span>\n\n
\n
EARLY MUSIC DAY 2023
Concert

Flow<\/strong>
or The Sound of Melancholy
Songs for lute and voice

Filipe Faria<\/strong> (voice)
Tiago Matias<\/strong> (lute)

Recorded Live at
Cathedral of Idanha-a-Velha

Idanha-a-Nova
UNESCO Creative City of Music
Portugal

In partnership with:
Município de Idanha-a-Nova
\\Municipality of Idanha-a-Nova
\\UNESCO Creative City of Music

With the support of:
Direção-Geral das Artes
\\Directorate-General for the Arts
Ministério da Cultura
\\Ministry of Culture

Network member:
REMA Réseau Européen de Musique Ancienne<\/div>\n <\/div>\n\n \n Musicians<\/span>\n
Filipe Faria (voice)
Tiago Matias (lute)<\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 26/03/2023 10:48 CEST\n <\/small>\n <\/p>\n\n
\n Bach Cantatas\n <\/h3>\n\n \n Stradivaria\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
From the expressiveness of the Cantatas BWV 12 and 22 to the virtuosity of the double Concerto for oboe and violin BWV 1060. This concert once again celebrates the genius of the Leipzig Kantor through an exceptional musical rhetoric and expressive display. The three soloists and instrumentalists of Stradivaria will be joined by the choristers of the Schola de la Cathédrale de Nantes, who will offer a look back at the motet Halt was du hast by Johann-Michael Bach, the grandfather of the great Johann Sebastian.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Stradivaria - Nantes Baroque Orchestra, conducted by Guillaume Cuiller
Leandro Marziotte, counter-tenor
Martin Candela, tenor
Benoit Arnould, baritone
Schola de la Cathédrale de Nantes, conductor Etienne Ferchaud
With the participation of Camille Berland, soprano, student in the 3rd cycle of lyric singing at the CRR of Nantes<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"L'Europe$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 20:00 CET\n <\/small>\n <\/p>\n\n
\n L'Europe galante, concert d'ouverture du Printemps de la musique ancienne\n <\/h3>\n\n \n Conservatoire à Rayonnement Départemental de Pau-Béarn-Pyrénées\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Fête$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2023 18:00 CET\n <\/small>\n <\/p>\n\n
\n Fête galante, rencontre avec Diane Omer autour de la danse baroque\n <\/h3>\n\n \n Conservatoire à Rayonnement Départemental de Pau-Béarn-Pyrénées\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n \n <\/div>\n\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 17:00 CET (21/03/2023 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Bach...e non solo! Progetto artistico a cura della prof.ssa Livia Sandra Frau\n <\/h3>\n\n \n Conservatorio Cagliari\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
21-31 marzo Compleanno di J.S.Bach - Approfondire,trascrivere,rielaborare,riproporre
21 Conferenza Bach...cromatico 22 Concerto \"Omaggio a bach\",24 Conferenza Suggestioni platoniche nella mjusica organistica di J.S.Bach, 29 Concerto \"Quadri sonori\" 31 Concerto Intorno a Bach

