Edition 2026

Join the Global Celebration of Early Music

Every 21 March, festivals, concert halls, ensembles, and institutions across Europe come together to celebrate the richness of early music. Explore the diversity of events, artists, and initiatives by visiting our interactive map and find out what’s happening near you or across the continent.

French & Italian Lute Music from the Baroque Era

09/04/2025 16:00 CEST <\/h3>\n\n \n All'Antica Musika\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n

\n The Garden of Earthly Delights: An interdisciplinary show that combines theatre, modern dance and Spanish music from the Renaissance and Baroque periods. During the show, Philip II recounts his final hours and looks back on his life while observing the painting.\n <\/div>\n\n
\n Musicians<\/span>\n
Laiene Alcalá, Soprano<\/li>
Silvia Cantatore, Viola da Gamba<\/li>
Teresa Merino, Theorbo<\/li>
Elvira Pujol, Harpsichord<\/li>
Diego de Amigo, Baroque Violin<\/li>
David Sáez, Recorders<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 16:00 CET (21/03/2026 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Concert & jam session\n <\/h3>\n\n \n Visby domkyrkoförsamling\n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n Approximately 2-hour concert, followed by an early music jam session/open stage at Visby Börs. Approximately 2-hour concert, followed by an early music jam session/open stage at Visby Börs.\n <\/div>\n\n
\n Musicians<\/span>\n
Musicians and singers from Gotland<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\""Conduisez$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 07/03/2026 20:00 CET\n <\/small>\n <\/p>\n\n
\n "Conduisez les plaisirs dans les climats lointains !" - Les Meslanges\n <\/h3>\n\n \n Harmonia Sacra - Les Ch'tis Concerts Parisiens\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Meslanges concert in aid of the Hôtel de Barneville in Valenciennes, Rencontres music centre.\n <\/div>\n\n
\n Musicians<\/span>\n
Thomas van Essen, baritone<\/li>
Jérôme van Waerbeke, violin<\/li>
Ondine Lacorne-Hébrard, bass viol<\/li>
Frédéric Hernandez, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Alla$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 11:10 CET\n <\/small>\n <\/p>\n\n
\n Alla fonte della musica\n <\/h3>\n\n \n Centro culturale San Magno \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Course on reading and interpreting the Renaissance repertoire in ancient notation.\n <\/div>\n\n
\n Musicians<\/span>\n
Salvatore Sciammetta <\/li><\/ul>\n <\/div>\n\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"BAROCCO$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 17:04 EET (21/03/2026 16:04 CET)\n <\/small>\n <\/p>\n\n
\n BAROCCO ITALIANO\n <\/h3>\n\n \n Asociatia ANTIQVA \n <\/span>\n\n \n Romania<\/strong>\n <\/span>\n\n
\n A concert about a period of profound change in music history—the 17th century. It brought with it a more theatrical character to music, with more dramatic instrumental writing, more vocal in spirit, and more attentive to contrast and emotion. \n <\/div>\n\n
\n Musicians<\/span>\n
Xavier Díaz-Latorre (lute, musical direction)<\/li>
SEMPRE Baroque Music Ensemble<\/li><\/ul>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"JAM-Session:$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 17:00 CET\n <\/small>\n <\/p>\n\n
\n JAM-Session: Mona Lisa’s Mystic Smile\n <\/h3>\n\n \n Capella de la Torre\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Whatever the true meaning of her smile may be, it is undoubtedly one of the most fascinating features of the Mona Lisa. Capella de la Torre, together with the young people from JAM embark on a journey into the world of the Renaissance and its sounds.\n <\/div>\n\n
\n Musicians<\/span>\n
JAM (Jugendensemble Alte Musik)\n<\/li>
Capella de la Torre\n<\/li>
Katharina Bäuml, shawm and direction<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"BACH$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2026 08:00 CET\n <\/small>\n <\/p>\n\n
\n BACH Continuo\n <\/h3>\n\n \n FCE Continuo webradio Luxembourg\n <\/span>\n\n \n Luxembourg<\/strong>\n <\/span>\n\n \n Broadcasts from 08:00 until 18:00 / live recordings in Luembourg-City.\n <\/div>\n\n
\n Musicians<\/span>\n
Vincent Soubeyran<\/li>
René Heisten<\/li>
Achim Holz<\/li>
Josy Peschon<\/li>
and many more<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"John$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2026 16:00 CET\n <\/small>\n <\/p>\n\n
\n John Dowland, 400 Years Later\n <\/h3>\n\n \n Escola d'Adults Pau Casals de Rubí\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n Lute solos from the best lutenist of all time, who passed away 400 years ago. \n\n <\/div>\n\n
\n Musicians<\/span>\n
Joaquim Bogunyà, renaissance lute.<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\""Tempus$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 18:30 CET (21/03/2026 18:30 CET)\n <\/small>\n <\/p>\n\n
\n "Tempus est jocundum" \n <\/h3>\n\n \n Associazione Mozart - Lecce\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Songs and music for a medieval spring festival.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Concentus <\/li>
Vania Palumbo: canto, citola, percussioni <\/li>
Michele Tricarico: flauti a becco <\/li>
Maurizio Ria, viella, quinterna <\/li>
Angela Lacalamita: Liuto, salterio <\/li>
Giovanna Tricarico: organo portativo, arpa gotica<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Her$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 15:00 EET (21/03/2026 14:00 CET)\n <\/small>\n <\/p>\n\n
\n Her Cup of Tea – music for virginal from the beginning of the 17th century\n <\/h3>\n\n \n BRQ Vantaa Festival\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Assi Karttunen plays early-1600s English virginal gems (Byrd, Morley) from Elizabeth Rogers & Fitzwilliam books, improvises in style, and ends with French baroque by Chambonnières & Jacquet de La Guerre.\n <\/div>\n\n
\n Musicians<\/span>\n
Assi Karttunen, musician<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"O$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 EET (21/03/2026 18:00 CET)\n <\/small>\n <\/p>\n\n
\n O Sidera – taivaan kutsu\n <\/h3>\n\n \n Sastamala Gregoriana\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Ancient heritage meets Renaissance polyphony and Byzantine chant in a dialogue between East and West. The programme centres on Lassus’ Prophetiae Sibyllarum, where bold Renaissance harmonies encounter contemplative Byzantine sound worlds.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Irini <\/li>
