Edition 2026

Join the Global Celebration of Early Music

Every 21 March, festivals, concert halls, ensembles, and institutions across Europe come together to celebrate the richness of early music. Explore the diversity of events, artists, and initiatives by visiting our interactive map and find out what’s happening near you or across the continent.

Concert Alla francesca : "Vray dieu d'amours…"

21/03/2026 16:30 CET class=\"d-block text-muted\">\n Aurore Gontard \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n

\n Journey to medieval lands.\n\n <\/div>\n\n
\n Musicians<\/span>\n
Aurore Gontard, vocals, bowed fiddle, medieval harp.<\/li><\/ul>\n <\/div>\n\n
\n\n
Instagram<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"El$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 26/01/2026 19:30 CET\n <\/small>\n <\/p>\n\n
\n El Jardín de las Delicias :: Felipe II\n <\/h3>\n\n \n All'Antica Musika\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n The Garden of Earthly Delights: An interdisciplinary show that combines theatre, modern dance and Spanish music from the Renaissance and Baroque periods. During the show, Philip II recounts his final hours and looks back on his life while observing the painting.\n <\/div>\n\n
\n Musicians<\/span>\n
Laiene Alcalá, Soprano<\/li>
Silvia Cantatore, Viola da Gamba<\/li>
Teresa Merino, Theorbo<\/li>
Elvira Pujol, Harpsichord<\/li>
Diego de Amigo, Baroque Violin<\/li>
David Sáez, Recorders<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 16:00 CET (21/03/2026 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Concert & jam session\n <\/h3>\n\n \n Visby domkyrkoförsamling\n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n Approximately 2-hour concert, followed by an early music jam session/open stage at Visby Börs. Approximately 2-hour concert, followed by an early music jam session/open stage at Visby Börs.\n <\/div>\n\n
\n Musicians<\/span>\n
Musicians and singers from Gotland<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\""Conduisez$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 07/03/2026 20:00 CET\n <\/small>\n <\/p>\n\n
\n "Conduisez les plaisirs dans les climats lointains !" - Les Meslanges\n <\/h3>\n\n \n Harmonia Sacra - Les Ch'tis Concerts Parisiens\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Meslanges concert in aid of the Hôtel de Barneville in Valenciennes, Rencontres music centre.\n <\/div>\n\n
\n Musicians<\/span>\n
Thomas van Essen, baritone<\/li>
Jérôme van Waerbeke, violin<\/li>
Ondine Lacorne-Hébrard, bass viol<\/li>
Frédéric Hernandez, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Alla$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 11:10 CET\n <\/small>\n <\/p>\n\n
\n Alla fonte della musica\n <\/h3>\n\n \n Centro culturale San Magno \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Course on reading and interpreting the Renaissance repertoire in ancient notation.\n <\/div>\n\n
\n Musicians<\/span>\n
Salvatore Sciammetta <\/li><\/ul>\n <\/div>\n\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Et$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2026 12:00 CET\n <\/small>\n <\/p>\n\n
\n Et Jesum, Tomás Luís de Victoria Vídeo Premiere\n <\/h3>\n\n \n Video premiere\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n
\n Et Jesum, Tomás Luís de Victoria Vídeo Premiere\n <\/div>\n\n
\n Musicians<\/span>\n Dolce Rima (Paula Brieba, theorbo and Julieta Viñas, soprano)\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 18:15 CET\n <\/small>\n <\/p>\n\n
\n Bach - 341\n <\/h3>\n\n \n Jahrhundertwende-Gesellschaft Heidelberg\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n A harpsichord solo program dedicated to the music of Johann Sebastian Bach\n <\/div>\n\n
\n Musicians<\/span>\n Julia Ageyeva Hess, harpsichord\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"BAROCCO$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 17:04 EET (21/03/2026 16:04 CET)\n <\/small>\n <\/p>\n\n
\n BAROCCO ITALIANO\n <\/h3>\n\n \n Asociatia ANTIQVA \n <\/span>\n\n \n Romania<\/strong>\n <\/span>\n\n \n A concert about a period of profound change in music history—the 17th century. It brought with it a more theatrical character to music, with more dramatic instrumental writing, more vocal in spirit, and more attentive to contrast and emotion. \n <\/div>\n\n
\n Musicians<\/span>\n
Xavier Díaz-Latorre (lute, musical direction)<\/li>
SEMPRE Baroque Music Ensemble<\/li><\/ul>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"JAM-Session:$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 17:00 CET\n <\/small>\n <\/p>\n\n
\n JAM-Session: Mona Lisa’s Mystic Smile\n <\/h3>\n\n \n Capella de la Torre\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Whatever the true meaning of her smile may be, it is undoubtedly one of the most fascinating features of the Mona Lisa. Capella de la Torre, together with the young people from JAM embark on a journey into the world of the Renaissance and its sounds.\n <\/div>\n\n
\n Musicians<\/span>\n
JAM (Jugendensemble Alte Musik)\n<\/li>
Capella de la Torre\n<\/li>
Katharina Bäuml, shawm and direction<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"BACH$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2026 08:00 CET\n <\/small>\n <\/p>\n\n
\n BACH Continuo\n <\/h3>\n\n \n FCE Continuo webradio Luxembourg\n <\/span>\n\n \n Luxembourg<\/strong>\n <\/span>\n\n \n Broadcasts from 08:00 until 18:00 / live recordings in Luembourg-City.\n <\/div>\n\n
\n Musicians<\/span>\n
Vincent Soubeyran<\/li>
René Heisten<\/li>
Achim Holz<\/li>
Josy Peschon<\/li>
and many more<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"John$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2026 16:00 CET\n <\/small>\n <\/p>\n\n
\n John Dowland, 400 Years Later\n <\/h3>\n\n \n Escola d'Adults Pau Casals de Rubí\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n Lute solos from the best lutenist of all time, who passed away 400 years ago. \n\n <\/div>\n\n
\n Musicians<\/span>\n
Joaquim Bogunyà, renaissance lute.<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\""Tempus$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 18:30 CET (21/03/2026 18:30 CET)\n <\/small>\n <\/p>\n\n
\n "Tempus est jocundum" \n <\/h3>\n\n \n Associazione Mozart - Lecce\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Songs and music for a medieval spring festival.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Concentus <\/li>
Vania Palumbo: canto, citola, percussioni <\/li>
Michele Tricarico: flauti a becco <\/li>
Maurizio Ria, viella, quinterna <\/li>
Angela Lacalamita: Liuto, salterio <\/li>
Giovanna Tricarico: organo portativo, arpa gotica<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Her$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 15:00 EET (21/03/2026 14:00 CET)\n <\/small>\n <\/p>\n\n
\n Her Cup of Tea – music for virginal from the beginning of the 17th century\n <\/h3>\n\n \n BRQ Vantaa Festival\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Assi Karttunen plays early-1600s English virginal gems (Byrd, Morley) from Elizabeth Rogers & Fitzwilliam books, improvises in style, and ends with French baroque by Chambonnières & Jacquet de La Guerre.\n <\/div>\n\n
\n Musicians<\/span>\n
Assi Karttunen, musician<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"O$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 EET (21/03/2026 18:00 CET)\n <\/small>\n <\/p>\n\n
\n O Sidera – taivaan kutsu\n <\/h3>\n\n \n Sastamala Gregoriana\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Ancient heritage meets Renaissance polyphony and Byzantine chant in a dialogue between East and West. The programme centres on Lassus’ Prophetiae Sibyllarum, where bold Renaissance harmonies encounter contemplative Byzantine sound worlds.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Irini <\/li>
Lila Hajosi, director<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Café$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 16/03/2026 19:00 EET (16/03/2026 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Café Barock: Suoni scordati\n <\/h3>\n\n \n Kulttuuriyhdistys Ensemble Nylandia ry\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n In this program, the cello speaks with a different voice than what we are used to revealing resonances, gestures, and affections that belong to a special sound world used by 17th century italian composers and JS Bach in his 5th solo suite.\n <\/div>\n\n
\n Musicians<\/span>\n
Ester Nurminen, baroque cello\n<\/li>
Lili Talimaa, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Café$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 18:00 EET (21/03/2026 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Café Barock goes Early Music Day: O vezzoseta! & baroque karaoke\n <\/h3>\n\n \n Kulttuuriyhdistys Ensemble Nylandia ry\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n O vezzosetta! explores the catchiest tunes of the early Baroque at Art Café Feeniks on 21 March at 6 pm. The evening opens with the Finnish Early Music Society announcing its Recognition Award, and ends with Baroque Karaoke with live house band.\n <\/div>\n\n
\n Musicians<\/span>\n
Mariette Reefman – soprano and baroque viola\n<\/li>
Daniel Kivivuori – viola da gamba\n<\/li>
Jasper Koekoek – virginal and programming\n<\/li>
\nBaroque Karaoke
Host: Jaani Länsiö, music journalist\n
Lead singer: Juho Eerola\n
Live accompaniment: Ensemble Nylandia House Band<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"JEMA$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 29/03/2026 00:00 CET\n <\/small>\n <\/p>\n\n
\n JEMA 2026\n <\/h3>\n\n \n La Ruche Artistique\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n This day of encounters is punctuated by numerous 20-minute concerts. From 11:00 a.m. to 6:30 p.m. You will hear different ensembles (vocal and instrumental) performing repertoires ranging from the 16th to the 18th century. \n <\/div>\n\n
\n Musicians<\/span>\n
Trégor Baroque<\/li>
Le P\'tit Quatuor vocal<\/li>
Ensemble vocal Anouna<\/li>
L\'Open Consort<\/li>
Ondeggiando<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Monody$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2026 19:00 CET\n <\/small>\n <\/p>\n\n
\n Monody Festival | Festiwal Muzyki Jednogłosowej\n <\/h3>\n\n \n Płocki Ośrodek Kultury i Sztuki\n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n Monody Festival | Festiwal Muzyki Jednogłosowej. \nMarch 20 - Diskantoers | March 21 - Ensemble Theleme | March 22 - Ensemble Gamut! | Start 19:00\n <\/div>\n\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\""Tempus$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 18:30 CET (21/03/2026 18:30 CET)\n <\/small>\n <\/p>\n\n
\n "Tempus est jocundum" Canti e Musiche per una festa medievale di Primavera\n <\/h3>\n\n \n Associazione Mozart - Lecce\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n The program includes music from the \"Codex Buranus\" and other medieval codices. Songs and music dedicated to spring, wine, and good living.\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble Concentus - Vania Palumbo: Canto, Citola, Persussioni; Michele Tricarico: Flauti a becco; Maurizio Ria: Viella, Quinterna; Angela Lacalamita: Liuto, Salterio; Giovanna Tricarico: Organo portativo, Arpa gotica, Organistrum\n <\/div>\n\n
\n\n
https://ensembleconcentuslecce.jimdofree.com/<\/a><\/li>\n\n
https://www.facebook.com/profile.php?id=100079388228537&sk=photos<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2026 20:00 CET\n <\/small>\n <\/p>\n\n
\n The Händel Passion\n <\/h3>\n\n \n Bachcelona Festival\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n This program of music by Handel and Bach recreates an extraordinary event: Good Friday, 1747, when J.S. Bach performed Handel arias in Leipzig during a performance of the Markus Passion.\n <\/div>\n\n
\n Musicians<\/span>\n
Salvat Soloists\nMariana Rodrigues, soprano<\/li>
Jana Corominas, mezzo-soprano<\/li>
Itamar Hildesheim, tenor<\/li>
Lluís Arratia, baritone<\/li>
Bachcelona Consort<\/li>
Katy Elkin, oboe<\/li>
Vadym Makarenko,violin<\/li>
Andrés Murillo, violin<\/li>
Núria Pujolràs, viola<\/li>
Guillermo Turina, cello<\/li>
Daniel Tarrida, harpsichord and conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Passionprogramm\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 17:00 CET\n <\/small>\n <\/p>\n\n
\n Passionprogramm\n <\/h3>\n\n \n Padua Urbs Organi / Amici della Musica di Padova\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n J.S. Bach: Praeludium BWV 544, Jesus Christus unser Heiland BWV 665, Erbarm dich mein BWV 721, O Lamm Gottes BWV 656, Herzlich tut mich verlangen BWV 727, Sinfonia BWV 797, Partite diverse sopra Sei gegrüßet BWV 768\n\njointly with Padua Urbs Organi\n <\/div>\n\n
\n Musicians<\/span>\n Berben Léon, organ\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:30 CET\n <\/small>\n <\/p>\n\n
\n Concert | *The Musical Offering\n <\/h3>\n\n \n Bach en Combrailles\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n ONRA concert, as a prelude to the 28th edition (3 to 8 August 2026) of Bach en Combrailles. Several transcriptions for strings of L’Offrande musicale by Thomas Zehetmair.\n <\/div>\n\n
\n Musicians<\/span>\n
Auvergne-Rhône-Alpes National Orchestra<\/li>
Thomas Zehetmair (conductor)<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Lusso$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 20:30 CET\n <\/small>\n <\/p>\n\n
\n Lusso e melancholia - Splendore e intimità nel tardo rinascimento strumentale\n <\/h3>\n\n \n Pontificio Istituto Ambrosiano di Musica Sacra (Pontifical Ambrosian Institute of Sacred Music )\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Concert with an orchestra of Renaissance instruments. \n <\/div>\n\n
\n Musicians<\/span>\n
Gruppo Musica Antica AIMA<\/li>
Conductor: Ivan Pelà<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Consonanze$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 17:00 CET\n <\/small>\n <\/p>\n\n
\n Consonanze - CHI DESIA DI SAPER CHE COS’è AMORE\n <\/h3>\n\n \n Grandezze & Meraviglie, Museo Civico di Modena\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Tribute to Elisabetta Sirani: a musical journey between her masterpieces and the notes of great Baroque female composers.\n <\/div>\n\n
\n Musicians<\/span>\n Teodora Tommaso, harp and voice\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 20:30 CET\n <\/small>\n <\/p>\n\n
\n The Vocalitas Choir celebrates Early Music Day!\n <\/h3>\n\n \n Conservatoire de Châtenay-Malabry\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n The Vocalitas Choir and the conservatory\'s early music classes will gather at the Church of Saint-Germain l\'Auxerrois for a special concert in tribute to this musical genre.\n <\/div>\n\n
\n Musicians<\/span>\n
Vocalitas Choir conducted by Sophie BOUCHERON and accompanied by Hugues DELAUNAY<\/li>
Early music classes conducted by Éric BRUNET<\/li><\/ul>\n <\/div>\n\n
\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Eisenhand$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 29/03/2026 18:15 CEST\n <\/small>\n <\/p>\n\n
\n Eisenhand – 650 Years of Oswald von Wolkenstein\n <\/h3>\n\n \n ReRenaissance – Forum for Early Music\n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n \n Oswald\'s dazzling personality made him a legend: according to tradition, a magic spell lay upon his hand, causing every musical instrument he touched to break – earning him the name «Man de fyèr»: the Iron Hand. \n <\/div>\n\n
\n Musicians<\/span>\n
Grace Newcombe – voice, harp<\/li>
Korneel Van Neste – voice\n<\/li>
Raitis Grigalis – voice\n<\/li>
Baptiste Romain – fiddle, bagpipe\n<\/li>
Julian Anatol Schneider – narrator\n<\/li>
Marc Lewon – lute, voice, direction<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Der$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET\n <\/small>\n <\/p>\n\n
\n Der Tag des Gerichts\n <\/h3>\n\n \n Magdeburger Telemann-Festtage\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Telemann\'s dramatic oratorio describes the fear of God\'s judgment on the Last Day. The modern language inspired powerful musical images of fear, menace, and natural forces sent by God, but also hymns of praise and songs of thanksgiving.\n <\/div>\n\n
\n Musicians<\/span>\n
B\'Rock Orchestra & Vocal Consort\n<\/li>
Johanna Soller, artistic direction<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"An$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 14:00 CET\n <\/small>\n <\/p>\n\n
\n An afternoon of early music\n <\/h3>\n\n \n Conservatoire à Rayonnement Communal d'Orange\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n 2 p.m.: lecture on ‘Jean-Joseph Mouret, a composer from Avignon in Paris’ by Marie-Virginie Delorme\n4 p.m.: Les fêtes galantes (dance, music and theatre) by the teachers and students of the Orange Conservatory\n <\/div>\n\n
\n Musicians<\/span>\n
Alain BRAVAY: teacher of traditional music and director of early music ensembles Marie-Virginie DELORME: teacher of organ and music culture<\/li>
Amélie GAUTHIER: teacher of viola da gamba and guitar
<\/li>
Cécile PERRET: teacher of flute and traverso
<\/li>
Josée ARRUE: theatre teacher<\/li>
Séverine GROS: dance teacher And the students of the Orange Conservatory<\/li><\/ul>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"U$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 20:00 CET\n <\/small>\n <\/p>\n\n
\n U kraljevstvu Partenope - napuljski barokni koncerti\n <\/h3>\n\n \n Croatian Baroque Ensemble\n <\/span>\n\n \n Croatia<\/strong>\n <\/span>\n\n
\n Second concert in the 26th concert season of the Croatian Baroque Ensemble. You will hear some works of Mancini, Scarlatti, Fiorenza, Mele, Leo, and Sammartini. And a day earlier, the same concert can be heard in Celje (Slovenia). \n <\/div>\n\n
\n Musicians<\/span>\n
Croatian Baroque Ensemble\n<\/li>
Maruša Brezavšček - recorder and artistic direction<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"O$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 21:00 EET (21/03/2026 20:00 CET)\n <\/small>\n <\/p>\n\n
\n O Sidera\n <\/h3>\n\n \n Festival Sastamala Gregoriana\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Language, distorted by Lassus or stretched by the Byzantine Asmatikon, fades away to make room for pure sensation. A new grammar is created, that of the encounter between music and the body, between the bodies of the singers and the body of the conductor\'s gestures and the bodies of the listeners, in the wake of the sound waves. O Sidera is a shock, a rapture, which is first experienced and then explained. The programme can be read when the singing stops, as if to seek a rational explanation for what we have just experienced.\n <\/div>\n\n