<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Conferenze<\/strong> prof. Riccardo Carnesecchi, prof.ssa Livia Sandra Frau
Allievi in concerto<\/strong>
Oboe Emanuela Muzzu
Flauto Pietro Nonnis Clarinetto Stefano Fadda Fagotto Luigi Muscio
Organo Luca Cogoni, Gian Luca Porru, Valentino Serafini
Coro Polifonico del Conservatorio “G.P.da Palestrina
Direzione di coro Raimondo Belfiori, Alessio Pilloni
Soprano Virginia Zucca
Baritono Dario Sogos
Flauto Selene Gaviano*
Duo di flauti Sarah Mameli - Silvia Sinatra
Sax soprano Esmeralda Tola
Sax contralto Letizia Castronovo
Sax baritono Valentina Spada
Violino Jacopo Serra
Professori in concerto
<\/strong>Fagotto Luigi Muscio
Flauto Sara Ligas
Organo Livia Sandra Frau
Docenti collaboratori
Direzione di Coro e Composizione corale prof. Mauro Bacherini
Oboe prof.ssa Maria Giulia Mazzone
Musica d’insieme prof. Luigi Muscio
Organo prof.ssa Livia Sandra Frau
Canto prof.ssa Elisabetta Scano
Flauto prof.ssa Sara Ligas
Violino prof.Giovanni dalla Vecchia<\/strong><\/div>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Ariadnet$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2023 19:00 EET (18/03/2023 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Ariadnet otsides / In search for Arianna\n <\/h3>\n\n \n Foundation Eesti Kontsert\n <\/span>\n\n \n Estonia<\/strong>\n <\/span>\n\n
\n
A concert performance of “Arianna a la recherche” by Rinuccini/Monteverdi/Lawrence-King.
The concert will be broadcasted by the Estonian National Radio<\/strong><\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Estonian Philharmonic Chamber Choir and soloists; Lodewijk van der Ree, choirmaster; Floridante baroque orchestra; Andrew Lawrence-King, artistic director and conductor <\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"*New$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 00:00 GMT (21/03/2023 01:00 CET)\n <\/small>\n <\/p>\n\n
\n *New Single Release* Chacony for strings & continuo – Henry Purcell from 'An Englishman Abroad'\n <\/h3>\n\n \n La Serenissima\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n
Hear the first single from renowned period ensemble La Serenissima<\/em> which celebrates the life and work of Nicola Matteis the Younger - An Englishman Abroad<\/strong><\/a>. Born in London to an Italian father and English mother, Matteis was immersed in the style of Henry Purcell before leaving England in 1700 for the Imperial Court in Vienna.

All of the music on the album is – rather fortuitously – Carolean; either written for Charles II of England, or for (or in the realm of) Holy Roman Emperor Charles VI.

It is all too easy to think that the English style and English musicians were unknown on the continent in the early C18, but this selection of music shows that this wasn’t (always) the case.

There are some cracking dances and dance suites featured here as well as a ravishingly beautiful Vivaldi<\/em> concerto and two superb Chaconnes, one by an Englishman, and one by an Italian.

The album will be released on 5th May<\/strong>, in time for the Coronation of Charles III. But in the meantime you can enjoy the singles:

<\/div>Chacony for strings & continuo – Henry Purcell<\/em> (21st March)<\/li>
Allegro from Concerto II: Il favorito for violin, strings & continuo in e, Opus 11, RV 277 – Antonio Vivaldi <\/em>(6th April) <\/li>
Hornpippe from Ouverture-Suite in C for strings & continuo – Giuseppe Antonio Brescianello <\/em>(20th April) *World Premiere Recording*<\/li><\/ol>

<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Adrian Chandler, violin & director<\/em><\/div>
Oliver Cave, violin I <\/em><\/div>
Abel Balazs, violin I<\/em><\/div>
Rodrigo Checa, violin I<\/em><\/div>
Samuel Staples, violin II<\/em><\/div>
Henrietta Haynes, violin II<\/em><\/div>
James O’Toole, violin II<\/em><\/div>
Ellen Bundy, violin II<\/em> <\/div>
Oliver Wilson, viola<\/em><\/div>
Thomas Kettle, viola<\/em><\/div>
Thomas Kirby, viola<\/em><\/div>
Vladimir Waltham, continuo cello<\/em> <\/div>
Carina Drury, cello<\/em><\/div>
Cecelia Bruggemeyer, double bass<\/em><\/div>
Lynda Sayce, theorbo, guitar & colascione<\/em><\/div>
Robin Bigwood, harpsichord<\/em><\/div>