Lila Hajosi, director<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Café$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 16/03/2026 19:00 EET (16/03/2026 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Café Barock: Suoni scordati\n <\/h3>\n\n \n Kulttuuriyhdistys Ensemble Nylandia ry\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n In this program, the cello speaks with a different voice than what we are used to revealing resonances, gestures, and affections that belong to a special sound world used by 17th century italian composers and JS Bach in his 5th solo suite.\n <\/div>\n\n
\n Musicians<\/span>\n
Ester Nurminen, baroque cello\n<\/li>
Lili Talimaa, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Café$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 18:00 EET (21/03/2026 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Café Barock goes Early Music Day: O vezzoseta! & baroque karaoke\n <\/h3>\n\n \n Kulttuuriyhdistys Ensemble Nylandia ry\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n O vezzosetta! explores the catchiest tunes of the early Baroque at Art Café Feeniks on 21 March at 6 pm. The evening opens with the Finnish Early Music Society announcing its Recognition Award, and ends with Baroque Karaoke with live house band.\n <\/div>\n\n
\n Musicians<\/span>\n
Mariette Reefman – soprano and baroque viola\n<\/li>
Daniel Kivivuori – viola da gamba\n<\/li>
Jasper Koekoek – virginal and programming\n<\/li>
\nBaroque Karaoke
Host: Jaani Länsiö, music journalist\n
Lead singer: Juho Eerola\n
Live accompaniment: Ensemble Nylandia House Band<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Monody$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2026 19:00 CET\n <\/small>\n <\/p>\n\n
\n Monody Festival | Festiwal Muzyki Jednogłosowej\n <\/h3>\n\n \n Płocki Ośrodek Kultury i Sztuki\n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n Monody Festival | Festiwal Muzyki Jednogłosowej. \nMarch 20 - Diskantoers | March 21 - Ensemble Theleme | March 22 - Ensemble Gamut! | Start 19:00\n <\/div>\n\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\""Tempus$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 18:30 CET (21/03/2026 18:30 CET)\n <\/small>\n <\/p>\n\n
\n "Tempus est jocundum" Canti e Musiche per una festa medievale di Primavera\n <\/h3>\n\n \n Associazione Mozart - Lecce\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n The program includes music from the \"Codex Buranus\" and other medieval codices. Songs and music dedicated to spring, wine, and good living.\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble Concentus - Vania Palumbo: Canto, Citola, Persussioni; Michele Tricarico: Flauti a becco; Maurizio Ria: Viella, Quinterna; Angela Lacalamita: Liuto, Salterio; Giovanna Tricarico: Organo portativo, Arpa gotica, Organistrum\n <\/div>\n\n
\n\n
https://ensembleconcentuslecce.jimdofree.com/<\/a><\/li>\n\n
https://www.facebook.com/profile.php?id=100079388228537&sk=photos<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2026 20:00 CET\n <\/small>\n <\/p>\n\n
\n The Händel Passion\n <\/h3>\n\n \n Bachcelona Festival\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n This program of music by Handel and Bach recreates an extraordinary event: Good Friday, 1747, when J.S. Bach performed Handel arias in Leipzig during a performance of the Markus Passion.\n <\/div>\n\n
\n Musicians<\/span>\n
Salvat Soloists\nMariana Rodrigues, soprano<\/li>
Jana Corominas, mezzo-soprano<\/li>
Itamar Hildesheim, tenor<\/li>
Lluís Arratia, baritone<\/li>
Bachcelona Consort<\/li>
Katy Elkin, oboe<\/li>
Vadym Makarenko,violin<\/li>
Andrés Murillo, violin<\/li>
Núria Pujolràs, viola<\/li>
Guillermo Turina, cello<\/li>
Daniel Tarrida, harpsichord and conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:30 CET\n <\/small>\n <\/p>\n\n
\n Concert | *The Musical Offering\n <\/h3>\n\n \n Bach en Combrailles\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n ONRA concert, as a prelude to the 28th edition (3 to 8 August 2026) of Bach en Combrailles. Several transcriptions for strings of L’Offrande musicale by Thomas Zehetmair.\n <\/div>\n\n
\n Musicians<\/span>\n
Auvergne-Rhône-Alpes National Orchestra<\/li>
Thomas Zehetmair (conductor)<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Lusso$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 20:30 CET\n <\/small>\n <\/p>\n\n
\n Lusso e melancholia - Splendore e intimità nel tardo rinascimento strumentale\n <\/h3>\n\n \n Pontificio Istituto Ambrosiano di Musica Sacra (Pontifical Ambrosian Institute of Sacred Music )\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Concert with an orchestra of Renaissance instruments. \n <\/div>\n\n
\n Musicians<\/span>\n
Gruppo Musica Antica AIMA<\/li>
Conductor: Ivan Pelà<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 20:30 CET\n <\/small>\n <\/p>\n\n
\n The Vocalitas Choir celebrates Early Music Day!\n <\/h3>\n\n \n Conservatoire de Châtenay-Malabry\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n The Vocalitas Choir and the conservatory\'s early music classes will gather at the Church of Saint-Germain l\'Auxerrois for a special concert in tribute to this musical genre.\n <\/div>\n\n
\n Musicians<\/span>\n
Vocalitas Choir conducted by Sophie BOUCHERON and accompanied by Hugues DELAUNAY<\/li>
Early music classes conducted by Éric BRUNET<\/li><\/ul>\n <\/div>\n\n
\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Eisenhand$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 29/03/2026 18:15 CEST\n <\/small>\n <\/p>\n\n
\n Eisenhand – 650 Years of Oswald von Wolkenstein\n <\/h3>\n\n \n ReRenaissance – Forum for Early Music\n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n \n Oswald\'s dazzling personality made him a legend: according to tradition, a magic spell lay upon his hand, causing every musical instrument he touched to break – earning him the name «Man de fyèr»: the Iron Hand. \n <\/div>\n\n
\n Musicians<\/span>\n
Grace Newcombe – voice, harp<\/li>
Korneel Van Neste – voice\n<\/li>
Raitis Grigalis – voice\n<\/li>
Baptiste Romain – fiddle, bagpipe\n<\/li>
Julian Anatol Schneider – narrator\n<\/li>
Marc Lewon – lute, voice, direction<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Der$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET\n <\/small>\n <\/p>\n\n