\n Musicians<\/span>\n
Lila Hajosi - Conductor<\/li>
Chloé Roussel - Mezzo soprano\n<\/li>
Fanny Chatelain - Alto <\/li>
\nOlivier Merlin - Tenor\n<\/li>
Xavier Bazoge, Jean-Marc Vié - Bass<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Journée$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 17:00 CET\n <\/small>\n <\/p>\n\n
\n Journée de la Musique Ancienne 2026\n <\/h3>\n\n \n Les Rendez-Vous de Musique Ancienne | Ensemble Céladon\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n In 2026, the RDVMA will organise its first edition of Early Music Day in partnership with three ensembles from FEVIS AuRA. Whether you are an enthusiast or simply curious, come and be surprised by this new event in Lyon!\n <\/div>\n\n
\n Musicians<\/span>\n
La Française Ensemble<\/li>
Céladon Ensemble<\/li>
Pulcinella Ensemble<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Master$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 28/03/2026 15:00 CET\n <\/small>\n <\/p>\n\n
\n Master class de flûte à bec avec Conrad Steinmann\n <\/h3>\n\n \n Conservatoire à Rayonnement Régional Pau Béarn Pyrénées\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n An internationally renowned Swiss flutist, Conrad Steinmann studied flute at the Schola Cantorum Basiliensis with Hans-Martin Linde. He taught at the Zurich Music Academy until 1982, then at the Schola Cantorum Basiliensis.\n <\/div>\n\n
\n Musicians<\/span>\n
Conrad Steinmann<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Conférence$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 31/03/2026 15:00 CEST\n <\/small>\n <\/p>\n\n
\n Conférence "Jean-Joseph Mouret, un compositeur avignonnais à Paris au XVIIIe siècle"\n <\/h3>\n\n \n Les Après-midi de Fonséca\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n As part of her collaboration on Alain Bravay\'s recent book on Jean-Joseph Mouret, Marie-Virginie Delorme is giving a lecture to rediscover this Baroque composer from Avignon, with screenings and musical excerpts.\n <\/div>\n\n
\n Musicians<\/span>\n
Marie-Virginie Delorme, professor of organ, music writing and culture at the CRC in Orange and titular organist at Vaison-la-Romaine Cathedral<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Recital$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 08/03/2026 15:00 CET\n <\/small>\n <\/p>\n\n
\n Recital for viola da gamba - À coeur joie\n <\/h3>\n\n \n Rimat\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n The viola da gamba is given free rein in this programme, which freely combines works by Sainte Colombe, Monteverdi, Caix d\'Hervelois, Marais, Hume, Forqueray and Dowland.\n <\/div>\n\n
\n Musicians<\/span>\n
Mathilde Gomas<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Canzoni,$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 18:00 WET (21/03/2026 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Canzoni, arie e villancicos\n <\/h3>\n\n \n Cantar Poesia Ensemble\n <\/span>\n\n \n Portugal<\/strong>\n <\/span>\n\n \n Confident in the eloquence at the heart of the repertoire, we will bring Early Music to the Festival Cima a Baixo, whose programme features a wide range of musical styles in a variety of settings — from museums to pubs.\n <\/div>\n\n
\n Musicians<\/span>\n
Irene Brigitte, voice and adufe<\/li>
Pedro Martins, vihuela, baroque guitar and theorbe<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Organ$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 16:30 CET\n <\/small>\n <\/p>\n\n
\n Organ and early music concert\n <\/h3>\n\n \n Conservatoire à Rayonnement Communal d'Orange\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert by the organ class, with the participation of teachers from the early music department and the Conservatoire\'s early music ensembles for teenagers and adults.\n <\/div>\n\n
\n Musicians<\/span>\n
Marie-Virginie Delorme, organ teacher<\/li>
Alain Bravay, traditional music teacher and director of early music ensembles<\/li>
Amélie Gauthier, viola da gamba teacher<\/li>
Conservatory students (organ, galoubet-tambourine, bagpipes, recorder, violin, cello, etc.)<\/li><\/ul>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"EX$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 20:15 CET\n <\/small>\n <\/p>\n\n
\n EX TENEBRIS AD LUCEM\n <\/h3>\n\n \n N&B MARETERRA FESTIVAL\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n A journey from darkness to light (from D minor to G major) trough Bach\'s music offered by the renowned Italian organist Luca Scandali on the \'Zanin\' organ (1995) in German baroque style. \n <\/div>\n\n
\n Musicians<\/span>\n
LUCA SCANDALI, organ<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"El$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 03/02/2026 19:00 CET\n <\/small>\n <\/p>\n\n
\n El Jardín de las Delicias\n <\/h3>\n\n \n All'Antica Musika \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n El jardín de las delicias\" by All\'Antica Musika is an interdisciplinary project that combines early Spanish and Latin American music (16th-18th centuries) with theatre and dance, narrating the last thoughts of King Philip II.\n <\/div>\n\n
\n Musicians<\/span>\n
Jorge Santos (actor)<\/li>
Laiene Alcalá (soprano)<\/li>
Venecia Grifell (dancer)<\/li>
Diego de Amigo (baroque violin)<\/li>
David Sáez (recorders)<\/li>
Silvia Cantatore (viola da gamba)<\/li>
Teresa Merino (theorbo)<\/li>
Elvira Pujol (harpsichord)<\/li>
Adrian Santamaria (percussion)<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Quattrocento\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 09:48 CST (21/03/2026 02:48 CET)\n <\/small>\n <\/p>\n\n
\n Quattrocento\n <\/h3>\n\n \n National Concert Hall\n <\/span>\n\n \n Taiwan<\/strong>\n <\/span>\n\n \n Collaboration concert with Capella de Ministrers & The Gleam Ensemble.\nSpanish Renaissance music from Alfonso the Magnanimous to Isabella the Catholic.\n <\/div>\n\n
\n Musicians<\/span>\n
CAPELLA DE MINISTRERS\nCarles Magraner\n<\/li>
\nTHE GLEAM ENSEMBLE\nMartin Chiang<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach's$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 PDT (22/03/2026 03:00 CET)\n <\/small>\n <\/p>\n\n
\n Bach's Mass in B Minor\n <\/h3>\n\n \n Bach Collegium San Diego\n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n The Mass in B minor represents the pinnacle and synthesis of Bach\'s musical language. Bach takes us on a journey through some of his most sublime musical ideas, from moments of meditation and repose to total ecstasy and euphoria.\n <\/div>\n\n
\n Musicians<\/span>\n
Bach Collegium San Diego\n<\/li>
Ruben Valenzuela, Founder & Artistic Director\n<\/li>
SOLOISTS\nEstelí Gomez, soprano \nJay Carter, countertenor \nAaron Sheehan, Michael Jones, tenors \nEnrico Lagasca, bass <\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 16:30 CET\n <\/small>\n <\/p>\n\n
\n Concert Alla francesca : "Vray dieu d'amours…"\n <\/h3>\n\n \n Les Samedis Musicaux de Chartres\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Chansons et polyphonies du XVe siècle signées Binchois, Dufay, Ockeghem, Dunstable…\n <\/div>\n\n
\n Musicians<\/span>\n
Alla Francesca Ensemble<\/li>
Maud Haering: vocals<\/li>
Mathias Lunghi: vocals<\/li>
Camile Macinenti: vocals<\/li>
Nolwenn Le Guern: bowed fiddle, rebec<\/li>
Brigitte Lesne: direction and concept, Gothic harp<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Historical$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/01/2026 14:00 CET (21/01/2026 14:00 CET)\n <\/small>\n <\/p>\n\n
\n Historical dance afternoon\n <\/h3>\n\n \n Stiftung Händel-Haus\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Experience early Baroque street dances from England and French branles, with elegant figures, rousing melodies, and convivial dancing which already delighted people in the days of Shakespeare and Queen Elizabeth I.\n <\/div>\n\n
\n Musicians<\/span>\n
Mark Frenzel, dance teacher\n<\/li>
Hagen Jahn, museum educator<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach's$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 20:00 CET\n <\/small>\n <\/p>\n\n
\n Bach's St John Passion\n <\/h3>\n\n \n LES PASSIONS - Orchestre Baroque de Montauban\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Considered ‘one of Bach\'s most profound and perfect works’, it offers a poetic, musical and religious interpretation of a fundamental episode from the Gospels, the Passion of Christ.\n <\/div>\n\n
\n Musicians<\/span>\n
The Toulouse Choir Toulouse Conservatory (Mark Opstad)<\/li>
Les Passions (Jean-Marc Andrieu)<\/li>
Cyrille Dubois, Evangelist, tenor<\/li>
Pierre Yves Cras, Jesus, bass<\/li>
Marius Vidal, Pilate, tenor<\/li>
Lisa Auriol Chaïb, soprano<\/li>
Lucile Rentz, alto<\/li>
Jean-Christophe Lanièce, bass<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Early$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/01/2026 15:00 CET\n <\/small>\n <\/p>\n\n
\n Early Music Day Copenhagen 2026\n <\/h3>\n\n \n Copenhagen Renaissance Music Festival\n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n Welcome to another harpsichord marathon! \n <\/div>\n\n
\n Musicians<\/span>\n
Gilbert Martinez (US/DK)<\/li>
Alina Rotaru (RO)<\/li>
Yngvild Haalund Ruud (NO/DK)<\/li>
Babett Hartmann (DE/DK)<\/li><\/ul>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Do$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2026 20:30 CET\n <\/small>\n <\/p>\n\n
\n Do as you please - A thousand years of song\n <\/h3>\n\n \n Ensemble Obsidienne \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n To celebrate the return of spring, at the opening of LA REVERDIE, which Obsidienne has been offering since 2019, the ensemble takes up residence in the medieval setting of La Poterne, takes Rabelais\' maxim to heart and travels through 1,000 years of songs.\n <\/div>\n\n
\n Musicians<\/span>\n
Emilie Boudeville<\/li>
Florence Jacquemart<\/li>
Hélène Moreau<\/li>
Camille Bonnardot<\/li>
Colin Bonnardot<\/li>
Emmanuel Bonnardot<\/li>
Ludovic Montet<\/li>
Pierre Tessier <\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Vanamuusika$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 16:00 EET (21/03/2026 15:00 CET)\n <\/small>\n <\/p>\n\n
\n Vanamuusika päeva kontsert - Early Music Day's concert\n <\/h3>\n\n \n Tallinn College of Music and Ballet – MUBA\n <\/span>\n\n \n Estonia<\/strong>\n <\/span>\n\n \n We are celebrating International Early Music Day with a concert by MUBA Early Music and Singing students. The program includes Telemann, Dowland, Vivaldi, Purcell, Monteverdi and Frescobaldi.\n <\/div>\n\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"La$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:30 CET\n <\/small>\n <\/p>\n\n
\n La Jam Renaissance (et Baroque et Moyen-Âge)\n <\/h3>\n\n \n La Jam Renaissance\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n Monthly jam session featuring early music in a Parisian bistro, with a festive atmosphere. Concert/open stage at 8 p.m., jam session at 9 p.m. – open to all ears, voices and instruments, early or otherwise. Tous les diapasons sont bienvenus.\n <\/div>\n\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Festa$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 10:00 CET\n <\/small>\n <\/p>\n\n
\n Festa della Musica Antica: Vigevano, Accade anche qui\n <\/h3>\n\n \n Diapason Consortium\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n A marathon of concerts celebrating Early Music at Auditorium San Dionigi, a 17th century church suspended from worship and now temple of Music in Vigevano, just a few meters from Piazza Ducale, from 10am until midnight\n <\/div>\n\n
\n Musicians<\/span>\n
By the artistic production collective Bottega dei Suoni<\/li><\/ul>\n <\/div>\n\n
\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Ārt$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 18:00 CET\n <\/small>\n <\/p>\n\n
\n Ārt House Social\n <\/h3>\n\n \n Georg Kroneis\n <\/span>\n\n \n Austria<\/strong>\n <\/span>\n\n \n ĀRT HOUSE is bringing Bach\'s music to the beautiful mountain village of Trahütten in Styria. To mark the occasion, we will be playing at 440Hz and will also be performing the melodrama ‘Der wunderbare Tivoli’ by Flora Marlene Geißelbrecht.\n <\/div>\n\n
\n Musicians<\/span>\n
Thomas Höft, author and narrator \n<\/li>
Michael Hell, harpsichord and recorder \n<\/li>
Georg Kroneis, viola da gamba<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Vray$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 16:30 CET\n <\/small>\n <\/p>\n\n
\n Vray dieu d'amours… Ensemble Alla francesca\n <\/h3>\n\n \n Les Samedis Musicaux de Chartres\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert de chansons polyphoniques du 15e siècle : Binchois, Dufay, Ockeghem, Dunstable…\nEnsemble Alla francesca\nDeuxième concert à 18h30\n <\/div>\n\n
\n Musicians<\/span>\n
Maud Haering, vocals<\/li>
Mathias Lunghi, vocals<\/li>
Camile Macinenti, vocals<\/li>
Nolwenn Le Guern, bowed fiddle, rebec<\/li>
Brigitte Lesne, direction and design, Gothic harp<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"French$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 09/04/2025 16:00 CEST\n <\/small>\n <\/p>\n\n
\n French & Italian Lute Music from the Baroque Era\n <\/h3>\n\n \n Escola d'Adults Pau Casals de Rubí\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n First concert ever with a 14-course lute with works by pretty unknown baroque composers for the lute such as Louys de Moy & Giovanni Zamboni.\n\n <\/div>\n\n
\n Musicians<\/span>\n
Joaquim Bogunyà, 14-course lute.<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Guided$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 13:00 CET (21/03/2026 13:00 CET)\n <\/small>\n <\/p>\n\n
\n Guided tour of the history of architecture\n <\/h3>\n\n \n Stiftung Händel-Haus\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Karl Altenburg sheds some light on the history of the Handel House\'s construction and accompanies visitors to the vaulted cellar and the impressive panelled parlour.\n <\/div>\n\n
\n Musicians<\/span>\n
Karl Altenburg, Museum historian<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Generation$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2026 11:36 CET\n <\/small>\n <\/p>\n\n
\n Generation 1685 - Bach | Scarlatti\n <\/h3>\n\n \n Mars en Baroque\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Both born in 1685, Johann Sebastian Bach and Domenico Scarlatti, steeped in the knowledge of the past, were driven by a deep desire for modernity.\n <\/div>\n\n
\n Musicians<\/span>\n
Jacques Moderne Ensemble<\/li>
Joël Suhubiette - Conductor<\/li>
Axelle Bernage, Cécile Dibon-Lafarge Cyprile Meier and Julia Wischniewski, sopranos<\/li>
Margot Mellouli, mezzo-soprano<\/li>
Gabriel Jublin, countertenor<\/li>
Marc Manodritta, Marco Van Baaren, tenors<\/li>
Didier Chevalier, Cyrille Gautreau, basses<\/li>
Rémi Cassaigne, theorbo<\/li>
Marine Rodallec, cello<\/li>
Emmanuel Mandrin, organ<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Organ$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 17/03/2026 13:10 GMT (17/03/2026 14:10 CET)\n <\/small>\n <\/p>\n\n
\n Organ recital. Correa de Arauxa: “Libro de tientos... Facultad organica” (1626)\n <\/h3>\n\n \n Andrew Benson-Wilson\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n This Early Music Day recital focuses on the publication, exactly 400 years ago, of the monumental \"Libro de tientos y discursos de música practica, y theorica de organo intitulado Facultad organica\" by Francisco Correa de Arauxo.\n <\/div>\n\n
\n Musicians<\/span>\n
Andrew Benson-Wilson, organ<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET (21/03/2026 19:00 CET)\n <\/small>\n <\/p>\n\n
\n The Conservatory of Menorca celebrates Early Music Day\n <\/h3>\n\n \n Conservatori Professional de Música de Menorca and JJMM d'Alaior\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n As is tradition at Conservatori Professional de Música de Menorca, students and teachers of the center celebrate Early Music Day, with a concert-conference in which you can listen to music for guitar, string quartet, violin and voice.\n <\/div>\n\n
\n Musicians<\/span>\n
\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Musical$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 17:00 CET (22/03/2026 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Musical Conversations: Gaultier & Tessarini\n <\/h3>\n\n \n Titans Rising concert series\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n This program contrasts French Baroque refinement with Italian virtuosity, featuring Pierre Gaultier de Marseille’s suites from the Ambronay debut recording (2025) alongside the lively miniatures of Carlo Tessarini.\n <\/div>\n\n
\n Musicians<\/span>\n
Cohaere Ensemble\n<\/li>
Marta Gawlas, baroque traverso\n<\/li>
Monika Hartmann, baroque cello\n<\/li>
Natalia Olczak, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Séance$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 15:45 CET\n <\/small>\n <\/p>\n\n
\n Séance publique de l'Atelier Vocal\n <\/h3>\n\n \n Les Meslanges\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Under the direction of Thomas van Essen, the singers will perform works from the European Renaissance, accompanied on the lute by Vincent Maurice.\n <\/div>\n\n
\n Musicians<\/span>\n
Thomas van Essen, conductor<\/li>
Vincent Maurice, lute<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Johannes$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 17:00 CET\n <\/small>\n <\/p>\n\n
\n Johannes Passion BWV 245\n <\/h3>\n\n \n Associazione Mousikè Il Teatro Armonico APS\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Full performance with Orchestra, Choir and Soloists of the Johannes Passion by J.S.Bach\n <\/div>\n\n
\n Musicians<\/span>\n Il Teatro Armonico conducted by Margherita Dalla Vecchia \n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Dietrich$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 29/03/2026 18:00 EEST (29/03/2026 17:00 CEST)\n <\/small>\n <\/p>\n\n
\n Dietrich Buxtehude: Membra Jesu Nostri\n <\/h3>\n\n \n Borgå Swedish Cathedral Parish, Porvoo Finnish Parish, The Support Association of the Porvoo Oratorio Choir\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n To be performed for the first time in Porvoo on March 29, this five-part Baroque work features choir, soloists and orchestra in meditation on the crucified Christ.\n <\/div>\n\n