<\/div>\n <\/div>\n\n
\n\n
Instagram<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 11:00 EET (21/03/2023 10:00 CET)\n <\/small>\n <\/p>\n\n
\n Bach meets HEMF\n <\/h3>\n\n \n Helsinki Early Music Festival\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n
Solo Bach on viola along the metro line in Helsinki.<\/pre>

<\/div>

<\/div>

<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Laura Kajander, viola.<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Alessandro$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 18:30 CET\n <\/small>\n <\/p>\n\n
\n Alessandro Scarlatti on 360°\n <\/h3>\n\n \n BAROCCO EUROPEO\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
Sharing on YouTube of the live recording of our concert dedicated to Alessandro Scarlatti\'s Cantatas for Bass.The peculiarity of these videos is that they are \"immersive\" videos for being recorded at 360°. The spectator feels at the center of the performing group and can orientate himself to frame the various musicians by moving the (mobile) device in space!<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
CENACOLO MUSICALE<\/strong>

<\/div>
Patrizio La Placa – <\/strong>Basso
<\/em><\/strong>
<\/div>
Gabriele Politi, Leonardo Bellesini – violini<\/em><\/div>
Cristina Vidoni- violoncello<\/em><\/div>
Fabiano Merlante – tiorba<\/em><\/div>
Donatella Busetto – organo

Tecnico Video 360°: Tommaso Fabi
Tecnico audio: Trevisanut Andrea

<\/em>
<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Les$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 19:00 CET\n <\/small>\n <\/p>\n\n
\n Les Talens Lyriques & Christophe Rousset au Festival BACHFEST LEIPZIG le 11 juin 2022 - Hamburg 1786 \n <\/h3>\n\n \n Les Talens Lyriques\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n
Les Talens Lyriques & Christophe Rousset à la Thomaskirche de Leipzig<\/strong><\/div>
« Hamburg, 1786 », BachFest Leipzig<\/strong><\/div>
Recréation du programme dirigé par Carl Philipp Emanuel Bach à Hamburg en 1786<\/strong><\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Rachel Redmond<\/strong> Soprano
Hagar Sharvit<\/strong> Mezzo-soprano
William Knight<\/strong> Ténor
Kresimir Strazanac<\/strong> Basse

<\/div>
Vocalconsort Berlin<\/strong>
Les Talens Lyriques<\/strong>
Christophe Rousset<\/strong> Direction<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Caught$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 02/04/2023 19:00 BST (02/04/2023 20:00 CEST)\n <\/small>\n <\/p>\n\n
\n Caught in the Current\n <\/h3>\n\n \n Ensemble Tramontana\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n
A little tail of a concert just after all the March concerts for Early Music Day! Suitable for Lent, Passiontide, Palm Sunday, Holy Week. Water is a metaphor for God as the source of all life but also of great destruction. Despite our best intentions, we are swept from the nourishing fountainhead to flail through the streams and rivers of accumulating hardships to the deep wrathful sea . . . and then beyond. This journey is reflected in the texts of our medieval and Renaissance music. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Louise Eekelaar - soprano<\/div>
Paul Alexei Smith - countertenor<\/div>
Eszter Komáromi - tenor viol<\/div>
Esha Neogy - tenor viol<\/div>
Amanda Seaborn - bass viol <\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Discover$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2023 10:00 CET\n <\/small>\n <\/p>\n\n
\n Discover Opera Fuoco's documentary about B Minor Mass from JS Bach\n <\/h3>\n\n \n Opera Fuoco\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n
For this performance of JS Bach\'s B-minor Mass, the configuration of the chorus in front of the orchestra follow the placement Bach regularly for choral works with instrumental accompaniment during his year as Thomas Cantor despite some modifications made to the organ loft in the 19th century.<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
David Stern – Direction
Clemens Haudum - Chorus master

Theodora Raftis – soprano
Adèle Charvet – mezzo-soprano (Shanghai, Leipzig)
Andreas Scholl – alto
Andrés Agudelo – tenor
Laurent Naouri – bass baritone

Tölzer Knabenchor (Munich)
Opera Fuoco Orchestra

With Christoph Wolff<\/div>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Esposta$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 26/03/2023 18:30 CEST\n <\/small>\n <\/p>\n\n
\n Esposta Musica - Concerto Incognito\n <\/h3>\n\n \n IXDeae APS\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n
Un concerto dove i musicisti non si manifestano e l\'architettura di un palazzo storico si intreccia con le risonanze degli strumenti.
Un concerto tutto dedicato alla musica veneziana di Vivaldi e di Marcello.