\n Der Tag des Gerichts\n <\/h3>\n\n \n Magdeburger Telemann-Festtage\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Telemann\'s dramatic oratorio describes the fear of God\'s judgment on the Last Day. The modern language inspired powerful musical images of fear, menace, and natural forces sent by God, but also hymns of praise and songs of thanksgiving.\n <\/div>\n\n
\n Musicians<\/span>\n
B\'Rock Orchestra & Vocal Consort\n<\/li>
Johanna Soller, artistic direction<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"An$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 14:00 CET\n <\/small>\n <\/p>\n\n
\n An afternoon of early music\n <\/h3>\n\n \n Conservatoire à Rayonnement Communal d'Orange\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n 2 p.m.: lecture on ‘Jean-Joseph Mouret, a composer from Avignon in Paris’ by Marie-Virginie Delorme\n4 p.m.: Les fêtes galantes (dance, music and theatre) by the teachers and students of the Orange Conservatory\n <\/div>\n\n
\n Musicians<\/span>\n
Alain BRAVAY: teacher of traditional music and director of early music ensembles Marie-Virginie DELORME: teacher of organ and music culture<\/li>
Amélie GAUTHIER: teacher of viola da gamba and guitar
<\/li>
Cécile PERRET: teacher of flute and traverso
<\/li>
Josée ARRUE: theatre teacher<\/li>
Séverine GROS: dance teacher And the students of the Orange Conservatory<\/li><\/ul>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"U$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 20:00 CET\n <\/small>\n <\/p>\n\n
\n U kraljevstvu Partenope - napuljski barokni koncerti\n <\/h3>\n\n \n Croatian Baroque Ensemble\n <\/span>\n\n \n Croatia<\/strong>\n <\/span>\n\n
\n Second concert in the 26th concert season of the Croatian Baroque Ensemble. You will hear some works of Mancini, Scarlatti, Fiorenza, Mele, Leo, and Sammartini. And a day earlier, the same concert can be heard in Celje (Slovenia). \n <\/div>\n\n
\n Musicians<\/span>\n
Croatian Baroque Ensemble\n<\/li>
Maruša Brezavšček - recorder and artistic direction<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"O$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 21:00 EET (21/03/2026 20:00 CET)\n <\/small>\n <\/p>\n\n
\n O Sidera\n <\/h3>\n\n \n Festival Sastamala Gregoriana\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Language, distorted by Lassus or stretched by the Byzantine Asmatikon, fades away to make room for pure sensation. A new grammar is created, that of the encounter between music and the body, between the bodies of the singers and the body of the conductor\'s gestures and the bodies of the listeners, in the wake of the sound waves. O Sidera is a shock, a rapture, which is first experienced and then explained. The programme can be read when the singing stops, as if to seek a rational explanation for what we have just experienced.\n <\/div>\n\n
\n Musicians<\/span>\n
Lila Hajosi - Conductor<\/li>
Chloé Roussel - Mezzo soprano\n<\/li>
Fanny Chatelain - Alto <\/li>
\nOlivier Merlin - Tenor\n<\/li>
Xavier Bazoge, Jean-Marc Vié - Bass<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Journée$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 17:00 CET\n <\/small>\n <\/p>\n\n
\n Journée de la Musique Ancienne 2026\n <\/h3>\n\n \n Les Rendez-Vous de Musique Ancienne | Ensemble Céladon\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n In 2026, the RDVMA will organise its first edition of Early Music Day in partnership with three ensembles from FEVIS AuRA. Whether you are an enthusiast or simply curious, come and be surprised by this new event in Lyon!\n <\/div>\n\n
\n Musicians<\/span>\n
La Française Ensemble<\/li>
Céladon Ensemble<\/li>
Pulcinella Ensemble<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Conférence$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 31/03/2026 15:00 CEST\n <\/small>\n <\/p>\n\n
\n Conférence "Jean-Joseph Mouret, un compositeur avignonnais à Paris au XVIIIe siècle"\n <\/h3>\n\n \n Les Après-midi de Fonséca\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n As part of her collaboration on Alain Bravay\'s recent book on Jean-Joseph Mouret, Marie-Virginie Delorme is giving a lecture to rediscover this Baroque composer from Avignon, with screenings and musical excerpts.\n <\/div>\n\n
\n Musicians<\/span>\n
Marie-Virginie Delorme, professor of organ, music writing and culture at the CRC in Orange and titular organist at Vaison-la-Romaine Cathedral<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Recital$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 08/03/2026 15:00 CET\n <\/small>\n <\/p>\n\n
\n Recital for viola da gamba - À coeur joie\n <\/h3>\n\n \n Rimat\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n The viola da gamba is given free rein in this programme, which freely combines works by Sainte Colombe, Monteverdi, Caix d\'Hervelois, Marais, Hume, Forqueray and Dowland.\n <\/div>\n\n
\n Musicians<\/span>\n
Mathilde Gomas<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Organ$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 16:30 CET\n <\/small>\n <\/p>\n\n
\n Organ and early music concert\n <\/h3>\n\n \n Conservatoire à Rayonnement Communal d'Orange\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert by the organ class, with the participation of teachers from the early music department and the Conservatoire\'s early music ensembles for teenagers and adults.\n <\/div>\n\n
\n Musicians<\/span>\n
Marie-Virginie Delorme, organ teacher<\/li>
Alain Bravay, traditional music teacher and director of early music ensembles<\/li>
Amélie Gauthier, viola da gamba teacher<\/li>
Conservatory students (organ, galoubet-tambourine, bagpipes, recorder, violin, cello, etc.)<\/li><\/ul>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"El$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 03/02/2026 19:00 CET\n <\/small>\n <\/p>\n\n
\n El Jardín de las Delicias\n <\/h3>\n\n \n All'Antica Musika \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n
\n El jardín de las delicias\" by All\'Antica Musika is an interdisciplinary project that combines early Spanish and Latin American music (16th-18th centuries) with theatre and dance, narrating the last thoughts of King Philip II.\n <\/div>\n\n
\n Musicians<\/span>\n
Jorge Santos (actor)<\/li>
Laiene Alcalá (soprano)<\/li>
Venecia Grifell (dancer)<\/li>
Diego de Amigo (baroque violin)<\/li>
David Sáez (recorders)<\/li>
Silvia Cantatore (viola da gamba)<\/li>
Teresa Merino (theorbo)<\/li>
Elvira Pujol (harpsichord)<\/li>
Adrian Santamaria (percussion)<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Quattrocento\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 09:48 CST (21/03/2026 02:48 CET)\n <\/small>\n <\/p>\n\n