\n Musicians<\/span>\n
Porvoo Oratorio Choir and soloists\n<\/li>
Ensemble Nylandia baroque orchestra\n<\/li>
Kaisa Sidoroff, conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Les$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:30 CET\n <\/small>\n <\/p>\n\n
\n Les Suites Françaises de J. S. Bach\n <\/h3>\n\n \n La Cité Bleue Genève\n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n \n An exceptional recital by Cédric Pescia featuring Johann Sebastian Bach\'s six French Suites, a masterpiece for keyboard in which slow and lively dances respond to each other with profound contrapuntal richness. \n <\/div>\n\n
\n Musicians<\/span>\n
Cédric Pescia, piano<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Between$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/02/2026 20:00 CET (21/02/2026 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Between Iberia and the Balkans\n <\/h3>\n\n \n VEMA - Vojvodinian Music Association\n <\/span>\n\n \n Serbia<\/strong>\n <\/span>\n\n \n From Adriatic sacred polyphony to Spanish Baroque, this program travels across early modern Europe. From Lukačić and Cecchini to Hidalgo and Durón, it bridges devotion, dance, rhetoric, and theatrical passion in a vibrant shared sound world.\n <\/div>\n\n
\n Musicians<\/span>\n
Musica Antiqua Neoplantensis\n<\/li>
Radoslava Vorgić – soprano\n<\/li>
Meila Tomé – recorder\n<\/li>
Rafael Arjona – lute & baroque guitar<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Konzert$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET (21/03/2026 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Konzert zum 341. Bach-Geburtstag\n <\/h3>\n\n \n Köthener BachGesellschaft mbH\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n As always during the festive season, the concert given on Bach\'s birthday on 21 March at St. Agnus Church in Köthen offers a preview of the festival programme. Musically, the repertoire ranges from the Middle Ages to the present day.\n <\/div>\n\n
\n Musicians<\/span>\n
Tabea Höfer (baroque violin)<\/li>
Johannes Lauer (trombone)<\/li>
Bertram Burkert (guitar)<\/li>
Trio Evviva<\/li>
Folkert Uhde (moderator)<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Light$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET (21/03/2026 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Light and Sound - Baroque Voices from Schütz to Bach\n <\/h3>\n\n \n Early Music Sweden\n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n On Bach’s birthday, Early Music Sweden presents a concert from Schütz and Schein to Bach and his family. The Calmus Ensemble, rooted in the Leipzig choral tradition, joins Jeanette Eriksson on lira da braccio for a warm, text-focused musical journey.\n <\/div>\n\n
\n Musicians<\/span>\n
Calmus Ensemble <\/li>
\nJeanette Eriksson, lira da braccio\n<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Leçons$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 17:00 CET\n <\/small>\n <\/p>\n\n
\n Leçons de Ténèbres by F. Couperin\n <\/h3>\n\n \n Les Paladins\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Jérôme Correas and Les Paladins offer a rare version of Leçons de Ténèbres, a cycle of three vocal pieces that are among the most impressive in the Baroque religious repertoire.\n <\/div>\n\n
\n Musicians<\/span>\n
Jean-François LOMBARD, countertenor<\/li>
Bastien RIMONDI, countertenor<\/li>
Olivia GUTHERZ, viola da gamba<\/li>
Benjamin NARVEY, theorbo<\/li>
Jérôme CORREAS, organ, harpsichord, and conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Divina$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 17:51 CET (21/03/2026 17:51 CET)\n <\/small>\n <\/p>\n\n
\n Divina Virgo. Medieval music concert for voices and instruments\n <\/h3>\n\n \n Fondazione Abbatia Sancte Marie de Morimundo\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Medieval music concert paying tribute to the Virgin Mary through Gregorian chants, Italian lauds, Cantigas de Santa Maria, and pilgrimage melodies. Voices and period instruments recreate the spiritual atmosphere of the Middle Ages.\n <\/div>\n\n
\n Musicians<\/span>\n
Instrumental duo \"In Itinere Musica Medievale\" (viella, rebec, medieval clàrsach harp, recorder and other instruments).\n<\/li>
Gregorian vocal trio \"Sonus et vox\"<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"ST.$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:30 CET\n <\/small>\n <\/p>\n\n
\n ST. JOHN PASSION BWV 245 / JOHANN SEBASTIAN BACH\n <\/h3>\n\n \n Polish Royal Opera\n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n Extremely emotional and personal musical picture of the suffering and death of Christ, painted in the spirit of the passionate and sincere devotion of the Leipzig genius.\n <\/div>\n\n
\n Musicians<\/span>\n
PERFORMERS:\n<\/li>
JACEK SZPONARSKI - EVANGELIST<\/li>
ROBERT GIERLACH - JESUS\n<\/li>
PAWEŁ CZEKAŁA - PILATE\n<\/li>
JOANNA SOJKA - SOPRANO <\/li>
\nANNA RADZIEJEWSKA - ALTO\n<\/li>
SYLWESTER SMULCZYŃSKI - TENOR\n<\/li>
PAWEŁ MICHALCZUK - BASS\n<\/li>
THE CHORUS OF THE POLISH ROYAL OPERA\nT<\/li>
HE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA <\/li>
CAPELLA REGIA POLONA\n<\/li>
KAROL KNAPIŃSKI - CHORUS MASTER\n<\/li>
KRZYSZTOF GARSTKA - POSITIVE ORGAN, CONDUCTOR<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Dordán\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 14/03/2026 14:30 CET\n <\/small>\n <\/p>\n\n
\n Dordán\n <\/h3>\n\n \n Waterford Libraries\n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n \n Waterford City–based male voice choir Dordán will perform in Central Library, presenting a programme rooted in Ireland’s early musical traditions and highlighting their continuity within contemporary community practice.\n <\/div>\n\n
\n Musicians<\/span>\n
Dordán<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Mencía.$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET (21/03/2026 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Mencía. Duchessa di Calabria\n <\/h3>\n\n \n Pietà de' Turchini Foundation\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n This programme revolves around the figure of Mencía de Mendoza, Duchess of Calabria, one of the most eminent personalities of the Spanish Renaissance and heir to the Neapolitan cultural legacy.\n <\/div>\n\n
\n Musicians<\/span>\n
CANTORÍA\n<\/li>
Inés Alonso, soprano\n<\/li>
Belén Herrero, alto\n<\/li>
Jorge Losana, tenor and conductor\n<\/li>
David Guitart, bass\n<\/li>
Nathan Giorgetti, viola da gamba\n<\/li>
Daniel Murphy, lute\n<\/li>
\nwith the contribution of Cervantes Institute, Ambassy of Spain in Italy and INAEM<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\""Early$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET (21/03/2026 19:00 CET)\n <\/small>\n <\/p>\n\n
\n "Early Music Desk. ¡Haendel All’Italiana!"\n <\/h3>\n\n \n Festival Encuentro Silva de Sirenas (FESS Madrid)\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n Early Music Desk offers an intimate listening experience: a close acoustic, direct dialogue between performer and listener, commentary on the works, a final discussion, and a relaxed space for conversation. The event is also streamed online.\n <\/div>\n\n
\n Musicians<\/span>\n
DELIRIVM MUSICA <\/li>
Beatriz Amezúa, violin <\/li>
Diego Fernández, harpsichord <\/li>
Juan Portilla, recorder<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Semana$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 16/03/2026 16:30 CET\n <\/small>\n <\/p>\n\n
\n Semana de la música antigua\n <\/h3>\n\n \n Conservatorio Municipal de Barakaldo\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n Throughout the week, there will be chamber music auditions, a concert by the conservatory orchestra, and a concert and masterclass by the All\'Antica Musika ensemble. \n <\/div>\n\n
\n Musicians<\/span>\n
Students from the centre<\/li>
Conservatory symphony orchestra<\/li>
All\'Antica Musika group<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Dialogues.$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET\n <\/small>\n <\/p>\n\n
\n Dialogues. Duet medieval dances\n <\/h3>\n\n \n Fundación Municipal de Cultura, Educación y Universidad Popular de Gijón\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n The ensemble Eloqventia presents a program whose title alludes to the intercultural relationship characteristic of the Middle Ages, featuring music from the Christian kingdoms, al-Andalus and the Sephardic tradition\n <\/div>\n\n
\n Musicians<\/span>\n
Eloqventia\n<\/li>
Alejandro Villar – soprano, alto and tenor recorders, double flute, gemshorn, medieval bamboo flute and symphonia\n<\/li>
David Mayoral – Darbukas, frame drums, doira, tambourine, tamburello, bells, dulcimer and chimes<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"IN$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 20:30 CET\n <\/small>\n <\/p>\n\n
\n IN VIAGGIO DA BACH AI BACH. Estro, genialità e passione\n <\/h3>\n\n \n Grandezze & Meraviglie \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Five Trio Sonatas by J.S. Bach and his sons trace the evolution of the genre from Baroque to Classicism. A journey into the Bach family workshop, where counterpoint, instrumental dialogue and new sonorities come to life.\n <\/div>\n\n
\n Musicians<\/span>\n
ENSEMBLE À L’ANTICA<\/li>
Luigi Lupo, flute<\/li>
Rossella Croce, violin<\/li>
Rebeca Ferri, cello<\/li>
Anna Fontana, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Pied$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 11:00 GMT (21/03/2026 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Pied Piper: A Celebration of David Munrow\n <\/h3>\n\n \n Cambridge Early Music\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n A day of events honouring the life and lasting influence of David Munrow. Explore his legacy through panel discussions and performances ranging from the Medieval to the Baroque. Tickets are available for the full day, or for the individual concerts\n <\/div>\n\n
\n Musicians<\/span>\n
English Cornett and Sackbut Ensemble, performers<\/li>
The Geldart Ensemble, performers<\/li>
John Turner, performer<\/li>
Adrian Bradbury, performer<\/li>
Harry Bowden, performer<\/li>
Students from the University of Cambridge, performers<\/li>
Edward Blakeman, Panel Chair<\/li>
Catherine Bott, Panel Chair<\/li>
Nicholas Kenyon, Panel Chair<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"“SACRI$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2026 22:39 CET (21/03/2026 22:39 CET)\n <\/small>\n <\/p>\n\n
\n “SACRI FURORI Musiche per la Passione tra Napoli e Venezia” \n <\/h3>\n\n \n AREA ARTE ASSOCIAZIONE\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Music for Holy Week between Naples and Venice, taken from the Lectio and Antifone by Don Gennaro Manna from the Girolamini Library and Nicola Fago, the aria by Bononcini (from La Maddalena) and Vivaldi, interspersed with symphonies by Leo and Fago.\n <\/div>\n\n
\n Musicians<\/span>\n
“LE MUSICHE DA CAMERA”<\/p>
Neapolitan Baroque ensemble with period instruments<\/p>
1992/2026 Thirty-four years of Baroque music in Naples<\/p>
Francesco DIVITO - soprano<\/li>
Rosa MONTANO - mezzo-soprano<\/li>
Egidio MASTROMINICO - violino di concerto<\/li>
Giuseppe GRIECO - violin<\/li>
Vezio IORIO - viola<\/li>
Renata CATALDI - transverse flute<\/li>
Leonardo MASSA - cello<\/li>
Cristiano PENNONE - violone<\/li>
Paola VENTRELLA - theorbo<\/li>
Debora CAPITANIO - harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Amour$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 21:00 CET (21/03/2026 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Amour Fou Telemann \n <\/h3>\n\n \n Magdeburger Telemann Festtage\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n The internationally acclaimed ensemble Musica Sequenza has captivated audiences for decades with its interdisciplinary productions. Telemann’s operas are ideally suited to their artistic vision, combining early music with modern forms of expression.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Musica Sequenza<\/li>
Burak Özdemir, Artistic Director and Baroque bassoon<\/li>
Nicolò Balducci, Countertenor<\/li>
László Sandig, Dance<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Le$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 29/03/2026 18:00 CEST\n <\/small>\n <\/p>\n\n
\n Le Jeu de Robin et Marion\n <\/h3>\n\n \n Abbaye de Fontfroide\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n The La Camera delle Lacrime team presents its residency output from this programme written by the troubadour Adam de la Halle in the 1280s. This work is sometimes considered to be the first Western musical comedy.\n <\/div>\n\n
\n Musicians<\/span>\n
Bruno Bonhoure, musical direction, vocals, psaltery<\/li>
Khaï-Dong Luong, research, dramaturgy, stage writing<\/li>
Clémence Montagne, vocals<\/li>
Sissy Zhou, Gu Zheng (ancient Chinese zither), vocals<\/li>
Stéphanie Petibon, lute, group vocals<\/li>
Ronaldo Lopes, theorbo, group vocals<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Journée$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 10:00 CET\n <\/small>\n <\/p>\n\n
\n Journée Européenne de la Musique Ancienne\n <\/h3>\n\n \n Opéra de Massy\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n The Massy Opera House is opening its doors for a series of activities centred on music and dance from the 17th and 18th centuries, with a focus on female musicians and dancers from that period.\n <\/div>\n\n
\n Musicians<\/span>\n
Irène Feste, dancer and choreographer, specialist in 17th and 18th century choreographic repertoire<\/li>
Aurélie Karbowiak, flutist (recorders, traverso), teacher at the Massy Conservatory<\/li>
Baptiste Guittet, harpsichordist, teacher at the Massy Conservatory<\/li>
Andrés Felipe Rubiano Granados, violist and guitarist, teacher at the Amiens and Massy Conservatories<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Family$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2026 15:00 CET\n <\/small>\n <\/p>\n\n
\n Family Workshop: The sackbut, a musical passport through the ages\n <\/h3>\n\n \n Les Muses en Dialogue x Julien Miro\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Discovering the ancestor of the trombone: history, how it works, trying out the instrument and a mini-concert. Julien Miro, professor at the Cité des Arts, highlights the links between the modern trombone and the sackbut.\n <\/div>\n\n
\n Musicians<\/span>\n
Julien Miro<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Workshop$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2026 16:00 CET\n <\/small>\n <\/p>\n\n
\n Workshop tours: guided tour of a workshop certified as Entreprise du Patrimoine Vivant\n <\/h3>\n\n \n Les Muses en Dialogue x Martine Argellies\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Martine Argellies, a harpsichord maker since 1981, is one of the few French specialists in this instrument.\n <\/div>\n\n
\n Musicians<\/span>\n
Martine Argellies<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 16:00 CET\n <\/small>\n <\/p>\n\n
\n Musical tour: Casa Xanxo celebrates spring\n <\/h3>\n\n \n Les Muses en Dialogue x Casa Xanxo\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Musical tour with students from the early music department of the Perpignan Regional Conservatory. A festive and convivial afternoon at Casa Xanxo, where the history of Perpignan meets early music.\n <\/div>\n\n
\n Musicians<\/span>\n
With Sylvain Sartre, Fanette Estrade et Valérie Dulac.<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Madri(é)gale\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 28/03/2026 16:00 CET\n <\/small>\n <\/p>\n\n
\n Madri(é)gale\n <\/h3>\n\n \n Cité de la Voix - Biennale Elles\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert by the Alkymia ensemble following a creative residency at the Cité de la Voix. This programme offers a journey from Italian madrigals to German madrigals, motets and double choirs. 10 singers, lira da gamba and positive organ.\n <\/div>\n\n
\n Musicians<\/span>\n
Alkymia - répertoires anciens et de nos jours<\/li>
Mariana Delgadillo Espinoza<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Workshop$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2026 18:30 CET\n <\/small>\n <\/p>\n\n
\n Workshop tours: guided tour of a workshop certified as Entreprise du Patrimoine Vivant\n <\/h3>\n\n \n Les Muses en Dialogue x Martine Argellies\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Martine Argellies, a harpsichord maker since 1981, is one of the few French specialists in this instrument.\n <\/div>\n\n
\n Musicians<\/span>\n
Martine Argellies<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Workshop$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2026 16:00 CET\n <\/small>\n <\/p>\n\n
\n Workshop tours: guided tour of a workshop certified as Entreprise du Patrimoine Vivant\n <\/h3>\n\n \n Les Muses en Dialogue x Martine Argellies\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Martine Argellies, a harpsichord maker since 1981, is one of the few French specialists in this instrument.\n <\/div>\n\n
\n Musicians<\/span>\n
Martine Argellies<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Ex$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:30 CET\n <\/small>\n <\/p>\n\n
\n Ex tenebris ad lucem!\n <\/h3>\n\n \n Vox ecclesiæ - Apuliantiqua Early Music Festival\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n A journey through the universe of J.S. Bach: from the solemnity of the Fugue in D minor to the depth of the Orgelbüchlein. Luca Scandali explores the German genius between formal rigour and spirituality, closing with the verve of the Prelude and Fugue in G major.\n <\/div>\n\n
\n Musicians<\/span>\n Luca Scandali\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Le$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2026 18:00 CET\n <\/small>\n <\/p>\n\n
\n Le Grand Siècle\n <\/h3>\n\n \n Conservatoire à Rayonnement Régional Pau Béarn Pyrénées\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Two concerts with commentary and illustrations by the students, exploring the richness and evolution of Baroque music: 6pm – Court airs and instrumental music from 17th-century France / 8pm – Armide by Jean-Baptiste Lully (excerpts)\n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Lecture:$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2026 17:00 CET\n <\/small>\n <\/p>\n\n