<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Introducono
Simone Spiritelli - Spazio Arrivabene
Mirko Gragnato - Presidente IXDeae APS

violino solo: Maria Pia Scalari<\/strong>
oboe solista: Francesco Mironi
<\/strong>chitarra solista: Tommaso Consoli
<\/strong>
<\/div>
ensemble GLI ARCHI DI ISABELLA<\/strong>
violini: Michele Braghini, Serena Martini, Maria Pia Scalari, Anna Gauli
viola: Alessia Caniato
violoncello: Emma Carlini, Jacopo Menzà
contrabasso: Matteo Spaggiari
chitarra: Tommaso Consoli
oboe: Francesco Mironi
direttore Viera Dzavikova
<\/strong>
<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Barthold$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 24/03/2023 20:00 CET\n <\/small>\n <\/p>\n\n
\n Barthold Kuijken et Les Curiosités esthétiques - De Marin Marais à Jean-Sébastien Bach\n <\/h3>\n\n \n Cité musicale-Metz\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n
Un compagnonnage artistique de plus de 30 ans lie Jean-Pierre Pinet au flûtiste Barthold Kuijken, le second était le professeur du premier au Conservatoire royal de musique de Bruxelles. L\'élève rend hommage au maître lors de retrouvailles très attendues. <\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Kuijken Barthold<\/strong>, Pinet Jean-Pierre <\/strong>traverso
Mangot Étienne <\/strong>violoncelle
Bernhardt Vincent <\/strong>clavecin<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"ORQUESTA$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 19:30 CET (21/03/2023 19:30 CET)\n <\/small>\n <\/p>\n\n
\n ORQUESTA BARROCA DE SEVILLA - Jonathan Cohen, conductor\n <\/h3>\n\n \n Centro Nacional de Difusión Musical (CNDM) & Acción Cultural Española (ACE) \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n
\n
<\/div>
This concert will mark the first collaboration of the Seville Baroque Orchestra (Orquesta Barroca de Sevilla) with Jonathan Cohen, founder and conductor of the Arcangelo ensemble. A match that will definitively bring out the timbre variety of this great baroque orchestra through the music of four of the most exalted masters of the 17th century as a celebration of the Early Music Day. From one of Handel\'s Water Music<\/em> suites<\/em> to those taken from Rameau\'s operas, passing through Bach\'s Brandenburg Concerto No. 1<\/em> or the Zelenka\'s superb Simphonie à 8 concertanti<\/em> (so rarely attended, due to its difficulty!), the concert is presented as a true virtuosic tour de force<\/em> and as a resounding triumph of color and melody.

This concert is a coproduction of the Spanish National Centre for the Promotion of Music (CNDM, Madrid) and Acción Cultural Española (AC/E)