\n Quattrocento\n <\/h3>\n\n \n National Concert Hall\n <\/span>\n\n \n Taiwan<\/strong>\n <\/span>\n\n \n Collaboration concert with Capella de Ministrers & The Gleam Ensemble.\nSpanish Renaissance music from Alfonso the Magnanimous to Isabella the Catholic.\n <\/div>\n\n
\n Musicians<\/span>\n
CAPELLA DE MINISTRERS\nCarles Magraner\n<\/li>
\nTHE GLEAM ENSEMBLE\nMartin Chiang<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach's$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 PDT (22/03/2026 03:00 CET)\n <\/small>\n <\/p>\n\n
\n Bach's Mass in B Minor\n <\/h3>\n\n \n Bach Collegium San Diego\n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n The Mass in B minor represents the pinnacle and synthesis of Bach\'s musical language. Bach takes us on a journey through some of his most sublime musical ideas, from moments of meditation and repose to total ecstasy and euphoria.\n <\/div>\n\n
\n Musicians<\/span>\n
Bach Collegium San Diego\n<\/li>
Ruben Valenzuela, Founder & Artistic Director\n<\/li>
SOLOISTS\nEstelí Gomez, soprano \nJay Carter, countertenor \nAaron Sheehan, Michael Jones, tenors \nEnrico Lagasca, bass <\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 16:30 CET\n <\/small>\n <\/p>\n\n
\n Concert Alla francesca : "Vray dieu d'amours…"\n <\/h3>\n\n \n Les Samedis Musicaux de Chartres\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Chansons et polyphonies du XVe siècle signées Binchois, Dufay, Ockeghem, Dunstable…\n <\/div>\n\n
\n Musicians<\/span>\n
Alla Francesca Ensemble<\/li>
Maud Haering: vocals<\/li>
Mathias Lunghi: vocals<\/li>
Camile Macinenti: vocals<\/li>
Nolwenn Le Guern: bowed fiddle, rebec<\/li>
Brigitte Lesne: direction and concept, Gothic harp<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Historical$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/01/2026 14:00 CET (21/01/2026 14:00 CET)\n <\/small>\n <\/p>\n\n
\n Historical dance afternoon\n <\/h3>\n\n \n Stiftung Händel-Haus\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Experience early Baroque street dances from England and French branles, with elegant figures, rousing melodies, and convivial dancing which already delighted people in the days of Shakespeare and Queen Elizabeth I.\n <\/div>\n\n
\n Musicians<\/span>\n
Mark Frenzel, dance teacher\n<\/li>
Hagen Jahn, museum educator<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach's$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 20:00 CET\n <\/small>\n <\/p>\n\n
\n Bach's St John Passion\n <\/h3>\n\n \n LES PASSIONS - Orchestre Baroque de Montauban\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Considered ‘one of Bach\'s most profound and perfect works’, it offers a poetic, musical and religious interpretation of a fundamental episode from the Gospels, the Passion of Christ.\n <\/div>\n\n
\n Musicians<\/span>\n
The Toulouse Choir Toulouse Conservatory (Mark Opstad)<\/li>
Les Passions (Jean-Marc Andrieu)<\/li>
Cyrille Dubois, Evangelist, tenor<\/li>
Pierre Yves Cras, Jesus, bass<\/li>
Marius Vidal, Pilate, tenor<\/li>
Lisa Auriol Chaïb, soprano<\/li>
Lucile Rentz, alto<\/li>
Jean-Christophe Lanièce, bass<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Early$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/01/2026 15:00 CET\n <\/small>\n <\/p>\n\n
\n Early Music Day Copenhagen 2026\n <\/h3>\n\n \n Copenhagen Renaissance Music Festival\n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n Welcome to another harpsichord marathon! \n <\/div>\n\n
\n Musicians<\/span>\n
Gilbert, Martinez (US/DK<\/li>
Alina Rotaru (RO)<\/li>
Yngvild Haalund Ruud (NO/DK)<\/li>
Gabriella Sjögren (SE).<\/li><\/ul>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Once$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 20:30 CET\n <\/small>\n <\/p>\n\n
\n Once upon a time... Holy Week\n <\/h3>\n\n \n Les Talens Lyriques\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Public masterclass and concert with commentary by Christophe Rousset, in partnership with the École Normale de Musique de Paris. The programme aims to provide a deeper understanding of the works performed, in connection with Holy Week and the Leçons de Ténèbres.\n <\/div>\n\n
\n Musicians<\/span>\n
Michèle Bréant, 1st treble<\/li>
Suzanne Jerosme, 2nd treble<\/li>
Atsushi Sakaï, viola da gamba<\/li>
Christophe Rousset, organ, harpsichord and conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n\n
Tickets<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Do$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2026 20:30 CET\n <\/small>\n <\/p>\n\n
\n Do as you please - A thousand years of song\n <\/h3>\n\n \n Ensemble Obsidienne \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n To celebrate the return of spring, at the opening of LA REVERDIE, which Obsidienne has been offering since 2019, the ensemble takes up residence in the medieval setting of La Poterne, takes Rabelais\' maxim to heart and travels through 1,000 years of songs.\n <\/div>\n\n
\n Musicians<\/span>\n
Emilie Boudeville<\/li>
Florence Jacquemart<\/li>
Hélène Moreau<\/li>
Camille Bonnardot<\/li>
Colin Bonnardot<\/li>
Emmanuel Bonnardot<\/li>
Ludovic Montet<\/li>
Pierre Tessier <\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Festa$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 10:00 CET\n <\/small>\n <\/p>\n\n
\n Festa della Musica Antica: Vigevano, Accade anche qui\n <\/h3>\n\n \n Diapason Consortium\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n A marathon of concerts celebrating Early Music at Auditorium San Dionigi, a 17th century church suspended from worship and now temple of Music in Vigevano, just a few meters from Piazza Ducale, from 10am until midnight\n <\/div>\n\n
\n Musicians<\/span>\n
By the artistic production collective Bottega dei Suoni<\/li><\/ul>\n <\/div>\n\n
\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Ārt$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 18:00 CET\n <\/small>\n <\/p>\n\n
\n Ārt House Social\n <\/h3>\n\n \n Georg Kroneis\n <\/span>\n\n \n Austria<\/strong>\n <\/span>\n\n \n ĀRT HOUSE is bringing Bach\'s music to the beautiful mountain village of Trahütten in Styria. To mark the occasion, we will be playing at 440Hz and will also be performing the melodrama ‘Der wunderbare Tivoli’ by Flora Marlene Geißelbrecht.\n <\/div>\n\n
\n Musicians<\/span>\n
Thomas Höft, author and narrator \n<\/li>
Michael Hell, harpsichord and recorder \n<\/li>