\n Lecture: Joseph Bodin de Boismortier, by Stéphan Perreau\n <\/h3>\n\n \n Les Muses en Dialogue x Stéphan Perreau\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Illustrated lecture on the Baroque composer and presentation of the reissue of the monograph edited by Les Muses en Dialogue. Stéphan Perreau is a musicologist and specialist in French Baroque music.\n <\/div>\n\n
\n Musicians<\/span>\n
Stéphan Perreau<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n
\n $\"Répétitions$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2026 19:00 CET\n <\/small>\n <\/p>\n\n
\n Répétitions ouvertes : Hommage à Joël Pons\n <\/h3>\n\n \n Les Muses en Dialogue x Ars Vocalis\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Ars Vocalis, conducted by Marie-Paule Nounou, opens a rehearsal to the public in tribute to cellist Joël Pons, featuring works by Bach, Pergolesi and Handel. An immersion into the heart of the work of an ensemble dedicated to the sacred Baroque repertoire.\n <\/div>\n\n
\n Musicians<\/span>\n
Ars Vocalis, artistic direction by Marie-Paule Nounou<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Visite$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2026 11:15 CET\n <\/small>\n <\/p>\n\n
\n Visite en musique : Romantisme et classicisme, nature et sentiments – Ensemble Les Ombres\n <\/h3>\n\n \n Les Muses en Dialogue x Musée Fabre\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n A dialogue between pictorial works and ancient instruments in a guided musical journey. Artistic direction: Margaux Blanchard & Sylvain Sartre. With Sylvain Sartre (flute) and Romaric Martin (historical guitar).\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Les Ombres, artistic direction: Margaux Blanchard & Sylvain Sartre.<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Visite$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2026 16:00 CET\n <\/small>\n <\/p>\n\n
\n Visite en musique : Romantisme et classicisme, nature et sentiments – Ensemble Les Ombres\n <\/h3>\n\n \n Les Muses en Dialogue x Musée Fabre\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n A dialogue between pictorial works and ancient instruments in a guided musical journey. Artistic direction: Margaux Blanchard & Sylvain Sartre. With Sylvain Sartre (flute) and Romaric Martin (historical guitar).\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Les Ombres, artistic direction: Margaux Blanchard & Sylvain Sartre.<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 18:30 CET\n <\/small>\n <\/p>\n\n
\n Concert : Chorals en miroir Bach & Mendelssohn – Benjamin Alard, grand orgue\n <\/h3>\n\n \n Les Muses en Dialogue x Benjamin Alard\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Lent programme mirroring Bach and Mendelssohn. Benjamin Alard brings us Bach\'s complete keyboard works with Harmonia Mundi.\n <\/div>\n\n
\n Musicians<\/span>\n
Benjamin Alard<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"International$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 17:00 CET\n <\/small>\n <\/p>\n\n
\n International Early Music Day Celebrations Szczecin 2026 Edition. “Music Is a Woman”\n <\/h3>\n\n \n Early Music Academy Foundation\n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n A concert combined with a lecture, presenting music by women composers of the 17th and 18th centuries.The programme includes compositions by I.leonarda. M.M.Priuli, J.de la Guerre, Mrs Philarmonica. \n <\/div>\n\n
\n Musicians<\/span>\n
Consortium Sedinum<\/li>
Collegium für Alte Musik Vorpommern<\/li>
Katarzyna Cendlak, Noemi Kuśnierz-Lipert - baroque violin<\/li>
Gertrud Ohse - baroque cello<\/li>
Urszula Stawicka - harpsichord, artistic direction<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Hanna$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 13:00 CET\n <\/small>\n <\/p>\n\n
\n Hanna Balcerzak: Goldberg Variations BWV 988\n <\/h3>\n\n \n Pałac w Rybnej\n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n Hanna Balcerzak performs the Goldberg Variations, BWV 988, at the inauguration of the 13th Baroque Spring Festival, marking Early Music Day 2026 with Johann Sebastian Bach’s extraordinary masterpiece.\n <\/div>\n\n
\n Musicians<\/span>\n Hanna Balcerzak, harpsichord\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Visite$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2026 14:00 CET\n <\/small>\n <\/p>\n\n
\n Visite en musique : Romantisme et classicisme, nature et sentiments – Ensemble Les Ombres\n <\/h3>\n\n \n Les Muses en Dialogue x Musée Fabre\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n A dialogue between pictorial works and ancient instruments in a guided musical journey. Artistic direction: Margaux Blanchard & Sylvain Sartre. With Sylvain Sartre (flute) and Romaric Martin (historical guitar).\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Les Ombres, artistic direction: Margaux Blanchard & Sylvain Sartre.<\/p>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert:$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET\n <\/small>\n <\/p>\n\n
\n Concert: Early music – Béziers Méditerranée and Grand Narbonne Conservatories\n <\/h3>\n\n \n Les Muses en Dialogue x – Conservatoire de Béziers Méditerrannée et Conservatoire du Grand Narbonne\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Renaissance & Baroque concert by students and teachers. A genuine invitation to rediscover the richness and diversity of early music through the sounds of harpsichords, Baroque violins and recorders.\n <\/div>\n\n
\n Musicians<\/span>\n
Students and teachers from the Béziers Méditerranée Conservatory and the Greater Narbonne Conservatory<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert:$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 15:00 CET\n <\/small>\n <\/p>\n\n
\n Concert: Fili Mi Absalon – The sackbut in the spotlight\n <\/h3>\n\n \n Les Muses en Dialogue x la Cité des Arts\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Programme based on Schütz and Rosenmüller with Guillaume Olry (vocals), Franck Poitrineau, Julien Miro (sackbouts) and Marie Domitille Murez (baroque harp).\n <\/div>\n\n
\n Musicians<\/span>\n
Professors of the Early Music Department from the Cité des Arts: Guillaume Olry, Franck Poitrineau, Julien Miro and Marie Domitille Murez.<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"#23$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 20:00 CET\n <\/small>\n <\/p>\n\n
\n #23 Happy Birthday Bach! BachTanzLab\n <\/h3>\n\n \n Internationale Bachakademie Stuttgart\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n International Bach Festival Stuttgart 2026. The Bach Academy celebrates Bach\'s birthday with a new production: ‘How does Stuttgart dance Bach?’ The Europa Danzante ensemble joins forces with musicians from the Gaechinger Cantorey in an interdisciplinary programme.\n <\/div>\n\n
\n Musicians<\/span>\n
Europa Danzante ensemble<\/li>
Instrumentalists from the Gaechinger Cantorey<\/li>
Yves Ytier Stage direction, dance and general direction<\/li>
Alessandro Giaquinto, dance and choreography<\/li>
Laura Miottii, dance<\/li>
Victoria Cid, eurythmy<\/li>
Eugeniu Visan, assistant eurythmy<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bringing$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 03/03/2026 12:00 CET (03/03/2026 12:00 CET)\n <\/small>\n <\/p>\n\n
\n Bringing Pieter Van Maldere to Light. A Terra Nova Collective Initiative — Developing Classical Repertoire\n <\/h3>\n\n \n Terra Nova Collective\n <\/span>\n\n \n Belgium<\/strong>\n <\/span>\n\n \n On Early Music Day 2026, Terra Nova Collective presents a live digital focus on Pieter Van Maldere. Discover his life, context and Symphony through curated insights and listening moments, as part of our mission of developing classical repertoire.\n <\/div>\n\n
\n Musicians<\/span>\n With contributions by musicologist David Vergauwen, artistic director Vlad Weverbergh, and narrator Charlotte Bellis.\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Sacri$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 15/03/2026 10:41 CET (15/03/2026 10:41 CET)\n <\/small>\n <\/p>\n\n
\n Sacri Furori Musiche per la Passione tra Napoli e Venezia\n <\/h3>\n\n \n AREA ARTE Associazione\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n A meeting between the sacred repertoire for the Holy Week in Naples and Venice. The vocal pieces entrusted to soprano Francesco Divito and mezzo-soprano Rosa Montano are rare and emotionally rich pieces.\n <\/div>\n\n
\n Musicians<\/span>\n
LE MUSICHE DA CAMERA<\/p>
Ensemble Barocco Partenopeo with period instruments 1992/2026<\/p>
Thirty-four years of Baroque music in Naples<\/p>
Francesco DIVITO, soprano<\/li>
Rosa MONTANO, mezzo-soprano<\/li>
Egidio MASTROMINICO, violino di concerto<\/li>
Giuseppe GRIECO, baroque violin<\/li>
Vezio IORIO, viola<\/li>
Renata CATALDI, flute<\/li>
Leonardo MASSA, baroque cello<\/li>
Cristiano PENNONE, violone<\/li>
Paola VENTRELLA, theorbo<\/li>
Debora CAPITANIO, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"YORKSHIRE$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:30 GMT (21/03/2026 20:30 CET)\n <\/small>\n <\/p>\n\n
\n YORKSHIRE BACH CHOIR – BACH : ST JOHN PASSION\n <\/h3>\n\n \n Yorkshire Bach Choir, co-promoted by NCEM and YorkConcerts\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Offering a powerful depiction of Christ’s passion, the Passio Secundum Johannem may well be Bach’s most inherently dramatic setting of the story. The Yorkshire Baroque Soloists will bring this to life with vivid, colourful playing.\n <\/div>\n\n
\n Musicians<\/span>\n James Gilchrist Evangelist, Frederick Long Christus\nwith Yorkshire Baroque Soloists\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 18:24 CST (22/03/2026 11:24 CET)\n <\/small>\n <\/p>\n\n
\n The Gleam International Early Music Festival - "Echoes of Ciudad de San Salvador" \n <\/h3>\n\n \n The Gleam Ensemble\n <\/span>\n\n \n Taiwan<\/strong>\n <\/span>\n\n \n The Sound of Fort San Salvador presents this four-hundred-year history through music, allowing a vital chapter of cross-cultural exchange, long buried beneath the shipyard of Heping Island to resurface through sound.\n <\/div>\n\n
\n Musicians<\/span>\n The Gleam Ensemble x Capella de Ministrers\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 18:20 CST (21/03/2026 11:20 CET)\n <\/small>\n <\/p>\n\n
\n The Gleam International Early Music Festival "Quattrocento" The Gleam Ensemble x Capella de Ministrers\n <\/h3>\n\n \n The Gleam Ensemble\n <\/span>\n\n \n Taiwan<\/strong>\n <\/span>\n\n \n The Quattrocento is one of the most important periods in the European artistic landscape. It spans the entire 15th century and is the cradle of the Renaissance.\n <\/div>\n\n
\n Musicians<\/span>\n The Gleam Ensemble x Capella de Ministrers\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Conference:$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2026 17:00 CET\n <\/small>\n <\/p>\n\n
\n Conference: Rediscovering Boismortier, the forgotten pioneer of French Baroque music\n <\/h3>\n\n \n Les Muses en Dialogue\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n A prolific composer and pioneer of artistic life in the 18th century, Joseph Bodin de Boismortier contributed greatly to the democratisation of music. This lecture by Stéphan Perreau invites us to rediscover this creative artist.\n <\/div>\n\n
\n Musicians<\/span>\n Stéphan Perreau\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"In$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:30 CET (21/03/2026 19:30 CET)\n <\/small>\n <\/p>\n\n
\n In the Kingdom of Parthenope (Neapolitan Baroque Concertos) Concert for Early Music Day\n <\/h3>\n\n \n Ars Ramovš Institute\n <\/span>\n\n \n Slovenia<\/strong>\n <\/span>\n\n \n The programme concept was entrusted to the outstanding artist Maruša Brezavšček, who created a new Slovenian–Croatian ensemble especially for this occasion.\n <\/div>\n\n
\n Musicians<\/span>\n
Maruša Brezavšček (SI): recorder<\/li>
Laura Vadjon (HR): violin<\/li>
Helga Korbar (HR): violin<\/li>
Dagmar Korbar (HR): viola<\/li>
Kaja Kapus (SI): cello<\/li>
Egon Mihajlović (SI): harpsichord\n<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Musik$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2026 18:00 CET\n <\/small>\n <\/p>\n\n
\n Musik und Lesung "Die Musen sind weiblich"\n <\/h3>\n\n \n Kirchenmusik Pasewalk\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n This is a project with both a scientific research and artistic character. The project combines artistic practice with in-depth musicological reflection.\n <\/div>\n\n
\n Musicians<\/span>\n
Kasia Cendlak, violin<\/li>
Noemi Kusnierz-Lipert, violin<\/li>
Gertrud Ohse, cello<\/li>
Ula Stawicka, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"J.S.$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2026 17:33 CET\n <\/small>\n <\/p>\n\n
\n J.S. BACH on Euphones\n <\/h3>\n\n \n Ensemble HOPE\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Discovery of a musical instrument\n\"EUPHONE\" from the Greek \"sounds good\" \"a melodious voice\"\nInvented by Ernst Chladni in 1790, composed of a set of glass tubes rubbed with moistened fingers and whose vibrations are transmitted to metal strings.\n <\/div>\n\n
\n Musicians<\/span>\n
Frédéric Bousquet, Euphone<\/li>
Marc Antoine Millon, Bass Euphone<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\""$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 16:00 CET\n <\/small>\n <\/p>\n\n
\n " Splendeurs vénitiennes " - Gloria & Magnificat de Vivaldi\n <\/h3>\n\n \n Le Concert Spirituel\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n This concert features Vivaldi\'s Gloria & Magnificat, composed for the young orphans of the Ospedale della Pietà in Venice, very rarely performed in their original version for double female choir.\n <\/div>\n\n
\n Musicians<\/span>\n
Le Concert Spirituel, female choir and orchestra<\/li>
Hervé Niquet, musical director<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n\n
Tickets<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\""Le$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 31/03/2026 19:00 CEST\n <\/small>\n <\/p>\n\n
\n "Le jeu de Robin et Marion" - A participatory concert for the whole family, open to all audiences\n <\/h3>\n\n \n Centre International de Musiques Médiévales\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n ‘Le Jeu de Robin et Marion’ (The Game of Robin and Marion), by the troubadour Adam de la Halle in the 1280s, is a lyrical novel sometimes considered to be the first musical comedy in the history of Western music.\n <\/div>\n\n
\n Musicians<\/span>\n
Sissy Zhou: Gu Zheng (ancient Chinese zither), vocals<\/li>
Bruno Bonhoure: Musical direction, vocals, harp, psaltery<\/li>
Khaï-Dong Luong: Research, dramaturgy, scriptwriting<\/li>
Students from the CIMM school ensemble<\/li>
The Fontcarrade secondary school choir conducted by Alexandrine Venon<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Once$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 20:30 CET\n <\/small>\n <\/p>\n\n
\n Once upon a time... Holy Week\n <\/h3>\n\n \n Les Talens Lyriques\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Public masterclass and concert with commentary by Christophe Rousset, in partnership with the École Normale de Musique de Paris. The programme aims to provide a deeper understanding of the works performed, in connection with Holy Week and the Leçons de Ténèbres.\n <\/div>\n\n
\n Musicians<\/span>\n
Michèle Bréant, 1st treble<\/li>
Suzanne Jerosme, 2nd treble<\/li>
Isabelle Saint-Yves, viola da gamba<\/li>
Christophe Rousset, organ, harpsichord and conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n\n
Tickets<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"around$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 17:00 CET\n <\/small>\n <\/p>\n\n
\n around Weckmann\n <\/h3>\n\n \n Amici della Musica di Padova\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n M. Weckmann: Praeambulum I toni, Fantasia ex d, Lucidor einß hütt der schaf, O lux beata Trinitas\nA. van Noordt: Psalm 24\nH. Scheidemann: Galliarda ex d, Alleluja Laudem dicite Deo nostro\n\njointly with \"Padua Urbs Organi\"\n <\/div>\n\n
\n Musicians<\/span>\n Berben Léon, organ\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 17/03/2026 18:15 CET (17/03/2026 18:15 CET)\n <\/small>\n <\/p>\n\n
\n Concert of the Violin Class\n <\/h3>\n\n \n Schola Cantorum Basiliensis\n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n \n Hear the students of Prof. Leila Schayegh perform Leclair, Biber, Zavateri, Vivaldi, Jones and Pisendel on the baroque violin with an orchestra in this live concert at the Schola Cantorum Basiliensis.\n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Madri(é)gale$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 29/03/2026 17:00 CEST\n <\/small>\n <\/p>\n\n
\n Madri(é)gale - version orgue\n <\/h3>\n\n \n Amis de l'orgue de Saint Genis-Laval\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert for chamber choir, viola da gamba and grand organ.\nWorks by Monteverdi, Schütz, Schein, Frescobaldi, Lacorccia and the Bach family.\nMadrigals, motets, instrumental pieces and musical figures.\n <\/div>\n\n
\n Musicians<\/span>\n
Alkymia - ancient and contemporary repertoires<\/li>
Mariana Delgadillo Espinoza, artistic director<\/li>
Kazuya Gunji, organ<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Fantastica$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 17:00 CET (21/03/2026 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Fantastica for Early Music Day \n <\/h3>\n\n \n Fantastica Ensemble & ZPSM Kielce\n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n Join Fantastica Ensemble for a concert with the program from \"Biber. Sacrum/Profanum\". We will also have a conversation on why baroque music still resonates today. A concert and mini-lecture in cooperation with ZPSM Kielce for Early Music Day.\n <\/div>\n\n
\n Musicians<\/span>\n
Aleksandra Owczarek - speaker, baroque violin<\/li>
Klaudia Łoboda - speaker, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 17:39 CET\n <\/small>\n <\/p>\n\n
\n Concert: Re vesperae – Ensemble Allégories\n <\/h3>\n\n \n Les Muses en Dialogue x Ensemble Allégories\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Conductor: Stefano Bernabovi. A journey through sacred music of the 20th century and Baroque, culminating in Handel\'s Dixit Dominus.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Allégories<\/li>
Artistic direction: Stefano Bernabovi<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Visite$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 14:30 CET\n <\/small>\n <\/p>\n\n