Programme<\/strong>
Jan Dismas Zelenka (1679-1745)<\/strong>
Simphonie à 8 concertanti,<\/em> ZWV 189 (1723)
Johann Sebastian Bach (1685-1750)<\/strong>
Concierto de Brandeburgo nº 1 en fa mayor<\/em>, BWV 1046 (1721)
Jean-Philippe Rameau (1638-1764)<\/strong>
Suite de Les Indes galantes<\/em>, RCT 144 (1735)
Suite de Les Boréades<\/em>, RCT 31 (1763)
George Frideric Haendel (1685-1759)<\/strong>
Suite nº 1 en fa mayor de Música acuátic<\/em>a, HWV 348 (1715) <\/div>\n <\/div>\n\n\n \n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Sparkling$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2023 19:00 EET (21/03/2023 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Sparkling Haendel\n <\/h3>\n\n \n Bucharest Early Music festival\n <\/span>\n\n \n Romania<\/strong>\n <\/span>\n\n \n
G. Fr. Haendel (1685 – 1759):<\/div>
Major Concert Op. 6 2: Little Wanderer – Cheerful – Wide – Cheerful but not too much<\/div>
Concert in fa major op 4, Nr 4, HWV 292 – harps only, chords: Allegro – Walking – Adagio – Allegro<\/div>
Süsse Stille, sanfte Quelle, HWV 205 - soprano, violin and continuo<\/div>
Triosonata in soil minor, HWV 391 - two violins and basso continuo: Andante - Allegro - Arioso - Allegro<\/div>
Meine Soul hort im Sehen, HWV 207 - soprano, violin and contino<\/div>
Concert in flat major, HWV 288 - violin, strings, continuation: Andante - Adagio - Allegro<\/div>
Crudel Tyrant Love, HWV 97 – soprano, corzi, continuation: Allegro – Recital – Larghetto – Recital – Allegro<\/div>

<\/div>\n <\/div>\n\n
\n Musicians<\/span>\n
Baroque Music Ensemble #SEMPRE<\/a>:<\/div>
Cristina Vasilache - soprano<\/div>
Mircea Ionescu / Rafael Butaru / Mircea Grigore Lazar - Baroque violin<\/div>
Tamara Dica - Baroque Viola<\/div>
Lazár Zsombor - Baroque cello<\/div>
Battle of István - violin<\/div>
Andrej Jovanic - Baroque Guitar (Belgrade)<\/div>
Raluca Aenea - Harpsichord<\/div>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 }); />

Le corti padane del Seicento On-site
Associazione Amici della Scuola Diocesana di Musica Santa Cecilia Italy
chiesa di Santa Maria del Carmine - Brescia, Contrada del Carmine 5, Brescia

The Antegnati-Meiarini organ of Brescia S. Maria del Carmine is a typical example of the Renaissance organ traditions transcending into the first half of the 17th century.
The concert will enhance the peculiar characteristics of the instrument, proposing seventeenth-century music in duo with the baroque violin.

Musicians
Duo Seraphim: Gian Andrea Guerra (violin) - Stefano Molardi (organ).

Website

21/03/2023 18:30 UTC (21/03/2023 19:30 CET)

The Conservatori celebrates Early Music Day On-site
Conservatori Professional de Música de Menorca Spain
Ciutadella Cathedral, C/ Ca'l Bisbe, 8, Ciutadella

Students and teachers from the Conservatori Professional de Música de Menorca are preparing a very special concert for the Early Music Day, in the island of Menorca (Spain).

Musicians
Orquestra de cordes dels Ensenyaments Professionals
Martín Lopesino, solo oboe
Oliver Vinent, conductor

Chamber music groups

Website

21/03/2023 20:00 CET

Dafne, byAntonio Caldara On-site
Mars en baroque France
Théâtre national de la criée, 30 quai de Rive-Neuve , 13007 Marseille

Dafne, by Antonio Caldara

Musicians
Concerto Soave

Website

11/03/2023 11:00 UTC (11/03/2023 12:00 CET)

Lully : Te Deum On-site
Les Epopées France
Chapel Royal, Château de Versailles, Place d'Armes, 78000 Versailles

Les Epopées complete the complete Grands Motets by Jean-Baptiste Lully in Versailles with the Te Deum and the Exaudiat. Under the direction of Stéphane Fuget, 60 singers and instrumentalists from Les Epopées are joined by the Pages and Chantres of the CMBV for this concert.