Georg Kroneis, viola da gamba<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Vray$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 16:30 CET\n <\/small>\n <\/p>\n\n
\n Vray dieu d'amours… Ensemble Alla francesca\n <\/h3>\n\n \n Les Samedis Musicaux de Chartres\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert de chansons polyphoniques du 15e siècle : Binchois, Dufay, Ockeghem, Dunstable…\nEnsemble Alla francesca\nDeuxième concert à 18h30\n <\/div>\n\n
\n Musicians<\/span>\n
Maud Haering, vocals<\/li>
Mathias Lunghi, vocals<\/li>
Camile Macinenti, vocals<\/li>
Nolwenn Le Guern, bowed fiddle, rebec<\/li>
Brigitte Lesne, direction and design, Gothic harp<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"French$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 09/04/2025 16:00 CEST\n <\/small>\n <\/p>\n\n
\n French & Italian Lute Music from the Baroque Era\n <\/h3>\n\n \n Escola d'Adults Pau Casals de Rubí\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n First concert ever with a 14-course lute with works by pretty unknown baroque composers for the lute such as Louys de Moy & Giovanni Zamboni.\n\n <\/div>\n\n
\n Musicians<\/span>\n
Joaquim Bogunyà, 14-course lute.<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Guided$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 13:00 CET (21/03/2026 13:00 CET)\n <\/small>\n <\/p>\n\n
\n Guided tour of the history of architecture\n <\/h3>\n\n \n Stiftung Händel-Haus\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Karl Altenburg sheds some light on the history of the Handel House\'s construction and accompanies visitors to the vaulted cellar and the impressive panelled parlour.\n <\/div>\n\n
\n Musicians<\/span>\n
Karl Altenburg, Museum historian<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Generation$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2026 11:36 CET\n <\/small>\n <\/p>\n\n
\n Generation 1685 - Bach | Scarlatti\n <\/h3>\n\n \n Mars en Baroque\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Both born in 1685, Johann Sebastian Bach and Domenico Scarlatti, steeped in the knowledge of the past, were driven by a deep desire for modernity.\n <\/div>\n\n
\n Musicians<\/span>\n
Jacques Moderne Ensemble<\/li>
Joël Suhubiette - Conductor<\/li>
Axelle Bernage, Cécile Dibon-Lafarge Cyprile Meier and Julia Wischniewski, sopranos<\/li>
Margot Mellouli, mezzo-soprano<\/li>
Gabriel Jublin, countertenor<\/li>
Marc Manodritta, Marco Van Baaren, tenors<\/li>
Didier Chevalier, Cyrille Gautreau, basses<\/li>
Rémi Cassaigne, theorbo<\/li>
Marine Rodallec, cello<\/li>
Emmanuel Mandrin, organ<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Organ$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 17/03/2026 13:10 GMT (17/03/2026 14:10 CET)\n <\/small>\n <\/p>\n\n
\n Organ recital. Correa de Arauxa: “Libro de tientos... Facultad organica” (1626)\n <\/h3>\n\n \n Andrew Benson-Wilson\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n This Early Music Day recital focuses on the publication, exactly 400 years ago, of the monumental \"Libro de tientos y discursos de música practica, y theorica de organo intitulado Facultad organica\" by Francisco Correa de Arauxo.\n <\/div>\n\n
\n Musicians<\/span>\n
Andrew Benson-Wilson, organ<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET (21/03/2026 19:00 CET)\n <\/small>\n <\/p>\n\n
\n The Conservatory of Menorca celebrates Early Music Day\n <\/h3>\n\n \n Conservatori Professional de Música de Menorca and JJMM d'Alaior\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n As is tradition at Conservatori Professional de Música de Menorca, students and teachers of the center celebrate Early Music Day, with a concert-conference in which you can listen to music for guitar, string quartet, violin and voice.\n <\/div>\n\n
\n Musicians<\/span>\n
\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Musical$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 17:00 CET (22/03/2026 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Musical Conversations: Gaultier & Tessarini\n <\/h3>\n\n \n Titans Rising concert series\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n This program contrasts French Baroque refinement with Italian virtuosity, featuring Pierre Gaultier de Marseille’s suites from the Ambronay debut recording (2025) alongside the lively miniatures of Carlo Tessarini.\n <\/div>\n\n
\n Musicians<\/span>\n
Cohaere Ensemble\n<\/li>
Marta Gawlas, baroque traverso\n<\/li>
Monika Hartmann, baroque cello\n<\/li>
Natalia Olczak, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Séance$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 15:45 CET\n <\/small>\n <\/p>\n\n
\n Séance publique de l'Atelier Vocal\n <\/h3>\n\n \n Les Meslanges\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Under the direction of Thomas van Essen, the singers will perform works from the European Renaissance, accompanied on the lute by Vincent Maurice.\n <\/div>\n\n
\n Musicians<\/span>\n
Thomas van Essen, conductor<\/li>
Vincent Maurice, lute<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Dietrich$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 29/03/2026 18:00 EEST (29/03/2026 17:00 CEST)\n <\/small>\n <\/p>\n\n
\n Dietrich Buxtehude: Membra Jesu Nostri\n <\/h3>\n\n \n Borgå Swedish Cathedral Parish, Porvoo Finnish Parish, The Support Association of the Porvoo Oratorio Choir\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n To be performed for the first time in Porvoo on March 29, this five-part Baroque work features choir, soloists and orchestra in meditation on the crucified Christ.\n <\/div>\n\n
\n Musicians<\/span>\n
Porvoo Oratorio Choir and soloists\n<\/li>
Ensemble Nylandia baroque orchestra\n<\/li>
Kaisa Sidoroff, conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Les$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:30 CET\n <\/small>\n <\/p>\n\n
\n Les Suites Françaises de J. S. Bach\n <\/h3>\n\n \n La Cité Bleue Genève\n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n \n An exceptional recital by Cédric Pescia featuring Johann Sebastian Bach\'s six French Suites, a masterpiece for keyboard in which slow and lively dances respond to each other with profound contrapuntal richness. \n <\/div>\n\n
\n Musicians<\/span>\n
