Edition 2026

Join the Global Celebration of Early Music

Every 21 March, festivals, concert halls, ensembles, and institutions across Europe come together to celebrate the richness of early music. Explore the diversity of events, artists, and initiatives by visiting our interactive map and find out what’s happening near you or across the continent.

26/01/2026 19:30 CET <\/h3>\n\n \n All'Antica Musika\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n

\n The Garden of Earthly Delights: An interdisciplinary show that combines theatre, modern dance and Spanish music from the Renaissance and Baroque periods. During the show, Philip II recounts his final hours and looks back on his life while observing the painting.\n <\/div>\n\n
\n Musicians<\/span>\n
Laiene Alcalá, Soprano<\/li>
Silvia Cantatore, Viola da Gamba<\/li>
Teresa Merino, Theorbo<\/li>
Elvira Pujol, Harpsichord<\/li>
Diego de Amigo, Baroque Violin<\/li>
David Sáez, Recorders<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 16:00 CET (21/03/2026 16:00 CET)\n <\/small>\n <\/p>\n\n
\n Concert & jam session\n <\/h3>\n\n \n Visby domkyrkoförsamling\n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n Approximately 2-hour concert, followed by an early music jam session/open stage at Visby Börs. Approximately 2-hour concert, followed by an early music jam session/open stage at Visby Börs.\n <\/div>\n\n
\n Musicians<\/span>\n
Musicians and singers from Gotland<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\""Conduisez$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 07/03/2026 20:00 CET\n <\/small>\n <\/p>\n\n
\n "Conduisez les plaisirs dans les climats lointains !" - Les Meslanges\n <\/h3>\n\n \n Harmonia Sacra - Les Ch'tis Concerts Parisiens\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Meslanges concert in aid of the Hôtel de Barneville in Valenciennes, Rencontres music centre.\n <\/div>\n\n
\n Musicians<\/span>\n
Thomas van Essen, baritone<\/li>
Jérôme van Waerbeke, violin<\/li>
Ondine Lacorne-Hébrard, bass viol<\/li>
Frédéric Hernandez, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Alla$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 11:10 CET\n <\/small>\n <\/p>\n\n
\n Alla fonte della musica\n <\/h3>\n\n \n Centro culturale San Magno \n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Course on reading and interpreting the Renaissance repertoire in ancient notation.\n <\/div>\n\n
\n Musicians<\/span>\n
Salvatore Sciammetta <\/li><\/ul>\n <\/div>\n\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"BAROCCO$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 17:04 EET (21/03/2026 16:04 CET)\n <\/small>\n <\/p>\n\n
\n BAROCCO ITALIANO\n <\/h3>\n\n \n Asociatia ANTIQVA \n <\/span>\n\n \n Romania<\/strong>\n <\/span>\n\n
\n A concert about a period of profound change in music history—the 17th century. It brought with it a more theatrical character to music, with more dramatic instrumental writing, more vocal in spirit, and more attentive to contrast and emotion. \n <\/div>\n\n
\n Musicians<\/span>\n
Xavier Díaz-Latorre (lute, musical direction)<\/li>
SEMPRE Baroque Music Ensemble<\/li><\/ul>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"JAM-Session:$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 17:00 CET\n <\/small>\n <\/p>\n\n
\n JAM-Session: Mona Lisa’s Mystic Smile\n <\/h3>\n\n \n Capella de la Torre\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Whatever the true meaning of her smile may be, it is undoubtedly one of the most fascinating features of the Mona Lisa. Capella de la Torre, together with the young people from JAM embark on a journey into the world of the Renaissance and its sounds.\n <\/div>\n\n
\n Musicians<\/span>\n
JAM (Jugendensemble Alte Musik)\n<\/li>
Capella de la Torre\n<\/li>
Katharina Bäuml, shawm and direction<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"BACH$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2026 08:00 CET\n <\/small>\n <\/p>\n\n
\n BACH Continuo\n <\/h3>\n\n \n FCE Continuo webradio Luxembourg\n <\/span>\n\n \n Luxembourg<\/strong>\n <\/span>\n\n \n Broadcasts from 08:00 until 18:00 / live recordings in Luembourg-City.\n <\/div>\n\n
\n Musicians<\/span>\n
Vincent Soubeyran<\/li>
René Heisten<\/li>
Achim Holz<\/li>
Josy Peschon<\/li>
and many more<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"John$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 25/03/2026 16:00 CET\n <\/small>\n <\/p>\n\n
\n John Dowland, 400 Years Later\n <\/h3>\n\n \n Escola d'Adults Pau Casals de Rubí\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n Lute solos from the best lutenist of all time, who passed away 400 years ago. \n\n <\/div>\n\n
\n Musicians<\/span>\n
Joaquim Bogunyà, renaissance lute.<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\""Tempus$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 18:30 CET (21/03/2026 18:30 CET)\n <\/small>\n <\/p>\n\n
\n "Tempus est jocundum" \n <\/h3>\n\n \n Associazione Mozart - Lecce\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Songs and music for a medieval spring festival.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Concentus <\/li>
Vania Palumbo: canto, citola, percussioni <\/li>
Michele Tricarico: flauti a becco <\/li>
Maurizio Ria, viella, quinterna <\/li>
Angela Lacalamita: Liuto, salterio <\/li>
Giovanna Tricarico: organo portativo, arpa gotica<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Her$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 15:00 EET (21/03/2026 14:00 CET)\n <\/small>\n <\/p>\n\n
\n Her Cup of Tea – music for virginal from the beginning of the 17th century\n <\/h3>\n\n \n BRQ Vantaa Festival\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Assi Karttunen plays early-1600s English virginal gems (Byrd, Morley) from Elizabeth Rogers & Fitzwilliam books, improvises in style, and ends with French baroque by Chambonnières & Jacquet de La Guerre.\n <\/div>\n\n
\n Musicians<\/span>\n
Assi Karttunen, musician<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"O$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 EET (21/03/2026 18:00 CET)\n <\/small>\n <\/p>\n\n
\n O Sidera – taivaan kutsu\n <\/h3>\n\n \n Sastamala Gregoriana\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Ancient heritage meets Renaissance polyphony and Byzantine chant in a dialogue between East and West. The programme centres on Lassus’ Prophetiae Sibyllarum, where bold Renaissance harmonies encounter contemplative Byzantine sound worlds.\n <\/div>\n\n
\n Musicians<\/span>\n
Ensemble Irini <\/li>