Musicians
Les Epopées / Stéphane Fuget, direction

Website

18/03/2023 20:30 UTC (18/03/2023 21:30 CET)

The Vermeil Book of Montserrat On-site
Association RIMAT France
Théâtre de l'Arche, Place de la République, 22220 Tréguier

The origin of this participatory concert is the Livre Vermeil of the Montserrat monastery, a collection of popular songs, rhythms and dances for the arrival of pilgrims. They are performed here in "a bouquet as sumptuous as it is unexpected".

Musicians
La Camera delle Lacrime
La Maîtrise des Petits Chanteurs de Lannion

Website

18/03/2023 18:00 UTC (18/03/2023 19:00 CET)

The Office of Saint Sigfrid On-site
Sensus, Svenska kyrkan, Linnéuniversitetet, Föreningen för tidig musik Sweden
St. Mary's Church, Mariakyrkan, Kungsgatan 117, 352 44 Växjö

Concert with plainchant from medieval Sweden.

Musicians
Ensemble Gemma

Website

02/04/2023 15:30 CEST

Journées du Luth de l’Abbaye de Graville On-site
Abbaye de Graville France
Rue de l'Abbaye, Le Havre

Website

Youtube

21/03/2023 20:30 CET

Lumineuses ténèbres. De Venise à Dresde On-site
FESTIVAL BAROQUE DE PONTOISE France
Place Notre-Dame, Pontoise

Website

21/03/2023 18:00 UTC (21/03/2023 19:00 CET)

Flutes in dialogue On-site
LES PASSIONS - Orchestre Baroque de Montauban France
MEMO - Médiathèque de Montauban, 2 Rue Jean Carmet, 82000 MONTAUBAN

3 free events for this day:
- 2 school sessions during the day, morning and afternoon, with registration.
- 1 educational concert for the general public at 6 pm
This programme honours the recorder, one of the emblematic instruments of the Baroque period, and offers a short didactic tour of entertainment music in Europe in the 17th and 18th centuries.
Triosonates by Purcell, Telemann, Vivaldi, Sammartini, Frescobaldi, Sammartini, Uccelini or Merula performed by soloists Jean-Marc Andrieu and Stéphanie Cettolo will make you discover the expressiveness and virtuosity of the recorder.

Musicians
Stéphanie Cettolo, flute
Jean-Marc Andrieu, flute
Sophie Castellat, cello
Anne-Lise Labusquière, harpsichord

Website

19/03/2023 17:00 CET

Concerto organo Margherita Dalla Vecchia On-site
Associazione Mousike Vicenza Italy
Chiesa San Michele ai Servi, Piazza Biade Vicenza, Vicenza

BWV 548 e BWV 686

Musicians
Margherita Dalla Vecchia

Website

25/03/2023 20:30 CET

Concert - The Sibylline Prophecy On-site
Communauté de Commune de Béthune Bruay France
Gosnay Unité d'Art Sacré, Rue Achille Châtelet, 62199 Gosnay

Concert: Prophetiae Sibyllarum, Orlando di Lasso.

Musicians
La Main Harmonique

Website

21/03/2023 18:00 CET (21/03/2023 18:00 CET)

Early Music Day Copenhagen Online and On-site
COPENHAGEN RENAISSANCE MUSIC FESTIVAL Denmark
KoncertKirken Blågårds Plads, Blågårds Pl. 6A, 2200 København

Ensemble Degli Affetti

Musicians
Tinne Albrectsen, violin, Adam Graumann, gambe, Søren Gleerup Hansen, orgel.
Musik af Rosenmüller, Weckmann m.fl.

Facebook

18/03/2023 10:00 CET

Journée portes ouvertes - Musiques anciennes On-site
Conservatoire de Versailles Grand Parc France
24 rue de la Chancellerie, Versailles

Website

22/03/2023 16:30 CET

Guided tour of the workshop On-site
Atelier Martine Argelliès France
Harpsichord workshop Martine Argelliès, 11, bis rue des Soldats, Montpellier

Martine Argellies has been making harpsichords since 1981. Her workshop, located in Montpellier, is one of the last specialized harpsichord makers in France.