Cédric Pescia, piano<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Between$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/02/2026 20:00 CET (21/02/2026 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Between Iberia and the Balkans\n <\/h3>\n\n \n VEMA - Vojvodinian Music Association\n <\/span>\n\n \n Serbia<\/strong>\n <\/span>\n\n \n From Adriatic sacred polyphony to Spanish Baroque, this program travels across early modern Europe. From Lukačić and Cecchini to Hidalgo and Durón, it bridges devotion, dance, rhetoric, and theatrical passion in a vibrant shared sound world.\n <\/div>\n\n
\n Musicians<\/span>\n
Musica Antiqua Neoplantensis\n<\/li>
Radoslava Vorgić – soprano\n<\/li>
Meila Tomé – recorder\n<\/li>
Rafael Arjona – lute & baroque guitar<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Konzert$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET (21/03/2026 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Konzert zum 341. Bach-Geburtstag\n <\/h3>\n\n \n Köthener BachGesellschaft mbH\n <\/span>\n\n \n Gibraltar<\/strong>\n <\/span>\n\n \n As always during the festive season, the concert given on Bach\'s birthday on 21 March at St. Agnus Church in Köthen offers a preview of the festival programme. Musically, the repertoire ranges from the Middle Ages to the present day.\n <\/div>\n\n
\n Musicians<\/span>\n
Tabea Höfer (baroque violin)<\/li>
Johannes Lauer (trombone)<\/li>
Bertram Burkert (guitar)<\/li>
Trio Evviva<\/li>
Folkert Uhde (moderator)<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Light$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET (21/03/2026 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Light and Sound - Baroque Voices from Schütz to Bach\n <\/h3>\n\n \n Early Music Sweden\n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n
\n On Bach’s birthday, Early Music Sweden presents a concert from Schütz and Schein to Bach and his family. The Calmus Ensemble, rooted in the Leipzig choral tradition, joins Jeanette Eriksson on lira da braccio for a warm, text-focused musical journey.\n <\/div>\n\n
\n Musicians<\/span>\n
Calmus Ensemble <\/li>
\nJeanette Eriksson, lira da braccio\n<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Leçons$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 17:00 CET\n <\/small>\n <\/p>\n\n
\n Leçons de Ténèbres by F. Couperin\n <\/h3>\n\n \n Les Paladins\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n Jérôme Correas and Les Paladins offer a rare version of Leçons de Ténèbres, a cycle of three vocal pieces that are among the most impressive in the Baroque religious repertoire.\n <\/div>\n\n
\n Musicians<\/span>\n
Jean-François LOMBARD, countertenor<\/li>
Bastien RIMONDI, countertenor<\/li>
Olivia GUTHERZ, viola da gamba<\/li>
Benjamin NARVEY, theorbo<\/li>
Jérôme CORREAS, organ, harpsichord, and conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Divina$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 17:51 CET (21/03/2026 17:51 CET)\n <\/small>\n <\/p>\n\n
\n Divina Virgo. Medieval music concert for voices and instruments\n <\/h3>\n\n \n Fondazione Abbatia Sancte Marie de Morimundo\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n Medieval music concert paying tribute to the Virgin Mary through Gregorian chants, Italian lauds, Cantigas de Santa Maria, and pilgrimage melodies. Voices and period instruments recreate the spiritual atmosphere of the Middle Ages.\n <\/div>\n\n
\n Musicians<\/span>\n
Instrumental duo \"In Itinere Musica Medievale\" (viella, rebec, medieval clàrsach harp, recorder and other instruments).\n<\/li>
Gregorian vocal trio \"Sonus et vox\"<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"ST.$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:30 CET\n <\/small>\n <\/p>\n\n
\n ST. JOHN PASSION BWV 245 / JOHANN SEBASTIAN BACH\n <\/h3>\n\n \n Polish Royal Opera\n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n
\n Extremely emotional and personal musical picture of the suffering and death of Christ, painted in the spirit of the passionate and sincere devotion of the Leipzig genius.\n <\/div>\n\n
\n Musicians<\/span>\n
PERFORMERS:\n<\/li>
JACEK SZPONARSKI - EVANGELIST<\/li>
ROBERT GIERLACH - JESUS\n<\/li>
PAWEŁ CZEKAŁA - PILATE\n<\/li>
JOANNA SOJKA - SOPRANO <\/li>
\nANNA RADZIEJEWSKA - ALTO\n<\/li>
SYLWESTER SMULCZYŃSKI - TENOR\n<\/li>
PAWEŁ MICHALCZUK - BASS\n<\/li>
THE CHORUS OF THE POLISH ROYAL OPERA\nT<\/li>
HE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA <\/li>
CAPELLA REGIA POLONA\n<\/li>
KAROL KNAPIŃSKI - CHORUS MASTER\n<\/li>
KRZYSZTOF GARSTKA - POSITIVE ORGAN, CONDUCTOR<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Dordán\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 14/03/2026 14:30 CET\n <\/small>\n <\/p>\n\n
\n Dordán\n <\/h3>\n\n \n Waterford Libraries\n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n
\n Waterford City–based male voice choir Dordán will perform in Central Library, presenting a programme rooted in Ireland’s early musical traditions and highlighting their continuity within contemporary community practice.\n <\/div>\n\n
\n Musicians<\/span>\n
Dordán<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Mencía.$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET (21/03/2026 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Mencía. Duchessa di Calabria\n <\/h3>\n\n \n Pietà de' Turchini Foundation\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n This programme revolves around the figure of Mencía de Mendoza, Duchess of Calabria, one of the most eminent personalities of the Spanish Renaissance and heir to the Neapolitan cultural legacy.\n <\/div>\n\n
\n Musicians<\/span>\n
CANTORÍA\n<\/li>
Inés Alonso, soprano\n<\/li>
Belén Herrero, alto\n<\/li>
Jorge Losana, tenor and conductor\n<\/li>
David Guitart, bass\n<\/li>
Nathan Giorgetti, viola da gamba\n<\/li>
Daniel Murphy, lute\n<\/li>
\nwith the contribution of Cervantes Institute, Ambassy of Spain in Italy and INAEM<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\""Early$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET (21/03/2026 19:00 CET)\n <\/small>\n <\/p>\n\n
\n "Early Music Desk. ¡Haendel All’Italiana!"\n <\/h3>\n\n \n Festival Encuentro Silva de Sirenas (FESS Madrid)\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n Early Music Desk offers an intimate listening experience: a close acoustic, direct dialogue between performer and listener, commentary on the works, a final discussion, and a relaxed space for conversation. The event is also streamed online.\n <\/div>\n\n
\n Musicians<\/span>\n
DELIRIVM MUSICA <\/li>
Beatriz Amezúa, violin <\/li>
Diego Fernández, harpsichord <\/li>
Juan Portilla, recorder<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 }); tit-boucquet.JPG" />