Lila Hajosi, director<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Café$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 16/03/2026 19:00 EET (16/03/2026 18:00 CET)\n <\/small>\n <\/p>\n\n
\n Café Barock: Suoni scordati\n <\/h3>\n\n \n Kulttuuriyhdistys Ensemble Nylandia ry\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n In this program, the cello speaks with a different voice than what we are used to revealing resonances, gestures, and affections that belong to a special sound world used by 17th century italian composers and JS Bach in his 5th solo suite.\n <\/div>\n\n
\n Musicians<\/span>\n
Ester Nurminen, baroque cello\n<\/li>
Lili Talimaa, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Café$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 18:00 EET (21/03/2026 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Café Barock goes Early Music Day: O vezzoseta! & baroque karaoke\n <\/h3>\n\n \n Kulttuuriyhdistys Ensemble Nylandia ry\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n O vezzosetta! explores the catchiest tunes of the early Baroque at Art Café Feeniks on 21 March at 6 pm. The evening opens with the Finnish Early Music Society announcing its Recognition Award, and ends with Baroque Karaoke with live house band.\n <\/div>\n\n
\n Musicians<\/span>\n
Mariette Reefman – soprano and baroque viola\n<\/li>
Daniel Kivivuori – viola da gamba\n<\/li>
Jasper Koekoek – virginal and programming\n<\/li>
\nBaroque Karaoke
Host: Jaani Länsiö, music journalist\n
Lead singer: Juho Eerola\n
Live accompaniment: Ensemble Nylandia House Band<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Monody$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2026 19:00 CET\n <\/small>\n <\/p>\n\n
\n Monody Festival | Festiwal Muzyki Jednogłosowej\n <\/h3>\n\n \n Płocki Ośrodek Kultury i Sztuki\n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n \n Monody Festival | Festiwal Muzyki Jednogłosowej. \nMarch 20 - Diskantoers | March 21 - Ensemble Theleme | March 22 - Ensemble Gamut! | Start 19:00\n <\/div>\n\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\""Tempus$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 18:30 CET (21/03/2026 18:30 CET)\n <\/small>\n <\/p>\n\n
\n "Tempus est jocundum" Canti e Musiche per una festa medievale di Primavera\n <\/h3>\n\n \n Associazione Mozart - Lecce\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n The program includes music from the \"Codex Buranus\" and other medieval codices. Songs and music dedicated to spring, wine, and good living.\n <\/div>\n\n
\n Musicians<\/span>\n Ensemble Concentus - Vania Palumbo: Canto, Citola, Persussioni; Michele Tricarico: Flauti a becco; Maurizio Ria: Viella, Quinterna; Angela Lacalamita: Liuto, Salterio; Giovanna Tricarico: Organo portativo, Arpa gotica, Organistrum\n <\/div>\n\n
\n\n
https://ensembleconcentuslecce.jimdofree.com/<\/a><\/li>\n\n
https://www.facebook.com/profile.php?id=100079388228537&sk=photos<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 19/03/2026 20:00 CET\n <\/small>\n <\/p>\n\n
\n The Händel Passion\n <\/h3>\n\n \n Bachcelona Festival\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n This program of music by Handel and Bach recreates an extraordinary event: Good Friday, 1747, when J.S. Bach performed Handel arias in Leipzig during a performance of the Markus Passion.\n <\/div>\n\n
\n Musicians<\/span>\n
Salvat Soloists\nMariana Rodrigues, soprano<\/li>
Jana Corominas, mezzo-soprano<\/li>
Itamar Hildesheim, tenor<\/li>
Lluís Arratia, baritone<\/li>
Bachcelona Consort<\/li>
Katy Elkin, oboe<\/li>
Vadym Makarenko,violin<\/li>
Andrés Murillo, violin<\/li>
Núria Pujolràs, viola<\/li>
Guillermo Turina, cello<\/li>
Daniel Tarrida, harpsichord and conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:30 CET\n <\/small>\n <\/p>\n\n
\n Concert | *The Musical Offering\n <\/h3>\n\n \n Bach en Combrailles\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n ONRA concert, as a prelude to the 28th edition (3 to 8 August 2026) of Bach en Combrailles. Several transcriptions for strings of L’Offrande musicale by Thomas Zehetmair.\n <\/div>\n\n
\n Musicians<\/span>\n
Auvergne-Rhône-Alpes National Orchestra<\/li>
Thomas Zehetmair (conductor)<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Lusso$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 20:30 CET\n <\/small>\n <\/p>\n\n
\n Lusso e melancholia - Splendore e intimità nel tardo rinascimento strumentale\n <\/h3>\n\n \n Pontificio Istituto Ambrosiano di Musica Sacra (Pontifical Ambrosian Institute of Sacred Music )\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n Concert with an orchestra of Renaissance instruments. \n <\/div>\n\n
\n Musicians<\/span>\n
Gruppo Musica Antica AIMA<\/li>
Conductor: Ivan Pelà<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 20:30 CET\n <\/small>\n <\/p>\n\n
\n The Vocalitas Choir celebrates Early Music Day!\n <\/h3>\n\n \n Conservatoire de Châtenay-Malabry\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n The Vocalitas Choir and the conservatory\'s early music classes will gather at the Church of Saint-Germain l\'Auxerrois for a special concert in tribute to this musical genre.\n <\/div>\n\n
\n Musicians<\/span>\n
Vocalitas Choir conducted by Sophie BOUCHERON and accompanied by Hugues DELAUNAY<\/li>
Early music classes conducted by Éric BRUNET<\/li><\/ul>\n <\/div>\n\n
\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Eisenhand$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 29/03/2026 18:15 CEST\n <\/small>\n <\/p>\n\n
\n Eisenhand – 650 Years of Oswald von Wolkenstein\n <\/h3>\n\n \n ReRenaissance – Forum for Early Music\n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n \n Oswald\'s dazzling personality made him a legend: according to tradition, a magic spell lay upon his hand, causing every musical instrument he touched to break – earning him the name «Man de fyèr»: the Iron Hand. \n <\/div>\n\n
\n Musicians<\/span>\n
Grace Newcombe – voice, harp<\/li>
Korneel Van Neste – voice\n<\/li>
Raitis Grigalis – voice\n<\/li>
Baptiste Romain – fiddle, bagpipe\n<\/li>
Julian Anatol Schneider – narrator\n<\/li>
Marc Lewon – lute, voice, direction<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Der$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET\n <\/small>\n <\/p>\n\n
\n Der Tag des Gerichts\n <\/h3>\n\n \n Magdeburger Telemann-Festtage\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Telemann\'s dramatic oratorio describes the fear of God\'s judgment on the Last Day. The modern language inspired powerful musical images of fear, menace, and natural forces sent by God, but also hymns of praise and songs of thanksgiving.\n <\/div>\n\n