\n Visite en musique : La Casa Xanxo fête le printemps\n <\/h3>\n\n \n Les Muses en Dialogue x Casa Xanxo \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Musical tour with students from the early music department of the CRR in Perpignan. A festive and convivial afternoon at Casa Xanxo, where the history of Perpignan meets early music.\n <\/div>\n\n
\n Musicians<\/span>\n
Sylvain Sartre, Fanette Estrade and Valérie Dulac<\/p>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concerto$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 20:30 CET (22/03/2026 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Concerto Grosso\n <\/h3>\n\n \n Conservatorio di Musica "Arrigo Boito" di Parma\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n The Early Music Department of the Conservatorio di Parma presents a 100-piece Baroque orchestra, made up of students from across Europe, performing Arcangelo Corelli’s Concerti Grossi. The orchestra is conducted by Prof. Alessandro Ciccolini.\n <\/div>\n\n
\n Musicians<\/span>\n
Alessandro Ciccolini, conductor<\/li>
Students and faculty members from participating European conservatories<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"CONCERT$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 28/03/2026 20:00 CET\n <\/small>\n <\/p>\n\n
\n CONCERT : PASSÉ ET PRÉSENT\n <\/h3>\n\n \n Conservatoire à Rayonnement Régional Pau Béarn Pyrénées\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Born in Switzerland in 1951, Conrad Steinmann studied recorder at the Schola Cantorum Basiliensis with Hans-Martin Linde and won the first Bruges International Competition in 1972. He taught in Zurich and then at the Schola Cantorum in Basel until 2019.\n <\/div>\n\n
\n Musicians<\/span>\n
Conrad Steinmann, flutes, recorders<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 08/03/2026 16:00 CET (08/03/2026 16:00 CET)\n <\/small>\n <\/p>\n\n
\n The Allegory of Desire - The Song of Songs in Western and Oriental traditions\n <\/h3>\n\n \n Begga festival\n <\/span>\n\n \n Belgium<\/strong>\n <\/span>\n\n \n Zefiro Torna blends Western and Eastern music: madrigals, choral works, and baroque pieces meet Sufi poetry and Arabic melodies for a vibrant fusion of past and present.\n <\/div>\n\n
\n Musicians<\/span>\n
Annelies Van Gramberen, soprano<\/li>
Jowan Merckx, flutes, percussion<\/li>
Liam Fennelly, viola da gamba<\/li>
Jurgen De bruyn, lute, theorbo<\/li>
Ghalia Benali, Arabic chant, compositions, dance<\/li>
Vocaal Ensemble Musa Horti<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"AYA$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 27/03/2026 20:00 CET\n <\/small>\n <\/p>\n\n
\n AYA + TOLI - topologie de la maladresse\n <\/h3>\n\n \n FRICTIONS\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Presented as part of the Printemps des Poètes festival in Avignon, this performance explores the sensitive geography of thread, linked to the experience of speaking. A vibrant solo performance in which the body creates a dialogue between baroque heritage, contemporary music and audacity.\n <\/div>\n\n
\n Musicians<\/span>\n
concept - performance: Maya KAWATAKE PINON<\/p>
sound design - electronic music composition: Joris DE SERRA<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Tickets<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Los$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2026 20:00 CET (20/03/2026 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Los Caminos de la Cruz — Music for Good Friday from Burgundy to Spain\n <\/h3>\n\n \n Cappella Pratensis\n <\/span>\n\n \n Netherlands<\/strong>\n <\/span>\n\n \n A semi-staged Good Friday programme featuring Sebastián de Vivanco\'s newly rediscovered Passio secundum Ioannem, motets by De la Rue, Gombert, Peñalosa and others.\n <\/div>\n\n
\n Musicians<\/span>\n Cappella Pratensis, dir. Tim Braithwaite — Andrew Hallock, Tim Braithwaite, Lior Leibovici, Peter de Laurentiis, Marc Busnel\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Duo$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 31/03/2026 15:00 CEST\n <\/small>\n <\/p>\n\n
\n Duo Le Jeu de Robin et Marion - représentation scolaire\n <\/h3>\n\n \n CIMM / Université de Montpellier Paul-Valéry\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Duet version of the 2026 creation by the ensemble La Camera delle Lacrime. Written by the troubadour Adam de la Halle in the 1280s, this lyrical poem is sometimes considered the first Western musical comedy.\n <\/div>\n\n
\n Musicians<\/span>\n
Bruno Bonhoure, musical direction, vocals, psaltery<\/li>
Khaï-Dong Luong, research, dramaturgy, stage writing<\/li>
Sissy Zhou, Gu Zheng (ancient Chinese zither), vocals<\/li><\/ul>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Duo$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 31/03/2026 19:00 CEST\n <\/small>\n <\/p>\n\n
\n Duo Le Jeu de Robin et Marion\n <\/h3>\n\n \n CIMM / Université de Montpellier Paul-Valéry\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert. Written in the 1280s by the troubadour Adam de la Halle, this lyrical poem is sometimes considered to be the first Western musical.\n <\/div>\n\n
\n Musicians<\/span>\n
Bruno Bonhoure, musical direction, vocals, psaltery<\/li>
Khaï-Dong Luong, research, dramaturgy, stage writing<\/li>
Sissy Zhou, Gu Zheng (ancient Chinese zither), vocals<\/li><\/ul>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Alla$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 17/03/2026 20:30 CET\n <\/small>\n <\/p>\n\n
\n Alla Madonna: Compositoras del Seicento Sacro.\n <\/h3>\n\n \n MUSACE (IV Festival de Música Sacra de Ceuta)\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n This programme traces a musical and spiritual journey around the figure of the Virgin Mary, through the female voices who composed in her name in 17th-century Italy. From cloistered convents to cultured salons, the composers\n <\/div>\n\n
\n Musicians<\/span>\n
DOLCE RIMA<\/li>
Paula Brieba, theorbo<\/li>
Julieta Viñas, soprano<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"J.S.$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:30 EDT (22/03/2026 00:30 CET)\n <\/small>\n <\/p>\n\n
\n J.S. Bach: Sonatas for viola da gamba and harpsichord\n <\/h3>\n\n \n Les Bostonades\n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n Longtime collaborators and friends Emily Walhout, viola da gamba, and Akiko Sato, harpsichord, celebrate Bach’s birthday with a concert of his three sonatas for viola da gamba and harpsichord.\n <\/div>\n\n
\n Musicians<\/span>\n
Emily Walhout, viola da gamba<\/li>
Akiko Sato, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Happy$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 18:00 EET (22/03/2026 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Happy Birthday, Bach\n <\/h3>\n\n \n National House of Music, National Philharmonic of Ukraine, Open Opera Ukraine\n <\/span>\n\n \n Ukraine<\/strong>\n <\/span>\n\n \n Motets by J.S. Bach and Maksym Berezovsky.\nConnecting European heritage with the revival of Ukrainian sacred repertoire.\nA festive concert and first glimpse of Kyiv Baroque Fest 2026, revealing its concept and programme highlights.\n <\/div>\n\n
\n Musicians<\/span>\n
Liatoshynskyi Capella: Choir<\/li>
Nataliia Khmilevska, Kostiantyn Lenchyk – conductors<\/li>
Natalia Fomenko – harpsichord, positive organ<\/li>
Ihor Tarnovetskyi – theorbo<\/li>
Tetiana Hrechanivska – cello<\/li>
Dmytro Tretiak – double bass<\/li>
B.A.CH. Baroque Amateur Choir, Open Opera Ukraine - guest performers<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Nikolaus$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 20/03/2026 14:30 CET\n <\/small>\n <\/p>\n\n
\n Nikolaus Harnoncourt's Händel – Messiah HWV 56\n <\/h3>\n\n \n Nikolaus Harnoncourt Zentrum\n <\/span>\n\n \n Austria<\/strong>\n <\/span>\n\n \n This webinar open to a large public examins Harnoncourt\'s approach towards this masterpiece, his recordings, performances and university lectures through the material we find in his archive, as well as his conducting score. In English.\n <\/div>\n\n
\n Musicians<\/span>\n Claudia Stobrawa\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Tenebrae$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 14/03/2026 20:30 CET (14/03/2026 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Tenebrae factae sunt. A musical meditation for Holy Week.\n <\/h3>\n\n \n MUSICA MIRABILIS. International Musical Festival Giovanni Legrenzi - Clusone (Bergamo)\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n The Responsorî della Settimana Santa, included in this program, are an unpublished work by the composer and organist Giovanni Salvatore (1611-1688) and are preserved in the Musical Archive of the Fathers of the Congregation Girolamini of Naples.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble ‘Nova Ars Cantandi’<\/li>
Alessandro Carmignani, soprano<\/li>
Enrico Torre, alto<\/li>
Gianluca Ferrarini, tenor<\/li>
Marcello Vargtetto, bass<\/li>
Ivana Valotti, organ<\/li>
Giovanni Acciai, conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Giovanni$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2026 20:00 CET (21/03/2026 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Giovanni Legrenzi (1626-1690): Compiete, opus VII\n <\/h3>\n\n \n MUSICA MIRABILIS. International Musical Festival Giovanni Legrenzi - Clusone (Bergamo)\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n The Compiete con le Litanie by Giovanni Legrenzi, op. VII (Venice, 1662) in first contemporary performance, are a work of dazzling beauty, in which the word is exalted in all its expressive and affective force.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble «Nova Ars Cantandi»<\/li>
Alessandro Carmignani, cantus<\/li>
Andrea Arrivabene, altus<\/li>
Alberto Allegrezza, tenor<\/li>
Gianluca Ferrarini, tenor<\/li>
Marcello Vargetto, bassus<\/li>
Ivana Valotti, organ<\/li>
Giovanni Acciai, conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Vivaldi$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 16:00 CET\n <\/small>\n <\/p>\n\n
\n Vivaldi en piste\n <\/h3>\n\n \n Orchestre Le Palais royal\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Following Mozart en piste in 2025, Le Palais Royal orchestra is creating a new family-friendly, interactive show that brings Vivaldi back to life, with an orchestra, eight singer-actors, staging, lighting and costumes.\n <\/div>\n\n
\n Musicians<\/span>\n
Emmanuel Daumas, stage director<\/li>
Jean-Philippe Sarcos, conductor<\/li>
Tanaquil Olivier, soprano<\/li>
Hermione Bernard, soprano<\/li>
Charlotte Mercier, mezzo-soprano<\/li>
Fernando Escalona, countertenor<\/li>
Blaise Rantoanina, tenor<\/li>
Clément Debieuvre, tenor<\/li>
Matthieu Toulouse, baritone<\/li>
Halidou Nombre, baritone<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Le$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 29/03/2026 18:00 CEST\n <\/small>\n <\/p>\n\n
\n Le Jeu de Robin et Marion\n <\/h3>\n\n \n Abbaye de Fontfroide / CIMM\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n The Game of Robin and Marion was written in 1280 by the troubadour Adam de la Halle and is sometimes considered the first Western musical.\n <\/div>\n\n
\n Musicians<\/span>\n
Bruno Bonhoure, musical direction, vocals, psaltery<\/li>
Khaï-Dong Luong, research, dramaturgy, stage writing<\/li>
Clémence Montagne, vocals<\/li>
Sissy Zhou, Gu Zheng (ancient Chinese zither), vocals<\/li>
Stéphanie Petibon, lute, group vocals<\/li>
Ronaldo Lopes, theorbo, group vocals<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"A$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2026 11:00 CET (21/03/2026 11:00 CET)\n <\/small>\n <\/p>\n\n
\n A Rare Fruits Matinée\n <\/h3>\n\n \n Institut for Early Music, mdw\n <\/span>\n\n \n Austria<\/strong>\n <\/span>\n\n \n This year, the Early Music Department at mdw presents rare gems: solo salterio works from 18th-century Italy (Sammartini, Perotti), Stuck’s French cantata Héraclite & Démocrite, and music by Draghi ahead of the 2026 Vienna symposium.\n <\/div>\n\n
\n Musicians<\/span>\n
Vasilisa Vaskova, Soprano<\/li>
Daniel Sauer, Baritone<\/li>
Anna Pederielli, Violin<\/li>
Flora List, Violin<\/li>
Rose Chaffey, Violoncello<\/li>
Dohyeon Lee, Cembalo<\/li>
Xaver Eckert, Salterio<\/li>
Eugène Michelangeli, Cembalo<\/li>
Johannes Weiss, Organiser<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"CONFERENCE$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 28/03/2026 16:30 CET\n <\/small>\n <\/p>\n\n
\n CONFERENCE ON THE RECORDER BY ETIENNE HOLMBLAT\n <\/h3>\n\n \n Conservatoire à Rayonnement Régional Pau Béarn Pyrénées\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Etienne Holmblat is a recorder maker based in Bosdarros. He is one of a very small group of French makers of period instruments. He made his first recorder in 1985.\n <\/div>\n\n
\n Musicians<\/span>\n
Etienne Holmblat<\/p>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach's$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2026 10:00 CET\n <\/small>\n <\/p>\n\n
\n Bach's Johannespassion BWV 245 by Nikolaus Harnoncourt\n <\/h3>\n\n \n Nikolaus Harnoncourt Zentrum\n <\/span>\n\n \n Austria<\/strong>\n <\/span>\n\n \n Happy Birthday Johann Sebastian! Bach‘s Johannespassion / St. John’s Passion BWV245 was one of the milestones in Nikolaus Harnoncourt\'s work – pioneer of the early music movement.\n <\/div>\n\n
\n Musicians<\/span>\n Nikolaus Harnoncourt, Concentus Musicus Wien\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Public$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2026 19:00 CET\n <\/small>\n <\/p>\n\n
\n Public rehearsal\n <\/h3>\n\n \n Assoc Ars Musica - Ensemble Arianna - Les Muses en Dialogue\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Ars Vocalis (the vocal art division of the Arianna Ensemble) is rehearsing its tribute programme to Joël Pons, the ensemble\'s long-standing cellist who tragically passed away in May 2025. The concert will take place on 17 May 2026 in Montpellier.\n <\/div>\n\n
\n Musicians<\/span>\n
Marie-Paule Nounou: musical and educational director<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 01/03/2026 18:28 CST (01/03/2026 11:28 CET)\n <\/small>\n <\/p>\n\n
\n The Gleam International Early Music Festival — España 400\n <\/h3>\n\n \n The Gleam Ensemble\n <\/span>\n\n \n Taiwan<\/strong>\n <\/span>\n\n \n Rather than reconstructing history solely from documents, this programme approaches the past through its soundscape, questioning what daily life might have been like for the people who lived, worked, traded, celebrated and mourned their dead on this island.\n <\/div>\n\n
\n Musicians<\/span>\n Ya Nong Huang\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2026 18:16 CST (18/03/2026 11:16 CET)\n <\/small>\n <\/p>\n\n
\n The Gleam International Early Music Festival - “La Spagna” x Capella de Ministrers \n <\/h3>\n\n \n The Gleam Ensemble\n <\/span>\n\n \n Taiwan<\/strong>\n <\/span>\n\n \n In the mid-fifteenth century, Portugal was the first European power to break through the perceived limits of the known world. The immense wealth generated by maritime exploration soon prompted other European nations to shift their focus from overland commerce.\n <\/div>\n\n
\n Musicians<\/span>\n Capella de Ministrers \n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Thelma$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 01/04/2026 19:00 BST (01/04/2026 20:00 CEST)\n <\/small>\n <\/p>\n\n
\n Thelma Handy and the Liverpool String Academy\n <\/h3>\n\n \n Early Music As Education (EMAE)\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n Early Music as Education\'s (EMAE) Liverpool String Academy joins forces with Thelma Handy, leader of the Royal Liverpool Philharmonic Orchestra, for an exquisite performance of music from leading Baroque composers.\n <\/div>\n\n
\n Musicians<\/span>\n
Thelma Handy, leader of the Royal Liverpool Philharmonic Orchestra, soloist<\/li>
Early Music as Education\'s (EMAE) Liverpool String Academy, Orchestra<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach's$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 20:00 CET\n <\/small>\n <\/p>\n\n
\n Bach's St John Passion\n <\/h3>\n\n \n LES PASSIONS - Orchestre Baroque de Montauban\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n St John Passion by Johann Sebastian Bach\n20th anniversary concert of La Maîtrise de Toulouse, Toulouse Conservatoire (Mark Opstad)\nLes Passions (Jean-Marc Andrieu)\n <\/div>\n\n
\n Musicians<\/span>\n
Cyrille Dubois, Evangelist, tenor<\/li>
Pierre Yves Cras, Jesus, bass<\/li>
Marius Vidal, Pilate<\/li>
Lisa Auriol Chaïb, soprano<\/li>
Lucile Rentz, alto<\/li>
Jean-Christophe Lanièce, bass<\/li>
Mark Opstad, conductor<\/li>
Les Passions Orchestra (Jean-Marc Andrieu)<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"early$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 15:00 WET (21/03/2026 16:00 CET)\n <\/small>\n <\/p>\n\n
\n early music day!\n <\/h3>\n\n \n Museu Nacional da Música\n <\/span>\n\n \n Portugal<\/strong>\n <\/span>\n\n \n The National Museum of Music joins the celebrations with a new opportunity to hear the Antunes Harpsichord from 1789, classified as a National Treasure. The program features three of Portugal\'s most acclaimed musicians specializing in Baroque music.\n <\/div>\n\n
\n Musicians<\/span>\n
António Carrilho, recorder<\/li>
Catherine Strynckx, baroque cello<\/li>
Cândida Matos, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Chat$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 18:30 CET (21/03/2026 18:30 CET)\n <\/small>\n <\/p>\n\n
\n Chat with Harmonia Adriatica\n <\/h3>\n\n \n Ars Ramovš Institute\n <\/span>\n\n \n Slovenia<\/strong>\n <\/span>\n\n \n Pre-concert artist talk introducing the programme, instruments and historically informed performance practice, with discussion between performers and audience.\n <\/div>\n\n
\n Musicians<\/span>\n
Maruša Brezavšček, recorder<\/li>
Laura Vadjon, violin<\/li>
Helga Korbar, violin<\/li>
Dagmar Korbar, viola<\/li>
Kaja Kapus, cello<\/li>
Egon Mihajlović, harpsichord\n<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Lancement$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 20/03/2026 11:00 CET\n <\/small>\n <\/p>\n\n
\n Lancement Saison 3 du Karaoké Médiéval - Circum Cantum\n <\/h3>\n\n \n La Camera delle Lacrime\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n The micro-learning web series on the Middle Ages, Circum Cantum & Medieval Karaoke, will release its third season in 2026! Learn medieval songs and (re)discover this era through song...\n <\/div>\n\n