French & Italian Lute Music from the Baroque Era Online
Escola d'Adults Pau Casals de Rubí Spain
Escola Municipal de Música Pere Burés, Joaquim Blume, 28, 08191 Rubí
First concert ever with a 14-course lute with works by pretty unknown baroque composers for the lute such as Louys de Moy & Giovanni Zamboni.

Musicians
Joaquim Bogunyà, 14-course lute.

Youtube

Website

21/03/2026 13:00 CET (21/03/2026 13:00 CET)

Guided tour of the history of architecture On-site
Stiftung Händel-Haus Germany
Händel-Haus, Große Nikolaistraße 5, 06108 Halle (Saale)
Karl Altenburg sheds some light on the history of the Handel House's construction and accompanies visitors to the vaulted cellar and the impressive panelled parlour.

Musicians
Karl Altenburg, Museum historian

Website

Instagram

Facebook

20/03/2026 11:36 CET

Generation 1685 - Bach | Scarlatti On-site
Mars en Baroque France
Church Notre-Dame du Mont, Église Notre-Dame du Mont 1 rue de Lodi , 13006 Marseille
Both born in 1685, Johann Sebastian Bach and Domenico Scarlatti, steeped in the knowledge of the past, were driven by a deep desire for modernity.

Musicians
Jacques Moderne Ensemble
Joël Suhubiette - Conductor
Axelle Bernage, Cécile Dibon-Lafarge Cyprile Meier and Julia Wischniewski, sopranos
Margot Mellouli, mezzo-soprano
Gabriel Jublin, countertenor
Marc Manodritta, Marco Van Baaren, tenors
Didier Chevalier, Cyrille Gautreau, basses
Rémi Cassaigne, theorbo
Marine Rodallec, cello
Emmanuel Mandrin, organ

Website

17/03/2026 13:10 GMT (17/03/2026 14:10 CET)

Organ recital. Correa de Arauxa: “Libro de tientos... Facultad organica” (1626) On-site
Andrew Benson-Wilson United Kingdom
The Grosvenor Chapel, South Audley Street, Mayfair, W1K 2PA London
This Early Music Day recital focuses on the publication, exactly 400 years ago, of the monumental "Libro de tientos y discursos de música practica, y theorica de organo intitulado Facultad organica" by Francisco Correa de Arauxo.

Musicians
Andrew Benson-Wilson, organ

Website

21/03/2026 19:00 CET (21/03/2026 19:00 CET)

The Conservatory of Menorca celebrates Early Music Day On-site
Conservatori Professional de Música de Menorca and JJMM d'Alaior Spain
Sala de Cultura Sant Diego, Alaior, Es Banyer, S/N, 07730 Alaior
As is tradition at Conservatori Professional de Música de Menorca, students and teachers of the center celebrate Early Music Day, with a concert-conference in which you can listen to music for guitar, string quartet, violin and voice.

Musicians

Website

Instagram

Facebook

22/03/2026 17:00 CET (22/03/2026 17:00 CET)

Musical Conversations: Gaultier & Tessarini On-site
Titans Rising concert series Germany
Ev. Kirche Am Lietzensee, Herbartstraße 4-6, 14057 Berlin
This program contrasts French Baroque refinement with Italian virtuosity, featuring Pierre Gaultier de Marseille’s suites from the Ambronay debut recording (2025) alongside the lively miniatures of Carlo Tessarini.

Musicians
Cohaere Ensemble
Marta Gawlas, baroque traverso
Monika Hartmann, baroque cello
Natalia Olczak, harpsichord

Website

Website

21/03/2026 15:45 CET

Séance publique de l'Atelier Vocal On-site
Les Meslanges France
Centre Culturel Simone Signoret, 30 rue Jean Binard, 76920 Amfreville-la-Mi-Voie
Under the direction of Thomas van Essen, the singers will perform works from the European Renaissance, accompanied on the lute by Vincent Maurice.

Musicians
Thomas van Essen, conductor
Vincent Maurice, lute

Website

29/03/2026 18:00 EEST (29/03/2026 17:00 CEST)

Dietrich Buxtehude: Membra Jesu Nostri On-site
Borgå Swedish Cathedral Parish, Porvoo Finnish Parish, The Support Association of the Porvoo Oratorio Choir Finland
Porvoo Cathedral, Kirkkotori 1, 06100 Porvoo
To be performed for the first time in Porvoo on March 29, this five-part Baroque work features choir, soloists and orchestra in meditation on the crucified Christ.

Musicians
Porvoo Oratorio Choir and soloists
Ensemble Nylandia baroque orchestra
Kaisa Sidoroff, conductor

Website

21/03/2026 19:30 CET

Les Suites Françaises de J. S. Bach On-site
La Cité Bleue Genève Switzerland
La Cité Bleue Genève, Avenue de Miremont 46, 1206 Geneva
An exceptional recital by Cédric Pescia featuring Johann Sebastian Bach's six French Suites, a masterpiece for keyboard in which slow and lively dances respond to each other with profound contrapuntal richness.

Musicians
Cédric Pescia, piano

Website

21/02/2026 20:00 CET (21/02/2026 20:00 CET)

Between Iberia and the Balkans On-site
VEMA - Vojvodinian Music Association Serbia
Between Iberia and the Balkan, Museum of Vojvodina, Dunavska 35, 21000 Novi Sad
From Adriatic sacred polyphony to Spanish Baroque, this program travels across early modern Europe. From Lukačić and Cecchini to Hidalgo and Durón, it bridges devotion, dance, rhetoric, and theatrical passion in a vibrant shared sound world.

Musicians
Musica Antiqua Neoplantensis
Radoslava Vorgić – soprano
Meila Tomé – recorder
Rafael Arjona – lute & baroque guitar

Website

21/03/2026 19:00 CET (21/03/2026 19:00 CET)

Konzert zum 341. Bach-Geburtstag Online and On-site
Köthener BachGesellschaft mbH Gibraltar
Kirche St. Agnus, Stiftstraße 11, 06366 Köthen (Anhalt)
As always during the festive season, the concert given on Bach's birthday on 21 March at St. Agnus Church in Köthen offers a preview of the festival programme. Musically, the repertoire ranges from the Middle Ages to the present day.