\n Musicians<\/span>\n
B\'Rock Orchestra & Vocal Consort\n<\/li>
Johanna Soller, artistic direction<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"An$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 14:00 CET\n <\/small>\n <\/p>\n\n
\n An afternoon of early music\n <\/h3>\n\n \n Conservatoire à Rayonnement Communal d'Orange\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n 2 p.m.: lecture on ‘Jean-Joseph Mouret, a composer from Avignon in Paris’ by Marie-Virginie Delorme\n4 p.m.: Les fêtes galantes (dance, music and theatre) by the teachers and students of the Orange Conservatory\n <\/div>\n\n
\n Musicians<\/span>\n
Alain BRAVAY: teacher of traditional music and director of early music ensembles Marie-Virginie DELORME: teacher of organ and music culture<\/li>
Amélie GAUTHIER: teacher of viola da gamba and guitar
<\/li>
Cécile PERRET: teacher of flute and traverso
<\/li>
Josée ARRUE: theatre teacher<\/li>
Séverine GROS: dance teacher And the students of the Orange Conservatory<\/li><\/ul>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"U$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 20:00 CET\n <\/small>\n <\/p>\n\n
\n U kraljevstvu Partenope - napuljski barokni koncerti\n <\/h3>\n\n \n Croatian Baroque Ensemble\n <\/span>\n\n \n Croatia<\/strong>\n <\/span>\n\n
\n Second concert in the 26th concert season of the Croatian Baroque Ensemble. You will hear some works of Mancini, Scarlatti, Fiorenza, Mele, Leo, and Sammartini. And a day earlier, the same concert can be heard in Celje (Slovenia). \n <\/div>\n\n
\n Musicians<\/span>\n
Croatian Baroque Ensemble\n<\/li>
Maruša Brezavšček - recorder and artistic direction<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"O$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 21:00 EET (21/03/2026 20:00 CET)\n <\/small>\n <\/p>\n\n
\n O Sidera\n <\/h3>\n\n \n Festival Sastamala Gregoriana\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n Language, distorted by Lassus or stretched by the Byzantine Asmatikon, fades away to make room for pure sensation. A new grammar is created, that of the encounter between music and the body, between the bodies of the singers and the body of the conductor\'s gestures and the bodies of the listeners, in the wake of the sound waves. O Sidera is a shock, a rapture, which is first experienced and then explained. The programme can be read when the singing stops, as if to seek a rational explanation for what we have just experienced.\n <\/div>\n\n
\n Musicians<\/span>\n
Lila Hajosi - Conductor<\/li>
Chloé Roussel - Mezzo soprano\n<\/li>
Fanny Chatelain - Alto <\/li>
\nOlivier Merlin - Tenor\n<\/li>
Xavier Bazoge, Jean-Marc Vié - Bass<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Journée$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 17:00 CET\n <\/small>\n <\/p>\n\n
\n Journée de la Musique Ancienne 2026\n <\/h3>\n\n \n Les Rendez-Vous de Musique Ancienne | Ensemble Céladon\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n In 2026, the RDVMA will organise its first edition of Early Music Day in partnership with three ensembles from FEVIS AuRA. Whether you are an enthusiast or simply curious, come and be surprised by this new event in Lyon!\n <\/div>\n\n
\n Musicians<\/span>\n
La Française Ensemble<\/li>
Céladon Ensemble<\/li>
Pulcinella Ensemble<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Conférence$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 31/03/2026 15:00 CEST\n <\/small>\n <\/p>\n\n
\n Conférence "Jean-Joseph Mouret, un compositeur avignonnais à Paris au XVIIIe siècle"\n <\/h3>\n\n \n Les Après-midi de Fonséca\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n As part of her collaboration on Alain Bravay\'s recent book on Jean-Joseph Mouret, Marie-Virginie Delorme is giving a lecture to rediscover this Baroque composer from Avignon, with screenings and musical excerpts.\n <\/div>\n\n
\n Musicians<\/span>\n
Marie-Virginie Delorme, professor of organ, music writing and culture at the CRC in Orange and titular organist at Vaison-la-Romaine Cathedral<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Recital$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 08/03/2026 15:00 CET\n <\/small>\n <\/p>\n\n
\n Recital for viola da gamba - À coeur joie\n <\/h3>\n\n \n Rimat\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n The viola da gamba is given free rein in this programme, which freely combines works by Sainte Colombe, Monteverdi, Caix d\'Hervelois, Marais, Hume, Forqueray and Dowland.\n <\/div>\n\n
\n Musicians<\/span>\n
Mathilde Gomas<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Organ$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 16:30 CET\n <\/small>\n <\/p>\n\n
\n Organ and early music concert\n <\/h3>\n\n \n Conservatoire à Rayonnement Communal d'Orange\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert by the organ class, with the participation of teachers from the early music department and the Conservatoire\'s early music ensembles for teenagers and adults.\n <\/div>\n\n
\n Musicians<\/span>\n
Marie-Virginie Delorme, organ teacher<\/li>
Alain Bravay, traditional music teacher and director of early music ensembles<\/li>
Amélie Gauthier, viola da gamba teacher<\/li>
Conservatory students (organ, galoubet-tambourine, bagpipes, recorder, violin, cello, etc.)<\/li><\/ul>\n <\/div>\n\n
\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"El$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 03/02/2026 19:00 CET\n <\/small>\n <\/p>\n\n
\n El Jardín de las Delicias\n <\/h3>\n\n \n All'Antica Musika \n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n
\n El jardín de las delicias\" by All\'Antica Musika is an interdisciplinary project that combines early Spanish and Latin American music (16th-18th centuries) with theatre and dance, narrating the last thoughts of King Philip II.\n <\/div>\n\n
\n Musicians<\/span>\n
Jorge Santos (actor)<\/li>
Laiene Alcalá (soprano)<\/li>
Venecia Grifell (dancer)<\/li>
Diego de Amigo (baroque violin)<\/li>
David Sáez (recorders)<\/li>
Silvia Cantatore (viola da gamba)<\/li>
Teresa Merino (theorbo)<\/li>
Elvira Pujol (harpsichord)<\/li>
Adrian Santamaria (percussion)<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Quattrocento\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 09:48 CST (21/03/2026 02:48 CET)\n <\/small>\n <\/p>\n\n
\n Quattrocento\n <\/h3>\n\n \n National Concert Hall\n <\/span>\n\n \n Taiwan<\/strong>\n <\/span>\n\n \n Collaboration concert with Capella de Ministrers & The Gleam Ensemble.\nSpanish Renaissance music from Alfonso the Magnanimous to Isabella the Catholic.\n <\/div>\n\n