Her interest in the baroque musical repertoire, of which the harpsichord, without pedals and with plucked strings, is one of the emblems, as well as her attraction to craftsmanship have guided her professional choices. When she left her teens, she joined a friend who owned a piano shop. Then she was taught by a cabinetmaker, before training on her own for a decade. With the two people who now surround her, she makes a dozen instruments a year, a quarter of which are destined for export.

Go to the website of the "Clavecins Martine Argellies" workshop (www.clavecins-argellies.com)

https://www.youtube.com/watch?v=70ImSxbsdYg

Free admission, on registration by e-mail argellies@free.fr - Tramway: line 3 stop Saint-Denis, line 4 stop Saint-Guilhem

21/03/2023 16:00 UTC (21/03/2023 17:00 CET)

Accade anche qui On-site
Diapason Consortium Italy
Auditorium San Dionigi , Piazza Martiri della Liberazione, 12, Vigevano

An Early Music Concert-tribute in Vigevano, a beautiful town next to Milan, both geographically and historically: during the Renaissance, the Court of Sforza was moved from Milan to Vigevano and prominent personalities such Ludovido il Moro, Leonardo da Vinci, Donato Bramante stood here. The Concert venue is the amazing "Auditorium San Dionigi" - baroque church suspended for worship and currently the "temple" of music in Vigevano - located a few meters away from the wonderful Piazza Ducale.

Musicians
Bottega dei Suoni

Website

21/03/2023 19:30 GMT (21/03/2023 20:30 CET)

Ex Cathedra - Baroque Passion On-site
Leamington Music United Kingdom
St Mary's Church, Old Square, CV34 4RA Warwick

Concert: Music by Bach, Purcell, Lotti, Scarlatti, Kuhnau, Monteverdi, Carissimi, and Charpentier.

Musicians
Ex Cathedra
Jeffrey Skidmore, director
Andrew Skidmore, cello

Website

21/03/2023 10:00 CET

Découvrez le nouvel enregistrement du Banquet Céleste Online
Le Banquet Céleste France
Opera de Rennes - Place de la Mairie - 35000 Rennes, Rennes

Youtube

21/03/2023 20:30 CET

Opening of the 5th edition of La Reverdie festival On-site
Obsidienne et Compagnie - Ensemble Obsidienne France
CEREP, 5 rue Rigault, 89100 Sens

Presentation of the Festival programme, the CD/DVD Guillaume de Machaut volume 1, on the occasion of its national release by Bayard Musique, with a video projection of the animated illuminations made from the BNF manuscripts.

Musicians
Emmanuel Bonnardot vocals, fiddle, rebec, citole, crwth and artistic direction
Camille Bonnardot vocals, vihuela, cornet
François Demerliac video maker
Florence Jacquemart vocals, flutes, bagpipes
Hélène Moreau vocals, psaltery, percussion
Pierre Tessier vocals, narrator

Website

21/03/2023 11:00 UTC (21/03/2023 12:00 CET)

Online Medieval Women Singing Workshop Online
The Telling United Kingdom
Online, London

The Telling soprano Clare Norburn presents a workshop live on Zoom to guide you through how to sing some medieval songs by and about women. All ages and abilities welcome and you do not need to be able to read music. All participants will be on mute so you can sing without fear.

Musicians
Clare Norburn, soprano

Website

21/03/2023 14:00 UTC (21/03/2023 15:00 CET)

(in)sight-reading enlightenment/the history of female composers Online
(in)sight-reading enlightenment podcast Switzerland
Online, Bâle

In this episode of our early music podcast, we explore the connection of eras in the context of diversity. We will talk to traverso player Liane Sadler, who explores the legacy of the first published female composer, Magdalena Casulana, and with a composer of our time, Francesca Gaza, a young, talented and successful artist who made her debut with the improvisational album "Kugelförmigkeit" dedicated to jazz and early music.