\n Musicians<\/span>\n
With the musicians of La Camera delle Lacrime<\/p>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"STABAT$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 16:00 CET\n <\/small>\n <\/p>\n\n
\n STABAT MATER\n <\/h3>\n\n \n La Risonanza and Parola e musica nel tempo di Quaresima 2026\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Through Boccherini’s Stabat Mater, performed in one of the most beautiful churches of Milan, this concert makes us experience how the sense of tragic can be attained even with lightness and elegance of language and style\n <\/div>\n\n
\n Musicians<\/span>\n
Francesca Lombardi Mazzulli - soprano<\/li>
LA RISONANZA<\/li>
Ryo Terakado, Joanna Dobrowolska - violins<\/li>
Ayako Matsunaga - alto<\/li>
Caterina Dell\'Agnello, Agnieszka Oszanca - cello<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 18/03/2026 14:00 CET\n <\/small>\n <\/p>\n\n
\n The sackbut, a musical passport through the ages\n <\/h3>\n\n \n Les Muses en Dialogue x Julien Miro\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Discovering the ancestor of the trombone: history, how it works, trying out the instrument and a mini-concert. Julien Miro, professor at the Cité des Arts, highlights the links between the modern trombone and the sackbut.\n <\/div>\n\n
\n Musicians<\/span>\n
Julien Miro<\/p>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Workshop$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2026 18:30 CET\n <\/small>\n <\/p>\n\n
\n Workshop tours: guided tour of a workshop certified as Entreprise du Patrimoine Vivant\n <\/h3>\n\n \n Les Muses en Dialogue x Martine Argellies\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Martine Argellies, a harpsichord maker since 1981, is one of the few French specialists in this instrument.\n <\/div>\n\n
\n Musicians<\/span>\n
Martine Argellies<\/p>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2026 12:30 CET\n <\/small>\n <\/p>\n\n
\n The Chamber Room - Early Music Day Edition\n <\/h3>\n\n \n Be Ancient Be Cool\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n A live-streamed concert is organised, featuring various musicians and ensembles from the Veneto region, with the aim of promoting the dissemination of early music performance practices.\n <\/div>\n\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Avant-première$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 18:00 CET\n <\/small>\n <\/p>\n\n
\n Avant-première création 2026 : "La Bohême"\n <\/h3>\n\n \n Schola de la Sainte-Chapelle / Centre de musique médiévale de Paris\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n From Guillaume de Machaut to Josquin des Prés, a journey through the sacred music of 14th- and 15th-century manuscripts from Prague and Bohemia: canciones sacrae, motets... Preview concert of the premiere in Paris (26 March)\n <\/div>\n\n
\n Musicians<\/span>\n
The Schola of Sainte-Chapelle, 15 singers, conducted by Brigitte Lesne<\/p>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Per$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 15:30 EET (21/03/2026 14:30 CET)\n <\/small>\n <\/p>\n\n
\n Per cantar e sonar: music from early 16th century Italy\n <\/h3>\n\n \n Efthalia Lazaridou\n <\/span>\n\n \n Greece<\/strong>\n <\/span>\n\n \n You\'ll hear music from the first printed books for a solo instrument (the lute) and for solo song with instrumental accompaniment. The programme also includes music from various 16th century manuscripts and derives from my final uni thesis project.\n <\/div>\n\n
\n Musicians<\/span>\n
Efthalia Lazaridou, renaissance lute<\/li>
Dimitra Pilaftsi, voice<\/li>
Theodoros Kitsos, renaissance lute<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Workshop$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2026 18:00 CET (20/03/2026 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Workshop on Bach's St Matthew Passion\n <\/h3>\n\n \n Festival Encuentro Silva de Sirenas (FESS Madrid)\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n We will approach Bach\'s music through a guided listening session of his St Matthew Passion. We will learn about the context, describe the main elements, analyse the most notable moments and delve deeper into this monumental work.\n <\/div>\n\n
\n Musicians<\/span>\n
Workshop given by Rodrigo Guerrero<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"𝐂𝐄𝐍𝐓𝐑𝐎$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 20:30 CET (21/03/2026 20:30 CET)\n <\/small>\n <\/p>\n\n
\n 𝐂𝐄𝐍𝐓𝐑𝐎 𝐄 𝐏𝐄𝐑𝐈𝐅𝐄𝐑𝐈𝐀 𝐃𝐄𝐋𝐋’𝐀𝐑𝐓𝐄 𝐍𝐄𝐋 𝐑𝐈𝐍𝐀𝐒𝐂𝐈𝐌𝐄𝐍𝐓𝐎 𝐌𝐄𝐑𝐈𝐃𝐈𝐎𝐍𝐀𝐋𝐄\n <\/h3>\n\n \n Michela Appio\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Art in the Southern Renaissance and M.A. Mazzone, madrigalist from Basilicata: ‘The first book of songs for four voices’\nconference and concert\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Le vaghe Ninfe<\/li>
Dr.Carlo Corsato National Gallery Londra<\/li><\/ul>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Lighten$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 27/03/2026 19:30 CET\n <\/small>\n <\/p>\n\n
\n Lighten mine eies\n <\/h3>\n\n \n FESTIVAL BAS BILBAO\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n This concert embarks on a journey into the English 17th century. Inventive harp consorts and intimate psalms composed by William Lawes reveal a bold, expressive voice. A rare encounter with music of striking beauty and emotional depth\n <\/div>\n\n
\n Musicians<\/span>\n
Amélie Raison, soprano\n<\/li>
Fiona McGown, mezzo soprano\n<\/li>
Cyril Costanzo, bass\n<\/li>
Loris Barrucand, organ/harpsichord\n<\/li>
Manon Papasergio, harp\n<\/li>
Fiona-Émilie Poupard, violin/viola da gamba\n<\/li>
Simon Waddell, theorbo\n<\/li>
Robin Pharo, viola da gamba<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Harmonia$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 12:03 CET\n <\/small>\n <\/p>\n\n
\n Harmonia artificiosa\n <\/h3>\n\n \n Printemps des Arts de Monaco\n <\/span>\n\n \n Monaco<\/strong>\n <\/span>\n\n \n The Ensemble Artifices offers a personal and colourful programme of sonatas from two of Biber\'s iconic collections, showcasing the influence of improvisation, dance and the harmonic power that characterises this music.\n <\/div>\n\n
\n Musicians<\/span>\n
Julien-Laferrière Alice<\/li>
Deguchi Minori<\/li>
Carnus Maguelonne<\/li>
Valfré Mathieu<\/li>
Dovador Carlés<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Don$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 16:00 CET (21/03/2026 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Don Quichotte auf der Hochzeit des Comacho\n <\/h3>\n\n \n 27. Magdeburger Telemann-Festtage\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Telemann\'s timeless one-act opera about the unexpected participation of the tragicomic couple Don Quixote and Sancho Panza in a rural wedding setting proves exemplarily that true comedy unfolds in the details and in their high-quality execution.\n <\/div>\n\n
\n Musicians<\/span>\n
Boston Early Music Festival Vocal Ensemble, Dance Company & Chamber Ensemble\n<\/li>
Paul O’Dette & Stephen Stubbs, artistic direction\n<\/li>
Gilbert Blin, production\n<\/li>
Marie-Nathalie Lacoursière, choreography\n<\/li>
Gwen van den Eijnde, costumes\n<\/li>
Kelly Martin, light design\n<\/li>
Christian Immler, Don Quichotte\n<\/li>
Jason McStoots, Sancho Pansa\n<\/li>
Emily Siar, Quiteria\n<\/li>
Michael Galvin, Comacho\n<\/li>
Daniel Moody, Basilio\n<\/li>
Richard Pittsinger, Grisóstomo\n<\/li>
Jason Rober, Pedrillo<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Giovanni$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2026 21:00 CET (20/03/2026 21:00 CET)\n <\/small>\n <\/p>\n\n
\n Giovanni Legrenzi - Vespro della Beata Vergine\n <\/h3>\n\n \n GhislieriMusica\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Reconstruction of a Marian Vesper by Legrenzi, in the 400th anniversary of his birth. Psalms from “Salmi a Cinque, tre voci e due violini op. V (1657)” and antiphons from “Compiete con le lettanie & Antifone della B. V. a 5 voci op. VII (1662)\".\n <\/div>\n\n
\n Musicians<\/span>\n
Coro Universitario Ghislieri\nSoloists and Baroque Orchestra of the Civica Scuola di Musica\"Claudio Abbado\" <\/li>
Milano\nLuca Colombo, conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Early$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2026 16:00 CET\n <\/small>\n <\/p>\n\n
\n Early Music Tea Time\n <\/h3>\n\n \n Barock Vokal Akademie\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Let\'s chat about the importance of text in Baroque vocal music. How can we have fun with it and entertain the audiences? An introduction to certain basic skills. Ask and discuss with us!\n <\/div>\n\n
\n Musicians<\/span>\n
Prof. Elisabeth Scholl, musical director of BVA.\n<\/li>
Open to all singers and Baroque music lovers - German and English speaking.<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 15:00 CET\n <\/small>\n <\/p>\n\n
\n The Great Equinox Festival | Musical show\n <\/h3>\n\n \n Harmonia Sacra\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n A poetic celebration of spring, the Great Equinox Festival is a call to embrace space, celebration, dance, and the joy of being together: to sing about life. This concert is presented by cellist Paul Poupinet (CRR de Paris).\n <\/div>\n\n
\n Musicians<\/span>\n
DMA from the CRR in Paris<\/li>
Bastien Mahieu: Text and narrator<\/li>
Marie Escadafals: Vocals and narrator<\/li>
Anna Oustinov: Flute<\/li>
Clément Brély: English horn<\/li>
Manon Letort: Bass clarinet<\/li>
Corentin Le Gall: Bagpipes<\/li>
Niccolò Bellandi: Percussion<\/li>
Colin Heller: Treble violin<\/li>
Galel Sanchez: Countertenor violin<\/li>
Louise Béguin-Pasquier: Viola<\/li>
Paul Poupinet: Bass violin and coordination<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Alla$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 20:30 CET (21/03/2026 20:30 CET)\n <\/small>\n <\/p>\n\n
\n Alla soglia del silenzio\n <\/h3>\n\n \n Coro da Camera del Concentus Musicus Patavinus \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n A concert dedicated to the sacred tradition of the Bach family, in which music becomes a true “sound rhetoric” capable of transforming the biblical text into an emotional and spiritual experience.\n <\/div>\n\n
\n Musicians<\/span>\n
Giovanna Baldissin Molli<\/li>
Camilla Scappatura, soprano<\/li>
Concentus Musicus Patavinus Chamber Choir<\/li>
Roberto Loreggian, organ<\/li>
Ignacio Vazzoler, conductor<\/li><\/ul>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Alla$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 20:30 CET\n <\/small>\n <\/p>\n\n
\n Alla Luce\n <\/h3>\n\n \n WUNDERKAMMER trieste\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n A glimpse on the luminous Early Baroque repertoire for voices and Basso Continuo: Kapsberger, Monteverdi, Frescobaldi, Rossi performed by the best students of Department of Early Music of Conservatorio Pedrollo of Vicenza\n <\/div>\n\n
\n Musicians<\/span>\n
Marcello Mazzetti and Luigi Tinto, voice <\/li>
Nikita Poretti & Livio Ticli, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Ausgezeichnet$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 11:45 CET (21/03/2026 11:45 CET)\n <\/small>\n <\/p>\n\n
\n Ausgezeichnet 2\n <\/h3>\n\n \n 27. Magdeburger Telemann-Festtage\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Works from Essercizii Musici by Georg Philipp Telemann and from VI. Sonate à Violino e Viola da Gamba by Philipp Heinrich Erlebach, performed by the prize winners of the 13th International Telemann-Competition 2025.\n <\/div>\n\n
\n Musicians<\/span>\n
Anna Maddalena Ghielmi, Violin\n<\/li>
Thomas Fields, Viola da gamba\n<\/li>
Azzurra Raneri, Violoncello\n<\/li>
Johannes Festerling, Theorbo\n<\/li>
Tung-Han Hu, Cembalo<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Lunch-Konzert:$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 14:00 CET (21/03/2026 14:00 CET)\n <\/small>\n <\/p>\n\n
\n Lunch-Konzert: Cohaere Ensemble\n <\/h3>\n\n \n 27. Magdeburger Telemann-Festtage\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n This concert invites you to enjoy a special musical dialogue between two Baroque composers: the ensemble contrasts the refined elegance of French composer Pierre Gaultier de Marseille with the lively brilliance of Italian composer Carlo Tessarini.\n <\/div>\n\n
\n Musicians<\/span>\n
Marta Gawlas, flute<\/li>
Monika Hartmann, cello<\/li>
Natalia Olczak, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"REFLETS$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2026 16:30 CET\n <\/small>\n <\/p>\n\n
\n REFLETS - Génération France Music - Le live \n <\/h3>\n\n \n France Musique\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n On March 21, 2026, José Sanchez and Alberto Garcia will present their new album Reflets at the France Musique Generation Live event. Don\'t miss this unique concert, from the comfort of your home!\n <\/div>\n\n
\n Musicians<\/span>\n
José Sanchez <\/li>
\nAlberto Garcia <\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Balade(s)$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2026 12:30 CET\n <\/small>\n <\/p>\n\n
\n Balade(s) en duo\n <\/h3>\n\n \n CSE Airbus \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n During your lunch break, come and discover Balade(s) en duo with Grégory Daltin on accordion and François Pascal on clarinet !\n <\/div>\n\n
\n Musicians<\/span>\n
François Pascal\n<\/li>
Grégory Daltin<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"La$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 11:00 CET\n <\/small>\n <\/p>\n\n
\n La Primavera di Bach: Buon Compleanno Bach - XI Edizione \n <\/h3>\n\n \n Associazione Culturale Mousikè - Il Teatro Armonico APS \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Soli Deo Gloria! The Organ Music of J.S. Bach in Festive Liturgies.\n\n <\/div>\n\n
\n Musicians<\/span>\n
Annamaria Binato - organ<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"La$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 11:00 CET\n <\/small>\n <\/p>\n\n
\n La Primavera di Bach: Buon Compleanno Bach - XI Edizione \n <\/h3>\n\n \n Associazione Culturale Mousikè - Il Teatro Armonico APS \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n Soli Deo Gloria! L\'arte organistica di J.S.Bach nelle liturgie festive\n <\/div>\n\n
\n Musicians<\/span>\n
Maria Vittoria Baggio - organ<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Album$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 27/02/2026 18:09 CET\n <\/small>\n <\/p>\n\n
\n Album Release: Visions du Diable\n <\/h3>\n\n \n Johanna Rose // Rubicon Classics\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n
\n In this album, Johanna Rose continues her exploration of the repertory by two towering figures of the instrument: Marin Marais and Antoine Forqueray. As Hubert Le Blanc famously observed, “Marais played like an angel, Forqueray like the devil.”\n <\/div>\n\n
\n Musicians<\/span>\n
Johanna Rose, viola da gamba<\/li>
Javier Núñez, harpsichord <\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"La$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 10/03/2026 18:00 CET\n <\/small>\n <\/p>\n\n
\n La Primavera di Bach: Tra arte e fede: la Johannes Passion nel Tempo di Quaresima\n <\/h3>\n\n \n Associazione Culturale Mousikè - Il Teatro Armonico\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n A Guide to Listening to the St John Passion, BWV 245\n <\/div>\n\n
\n Musicians<\/span>\n
Monsignor Francesco Gasparini, Director of the Diocesan Museum<\/li>
Margherita Dalla Vecchia, Artistic Director<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"La$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 13/03/2026 17:00 CET\n <\/small>\n <\/p>\n\n
\n La Primavera di Bach: Dentro la Johannes-Passion di J.S.Bach\n <\/h3>\n\n \n Associazione Culturale Mousikè - Il Teatro Armonico APS \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n Listening Comprehension of the piece.\n <\/div>\n\n
\n Musicians<\/span>\n
Margherita Dalla Vecchia, Artistic Director<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"La$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 11:00 CET\n <\/small>\n <\/p>\n\n
\n La Primavera di Bach: Buon Compleanno Bach - XI Edizione \n <\/h3>\n\n \n Associazione Culturale Mousikè - Il Teatro Armonico APS\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n A concert given by students from two schools.\n <\/div>\n\n
\n Musicians<\/span>\n
The ‘Giorgione’ Music High School Ensemble from Castelfranco Veneto <\/li>
‘G.G. Trissino’ Music Department of Comprehensive School No. 8 in Vicenza<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"La$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 10:00 CET\n <\/small>\n <\/p>\n\n
\n La Primavera di Bach: Buon Compleanno Bach - XI Edizione \n <\/h3>\n\n \n Associazione Culturale Mousikè - Il Teatro Armonico APS\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n Organ Recital, performed on the G.B. De Lorenzi organ\n <\/div>\n\n
\n Musicians<\/span>\n
Studenti del Conservatorio \"E.F. Dall\'Abaco\" Verona<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"14°$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 18:00 CET (21/03/2026 18:00 CET)\n <\/small>\n <\/p>\n\n
\n 14° Giornata europea della Musica Antica - 14th European Early Music Day\n <\/h3>\n\n \n Conservatorio statale di musica "G. Rossini" - Pesaro\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n Prize Winners’ Concert of the International Harpsichord Competition G. Gambi\nConservatorio statale di musica \"G. Rossini\" - Pesaro - Italy\nOn March 21, 2026, the Rossini Conservatory celebrates European Early Music Day \n <\/div>\n\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Simpozij$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2026 15:00 CET\n <\/small>\n <\/p>\n\n
\n Simpozij Celeia\n <\/h3>\n\n \n Ars Ramovš Institute\n <\/span>\n\n \n Slovenia<\/strong>\n <\/span>\n\n
\n Professional symposium exploring artistic, cultural and societal perspectives of early music through dialogue between performers, scholars and cultural organisers.\nJoin online through this link: https://us04web.zoom.us/j/76869537235\n <\/div>\n\n
\n Musicians<\/span>\n
Moderation by Veronika Brvar, Head of Programme at the Ljubljana Festival, President of Glasbena matica Ljubljana, Director of Vera Cultura<\/div>