\n Musicians<\/span>\n
CAPELLA DE MINISTRERS\nCarles Magraner\n<\/li>
\nTHE GLEAM ENSEMBLE\nMartin Chiang<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach's$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 PDT (22/03/2026 03:00 CET)\n <\/small>\n <\/p>\n\n
\n Bach's Mass in B Minor\n <\/h3>\n\n \n Bach Collegium San Diego\n <\/span>\n\n \n United States<\/strong>\n <\/span>\n\n \n The Mass in B minor represents the pinnacle and synthesis of Bach\'s musical language. Bach takes us on a journey through some of his most sublime musical ideas, from moments of meditation and repose to total ecstasy and euphoria.\n <\/div>\n\n
\n Musicians<\/span>\n
Bach Collegium San Diego\n<\/li>
Ruben Valenzuela, Founder & Artistic Director\n<\/li>
SOLOISTS\nEstelí Gomez, soprano \nJay Carter, countertenor \nAaron Sheehan, Michael Jones, tenors \nEnrico Lagasca, bass <\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Concert$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 16:30 CET\n <\/small>\n <\/p>\n\n
\n Concert Alla francesca : "Vray dieu d'amours…"\n <\/h3>\n\n \n Les Samedis Musicaux de Chartres\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Chansons et polyphonies du XVe siècle signées Binchois, Dufay, Ockeghem, Dunstable…\n <\/div>\n\n
\n Musicians<\/span>\n
Alla Francesca Ensemble<\/li>
Maud Haering: vocals<\/li>
Mathias Lunghi: vocals<\/li>
Camile Macinenti: vocals<\/li>
Nolwenn Le Guern: bowed fiddle, rebec<\/li>
Brigitte Lesne: direction and concept, Gothic harp<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Historical$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/01/2026 14:00 CET (21/01/2026 14:00 CET)\n <\/small>\n <\/p>\n\n
\n Historical dance afternoon\n <\/h3>\n\n \n Stiftung Händel-Haus\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Experience early Baroque street dances from England and French branles, with elegant figures, rousing melodies, and convivial dancing which already delighted people in the days of Shakespeare and Queen Elizabeth I.\n <\/div>\n\n
\n Musicians<\/span>\n
Mark Frenzel, dance teacher\n<\/li>
Hagen Jahn, museum educator<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Bach's$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 20:00 CET\n <\/small>\n <\/p>\n\n
\n Bach's St John Passion\n <\/h3>\n\n \n LES PASSIONS - Orchestre Baroque de Montauban\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Considered ‘one of Bach\'s most profound and perfect works’, it offers a poetic, musical and religious interpretation of a fundamental episode from the Gospels, the Passion of Christ.\n <\/div>\n\n
\n Musicians<\/span>\n
The Toulouse Choir Toulouse Conservatory (Mark Opstad)<\/li>
Les Passions (Jean-Marc Andrieu)<\/li>
Cyrille Dubois, Evangelist, tenor<\/li>
Pierre Yves Cras, Jesus, bass<\/li>
Marius Vidal, Pilate, tenor<\/li>
Lisa Auriol Chaïb, soprano<\/li>
Lucile Rentz, alto<\/li>
Jean-Christophe Lanièce, bass<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Early$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/01/2026 15:00 CET\n <\/small>\n <\/p>\n\n
\n Early Music Day Copenhagen 2026\n <\/h3>\n\n \n Copenhagen Renaissance Music Festival\n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n \n Welcome to another harpsichord marathon! \n <\/div>\n\n
\n Musicians<\/span>\n
Gilbert, Martinez (US/DK<\/li>
Alina Rotaru (RO)<\/li>
Yngvild Haalund Ruud (NO/DK)<\/li>
Gabriella Sjögren (SE).<\/li><\/ul>\n <\/div>\n\n
\n\n
Facebook<\/a><\/li>\n\n
Youtube<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Once$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 20:30 CET\n <\/small>\n <\/p>\n\n
\n Once upon a time... Holy Week\n <\/h3>\n\n \n Les Talens Lyriques\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Public masterclass and concert with commentary by Christophe Rousset, in partnership with the École Normale de Musique de Paris. The programme aims to provide a deeper understanding of the works performed, in connection with Holy Week and the Leçons de Ténèbres.\n <\/div>\n\n
\n Musicians<\/span>\n
Michèle Bréant, 1st treble<\/li>
Suzanne Jerosme, 2nd treble<\/li>
Atsushi Sakaï, viola da gamba<\/li>
Christophe Rousset, organ, harpsichord and conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n\n
Tickets<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Do$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2026 20:30 CET\n <\/small>\n <\/p>\n\n
\n Do as you please - A thousand years of song\n <\/h3>\n\n \n Ensemble Obsidienne \n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n To celebrate the return of spring, at the opening of LA REVERDIE, which Obsidienne has been offering since 2019, the ensemble takes up residence in the medieval setting of La Poterne, takes Rabelais\' maxim to heart and travels through 1,000 years of songs.\n <\/div>\n\n
\n Musicians<\/span>\n
Emilie Boudeville<\/li>
Florence Jacquemart<\/li>
Hélène Moreau<\/li>
Camille Bonnardot<\/li>
Colin Bonnardot<\/li>
Emmanuel Bonnardot<\/li>
Ludovic Montet<\/li>
Pierre Tessier <\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Festa$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 10:00 CET\n <\/small>\n <\/p>\n\n
\n Festa della Musica Antica: Vigevano, Accade anche qui\n <\/h3>\n\n \n Diapason Consortium\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n A marathon of concerts celebrating Early Music at Auditorium San Dionigi, a 17th century church suspended from worship and now temple of Music in Vigevano, just a few meters from Piazza Ducale, from 10am until midnight\n <\/div>\n\n
\n Musicians<\/span>\n
By the artistic production collective Bottega dei Suoni<\/li><\/ul>\n <\/div>\n\n
\n\n
Instagram<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Ārt$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 18:00 CET\n <\/small>\n <\/p>\n\n
\n Ārt House Social\n <\/h3>\n\n \n Georg Kroneis\n <\/span>\n\n \n Austria<\/strong>\n <\/span>\n\n \n ĀRT HOUSE is bringing Bach\'s music to the beautiful mountain village of Trahütten in Styria. To mark the occasion, we will be playing at 440Hz and will also be performing the melodrama ‘Der wunderbare Tivoli’ by Flora Marlene Geißelbrecht.\n <\/div>\n\n
\n Musicians<\/span>\n
Thomas Höft, author and narrator \n<\/li>
Michael Hell, harpsichord and recorder \n<\/li>
Georg Kroneis, viola da gamba<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Vray$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 16:30 CET\n <\/small>\n <\/p>\n\n