Musicians
Tabea Höfer (baroque violin)
Johannes Lauer (trombone)
Bertram Burkert (guitar)
Trio Evviva
Folkert Uhde (moderator)

Website

21/03/2026 19:00 CET (21/03/2026 19:00 CET)

Light and Sound - Baroque Voices from Schütz to Bach On-site
Early Music Sweden Sweden
Tyska Kyrkan, Svartmangatan 16, 111 29 Stockholm
On Bach’s birthday, Early Music Sweden presents a concert from Schütz and Schein to Bach and his family. The Calmus Ensemble, rooted in the Leipzig choral tradition, joins Jeanette Eriksson on lira da braccio for a warm, text-focused musical journey.

Musicians
Calmus Ensemble
Jeanette Eriksson, lira da braccio

Tickets

22/03/2026 17:00 CET

Leçons de Ténèbres by F. Couperin On-site
Les Paladins France
99 route de Cugny , 1257 Compesières
Jérôme Correas and Les Paladins offer a rare version of Leçons de Ténèbres, a cycle of three vocal pieces that are among the most impressive in the Baroque religious repertoire.

Musicians
Jean-François LOMBARD, countertenor
Bastien RIMONDI, countertenor
Olivia GUTHERZ, viola da gamba
Benjamin NARVEY, theorbo
Jérôme CORREAS, organ, harpsichord, and conductor

Website

21/03/2026 17:51 CET (21/03/2026 17:51 CET)

Divina Virgo. Medieval music concert for voices and instruments On-site
Fondazione Abbatia Sancte Marie de Morimundo Italy
Chiara Mojana, Piazza Municipio n. 6, 20081 Morimondo
Medieval music concert paying tribute to the Virgin Mary through Gregorian chants, Italian lauds, Cantigas de Santa Maria, and pilgrimage melodies. Voices and period instruments recreate the spiritual atmosphere of the Middle Ages.

Musicians
Instrumental duo "In Itinere Musica Medievale" (viella, rebec, medieval clàrsach harp, recorder and other instruments).
Gregorian vocal trio "Sonus et vox"

Website

Facebook

Tickets

21/03/2026 19:30 CET

ST. JOHN PASSION BWV 245 / JOHANN SEBASTIAN BACH On-site
Polish Royal Opera Poland
Basilica of the Dominican Fathers in Lublin, Złota 9, Złota 9, 20-112 LUBLIN
Extremely emotional and personal musical picture of the suffering and death of Christ, painted in the spirit of the passionate and sincere devotion of the Leipzig genius.

Musicians
PERFORMERS:
JACEK SZPONARSKI - EVANGELIST
ROBERT GIERLACH - JESUS
PAWEŁ CZEKAŁA - PILATE
JOANNA SOJKA - SOPRANO
ANNA RADZIEJEWSKA - ALTO
SYLWESTER SMULCZYŃSKI - TENOR
PAWEŁ MICHALCZUK - BASS
THE CHORUS OF THE POLISH ROYAL OPERA T
HE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA
CAPELLA REGIA POLONA
KAROL KNAPIŃSKI - CHORUS MASTER
KRZYSZTOF GARSTKA - POSITIVE ORGAN, CONDUCTOR

Website

14/03/2026 14:30 CET

Dordán On-site
Waterford Libraries Ireland
Central Library, Lady Lane, X91 V045 Waterford
Waterford City–based male voice choir Dordán will perform in Central Library, presenting a programme rooted in Ireland’s early musical traditions and highlighting their continuity within contemporary community practice.

Musicians
Dordán

Website

Facebook

21/03/2026 19:00 CET (21/03/2026 19:00 CET)

Mencía. Duchessa di Calabria On-site
Pietà de' Turchini Foundation Italy
Church of Santa Caterina da Siena, Santa Caterina da Siena Street, 38, 80132 Naples
This programme revolves around the figure of Mencía de Mendoza, Duchess of Calabria, one of the most eminent personalities of the Spanish Renaissance and heir to the Neapolitan cultural legacy.

Musicians
CANTORÍA
Inés Alonso, soprano
Belén Herrero, alto
Jorge Losana, tenor and conductor
David Guitart, bass
Nathan Giorgetti, viola da gamba
Daniel Murphy, lute
with the contribution of Cervantes Institute, Ambassy of Spain in Italy and INAEM

Website

21/03/2026 19:00 CET (21/03/2026 19:00 CET)

"Early Music Desk. ¡Haendel All’Italiana!" Online
Festival Encuentro Silva de Sirenas (FESS Madrid) Spain
Espacio Silva de Sirenas, C/ Vinaroz 16, 28002 Madrid
Early Music Desk offers an intimate listening experience: a close acoustic, direct dialogue between performer and listener, commentary on the works, a final discussion, and a relaxed space for conversation. The event is also streamed online.

Musicians
DELIRIVM MUSICA
Beatriz Amezúa, violin
Diego Fernández, harpsichord
Juan Portilla, recorder

Youtube

Website

Website

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Edition 2026

Join the Global Celebration of Early Music

Search events

French & Italian Lute Music from the Baroque Era Online

Guided tour of the history of architecture On-site

Generation 1685 - Bach | Scarlatti On-site

Organ recital. Correa de Arauxa: “Libro de tientos... Facultad organica” (1626) On-site

The Conservatory of Menorca celebrates Early Music Day On-site

Musical Conversations: Gaultier & Tessarini On-site

Séance publique de l'Atelier Vocal On-site

Dietrich Buxtehude: Membra Jesu Nostri On-site

Les Suites Françaises de J. S. Bach On-site

Between Iberia and the Balkans On-site

Konzert zum 341. Bach-Geburtstag Online and On-site

Light and Sound - Baroque Voices from Schütz to Bach On-site

Leçons de Ténèbres by F. Couperin On-site

Divina Virgo. Medieval music concert for voices and instruments On-site

ST. JOHN PASSION BWV 245 / JOHANN SEBASTIAN BACH On-site

Dordán On-site

Mencía. Duchessa di Calabria On-site

"Early Music Desk. ¡Haendel All’Italiana!" Online