Musicians
Darina Ablogina traverso/speaker
Liane Sadler taverso/speaker
Francesca Gaza singer/speaker
Dakota Wayne speaker

Website

1

2

3

…

›

»

Edition 2023

Search events

\n Journées du Luth de l’Abbaye de Graville\n <\/h3>\n\n \n Abbaye de Graville\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n \n\n Website<\/a><\/li>\n\n Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 }); \n \n \n <\/div>\n <\/div>\n\n

\n Lumineuses ténèbres. De Venise à Dresde\n <\/h3>\n\n \n FESTIVAL BAROQUE DE PONTOISE\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n \n\n Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 }); \n \n \n <\/div>\n <\/div>\n\n

\n Journée portes ouvertes - Musiques anciennes\n <\/h3>\n\n \n Conservatoire de Versailles Grand Parc\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n \n\n Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 }); \n \n \n \n <\/div>\n <\/div>\n\n

\n Early Music Day Copenhagen \n <\/h3>\n\n \n COPENHAGEN RENAISSANCE MUSIC FESTIVAL\n <\/span>\n\n \n Denmark<\/strong>\n <\/span>\n\n \n Hildegard von Bingen<\/strong><\/div><\/div>\n <\/div>\n\n

\n A la Noche\n <\/h3>\n\n \n PAOLA ERDAS - festival WUNDERKAMMER Trieste\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n \n\n Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 }); \n \n \n <\/div>\n <\/div>\n\n

\n Bach to the Future - Cello Suites \n <\/h3>\n\n \n Institute Français \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Performance of the Bach Suites for Violoncello 1/2/3/4 BWV 1007-1008-1009-1010<\/div>\n <\/div>\n\n

\n Concert J.S BACH\n <\/h3>\n\n \n Mairie d'Amilly\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n \n\n Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 }); \n \n \n <\/div>\n <\/div>\n\n

\n Tower Seminar: Composing Between Worlds\n <\/h3>\n\n \n Limerick Early Music Festival\n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n Presenters: Dr Matthew James Noone, Nick Roth, Asako Hirabayashi, and Edwin McLean<\/div>Chair: Dr Yonit Kosovske<\/div>

\n B'Rock & René Jacobs: Bach & Pergolesi\n <\/h3>\n\n \n Opéra de Rouen\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n J.S. Bach, Vergnügte Ruh, BWV 170J.S. Bach, Mein Herze schwimmt im Blut, BWV 199G.-B. Pergolesi, Stabat Mater dolorosa (Bach instrumentation (1746)<\/div>\n <\/div>\n\n

\n EQUINOTIUM\n <\/h3>\n\n \n N&B MARETERRA FESTIVAL\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n ORGAN CONCERTCelebration on the Spring EquinoxWorks by J.S. Bach (on his birthday\'s eve)<\/div>\n <\/div>\n\n

\n Concert JS BACH\n <\/h3>\n\n \n Mairie d'Amilly\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n \n\n Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 }); \n \n \n <\/div>\n <\/div>\n\n

\n Adieu délices de mes jours\n <\/h3>\n\n \n Société Française de Luth\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n \n\n Website<\/a><\/li>\n\n Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 }); \n \n \n \n <\/div>\n <\/div>\n\n

\n Family concert by the Murcia University Orchestra\n <\/h3>\n\n \n Murcia University Orchestra\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n Family concert by the Murcia University Orchestra<\/strong><\/div><\/div>

\n La Ruche musicale\n <\/h3>\n\n \n Conservatoire à Rayonnement Départemental de Pau-Béarn-Pyrénées\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n \n <\/div>\n\n\n \n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 }); \n \n \n <\/div>\n <\/div>\n\n