\n Vray dieu d'amours… Ensemble Alla francesca\n <\/h3>\n\n \n Les Samedis Musicaux de Chartres\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Concert de chansons polyphoniques du 15e siècle : Binchois, Dufay, Ockeghem, Dunstable…\nEnsemble Alla francesca\nDeuxième concert à 18h30\n <\/div>\n\n
\n Musicians<\/span>\n
Maud Haering, vocals<\/li>
Mathias Lunghi, vocals<\/li>
Camile Macinenti, vocals<\/li>
Nolwenn Le Guern, bowed fiddle, rebec<\/li>
Brigitte Lesne, direction and design, Gothic harp<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"French$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 09/04/2025 16:00 CEST\n <\/small>\n <\/p>\n\n
\n French & Italian Lute Music from the Baroque Era\n <\/h3>\n\n \n Escola d'Adults Pau Casals de Rubí\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n First concert ever with a 14-course lute with works by pretty unknown baroque composers for the lute such as Louys de Moy & Giovanni Zamboni.\n\n <\/div>\n\n
\n Musicians<\/span>\n
Joaquim Bogunyà, 14-course lute.<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Guided$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 13:00 CET (21/03/2026 13:00 CET)\n <\/small>\n <\/p>\n\n
\n Guided tour of the history of architecture\n <\/h3>\n\n \n Stiftung Händel-Haus\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n Karl Altenburg sheds some light on the history of the Handel House\'s construction and accompanies visitors to the vaulted cellar and the impressive panelled parlour.\n <\/div>\n\n
\n Musicians<\/span>\n
Karl Altenburg, Museum historian<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Generation$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 20/03/2026 11:36 CET\n <\/small>\n <\/p>\n\n
\n Generation 1685 - Bach | Scarlatti\n <\/h3>\n\n \n Mars en Baroque\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Both born in 1685, Johann Sebastian Bach and Domenico Scarlatti, steeped in the knowledge of the past, were driven by a deep desire for modernity.\n <\/div>\n\n
\n Musicians<\/span>\n
Jacques Moderne Ensemble<\/li>
Joël Suhubiette - Conductor<\/li>
Axelle Bernage, Cécile Dibon-Lafarge Cyprile Meier and Julia Wischniewski, sopranos<\/li>
Margot Mellouli, mezzo-soprano<\/li>
Gabriel Jublin, countertenor<\/li>
Marc Manodritta, Marco Van Baaren, tenors<\/li>
Didier Chevalier, Cyrille Gautreau, basses<\/li>
Rémi Cassaigne, theorbo<\/li>
Marine Rodallec, cello<\/li>
Emmanuel Mandrin, organ<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Organ$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 17/03/2026 13:10 GMT (17/03/2026 14:10 CET)\n <\/small>\n <\/p>\n\n
\n Organ recital. Correa de Arauxa: “Libro de tientos... Facultad organica” (1626)\n <\/h3>\n\n \n Andrew Benson-Wilson\n <\/span>\n\n \n United Kingdom<\/strong>\n <\/span>\n\n \n This Early Music Day recital focuses on the publication, exactly 400 years ago, of the monumental \"Libro de tientos y discursos de música practica, y theorica de organo intitulado Facultad organica\" by Francisco Correa de Arauxo.\n <\/div>\n\n
\n Musicians<\/span>\n
Andrew Benson-Wilson, organ<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"The$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET (21/03/2026 19:00 CET)\n <\/small>\n <\/p>\n\n
\n The Conservatory of Menorca celebrates Early Music Day\n <\/h3>\n\n \n Conservatori Professional de Música de Menorca and JJMM d'Alaior\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n As is tradition at Conservatori Professional de Música de Menorca, students and teachers of the center celebrate Early Music Day, with a concert-conference in which you can listen to music for guitar, string quartet, violin and voice.\n <\/div>\n\n
\n Musicians<\/span>\n
\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Instagram<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Musical$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 17:00 CET (22/03/2026 17:00 CET)\n <\/small>\n <\/p>\n\n
\n Musical Conversations: Gaultier & Tessarini\n <\/h3>\n\n \n Titans Rising concert series\n <\/span>\n\n \n Germany<\/strong>\n <\/span>\n\n \n This program contrasts French Baroque refinement with Italian virtuosity, featuring Pierre Gaultier de Marseille’s suites from the Ambronay debut recording (2025) alongside the lively miniatures of Carlo Tessarini.\n <\/div>\n\n
\n Musicians<\/span>\n
Cohaere Ensemble\n<\/li>
Marta Gawlas, baroque traverso\n<\/li>
Monika Hartmann, baroque cello\n<\/li>
Natalia Olczak, harpsichord<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Séance$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 15:45 CET\n <\/small>\n <\/p>\n\n
\n Séance publique de l'Atelier Vocal\n <\/h3>\n\n \n Les Meslanges\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n \n Under the direction of Thomas van Essen, the singers will perform works from the European Renaissance, accompanied on the lute by Vincent Maurice.\n <\/div>\n\n
\n Musicians<\/span>\n
Thomas van Essen, conductor<\/li>
Vincent Maurice, lute<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Dietrich$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 29/03/2026 18:00 EEST (29/03/2026 17:00 CEST)\n <\/small>\n <\/p>\n\n
\n Dietrich Buxtehude: Membra Jesu Nostri\n <\/h3>\n\n \n Borgå Swedish Cathedral Parish, Porvoo Finnish Parish, The Support Association of the Porvoo Oratorio Choir\n <\/span>\n\n \n Finland<\/strong>\n <\/span>\n\n \n To be performed for the first time in Porvoo on March 29, this five-part Baroque work features choir, soloists and orchestra in meditation on the crucified Christ.\n <\/div>\n\n
\n Musicians<\/span>\n
Porvoo Oratorio Choir and soloists\n<\/li>
Ensemble Nylandia baroque orchestra\n<\/li>
Kaisa Sidoroff, conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Les$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:30 CET\n <\/small>\n <\/p>\n\n
\n Les Suites Françaises de J. S. Bach\n <\/h3>\n\n \n La Cité Bleue Genève\n <\/span>\n\n \n Switzerland<\/strong>\n <\/span>\n\n \n An exceptional recital by Cédric Pescia featuring Johann Sebastian Bach\'s six French Suites, a masterpiece for keyboard in which slow and lively dances respond to each other with profound contrapuntal richness. \n <\/div>\n\n
\n Musicians<\/span>\n
Cédric Pescia, piano<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Between$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/02/2026 20:00 CET (21/02/2026 20:00 CET)\n <\/small>\n <\/p>\n\n
\n Between Iberia and the Balkans\n <\/h3>\n\n \n VEMA - Vojvodinian Music Association\n <\/span>\n\n \n Serbia<\/strong>\n <\/span>\n\n \n From Adriatic sacred polyphony to Spanish Baroque, this program travels across early modern Europe. From Lukačić and Cecchini to Hidalgo and Durón, it bridges devotion, dance, rhetoric, and theatrical passion in a vibrant shared sound world.\n <\/div>\n\n