<\/div>
Speakers:<\/div>
Prof. Lovro Sodja, music educator and writer<\/li>
Susanna Bucher, Vice-President of REMA and Head of Orchestras Theresia & EUBO at Fondazione ICONS<\/li>
Dr. Zoltán Csaba Thuróczy, director of the Liszt Institute – Hungarian Cultural Center in Ljubljana<\/li>
Maja Voglar, MSc, Director of the Institute for Cultural Events and Tourism Celeia Celje<\/li>
Zvone Žagar, Founder and director of EZŽ komunikacijski izdelki d.o.o., Rotary Club Ljubljana-Center, Project Leader of the Young Talents Project<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Baroque$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 16/03/2026 18:30 CET\n <\/small>\n <\/p>\n\n
\n Baroque Music Concert\n <\/h3>\n\n \n Conservatorio di Musica "N. Piccinni" - Bari\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n The Early Music Department of the \"N. Piccinni\" Conservatory of Music in Bari is participating in European Early Music Day 2026, with a concert dedicated to the Baroque repertoire.\n <\/div>\n\n
\n Musicians<\/span>\n
Prisca Comploi, with the recorder class (Fernando Cariello, Marie Nezdarilova, Michele Tricarico)\n<\/li>
Boris Begelman, with the baroque violin class (Pietro Catucci, Gioacchino Visaggi)\n<\/li>
Diego Cantalupi, with the lute class (Alessia Posa, Lorenzo Sabene – lute, archlute and theorbo)\n<\/li>
Davide Pozzi, with the historical keyboard class (Benedetto Boccuzzi, Gabriele Del Mastro, Isabella Fortunato – harpsichord and organ)\n<\/li>
Silvano Colasante, viola da gamba (class of Sofia Ruffino)<\/li><\/ul>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"LA$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 20:00 CET (21/03/2026 20:00 CET)\n <\/small>\n <\/p>\n\n
\n LA LIRA DEL CIELO. Resurrección de una voz dormida\n <\/h3>\n\n \n Catedral de Toledo 800 Anniversary \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n
\n Sacred concert with double-choir music and orchestra from Holy Week in Toledo (1764), featuring works by Juan Rossell. Performed by Nereydas under Ulises Illán, including the revival of the historic lira celi, a rare bowed-string keyboard instrument.\n <\/div>\n\n
\n Musicians<\/span>\n
Nereydas\nUlises Illán, conductor\n<\/li>
\nSergio Suárez, concertino\n<\/li>
Elvira Martínez, violín I\n<\/li>
María Hernández, violín I\n<\/li>
Clara de Benito, violín I\n<\/li>
Lidia Fernández, violín II\n<\/li>
Sònia Benavent, violín II\n<\/li>
Irene Martínez, violín II\n<\/li>
Manuel Muñoz, violín II\n<\/li>
Candela Gómez, violonchelo\n<\/li>
Blanca Martín, violonchelo\n<\/li>
Javier Utrabo, contrabajo\n<\/li>
Antonio Campillo, traverso I\n<\/li>
Laura Quesada, traverso II\n<\/li>
David Palanca, clave\n<\/li>
Juan José Montero, lira del cielo (lira celi)\n<\/li>
\nEvelyn Johnson Zamudio, soprano\n<\/li>
Alexandra Tarniceru, soprano\n<\/li>
Sandra Redondo, soprano\n<\/li>
Laura Pulido, soprano\n<\/li>
Jorge Enrique García, alto\n<\/li>
Bruno Campelo, alto\n<\/li>
Pablo León Sainz de Robles, alto\n<\/li>
Luken Munguira, tenor\n<\/li>
Íñigo Casalí, tenor\n<\/li>
Álvaro Soto, tenor\n<\/li>
Jesús Mª García Aréjula, bajo\n<\/li>
Kevin Adeva, bajo.
<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 }); b29pa/img_5995-copie-copie.jpeg" />