\n Musicians<\/span>\n
Musica Antiqua Neoplantensis\n<\/li>
Radoslava Vorgić – soprano\n<\/li>
Meila Tomé – recorder\n<\/li>
Rafael Arjona – lute & baroque guitar<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Konzert$ \n <\/div>\n <\/div>\n\n
\n \n Online and On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET (21/03/2026 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Konzert zum 341. Bach-Geburtstag\n <\/h3>\n\n \n Köthener BachGesellschaft mbH\n <\/span>\n\n \n Gibraltar<\/strong>\n <\/span>\n\n \n As always during the festive season, the concert given on Bach\'s birthday on 21 March at St. Agnus Church in Köthen offers a preview of the festival programme. Musically, the repertoire ranges from the Middle Ages to the present day.\n <\/div>\n\n
\n Musicians<\/span>\n
Tabea Höfer (baroque violin)<\/li>
Johannes Lauer (trombone)<\/li>
Bertram Burkert (guitar)<\/li>
Trio Evviva<\/li>
Folkert Uhde (moderator)<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Light$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET (21/03/2026 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Light and Sound - Baroque Voices from Schütz to Bach\n <\/h3>\n\n \n Early Music Sweden\n <\/span>\n\n \n Sweden<\/strong>\n <\/span>\n\n
\n On Bach’s birthday, Early Music Sweden presents a concert from Schütz and Schein to Bach and his family. The Calmus Ensemble, rooted in the Leipzig choral tradition, joins Jeanette Eriksson on lira da braccio for a warm, text-focused musical journey.\n <\/div>\n\n
\n Musicians<\/span>\n
Calmus Ensemble <\/li>
\nJeanette Eriksson, lira da braccio\n<\/li><\/ul>\n <\/div>\n\n
\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Leçons$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 22/03/2026 17:00 CET\n <\/small>\n <\/p>\n\n
\n Leçons de Ténèbres by F. Couperin\n <\/h3>\n\n \n Les Paladins\n <\/span>\n\n \n France<\/strong>\n <\/span>\n\n
\n Jérôme Correas and Les Paladins offer a rare version of Leçons de Ténèbres, a cycle of three vocal pieces that are among the most impressive in the Baroque religious repertoire.\n <\/div>\n\n
\n Musicians<\/span>\n
Jean-François LOMBARD, countertenor<\/li>
Bastien RIMONDI, countertenor<\/li>
Olivia GUTHERZ, viola da gamba<\/li>
Benjamin NARVEY, theorbo<\/li>
Jérôme CORREAS, organ, harpsichord, and conductor<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Divina$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 17:51 CET (21/03/2026 17:51 CET)\n <\/small>\n <\/p>\n\n
\n Divina Virgo. Medieval music concert for voices and instruments\n <\/h3>\n\n \n Fondazione Abbatia Sancte Marie de Morimundo\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n
\n Medieval music concert paying tribute to the Virgin Mary through Gregorian chants, Italian lauds, Cantigas de Santa Maria, and pilgrimage melodies. Voices and period instruments recreate the spiritual atmosphere of the Middle Ages.\n <\/div>\n\n
\n Musicians<\/span>\n
Instrumental duo \"In Itinere Musica Medievale\" (viella, rebec, medieval clàrsach harp, recorder and other instruments).\n<\/li>
Gregorian vocal trio \"Sonus et vox\"<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n\n
Tickets<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"ST.$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:30 CET\n <\/small>\n <\/p>\n\n
\n ST. JOHN PASSION BWV 245 / JOHANN SEBASTIAN BACH\n <\/h3>\n\n \n Polish Royal Opera\n <\/span>\n\n \n Poland<\/strong>\n <\/span>\n\n
\n Extremely emotional and personal musical picture of the suffering and death of Christ, painted in the spirit of the passionate and sincere devotion of the Leipzig genius.\n <\/div>\n\n
\n Musicians<\/span>\n
PERFORMERS:\n<\/li>
JACEK SZPONARSKI - EVANGELIST<\/li>
ROBERT GIERLACH - JESUS\n<\/li>
PAWEŁ CZEKAŁA - PILATE\n<\/li>
JOANNA SOJKA - SOPRANO <\/li>
\nANNA RADZIEJEWSKA - ALTO\n<\/li>
SYLWESTER SMULCZYŃSKI - TENOR\n<\/li>
PAWEŁ MICHALCZUK - BASS\n<\/li>
THE CHORUS OF THE POLISH ROYAL OPERA\nT<\/li>
HE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA <\/li>
CAPELLA REGIA POLONA\n<\/li>
KAROL KNAPIŃSKI - CHORUS MASTER\n<\/li>
KRZYSZTOF GARSTKA - POSITIVE ORGAN, CONDUCTOR<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Dordán\"$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 14/03/2026 14:30 CET\n <\/small>\n <\/p>\n\n
\n Dordán\n <\/h3>\n\n \n Waterford Libraries\n <\/span>\n\n \n Ireland<\/strong>\n <\/span>\n\n
\n Waterford City–based male voice choir Dordán will perform in Central Library, presenting a programme rooted in Ireland’s early musical traditions and highlighting their continuity within contemporary community practice.\n <\/div>\n\n
\n Musicians<\/span>\n
Dordán<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n\n
Facebook<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\"Mencía.$ \n <\/div>\n <\/div>\n\n
\n \n On-site\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET (21/03/2026 19:00 CET)\n <\/small>\n <\/p>\n\n
\n Mencía. Duchessa di Calabria\n <\/h3>\n\n \n Pietà de' Turchini Foundation\n <\/span>\n\n \n Italy<\/strong>\n <\/span>\n\n \n This programme revolves around the figure of Mencía de Mendoza, Duchess of Calabria, one of the most eminent personalities of the Spanish Renaissance and heir to the Neapolitan cultural legacy.\n <\/div>\n\n
\n Musicians<\/span>\n
CANTORÍA\n<\/li>
Inés Alonso, soprano\n<\/li>
Belén Herrero, alto\n<\/li>
Jorge Losana, tenor and conductor\n<\/li>
David Guitart, bass\n<\/li>
Nathan Giorgetti, viola da gamba\n<\/li>
Daniel Murphy, lute\n<\/li>
\nwith the contribution of Cervantes Institute, Ambassy of Spain in Italy and INAEM<\/li><\/ul>\n <\/div>\n\n
\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 });
\n
\n $\""Early$ \n <\/div>\n <\/div>\n\n
\n \n Online\n <\/span>\n\n
\n \n 21/03/2026 19:00 CET (21/03/2026 19:00 CET)\n <\/small>\n <\/p>\n\n
\n "Early Music Desk. ¡Haendel All’Italiana!"\n <\/h3>\n\n \n Festival Encuentro Silva de Sirenas (FESS Madrid)\n <\/span>\n\n \n Spain<\/strong>\n <\/span>\n\n \n Early Music Desk offers an intimate listening experience: a close acoustic, direct dialogue between performer and listener, commentary on the works, a final discussion, and a relaxed space for conversation. The event is also streamed online.\n <\/div>\n\n
\n Musicians<\/span>\n
DELIRIVM MUSICA <\/li>
Beatriz Amezúa, violin <\/li>
Diego Fernández, harpsichord <\/li>
Juan Portilla, recorder<\/li><\/ul>\n <\/div>\n\n
\n\n
Youtube<\/a><\/li>\n\n
Website<\/a><\/li>\n\n
Website<\/a><\/li>\n <\/ul>\n <\/div>\n <\/div>\n<\/div>\n", { minWidth: 250 }); -delicias.jpg" />

El Jardín de las Delicias :: Felipe II On-site
All'Antica Musika Spain
Teatro Barakaldo, Calle Elcano, 4 , 48901 Barakaldo
The Garden of Earthly Delights: An interdisciplinary show that combines theatre, modern dance and Spanish music from the Renaissance and Baroque periods. During the show, Philip II recounts his final hours and looks back on his life while observing the painting.

Musicians
Laiene Alcalá, Soprano
Silvia Cantatore, Viola da Gamba
Teresa Merino, Theorbo
Elvira Pujol, Harpsichord
Diego de Amigo, Baroque Violin
David Sáez, Recorders

Youtube

21/03/2026 16:00 CET (21/03/2026 16:00 CET)

Concert & jam session On-site
Visby domkyrkoförsamling Sweden
Visby Cathedral, Visby domkyrka, Norra Kyrkogatan 4, 62155 Visby, Sweden, 62155 Visby
Approximately 2-hour concert, followed by an early music jam session/open stage at Visby Börs. Approximately 2-hour concert, followed by an early music jam session/open stage at Visby Börs.

Musicians
Musicians and singers from Gotland

Website

07/03/2026 20:00 CET

"Conduisez les plaisirs dans les climats lointains !" - Les Meslanges On-site
Harmonia Sacra - Les Ch'tis Concerts Parisiens France
Chapelle Notre-Dame de Bon Secours, 68 rue des Plantes, 75014 Paris
Meslanges concert in aid of the Hôtel de Barneville in Valenciennes, Rencontres music centre.

Musicians
Thomas van Essen, baritone
Jérôme van Waerbeke, violin
Ondine Lacorne-Hébrard, bass viol
Frédéric Hernandez, harpsichord

Website

21/03/2026 11:10 CET

Alla fonte della musica On-site
Centro culturale San Magno Italy
Centro parrocchiale San Magno, Piazza San Magno, 10, 20025 Legnano
Course on reading and interpreting the Renaissance repertoire in ancient notation.

Musicians
Salvatore Sciammetta

21/03/2026 17:04 EET (21/03/2026 16:04 CET)

BAROCCO ITALIANO On-site
Asociatia ANTIQVA Romania
Romanian Atheneum , Str. Benjamin Franklin nr. 1-3, 010287 Bucharest
A concert about a period of profound change in music history—the 17th century. It brought with it a more theatrical character to music, with more dramatic instrumental writing, more vocal in spirit, and more attentive to contrast and emotion.

Musicians
Xavier Díaz-Latorre (lute, musical direction)
SEMPRE Baroque Music Ensemble

Facebook

21/03/2026 17:00 CET

JAM-Session: Mona Lisa’s Mystic Smile On-site
Capella de la Torre Germany
UdK (Universität der Künste), Bundesallee 1-12, 10719 Berlin
Whatever the true meaning of her smile may be, it is undoubtedly one of the most fascinating features of the Mona Lisa. Capella de la Torre, together with the young people from JAM embark on a journey into the world of the Renaissance and its sounds.

Musicians
JAM (Jugendensemble Alte Musik)
Capella de la Torre
Katharina Bäuml, shawm and direction

Website

Website

21/03/2026 08:00 CET

BACH Continuo Online and On-site
FCE Continuo webradio Luxembourg Luxembourg
Church, Église Protestante, 5 rue de la Congrégation, Luxembourg City
Broadcasts from 08:00 until 18:00 / live recordings in Luembourg-City.

Musicians
Vincent Soubeyran
René Heisten
Achim Holz
Josy Peschon
and many more

Website

25/03/2026 16:00 CET

John Dowland, 400 Years Later On-site
Escola d'Adults Pau Casals de Rubí Spain
Escola Municipal de Música Pere Burés, Alicia de la Larrocha Hall., Joaquim Blume, 28, 08191 Rubí
Lute solos from the best lutenist of all time, who passed away 400 years ago.

Musicians
Joaquim Bogunyà, renaissance lute.

Website

21/03/2026 18:30 CET (21/03/2026 18:30 CET)

"Tempus est jocundum" On-site
Associazione Mozart - Lecce Italy
Museo Provinciale "Sigismondo Castromediano" , Viale Gallipoli, 31 , 73100 Lecce
Songs and music for a medieval spring festival.

Musicians
Ensemble Concentus
Vania Palumbo: canto, citola, percussioni
Michele Tricarico: flauti a becco
Maurizio Ria, viella, quinterna
Angela Lacalamita: Liuto, salterio
Giovanna Tricarico: organo portativo, arpa gotica

Website

21/03/2026 15:00 EET (21/03/2026 14:00 CET)

Her Cup of Tea – music for virginal from the beginning of the 17th century On-site
BRQ Vantaa Festival Finland
Tikkurila church, Asematie 12 a, 01300 Vantaa
Assi Karttunen plays early-1600s English virginal gems (Byrd, Morley) from Elizabeth Rogers & Fitzwilliam books, improvises in style, and ends with French baroque by Chambonnières & Jacquet de La Guerre.

Musicians
Assi Karttunen, musician

Website

Facebook

21/03/2026 19:00 EET (21/03/2026 18:00 CET)

O Sidera – taivaan kutsu Online and On-site
Sastamala Gregoriana Finland
Tyrvään kirkko, Kirkkokatu 1a, 38200 Sastamala
Ancient heritage meets Renaissance polyphony and Byzantine chant in a dialogue between East and West. The programme centres on Lassus’ Prophetiae Sibyllarum, where bold Renaissance harmonies encounter contemplative Byzantine sound worlds.

Musicians
Ensemble Irini
Lila Hajosi, director

Website

Youtube

16/03/2026 19:00 EET (16/03/2026 18:00 CET)

Café Barock: Suoni scordati On-site
Kulttuuriyhdistys Ensemble Nylandia ry Finland
Forum Box Gallery, Ruoholahdenranta 3A, 00180 Helsinki
In this program, the cello speaks with a different voice than what we are used to revealing resonances, gestures, and affections that belong to a special sound world used by 17th century italian composers and JS Bach in his 5th solo suite.