Concert Alla francesca : "Vray dieu d'amours…" On-site
Les Samedis Musicaux de Chartres France
Musée des Beaux Arts de Chartres, Musée des Beaux-Arts, 29 cloître Notre-Dame, 28000 Chartres
Chansons et polyphonies du XVe siècle signées Binchois, Dufay, Ockeghem, Dunstable…

Musicians
Alla Francesca Ensemble
Maud Haering: vocals
Mathias Lunghi: vocals
Camile Macinenti: vocals
Nolwenn Le Guern: bowed fiddle, rebec
Brigitte Lesne: direction and concept, Gothic harp

Website

21/01/2026 14:00 CET (21/01/2026 14:00 CET)

Historical dance afternoon On-site
Stiftung Händel-Haus Germany
Händel-Haus, Große Nikolaistraße 5 , 06108 Halle (Saale)
Experience early Baroque street dances from England and French branles, with elegant figures, rousing melodies, and convivial dancing which already delighted people in the days of Shakespeare and Queen Elizabeth I.

Musicians
Mark Frenzel, dance teacher
Hagen Jahn, museum educator

Website

Instagram

Facebook

21/03/2026 20:00 CET

Bach's St John Passion On-site
LES PASSIONS - Orchestre Baroque de Montauban France
Auditorium St-Pierre des Cuisines, 12 place Saint-Pierre, 31000 TOULOUSE
Considered ‘one of Bach's most profound and perfect works’, it offers a poetic, musical and religious interpretation of a fundamental episode from the Gospels, the Passion of Christ.

Musicians
The Toulouse Choir Toulouse Conservatory (Mark Opstad)
Les Passions (Jean-Marc Andrieu)
Cyrille Dubois, Evangelist, tenor
Pierre Yves Cras, Jesus, bass
Marius Vidal, Pilate, tenor
Lisa Auriol Chaïb, soprano
Lucile Rentz, alto
Jean-Christophe Lanièce, bass

Tickets

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21/01/2026 15:00 CET

Early Music Day Copenhagen 2026 Online and On-site
Copenhagen Renaissance Music Festival Sweden
KoncertKirken, Blågårds Plads 6A, 2200 Copenhagen
Welcome to another harpsichord marathon!

Musicians
Gilbert Martinez (US/DK)
Alina Rotaru (RO)
Yngvild Haalund Ruud (NO/DK)
Babett Hartmann (DE/DK)

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20/03/2026 20:30 CET

Do as you please - A thousand years of song On-site
Ensemble Obsidienne France
Salle de la Poterne, 21 Bd du 14 Juillet, 89100 SENS
To celebrate the return of spring, at the opening of LA REVERDIE, which Obsidienne has been offering since 2019, the ensemble takes up residence in the medieval setting of La Poterne, takes Rabelais' maxim to heart and travels through 1,000 years of songs.

Musicians
Emilie Boudeville
Florence Jacquemart
Hélène Moreau
Camille Bonnardot
Colin Bonnardot
Emmanuel Bonnardot
Ludovic Montet
Pierre Tessier

Website

21/03/2026 16:00 EET (21/03/2026 15:00 CET)

Vanamuusika päeva kontsert - Early Music Day's concert On-site
Tallinn College of Music and Ballet – MUBA Estonia
Big Chamber Hall of MUBA, Pärnu mnt. 59, Tallinn
We are celebrating International Early Music Day with a concert by MUBA Early Music and Singing students. The program includes Telemann, Dowland, Vivaldi, Purcell, Monteverdi and Frescobaldi.

21/03/2026 19:30 CET

La Jam Renaissance (et Baroque et Moyen-Âge) On-site
La Jam Renaissance France
80 Boulevard Richard Lenoir, 75011 Paris
Monthly jam session featuring early music in a Parisian bistro, with a festive atmosphere. Concert/open stage at 8 p.m., jam session at 9 p.m. – open to all ears, voices and instruments, early or otherwise. Tous les diapasons sont bienvenus.

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21/03/2026 10:00 CET

Festa della Musica Antica: Vigevano, Accade anche qui On-site
Diapason Consortium Italy
Auditorium San Dionigi, https://maps.app.goo.gl/NHEJhWVawKpsJbUa9, 27029 Vigevano (PV - ITA)
A marathon of concerts celebrating Early Music at Auditorium San Dionigi, a 17th century church suspended from worship and now temple of Music in Vigevano, just a few meters from Piazza Ducale, from 10am until midnight

Musicians
By the artistic production collective Bottega dei Suoni

Instagram

21/03/2026 18:00 CET

Ārt House Social On-site
Georg Kroneis Austria
Absteige zur Bärtigen Therese • Trahütten, Alexander-Kortschak-Weg 6, 8530 Trahütten
ĀRT HOUSE is bringing Bach's music to the beautiful mountain village of Trahütten in Styria. To mark the occasion, we will be playing at 440Hz and will also be performing the melodrama ‘Der wunderbare Tivoli’ by Flora Marlene Geißelbrecht.

Musicians
Thomas Höft, author and narrator 
Michael Hell, harpsichord and recorder 
Georg Kroneis, viola da gamba

Website

21/03/2026 16:30 CET

Vray dieu d'amours… Ensemble Alla francesca On-site
Les Samedis Musicaux de Chartres France
Musée des beaux-Arts de Chartres, Musée des Beaux-Arts 29 cloître Notre-Dame, 28000 Chartres
Concert de chansons polyphoniques du 15e siècle : Binchois, Dufay, Ockeghem, Dunstable… Ensemble Alla francesca Deuxième concert à 18h30

Musicians
Maud Haering, vocals
Mathias Lunghi, vocals
Camile Macinenti, vocals
Nolwenn Le Guern, bowed fiddle, rebec
Brigitte Lesne, direction and design, Gothic harp

Website

09/04/2025 16:00 CEST

French & Italian Lute Music from the Baroque Era Online
Escola d'Adults Pau Casals de Rubí Spain
Escola Municipal de Música Pere Burés, Joaquim Blume, 28, 08191 Rubí
First concert ever with a 14-course lute with works by pretty unknown baroque composers for the lute such as Louys de Moy & Giovanni Zamboni.

Musicians
Joaquim Bogunyà, 14-course lute.

Youtube

Website

21/03/2026 13:00 CET (21/03/2026 13:00 CET)

Guided tour of the history of architecture On-site
Stiftung Händel-Haus Germany
Händel-Haus, Große Nikolaistraße 5, 06108 Halle (Saale)
Karl Altenburg sheds some light on the history of the Handel House's construction and accompanies visitors to the vaulted cellar and the impressive panelled parlour.

Musicians
Karl Altenburg, Museum historian

Website

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20/03/2026 11:36 CET

Generation 1685 - Bach | Scarlatti On-site
Mars en Baroque France
Church Notre-Dame du Mont, Église Notre-Dame du Mont 1 rue de Lodi , 13006 Marseille
Both born in 1685, Johann Sebastian Bach and Domenico Scarlatti, steeped in the knowledge of the past, were driven by a deep desire for modernity.

Musicians
Jacques Moderne Ensemble
Joël Suhubiette - Conductor
Axelle Bernage, Cécile Dibon-Lafarge Cyprile Meier and Julia Wischniewski, sopranos
Margot Mellouli, mezzo-soprano
Gabriel Jublin, countertenor
Marc Manodritta, Marco Van Baaren, tenors
Didier Chevalier, Cyrille Gautreau, basses
Rémi Cassaigne, theorbo
Marine Rodallec, cello
Emmanuel Mandrin, organ

Website

17/03/2026 13:10 GMT (17/03/2026 14:10 CET)

Organ recital. Correa de Arauxa: “Libro de tientos... Facultad organica” (1626) On-site
Andrew Benson-Wilson United Kingdom
The Grosvenor Chapel, South Audley Street, Mayfair, W1K 2PA London
This Early Music Day recital focuses on the publication, exactly 400 years ago, of the monumental "Libro de tientos y discursos de música practica, y theorica de organo intitulado Facultad organica" by Francisco Correa de Arauxo.

Musicians
Andrew Benson-Wilson, organ

Website

21/03/2026 19:00 CET (21/03/2026 19:00 CET)

The Conservatory of Menorca celebrates Early Music Day On-site
Conservatori Professional de Música de Menorca and JJMM d'Alaior Spain
Sala de Cultura Sant Diego, Alaior, Es Banyer, S/N, 07730 Alaior
As is tradition at Conservatori Professional de Música de Menorca, students and teachers of the center celebrate Early Music Day, with a concert-conference in which you can listen to music for guitar, string quartet, violin and voice.

Musicians

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22/03/2026 17:00 CET (22/03/2026 17:00 CET)

Musical Conversations: Gaultier & Tessarini On-site
Titans Rising concert series Germany
Ev. Kirche Am Lietzensee, Herbartstraße 4-6, 14057 Berlin
This program contrasts French Baroque refinement with Italian virtuosity, featuring Pierre Gaultier de Marseille’s suites from the Ambronay debut recording (2025) alongside the lively miniatures of Carlo Tessarini.

Musicians
Cohaere Ensemble
Marta Gawlas, baroque traverso
Monika Hartmann, baroque cello
Natalia Olczak, harpsichord

Website

Website

21/03/2026 15:45 CET

Séance publique de l'Atelier Vocal On-site
Les Meslanges France
Centre Culturel Simone Signoret, 30 rue Jean Binard, 76920 Amfreville-la-Mi-Voie
Under the direction of Thomas van Essen, the singers will perform works from the European Renaissance, accompanied on the lute by Vincent Maurice.

Musicians
Thomas van Essen, conductor
Vincent Maurice, lute

Website

22/03/2026 17:00 CET

Johannes Passion BWV 245 On-site
Associazione Mousikè Il Teatro Armonico APS Italy
Basilica dei Santi felice e Fortunato - Vicenza, Italy, Corso Santi Felice e Fortunato, 219, VICENZA, VI, Vicenza
Full performance with Orchestra, Choir and Soloists of the Johannes Passion by J.S.Bach

Musicians Il Teatro Armonico conducted by Margherita Dalla Vecchia

Website

29/03/2026 18:00 EEST (29/03/2026 17:00 CEST)

Dietrich Buxtehude: Membra Jesu Nostri On-site
Borgå Swedish Cathedral Parish, Porvoo Finnish Parish, The Support Association of the Porvoo Oratorio Choir Finland
Porvoo Cathedral, Kirkkotori 1, 06100 Porvoo
To be performed for the first time in Porvoo on March 29, this five-part Baroque work features choir, soloists and orchestra in meditation on the crucified Christ.

Musicians
Porvoo Oratorio Choir and soloists
Ensemble Nylandia baroque orchestra
Kaisa Sidoroff, conductor

Website

21/03/2026 19:30 CET

Les Suites Françaises de J. S. Bach On-site
La Cité Bleue Genève Switzerland
La Cité Bleue Genève, Avenue de Miremont 46, 1206 Geneva
An exceptional recital by Cédric Pescia featuring Johann Sebastian Bach's six French Suites, a masterpiece for keyboard in which slow and lively dances respond to each other with profound contrapuntal richness.

Musicians
Cédric Pescia, piano

Website

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