Musicians
Ester Nurminen, baroque cello
Lili Talimaa, harpsichord

Website

21/03/2026 18:00 EET (21/03/2026 17:00 CET)

Café Barock goes Early Music Day: O vezzoseta! & baroque karaoke On-site
Kulttuuriyhdistys Ensemble Nylandia ry Finland
Art Café Feeniks, Pohjoinen Rautatiekatu 9, 00100 Helsinki
O vezzosetta! explores the catchiest tunes of the early Baroque at Art Café Feeniks on 21 March at 6 pm. The evening opens with the Finnish Early Music Society announcing its Recognition Award, and ends with Baroque Karaoke with live house band.

Musicians
Mariette Reefman – soprano and baroque viola
Daniel Kivivuori – viola da gamba
Jasper Koekoek – virginal and programming
Baroque Karaoke
Host: Jaani Länsiö, music journalist
Lead singer: Juho Eerola
Live accompaniment: Ensemble Nylandia House Band

Website

Tickets

20/03/2026 19:00 CET

Monody Festival | Festiwal Muzyki Jednogłosowej On-site
Płocki Ośrodek Kultury i Sztuki Poland
Płock Cathedral, Płock, ul. Tumska 1, 09-400 Płock
Monody Festival | Festiwal Muzyki Jednogłosowej. March 20 - Diskantoers | March 21 - Ensemble Theleme | March 22 - Ensemble Gamut! | Start 19:00

21/03/2026 18:30 CET (21/03/2026 18:30 CET)

"Tempus est jocundum" Canti e Musiche per una festa medievale di Primavera On-site
Associazione Mozart - Lecce Italy
Museo provinciale "Sigismondo Castromediano", Museo Provinciale "Sigismondo Castromediano" - Viale Gallipoli, 30 - Lecce, 73100 LECCE
The program includes music from the "Codex Buranus" and other medieval codices. Songs and music dedicated to spring, wine, and good living.

Musicians Ensemble Concentus - Vania Palumbo: Canto, Citola, Persussioni; Michele Tricarico: Flauti a becco; Maurizio Ria: Viella, Quinterna; Angela Lacalamita: Liuto, Salterio; Giovanna Tricarico: Organo portativo, Arpa gotica, Organistrum

https://ensembleconcentuslecce.jimdofree.com/

https://www.facebook.com/profile.php?id=100079388228537&sk=photos

19/03/2026 20:00 CET

The Händel Passion On-site
Bachcelona Festival Spain
Fundación Salvat, Carrer del Gall, 30-36, 08950 Barcelona, Spain
This program of music by Handel and Bach recreates an extraordinary event: Good Friday, 1747, when J.S. Bach performed Handel arias in Leipzig during a performance of the Markus Passion.

Musicians
Salvat Soloists Mariana Rodrigues, soprano
Jana Corominas, mezzo-soprano
Itamar Hildesheim, tenor
Lluís Arratia, baritone
Bachcelona Consort
Katy Elkin, oboe
Vadym Makarenko,violin
Andrés Murillo, violin
Núria Pujolràs, viola
Guillermo Turina, cello
Daniel Tarrida, harpsichord and conductor

Website

21/03/2026 19:30 CET

Concert | *The Musical Offering On-site
Bach en Combrailles France
Opéra Théatre, 22 Boulvevard Desaix, 63000 Clermont-Ferrand
ONRA concert, as a prelude to the 28th edition (3 to 8 August 2026) of Bach en Combrailles. Several transcriptions for strings of L’Offrande musicale by Thomas Zehetmair.

Musicians
Auvergne-Rhône-Alpes National Orchestra
Thomas Zehetmair (conductor)

Website

Website

Instagram

21/03/2026 20:30 CET

Lusso e melancholia - Splendore e intimità nel tardo rinascimento strumentale On-site
Pontificio Istituto Ambrosiano di Musica Sacra (Pontifical Ambrosian Institute of Sacred Music ) Italy
Pontificio Istituto Ambrosiano di Musica Sacra (Pontifical Ambrosian Institute of Sacred Music ), Corso Garibaldi 116, 20121 Milano (Italy)
Concert with an orchestra of Renaissance instruments.

Musicians
Gruppo Musica Antica AIMA
Conductor: Ivan Pelà

Website

21/03/2026 20:30 CET

The Vocalitas Choir celebrates Early Music Day! On-site
Conservatoire de Châtenay-Malabry France
Église Saint-Germain l'Auxerrois, Place de l'église, 92290 Châtenay-Malabry
The Vocalitas Choir and the conservatory's early music classes will gather at the Church of Saint-Germain l'Auxerrois for a special concert in tribute to this musical genre.

Musicians
Vocalitas Choir conducted by Sophie BOUCHERON and accompanied by Hugues DELAUNAY
Early music classes conducted by Éric BRUNET

Instagram

Facebook

29/03/2026 18:15 CEST

Eisenhand – 650 Years of Oswald von Wolkenstein On-site
ReRenaissance – Forum for Early Music Switzerland
Barfüsserkirche, Historisches Museum Basel, Barfüsserplatz 7, 4051 Basel
Oswald's dazzling personality made him a legend: according to tradition, a magic spell lay upon his hand, causing every musical instrument he touched to break – earning him the name «Man de fyèr»: the Iron Hand.

Musicians
Grace Newcombe – voice, harp
Korneel Van Neste – voice
Raitis Grigalis – voice
Baptiste Romain – fiddle, bagpipe
Julian Anatol Schneider – narrator
Marc Lewon – lute, voice, direction

Website

Instagram

Facebook

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Edition 2026

Join the Global Celebration of Early Music

Search events

El Jardín de las Delicias :: Felipe II On-site

Concert & jam session On-site

"Conduisez les plaisirs dans les climats lointains !" - Les Meslanges On-site

Alla fonte della musica On-site

BAROCCO ITALIANO On-site

JAM-Session: Mona Lisa’s Mystic Smile On-site

BACH Continuo Online and On-site

John Dowland, 400 Years Later On-site

"Tempus est jocundum" On-site

Her Cup of Tea – music for virginal from the beginning of the 17th century On-site

O Sidera – taivaan kutsu Online and On-site

Café Barock: Suoni scordati On-site

Café Barock goes Early Music Day: O vezzoseta! & baroque karaoke On-site

Monody Festival | Festiwal Muzyki Jednogłosowej On-site

"Tempus est jocundum" Canti e Musiche per una festa medievale di Primavera On-site

The Händel Passion On-site

Concert | *The Musical Offering On-site

Lusso e melancholia - Splendore e intimità nel tardo rinascimento strumentale On-site

The Vocalitas Choir celebrates Early Music Day! On-site

Eisenhand – 650 Years of Oswald von Wolkenstein On-site